Public Reel

The Snows of Kilimanjaro · Beat 174 · permalink

Bedroom

58:33–59:00 Registered 1952

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 1 name checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 58:3658:36Frame at 58:4358:43Frame at 58:5358:53

Play from 58:33 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 122 · shots 273–275. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
bedroom (bedroom, interior) evidence: frame:1
People
  • man lying in bed, wearing light-colored shirt, appears middle-aged visible, audible
Seen happening
  • A man lies in bed speaking. [frame:1]
  • Sailboats are shown on water near a coastal town. [frame:2]
  • A book titled 'THE RED HAT' is shown. [frame:3]
Also said
“I wrote a book about her, too.” 58:43 · “It wasn't about Spain or Africa or anything that I cared about.” 58:50
Seen
book, sailboats, bed
On screen
THE RED HAT by HARRY STREET
Interpretation
Model opinion, not evidence: mood: reflective and melancholic; themes: memory, regret, literary creation; style notes: static close-up on the man, wide shot of sailboats, tight focus on book cover; lighting is soft and naturalistic

A man lies in bed speaking about past relationships and books he wrote. A cutaway shows sailboats near a coastal town, followed by a close-up of a book titled 'THE RED HAT' by Harry Street.

“You know, son,” 58:34 · “There was one woman. And what a woman.” 58:36 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from The Snows of Kilimanjaro (1952) at 58:36 (passage 58:33–59:00); US record: No renewal found

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