Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 1 quote checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 43:35 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 79 · shots 366–370. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, exterior) evidence: frame:3
- Time of day
- night evidence: frame:1
- People
- woman with dark hair, wearing a light-colored dress with a patterned skirt, visible in close-up and medium shots visible, audible
- man with dark hair and mustache, wearing a dark shirt, visible in close-up and medium shots visible
- Seen happening
- Woman looks upward with a pensive expression. [frame:1]
- Man and woman face each other closely in profile. [frame:2]
- Woman is seated on the man's lap on a ship deck; a life preserver is visible behind them. [frame:3]
- Woman leans her head back against the man's shoulder. [frame:4]
- Seen
- life preserver, ropes, patterned skirt
- Interpretation
- Model opinion, not evidence: mood: melancholic and intimate; themes: romantic tension, nocturnal setting, emotional vulnerability; style notes: low-key lighting with blue tint, close framing on faces, medium shots emphasize proximity of characters
A woman and a man are shown in close-up and medium shots on a ship at night; the woman speaks about the moon. The setting is dark with blue lighting, and a life preserver is visible in the background.
“El Terrain, is this mind me, blinds me, tell me why, why does the moon in the sky seem to gleam brighter on thunder?” 43:36 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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