Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 21:38 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 52 · shots 108–110. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:1, frame:2, frame:3
- People
- woman with dark hair, wearing dark clothing, holding a cigarette visible, audible
- man with dark hair, wearing a patterned jacket and tie visible
- man playing saxophone, wearing dark suit and tie visible
- man in background, partially visible, wearing dark clothing visible
- Seen happening
- The woman and man are seated together in a dimly lit bar. [frame:1]
- A saxophonist performs in the bar. [frame:2]
- The woman and man remain seated as the woman looks upward. [frame:3]
- Seen
- cigarette [frame:1], saxophone [frame:2], jacket [frame:1, frame:3], tie [frame:2]
- Interpretation
- Model opinion, not evidence: mood: intimate and contemplative; themes: personal reflection, cultural observation, romantic tension; style notes: dim lighting, close framing, focus on facial expressions and musical performance
A man and a woman sit close together in a dimly lit interior while a band plays; a saxophonist is shown performing. The woman speaks about making one's way and questions the piety of an African.
“Sometimes. Mm-hmm. Well, we all have to make our way with whatever we were given.” 21:38 · “Oh, hasn't that African got any piety at all?” 21:49 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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