Public Reel

The Snows of Kilimanjaro · Beat 270 · permalink

Bedroom

1:27:29–1:28:50 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 1:28:061:28:06Frame at 1:28:471:28:47

Play from 1:27:29 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 197 · shots 451–452. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
bedroom (bedroom, interior) evidence: frame:2
People
  • Mr. Street (named at t:87:36): man lying in bed, dark hair, wearing dark shirt visible, audible
  • woman with dark hair, wearing dark hooded garment visible
Seen happening
  • A woman stands near a man lying in bed. [frame:1]
  • A man lies in bed, looking upward. [frame:2]
Also said
“I'm a little worse for many years. Wear and tear. You need rest, Mr. Streep. Yes, I need rest, Mr. Streep.” 88:11 · “I need a lot of things, Mr. Streep.” 88:23
Seen
bed [frame:2], pillow [frame:2], dark hooded garment [frame:1]
Interpretation
Model opinion, not evidence: mood: melancholic and intimate; themes: reunion, decline, fatigue; style notes: close-up framing, low-key lighting, high contrast between dark clothing and white bedding

A man lies in bed while a woman in dark clothing stands near him; dialogue suggests they are reuniting after a prior meeting. The man is addressed as Mr. Street and expresses fatigue and need for rest.

“Aren't you Mr. Harry Street, the author whom I met in the Place Vendôme?” 87:36 · “Yes, sir, Mr. Harriet Street.” 87:40 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Snows of Kilimanjaro (1952) at 1:28:06 (passage 1:27:29–1:28:50); US record: No renewal found

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