No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6794 of 1936 by Grand National Films, Inc was not renewed in the volumes searched. Record.
488 shots over 1:00:36, read from the Internet Archive copy captain_calamity (captain_calamity.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Captain Calamity No renewal found. JSON
Measurements: colour film on its keyframes (485 of 488 shots judged colour), average shot 7.5s long, a frontal face detected in 37% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1936 (Internet Archive).
198 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
Model synopsis: Two men are shown individually through life preservers, each with a name and character role written on the ring. The setting is on water, with no other context provided in this beat.
Named: George Houston (frame:1), Juan Torena (frame:2). 2 people observed.
Model synopsis: A sailboat is seen on the water, followed by scenes inside a vessel with several men, one of whom is shirtless and another wearing a pith helmet. A man speaks about a drunken sailor and a woman named Bill, referencing her position and an itch.
Named: Bill (t:1:12). 6 people observed.
“What shall we do with a drunken sailor? What shall we do with a drunken sailor? What shall we do with a drunken sailor? Early in the morning…” 1:12 · “There she is, Bill. Sailing right across your shoulder blades.” 1:12
Model synopsis: An older man with white hair speaks about a ship named Marigolds while seated near a shirtless man and another man in a hat. A sailboat is visible on the water in the background.
Named: Bill (t:1:35). 3 people observed.
“Your marigolds are a sweet little ship, Bill. Good stuff in her, too. I helped lay the keel myself.” 1:35 · “Independent training in the islands ain't what it used to be.” 1:42
Model synopsis: Three men are present in a dim, enclosed space with barrels and nets; one speaks of lost trade and heartbreak. A fourth man in a pith helmet appears in a later shot, speaking to the shirtless man.
Named: Mr. Carr (t:2:01). 4 people observed.
“Company Schooners out of Sydney gets the cream of the trade.” 1:47 · “I can get a load of copra from Jim. Only to find the Walla Waga benchman in and got the last of it and sailed on his wildfire. It was Walla …” 1:51
Model synopsis: A shirtless man sits beside a seated woman and a lying elderly man; dialogue references 'Jim', 'Mary', and 'Bill'. The setting appears to be a rustic interior with wooden walls and natural light.
3 people observed.
“Just like Jim here do to me if I should steal his Mary.” 2:19 · “"Train so, Bill. You can have anything I got."” 2:24
Model synopsis: A shirtless man speaks to another man lying down before walking toward a sailboat on a beach. The dialogue indicates they are preparing to sail as the tide comes in, and the speaker bids farewell to someone named Mary and asks that Jim be told goodbye.
Named: Mary (t:2:40). 4 people observed.
“Well, tide's coming in.” 2:37 · “We gotta go out on it. Come on if you're sailing with me. So long, Mary. Tell Jim goodbye for me when he wakes up.” 2:40
2:52Model synopsis: Two people stand on a beach looking at a sailboat on the water. The scene includes a thatched structure and a log on the sand.
2 people observed.
Model synopsis: Three men are on a beach near a sailboat; one is introduced as Mr. Carr, a passenger being taken to Tapillo. The scene ends with the men silhouetted against the water as daylight fades.
Named: Mike (t:2:56), Mr. Carr (t:2:56). 5 people observed.
“We got a passenger, Mike. Mr. Carr.” 2:56 · “Mike is mate and chief cook and supercargo and steward aboard the Marigold.” 2:56
3:25Model synopsis: A sailboat with multiple sails is on the water, with at least one person visible on deck and another climbing the rigging. The background shows a distant shoreline under a clear sky.
3 people observed.
3:30Model synopsis: A shirtless man stands at the helm of a sailing vessel under a clear sky. The scene is shot from a medium distance, showing the ship's wheel and rigging.
1 person observed.
3:35Model synopsis: Three shirtless men are on the deck of a sailboat near a rocky coastline. One man sits on a barrel while another stands nearby; the third is partially visible behind them.
3 people observed.
3:38Model synopsis: A shirtless man wearing a dark cap is shown against a solid blue background. No dialogue or additional context is provided in this beat.
1 person observed.
3:42Model synopsis: A sailboat is visible on open water under a clear sky. No people, dialogue, or on-screen text are present in the frame.
Model synopsis: Men work on a sailing ship near a rocky shore; one man stands at the helm while others handle ropes and the anchor. The transcript includes shouted commands about measuring depth and dropping anchor.
5 people observed.
“Reef 2! Come back below! Look where you go and pay out astounding line! A astounding line!” 3:46 · “Heed 2 and measure the depth! We'll measure our depth! It's 14 fathoms now! And drop it to 9!” 3:46
Model synopsis: A shirtless man in a sailor hat stands on a sailing ship under a clear sky, with other crew visible on deck and in the rigging. The transcript includes a sung verse about being 'riders of the rolling sea' and sailing uncharted waters.
2 people observed.
4:41Model synopsis: Three shirtless men are visible on the deck of a ship, with a mountainous coastline in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A shirtless man in a cap shouts orders on a ship's deck as other crew members work nearby; the sea and a rocky shore are visible in the background. The transcript indicates he is announcing their approach to land.
3 people observed.
“Every level on deck. Listen, all you sailing men. We're coming to land again.” 4:46 · “All right.” 4:57
Model synopsis: Four men are on the deck of a ship; one speaks about a steamer stopping at the dock and mentions love sickness. The men wear sailor or tropical attire, and one is seen handling a rope.
4 people observed.
“The scum of the South Seas. The Maori mate, she sail pretty quick, Captain. Better hurry. She's the only steamer stopping here for a mont…” 4:59 · “Not that I ain't broken a lot of hearts in me time. Oh, well. Winter Rover, always a Rover.” 5:16
Model synopsis: Two men are in a small boat near a larger vessel; one man speaks about forgetting a woman and a gold piece, then another man dives from the larger ship into the water. The scene takes place on water with no clear indication of time of day.
3 people observed.
“It'll be a long time before I look at another woman.” 5:22 · “She gave me this to remember her by. All I want now is to forget. Hey, that looked like money. It was once. A lucky gold piece. A gold …” 5:26
Model synopsis: Two men are in a small boat near a larger vessel; one is in a captain's hat and the other in a pith helmet. They discuss a Spanish Dublun and a shark while one man holds a knife.
3 people observed.
“today? I'd have gone after it myself. Oh, Mike will get it. He's the best underwater man on the island.” 5:46 · “Is it good to spend? Some people might want it. Well, then why don't you say so? Here's me without a copper in my pocket, let alone a gold p…” 5:53
Model synopsis: A woman and a man are seen on a boat, followed by two men in conversation; one man later dives into the water. The transcript includes greetings, mentions of a hotel and a sailing trip, and a suggestion to change one's mind.
Named: Mike (t:6:26), Mr. Carr (t:6:26). 4 people observed.
“Hello, Captain Bill. Loving kisses. Hello, Anana. This is Mike's bad luck. Meet Mr. Carr.” 6:26 · “Mmm, he's nice. I like him. You come to see at Mammy's Hotel? We show you a good time.” 6:26
7:07Model synopsis: A group of people is visible on a ship's deck near railings, with one person gesturing while speaking. The transcript includes a line spoken at 6:56 about 'they're all alike,' suggesting a character's exasperation.
4 people observed.
“time enough for that later what did i tell you they're all alike uh...” 6:56
7:27Model synopsis: A man in a light suit and white hat leans over a railing to help another man in dark clothes who is in the water. The scene takes place on a ship with water visible below.
2 people observed.
7:53Model synopsis: Two men walk along a palm-lined street while discussing a woman who married into a grocery store; one suggests getting a drink and trying a job. The scene is set outdoors under daylight with palm trees and other pedestrians visible.
4 people observed.
“I know a name in this town was kind of sweet on me once. We'll look her up.” 7:56 · “What good will that do? She married into a grocery store.” 7:56
8:18Model synopsis: A man in light trousers and a dark vest stands on a beach near a wooden pier and a thatched hut, gesturing toward the water while speaking. The transcript suggests a negotiation about trade goods and settling a prior debt with a local vendor.
1 person observed.
“I got a cargo trade goods in stores were to keep going the worst of the only guy on the beach that sells the stuff we need but you don't owe…” 8:26 · “yeah I put the old cheap in the nose too it may hurt my credit a little all you fix him up hey how about that great captain standby I'll com…” 8:26
8:39Model synopsis: Three men stand on a ship's deck near the sea; one speaks about settling a debt with a beach vendor and mentions a bottle of booze. No names are spoken, and no interior or time-of-day cues are visible.
3 people observed.
8:53Model synopsis: A dimly lit, cluttered interior with two figures seated at a counter under a hanging object. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men are in a dimly lit interior space, one seated at a counter and the other standing; they appear to be conversing. One man wears a dark uniform and cap, the other a blue shirt and cap; the seated man holds a bottle.
Named: Captain Jones (t:8:56). 2 people observed.
“and she got no great for your old sparring partner captain jones yeah when you want to make” 8:56
Model synopsis: Two men are seated at a bar, one in a dark suit and bow tie, the other in a blue work shirt and cap; they converse while a bottle sits between them. One man addresses the other as 'Diablo' and gestures toward something off-screen.
Named: Diablo (t:9:25). 2 people observed.
“here we are” 9:11 · “It's how, Joplin?” 9:15
Model synopsis: Two men examine a gold coin in a dimly lit interior; one identifies it as a Spanish tabloon used by pirates. The scene includes dialogue about its value and historical use.
2 people observed.
“Know what it is?” 9:31 · “Looks like gold. What do you take for it? A couple of dollars? A couple of dollars.” 9:34
9:54Model synopsis: A group of people in patterned dresses and sarongs are gathered on a wooden platform at night. One person sits with their back to the camera while others stand or move in the background.
6 people observed.
Model synopsis: Two men stand on a pebble beach near water in one shot; a group of people, including women in patterned dresses, are gathered on a wooden platform near a building in another. No dialogue or on-screen text is present in these frames.
3 people observed.
10:25Model synopsis: Two men sit at a bar, one in a bowler hat and the other in a sailor cap, conversing about treasure. The setting is dimly lit with bottles visible on shelves behind them.
Named: Joblin (t:10:25). 2 people observed.
“Maybe a treasure island, Joblin.” 10:25 · “Was there much treasure? Much?” 10:29
Model synopsis: Two men converse in a dimly lit interior; one wears a cap and work jacket, the other wears glasses and a bow tie. They discuss the value of cakes containing unspecified items and the potential for collaboration.
2 people observed.
“Look.” 10:35 · “How much do you think a couple of cakes, chock-a-block full of those things, would be worth? Oh, my soul.” 10:36
10:56Model synopsis: A person in a dark shirt is seen from behind, facing another person in a dimly lit interior space. The transcript contains a single line of dialogue: 'Fine, fine.'
2 people observed.
“Fine, fine.” 10:55
11:01Model synopsis: Two women in patterned dresses dance on a wooden platform while seated men watch. The setting appears to be an outdoor or semi-outdoor structure with wooden beams and a thatched or rustic roof.
6 people observed.
11:02Model synopsis: A group of people in patterned dresses and casual attire are gathered on a wooden platform at night; two women dance while others watch. A shirtless man sits in the foreground with his back to the camera.
7 people observed.
11:04Model synopsis: A man and a woman pose together in swimwear near a wooden structure. The woman wears a floral one-piece swimsuit and beads; the man wears a striped shirt and a beret.
2 people observed.
11:06Model synopsis: A woman in a floral swimsuit and a man in a striped shirt and beret stand together near a wooden structure. No dialogue or on-screen text is present in this beat.
2 people observed.
11:07Model synopsis: A man in a striped shirt and beret stands beside a woman in a floral dress holding a flower; they are in a dimly lit interior with wooden structures. No dialogue or on-screen text is present in this beat.
2 people observed.
11:09Model synopsis: A woman in a floral swimsuit stands beside a man in a striped shirt and beret, holding a flower near his face. The setting appears to be a dimly lit interior with wooden structures visible.
2 people observed.
11:15Model synopsis: A man and a woman interact closely in a dimly lit interior; the woman is smiling while the man holds her hand. The transcript includes a greeting and the name 'Banana' being spoken twice.
2 people observed.
“Hello, Sherry. Hello. What's your name? Banana. Banana.” 11:13
Model synopsis: Two men are seen on a beach at night, followed by a scene inside a dimly lit structure where a man in a striped shirt is restrained by others while a woman in a swimsuit stands nearby. No names are spoken that can be attached to the individuals shown.
7 people observed.
11:44Model synopsis: A person in a blue shirt and light-colored pants is bent over on a pebble beach near the water's edge. The scene is outdoors with waves visible in the background.
1 person observed.
Model synopsis: Four people stand together in a dimly lit interior; one woman smiles while holding an object. A voice asks what happened and notes she has been fighting.
5 people observed.
Model synopsis: A man in a striped shirt is confronted and then subdued by others in an outdoor setting with gravel ground and trees. The transcript includes shouted encouragement and a claim that the fight is now the speaker's own.
Named: Mike (t:11:55), Chef Drake (t:11:55). 6 people observed.
“Come on, Mike. Get him, Mike. Go ahead, do it now, Mike.” 11:55 · “That's a crazy fool. Come on, Mike. Let me go again, Captain.” 11:55
Model synopsis: Two men greet each other on a beach, exchange dialogue, and embrace. One man is seen lying on the ground during the interaction.
Named: Bill (t:12:32). 2 people observed.
“It's good to see you again, Bill.” 12:32 · “It's good to see you, too. You know, of all the guys I don't like, you're the one I like most. Get in there. Look! Yes!” 12:38
Model synopsis: Two men are on a beach; one is lying down while the other leans over him, then they stand and one places a hand on the other's shoulder. The transcript includes brief dialogue about agreement and thanks.
2 people observed.
“Well, how about it?” 12:52 · “Plenty. Thank you very much.” 12:55
Model synopsis: A man in a striped shirt and a man in a dark vest interact with a woman in a white dress inside a dimly lit room with rustic decor. The transcript includes greetings, a name reference, and dialogue about brandy and optimism.
Named: Sam Siquiette Marvell (t:13:07). 3 people observed.
“Dear man! - Hi, ma'am! I'm glad to see you.” 13:03 · “is uh... monsieur Sam Siquiette Marvell” 13:07
13:31Model synopsis: A man in a striped shirt and light trousers stands with his back to the camera, facing a dark doorway. The setting appears to be an interior room with a wall-mounted lamp.
1 person observed.
13:32Model synopsis: A man in a striped shirt and light trousers stands in a doorway, holding the door open. The room has a wall-mounted lamp and a plain interior.
1 person observed.
13:34Model synopsis: A man lies in bed under a mosquito net. The scene is dimly lit and appears to be indoors.
1 person observed.
Model synopsis: A man in a striped shirt and cap speaks to another man lying in bed under mosquito netting; the dialogue suggests a reunion after a period of separation. The setting appears to be a dimly lit interior, possibly a cabin or small room, with minimal furnishings visible.
Named: Monsieur Samson (t:13:36). 2 people observed.
“Hey, wake up before you shoot, Monsieur Samson.” 13:36 · “Here.” 13:41
Model synopsis: A man in a sailor's cap and a woman in a light dress are shown in close-up, discussing treasure and gold. The man is asked about the value of what he found, and the woman mentions townspeople's assumptions about his ship.
Named: Thatcher (t:13:52). 2 people observed.
“Gold, I'm sure it's real gold. Thatcher, you know how these buried treasure tales have been going through the islands all these years?” 13:52 · “It's about time somebody found some, don't you think? How much did you get, Bill?” 14:00
Model synopsis: A woman and a man in a cap have a brief conversation in an interior setting. The man mentions he must leave to see someone, and the woman acknowledges his luck.
Named: Bill (t:14:19). 2 people observed.
“Course I haven't really” 14:16 · “All I've got is this one little piece of a sample. I know you, Bill. You always was lucky. Yeah, I won't deny that.” 14:19
Model synopsis: A man and a woman interact in a dimly lit interior; the man speaks to the woman, who then sits alone at a table. The dialogue indicates a request for money and a farewell.
Named: Bill (t:14:42). 2 people observed.
“Well, so long. So long, Bill.” 14:42 · “So, here I am, my friend. Badly in need of money. Suggest you get it for me.” 14:47
Model synopsis: Two men are in a room; one in a striped shirt speaks urgently to another in a tank top. A woman in a robe enters and confronts them. The dialogue indicates a demand for money and a need to talk quickly.
4 people observed.
“So, here I am, my friend. Badly in need of money. Suggest you get it for me.” 14:47 · “Very quick.” 14:55
Model synopsis: Two people argue in a dimly lit interior; one claims to have seen Captain Bill Jones with pirate treasure. The transcript includes dialogue about gold and a warning not to intrude on secrets.
2 people observed.
“It's private. Ooh, never would I intrude upon two lover secrets.” 15:11 · “That big lunkhead, Captain Bill Jones, has found a pirate treasure. Gold, Sam, he's gone out aboard his boat. A pirate treasure. Are you …” 15:25
Model synopsis: Two men converse on a pebbled shore near a wooden structure; one mentions waiting for the Captain and having a date with Joplin, while another arrives. The setting includes a beach and a hillside, with one man holding a coat.
Named: Mike (t:15:53), Captain (t:15:57), Bert (t:16:05). 3 people observed.
“Hey! Hey, Mike! Mike! Huh?” 15:53 · “Oh, we wait for you, Captain. Well, I'm staying ashore. I've got a date with Joplin. Where's Bert?” 15:57
Model synopsis: Three men in swimwear pull a small boat onto a pebbled shore while a ship is visible offshore; in a separate shot, a man in a sailor’s cap talks to a woman in dark clothing near a wooden structure. A voice says 'Come back here with us.'
5 people observed.
Model synopsis: A man in a light shirt speaks with another man in a dark shirt inside a thatched structure; a woman in a floral dress enters. Dialogue references a past fight and breakfast.
Named: Bill (t:16:30), Doc (t:16:30). 3 people observed.
“Don't leave a waiting test, Captain!” 16:27 · “Hi, Doc. Hello, Bill. Long time O.C., Doc. That's right. I was unconscious last time you made the peel. My old enemy here had me down. Yeah,…” 16:30
Model synopsis: Two men sit at a table, one older and one younger in a cap, discussing a doubloon found in a lagoon. A woman in a floral dress is briefly visible in a doorway before the camera returns to the men.
Named: Doc (t:17:14), Bill (t:17:00). 3 people observed.
“Here's to your appetite, Bill. It's never failed me yet. How's yours? You look fit.” 17:00 · “Oh, I'm about the same. I exist on this mostly. You can't teach a besotted old stomach new tricks.” 17:00
17:25Model synopsis: Two men sit at a table with drinks; one holds a spoon and smiles while the other, in a cap, laughs. The setting appears to be an indoor bar or restaurant with wooden paneling and bottles on the table.
2 people observed.
Model synopsis: Two men are seated at a table in a dimly lit interior, discussing a treasure and a character named Captain Jones. One man, wearing glasses and a dark suit, confronts the other, who wears a light-colored hat and smokes a pipe, about the treasure and a person named Joblin.
Named: Joblin (t:17:34). 2 people observed.
“What's this yarn about Captain Jones and his treasure? Treasure? I don't know anything about any treasure. Don't lie to me, Joblin.” 17:34 · “Mamie he was over here talking to you. The fool, laughing at all over Tom. How much has he got? Did he, did he say? You would never believe …” 17:44
18:44Model synopsis: A man in a dark robe holds a black object while standing in front of a thatched wall. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men sit at a table with food and drink, one in a shirt and tie, the other in a cap and work shirt. The man in the cap speaks about a woman's look, and the scene cuts to a close-up of him against a snowy background.
Named: Bill (t:18:49). 2 people observed.
“What's the matter, Bill? Did you see the way she looked at me?” 18:49 · “Yeah, it seemed to register.” 18:49
19:02Model synopsis: A woman in a white dress stands in a cluttered room, holding a newspaper near a fireplace. The room contains a hanging dress, a mirror, and floral arrangements.
1 person observed.
19:05Model synopsis: A person adjusts a white garment while standing in a cluttered room with a window and hanging clothes. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men discuss a woman named Madge and a murdered man, Dodd Lewis, while seated at a table with food and drink. A woman in a white shawl and another in a patterned dress are shown holding clothing items in a separate scene.
Named: Captain Bill (t:19:08), Madge (t:19:14). 4 people observed.
“Captain Bill, not then, Mr. Lewis.” 19:08 · “No, she's the daughter of an old friend.” 19:12
Model synopsis: Two men and a woman sit at a table with food and drink; one man is addressed as Captain Bill and congratulated on a treasure. The conversation reveals suspicion toward someone named Joblin and mentions the treasure being widely known in town.
Named: Captain Bill (t:20:00). 3 people observed.
“Joblin's a dirty crook. Well, I'm almost sure of that.” 19:39 · “truth out break every ribbon is chest one by one but you can't do that bill what's the matter job lines the matter always has been the chea…” 19:44
Model synopsis: Four men sit around a campfire at night, one holding a pan, discussing pirate treasure and the quantity of gold. The conversation references Captain Bill, Calvo Island, and conflicting numbers of barrels or kegs of gold.
4 people observed.
“I got it straight from Captain Bill's mate. They brought back a whole fortune in gold pieces.” 20:12 · “I know a man who saw the gold. Pieces of eight. Vanished the blooms.” 20:12
Model synopsis: Four close-up shots show different men's faces with intense expressions; one wears a hat. No dialogue or environmental context is provided in the frames or transcript for this beat.
4 people observed.
Model synopsis: A man lies on his back looking upward. A group of men in hats gather around a table, reacting to news of gold found in a cave. No names are spoken, and no specific location is identified beyond the interior setting.
2 people observed.
“Gold? Did you hear? Those guys found gold.” 20:42 · “Oh, gold. Pirate gold, Mike? Gold. Gold and gold. In the cave.” 20:42
21:13Model synopsis: A group of men in a dim interior setting, some wearing caps, are gathered closely; one man smokes while another looks on with arms crossed. A voice says not to follow, then mentions Captain Bill being alive in Wittehan.
Named: Captain Bill (t:21:19). 5 people observed.
“Don't follow me, lad.” 21:12 · “Never mind.” 21:16
21:29Model synopsis: A man in a blue shirt speaks animatedly while others listen closely in a dimly lit interior; one man smokes a cigarette. The transcript includes prompts for him to continue speaking.
4 people observed.
“Tell us more about it. Go ahead.” 21:24 · “Come on, tell us about it. Come on.” 21:24
21:38Model synopsis: Three women in evening attire are shown in close proximity, smiling and interacting. No dialogue or environmental context is provided in this beat.
3 people observed.
Model synopsis: A woman in a striped dress scolds two younger women at a table with food and drink, while a man at the same table reacts to talk of treasure. The dialogue suggests the treasure story is a myth.
5 people observed.
“What's the matter with you girls? Haven't you got anything better to do than to talk about treasure? There's customers to wait on. Come o…” 21:42 · “You know Captain Bill's mate. What did he tell you about it? Oh, mate, tell me. The foreign hedgehog report is so full of gold, you're wa…” 21:54
22:27Model synopsis: Two men sit at a table with a bottle and glasses; one wears a light shirt and tie, the other a dark cap and vest. No dialogue or on-screen text is present in this beat.
2 people observed.
22:36Model synopsis: A man in a cap speaks to a seated man and woman at a table with a bottle and dishes; the transcript includes a farewell to 'Miss Lewis'. No named characters are visually identifiable beyond the spoken reference.
Named: Miss Lewis (t:22:35). 3 people observed.
22:40Model synopsis: A man and a woman stand under a thatched shelter near the sea. A table with a checkered cloth is between them, and a fence runs along the shore in the background.
2 people observed.
Model synopsis: A man and a woman stand indoors; the woman speaks about a past rescue by Captain Bill. The man listens, then looks down at a paper while holding a pipe.
Named: Bill (t:22:43). 2 people observed.
“Poor Bill. He's flat broke.” 22:43 · “Oh, I'm sorry. You know he's been a hero to me ever since I first saw him. What, you met Bill before? Remember when the steamer McCulloug…” 22:47
Model synopsis: A woman in a blue dress speaks about a man named Bill while interacting with two men, one of whom she touches on the shoulder. The setting appears to be an interior space with plain walls and minimal decoration.
Named: Bill (t:23:12). 3 people observed.
“Bill shows up best in storms and fights.” 23:12 · “The minute I saw him, I knew he was my Captain Bill.” 23:12
Model synopsis: A man in a white suit and hat walks toward a doorway where another man and a woman stand; dialogue suggests a playful, flirtatious exchange involving scent and romance. The setting appears to be a coastal structure with a thatched roof and ocean view.
3 people observed.
“Good morning, my... Morning, Doctor. Morning, Warren. How sweet and cool you look, Dad.” 23:37 · “just like a jasmine in a garden. Listen, you smell like one, Warren. Now, Doctor, a touch of scent doesn't owe it any harm. I'd rather have …” 23:42
Model synopsis: A man and a woman converse indoors; the woman wears a blue shirt with a bow tie and the man a light suit. The transcript indicates concern about staying in a doctor's house and mentions people talking.
2 people observed.
“Madge, I don't think the Doctor likes me. Oh, it's just his way.” 24:07 · “either. And I don't think you should stay here in his house. People are beginning to talk. That's ridiculous. I'm only thinking of your own …” 24:12
24:37Model synopsis: A beachside scene with people walking near palm trees and a thatched structure; a line of dialogue questions someone's living situation. No named characters or clear indoor setting are shown or stated.
1 person observed.
“Why don't you madame? You can't go on living like this.” 24:42
Model synopsis: A man and a woman converse in a dimly lit interior; the man wears a white suit and the woman a blue shirt with a bow tie. The transcript mentions Captain Bill Jones, a treasure, and an investment, and includes a line about breakfast and a passenger list.
2 people observed.
“Have you heard of Captain Bill Jones, Mr. Warren? Heard of him? Who hasn't? They say he's found a great treasure somewhere.” 24:53 · “Yes, yes, I know. But he needs capital to go after it. Now, if you would invest, say, oh, a thousand dollars without letting him know that…” 24:53
Model synopsis: A shirtless man works with a bucket and rope near water, then a bald man peers through a porthole. The setting appears to be on a ship near a rocky shore.
2 people observed.
25:55Model synopsis: Two men sit on a boat deck; one is identified as Bill, the other as Dublin. The conversation reveals Bill has not met the passengers again and comments on their appearance.
Named: Bill (t:25:53), Dublin (t:26:08). 2 people observed.
“Have you ever met any of them since? The passengers, I mean. No, and I'm glad of it.” 25:53 · “There wasn't a good-looking gal in the bunch. I looked them all over careful, like the same as I always do.” 25:53
Model synopsis: Two men converse on a ship's deck; one in a captain's hat and light shirt, the other in a suit and white hat. The dialogue references fumigation, doubloons, and security for visitors, with one man expressing disappointment in the other.
Named: Bill (t:26:12). 3 people observed.
“Don't you think we could go below and have a little conversation, sort of private-like? We're fumigating below to keep out the rats.” 26:12 · “But you'll have to have stores, Bill. You know, you can have anything we've got.” 26:12
26:51Model synopsis: A group of men are on the deck of a ship; one stands near the railing while others sit or move about. The ship is on water, with a small boat visible alongside.
3 people observed.
Model synopsis: A woman and a man in a suit board a ship from a small boat, greeted by a sailor. The woman speaks to the sailor, recalling a past meeting, while another man in a straw hat is helped aboard.
Named: Captain Bill (t:26:54), Miss Lewis (t:26:57), Mr. Warren (t:27:12). 5 people observed.
“Hello, Captain Bill.” 26:54 · “May we come aboard? Well, hello, Miss Lewis. I'm glad to see you.” 26:57
Model synopsis: Three people interact on a ship's deck; one man is introduced as Captain Bill Jones and another as Mr. Guy Warren. A woman and a man in a suit are also present, and the group prepares to tour the ship.
Named: Captain Bill Jones (t:27:42), Mr. Guy Warren (t:27:42). 4 people observed.
“Careful, will you? You don't need to tear my arm out of its socket.” 27:37 · “Thought you had some meat on those bones. Oh, Captain Bill Jones, Mr. Guy Warren. How do you do, Captain?” 27:42
28:08Model synopsis: Two people stand on a boat near water with hills in the background. One wears a light suit and hat; the other wears a dark shirt and cap.
2 people observed.
Model synopsis: Two men argue on a boat near a hillside; one offers money to deceive a woman about an investment, which the other refuses. A woman joins them as they prepare to leave the city.
3 people observed.
“Yeah. Can you blame me for loving her? Loving her? You? Yes.” 28:13 · “She wants me to invest a thousand dollars in your next treasure voyage. The devil she does. Yes. If I do, she'll marry me.” 28:20
Model synopsis: Two men converse on a ship's deck; one suggests poisoning a rival suitor, then proposes marriage to the woman in question. The setting is clearly a vessel at sea, with rigging and ocean visible.
2 people observed.
“Did you know she was thinking of marrying that fuzzy old lobscouse?” 29:12 · “If you're a doctor, you could poison the old buzzard.” 29:12
Model synopsis: Two men converse on a ship's deck; one, in a captain's cap, speaks with the other, an older man in a suit. The dialogue reveals a plot involving a woman, a trader named Mackenzie, and a threat of marriage to 'old man Warren,' which the speaker vows to prevent by making her a 'pirate queen.'
2 people observed.
“Well, they had some sort of misunderstanding. He must have been a dumb fool. Who is he? Well, a young trader by the name of Mackenzie.” 29:43 · “He's the best, but he needs a-going over giving up a gal like that.” 29:43
Model synopsis: Two men are on a ship's deck, one in a sailor's cap and work clothes, the other in a suit, discussing money. A third man in a beret joins them at a table with food, and another man in work clothes serves the meal.
4 people observed.
30:25Model synopsis: A man in a sailor's cap smokes while another man in a work shirt stands beside him on a ship; the transcript includes a line about twenty dollars. The scene is set on a ship with visible rigging and sea in the background.
2 people observed.
31:03Model synopsis: Two men on a ship discuss a plot involving drugged coffee and treasure, while one identifies himself as the ship's mascot. The setting is aboard a vessel at sea, with no visible land or other people nearby.
2 people observed.
“Bird, Skip, I didn't steal that money. A fellow gave it to me to put some stuff in your coffee.” 30:29 · “And then he and his mates are coming aboard to find our treasure.” 30:42
31:50Model synopsis: Two people on a boat discuss sailing plans and a marriage arrangement; one is shirtless and assisting the other. The conversation includes references to a chaperone, raising money, and marrying young Mackenzie.
Named: Bill (t:31:56), Doc (t:31:56). 2 people observed.
“Well, wait a minute. I've been thinking. A girl like you alone on a schooner with a guy like me? Maybe we ought to have a chaperone. That's …” 31:46 · “Why don't you come along? Sure, Doc. Everybody knows you're on the level. The voyage would do you good. Not a bad idea. I'd like to get away…” 31:56
Model synopsis: A man in a white shirt and tie floats in dark water. Another man, shirtless, leans from a boat to help him. A small boat with several people is nearby, and one man on the boat points toward the water.
5 people observed.
32:35Model synopsis: A shirtless man stands on the bowsprit of a sailboat at sea. No dialogue or on-screen text is present in this beat.
1 person observed.
32:46Model synopsis: A shirtless man stands on a ship's deck near rigging and ocean; dialogue reveals a plot to poison someone's coffee. No names are spoken that can be assigned to visible individuals.
1 person observed.
“Hey, Captain. What? Hey, Skip, come here. Come here.” 32:42 · “That fellow that gave me the money, he came aboard to see me while you was out fixing the gym. He said that tonight's the night I have to p…” 32:49
33:08Model synopsis: Two men are in a boat; one is shirtless and leaning over the other, who is lying down. The transcript reveals a plan involving drugging gin for a crew, with one man criticizing the other for not extorting more money.
2 people observed.
“Here's the stuff. Did you get any more money out of him?” 32:56 · “Ah, you don't understand the business of being a proper crook. A crook promises and gets paid. Then he backs down and gets more pay.” 32:56
Model synopsis: A man is shown in profile in a dark interior, then a wider shot reveals another figure lying down, possibly unconscious, near a hat and a light source. The transcript includes dialogue about a crew getting drunk, being knocked out, and someone's biscuits burning.
2 people observed.
“When the crew gets good and drunk, he and his mates come aboard and get the gold. Then you get knocked in the head. Oh, sure. He's a nice …” 33:26 · “My biscuits are burning.” 33:43
Model synopsis: Two men are inside a dimly lit, cluttered interior space, possibly a ship's hold or cabin, discussing searching for something below decks. One man holds a tool while the other urges haste, and a third person is visible lying down in the background.
4 people observed.
“See them land down there? The big lug. That gives us the whole night to work in. We'll tear this tub's ribs from the keel till we find it…” 34:16 · “Yeah, I got him right here. Come on, come on, let's go.” 34:27
34:39Model synopsis: A man lies still with eyes closed in a dimly lit interior. No dialogue or action occurs in this beat.
1 person observed.
34:49Model synopsis: A man in a white shirt and glasses holds a pistol while leaning forward in a dimly lit interior. Another person is partially visible to the right, and a third figure is seated to the left.
3 people observed.
Model synopsis: Two men argue in a dim interior while a third man is seen lying down, possibly injured. A fourth person is briefly visible in darkness, and dialogue references hitting and watching someone near a bulkhead.
4 people observed.
“Ah, I like cracking over the head. You ain't going to.” 34:53 · “old as any man's can get it. But no hitting of a man what's been dropped. Look here. He's been talking with a bulkhead here. Most natural t…” 34:56
Model synopsis: In a dimly lit ship interior, a man in a blue shirt holds a gun on two seated men while another man in a blue jumpsuit stands nearby; a bald man in a blue work jacket later appears holding a small box. Dialogue suggests a confrontation over stolen treasure and a threat of imprisonment.
6 people observed.
“Take it.” 35:26 · “A boy to steal my treasure, eh? Jobless. So you're the guy behind this, eh? I suppose you know it means prison for all three of you. It …” 35:31
Model synopsis: Two men discuss drugging someone with coffee while a third man, wearing a hat and bow tie, looks on. The conversation includes a threat to knock teeth out and a request for store orders.
3 people observed.
“Captain, let me put some of that stuff he sent for you in a cup of coffee and give him a nice drink, huh? Right. Well, pour it down as sort …” 36:11 · “No, no, no, Bill. You wouldn't do that. Then do I get an order for all my stores, all I need?” 36:11
36:37Model synopsis: Two men are shown in a medium close-up; one speaks about theft of a treasury. The setting appears to be an interior space with plain walls and minimal decoration.
2 people observed.
36:42Model synopsis: A dark, cloudy sky hangs over a body of water with a pier and a small boat visible. No people or dialogue are present in this beat.
Model synopsis: A man and a woman speak on a ship at night; a swimmer approaches. The woman is described as good luck for the captain, who is named Bill.
Named: Bill (t:36:45). 4 people observed.
“I'm waiting for a hat full of wind. It'll come with a tide at eight bells. Then we'll up anchor and sail.” 36:45 · “Oh, I'm so glad to be aboard your ship. I'm happy, Bill. Good. So am I.” 36:45
Model synopsis: A man and a woman are on a boat at night; the man speaks of going ashore to find Mike, warning of a possible trap. Another man is visible in the background as the woman is told to be taken care of by Madge.
Named: Captain Bill (t:37:30). 4 people observed.
“well take it easy and i know what's happened it's my captain bill you're going to quickly kill him” 37:30 · “It's not the thing you're gonna kill Mike if you don't tell.” 37:40
Model synopsis: A man in a fedora and suit holds a woman on a boat at night while another man in a striped shirt bends over the railing. A boy in a light shirt stands nearby as dialogue suggests offering dry clothes and keeping guard.
4 people observed.
“Well, come below and I'll get you some dry clothes.” 37:54 · “Gee, if I was a well-man-skipper, I'd go with you.” 37:54
Model synopsis: A woman helps another woman with her dress indoors, then the scene cuts to men on a boat deck at night. One man speaks of helping the captain despite expecting harm.
6 people observed.
“There, this will cover you up till we get something better. Oh, this is pretty. I guess I look too nice to be good, huh? Oh, I wouldn't s…” 38:11 · “But I'm going to help the captain.” 38:22
38:33Model synopsis: A woman in a dark, patterned dress leans forward over a group of people in a dimly lit interior. No dialogue or on-screen text is present in this beat.
3 people observed.
38:43Model synopsis: A group of men are gathered in a dimly lit interior space; one man in a blue shirt and white hat is visible among others. No spoken dialogue or on-screen text is present in this beat.
4 people observed.
38:46Model synopsis: A dimly lit scene shows several men in close proximity; one wears a cap and another is in motion. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A group of men in a dimly lit interior are engaged in a physical struggle; one man is being grabbed and restrained by others while a voice urges them on. The scene is chaotic and appears to take place at night or in a darkened room with artificial lighting.
5 people observed.
38:56Model synopsis: A dimly lit interior staircase with icicles hanging from the ceiling is shown. No people, dialogue, or on-screen text are visible in the frame.
39:00Model synopsis: A group of men in hats and coats are crowded together in a dim interior space. One man in a light blue shirt and white cap is seen from behind, surrounded by others in a tight cluster.
4 people observed.
39:04Model synopsis: A person in light-colored clothing is seen mid-motion on a stone staircase inside a dimly lit structure. No dialogue or on-screen text is present in this beat.
1 person observed.
39:08Model synopsis: A man in a blue shirt stands near large tires while another man in a hat interacts with them; several people are seated in the foreground. The setting appears to be an indoor space with rough walls and dim lighting.
4 people observed.
39:13Model synopsis: A man in a light-colored hat and shirt crouches near a wooden staircase in a dim, stone-walled interior. Icicles hang from the ceiling, suggesting cold conditions.
1 person observed.
Model synopsis: A man in a hat and suit stands in a rain-splashed doorway while another man in a cap and light pants enters a room. A third man in a blue shirt and cap restrains a fourth man in a striped shirt on a bed. The transcript includes a line asking who caused harm to someone.
4 people observed.
“no” 39:22 · “like cut and burn the poor devil please nothing but raw meat who did this to you like who did it here” 39:30
Model synopsis: A man in a fedora and suit speaks while holding a small object; another man in a dark uniform leans over a third man lying on a bed, who appears distressed. The transcript includes a plea about not revealing the location of Treasure Island and a refusal in Spanish.
3 people observed.
“That man, Samson, Naomi, she helped too. They tortured me.” 39:44 · “They want me to tell” 39:54
40:16Model synopsis: A man in a suit and fedora stands in a doorway with a chair visible behind him; no dialogue or on-screen text is present. The setting appears to be a dimly lit interior room with a wall-mounted lamp and draped fabric.
1 person observed.
Model synopsis: Two figures walk through a narrow, dim corridor with hanging vines or ropes. A group of people, including a woman in a light dress, are gathered in a dark, crowded space with wooden beams overhead. No dialogue or on-screen text is present in this beat.
6 people observed.
40:36Model synopsis: A man in a blue shirt and light trousers is seen inside a dim, arched stone structure, holding another person. The setting appears to be a confined interior space with rough walls and minimal lighting.
2 people observed.
40:40Model synopsis: A person in a striped shirt is visible behind vertical bars in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
40:47Model synopsis: A man in a blue shirt and light trousers is being restrained by another man in a dark shirt inside a stone archway. A third man in a fedora and suit stands behind them on a staircase, observing.
3 people observed.
40:51Model synopsis: Two men are shown in a close-up; one wears a sailor-style cap and the other a fedora and suit. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A woman in a blue floral dress and jewelry is shown among a crowd, followed by a man in a white suit climbing stairs while another man in a striped shirt stands above. The scene ends with the man in the white suit falling backward down the stairs. The only spoken line is '¡Adiós!' at 41:04.
5 people observed.
“¡Adiós!” 41:04
41:15Model synopsis: A bald man in a striped shirt stands indoors near a wooden railing, holding his chest. The setting appears to be a rustic interior with thatched or wooden ceiling.
1 person observed.
41:22Model synopsis: Two men are seen in a dimly lit arched passageway; one wears a light-colored fedora and is bent forward while the other, balding, stands behind him. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A sailing ship is shown at sea with sails set, and on-screen text states it is bound for Quica. A voice thanks viewers for watching.
1 person observed.
Model synopsis: A sailboat is shown on the water with several shirtless men on deck, one wearing a cap. A man in a cap is shown in close-up against a blue sky, looking upward and then pointing.
4 people observed.
“¡Suscríbete al canal!” 42:04
Model synopsis: Men work on a ship's deck under daylight, then a scene cuts to a dark interior where men sit together. One man at the helm shouts while others are visible on deck or in the dark space.
4 people observed.
“¡Vamos!” 42:30 · “¡Gracias!” 42:32
46:06
46:11
46:37
46:54
47:45
48:10
48:42
49:40
51:05
51:30
53:13
53:28
53:40
53:45
53:48
53:52
53:54
53:56
53:58
54:01
54:03
54:44
56:13
57:50
58:19
58:21
1:00:29
1:00:36Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 289 segments kept, 24 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1936 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
Little Lord Fauntleroy 
The Dark Hour 
Secret Agent 
The Milky Way 
Renfrew of the Royal Mounted 
The Snows of Kilimanjaro 
Under California Stars 
The Giant of Marathon