Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 37:46 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 63 · shots 305–306. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, exterior) evidence: frame:1
- Time of day
- night evidence: frame:1
- People
- man wearing fedora and dark suit visible
- woman in dark dress, looking up at p1 visible
- man in striped shirt, bending over railing visible
- boy in light shirt, standing near railing visible
- Seen happening
- A man in a fedora holds a woman on a boat at night. [frame:1]
- A man in a striped shirt bends over the railing of the boat. [frame:2]
- Mentioned
- A boy stands near the railing while dialogue mentions keeping guard. [t:37:54]
- Also said
- “You fellow boy, keep guard that.” 37:54 · “I know what a boy'd like. Get back. Yeah.” 37:54
- Seen
- fedora, striped shirt, boat railing
- Interpretation
- Model opinion, not evidence: mood: tense and nocturnal; themes: guard duty, nighttime voyage, offered assistance; style notes: low-key lighting, medium shots, dark palette, silhouetted figures against water
A man in a fedora and suit holds a woman on a boat at night while another man in a striped shirt bends over the railing. A boy in a light shirt stands nearby as dialogue suggests offering dry clothes and keeping guard.
“Well, come below and I'll get you some dry clothes.” 37:54 · “Gee, if I was a well-man-skipper, I'd go with you.” 37:54 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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