Public Reel

The Snows of Kilimanjaro · Beat 27 · permalink

Waterbody

7:27–7:49 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 7:297:29Frame at 7:407:40

Play from 7:27 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 19 · shots 52–53. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
waterbody (other, exterior) evidence: frame:1, frame:2
People
  • shirtless, dark-skinned, wearing blue patterned shorts, rowing visible
  • wearing a light-colored shirt, dark hat, shielding eyes with hand visible
Seen
boat [frame:1], oar [frame:1], hat [frame:1], distant shoreline with figures [frame:2], mountain silhouette [frame:2]
Interpretation
Model opinion, not evidence: mood: observational; themes: travel, exploration; style notes: wide shot composition, natural lighting, distant figures suggest scale

Two people are in a small boat on water; one rows while the other shields their eyes. A wide shot shows a distant shoreline with many small figures and a dark mountain silhouette.

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Snows of Kilimanjaro (1952) at 7:29 (passage 7:27–7:49); US record: No renewal found

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always the current cut
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warns if the beats are recut later
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