Street
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:07:32 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 134 · shots 328–331. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- street (street, exterior) evidence: frame:1, frame:2, frame:4
- People
- Harry Street (named at t:67:53): man in dark pinstripe suit and tie, dark hair, medium build visible, audible
- woman in dark coat with white flower corsage, pearl necklace, dark hair styled up visible, audible
- Seen happening
- The man turns and looks at the woman, appearing surprised. [frame:2]
- Also said
- “Aren't you, Mr. Harry Street, the writer?” 67:53 · “That's right, I'm afraid.” 67:56
- Seen
- pinstripe suit [frame:2], white flower corsage [frame:3], pearl necklace [frame:3], brick wall [frame:2, frame:4], street sign reading 'RENDIR' [frame:2, frame:4]
- Interpretation
- Model opinion, not evidence: mood: awkward, tentative; themes: mistaken identity, social encounter, recognition; style notes: medium close-ups, shallow depth of field, studio lighting on exterior set
A man and a woman have a brief, awkward encounter on a street; the woman apologizes for mistaking him for someone else and then asks if he is the writer Mr. Harry Street. The man confirms his identity.
“I beg your pardon. I thought you were someone else.” 67:37 · “They're my brother's children.” 67:47 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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