Public Reel

The Giant of Marathon (1959)

No renewal found Free in the US since 1 January 1988, on the registry's reading: registration LP16440 of 1959 by Metro-Goldwyn- Mayer, Inc was not renewed in the volumes searched. Record.

An Olympic champion becomes Athens’ defender in a film whose collective authorship is harder to untangle than its story of individual strength.

An Olympic victory is only the qualifying event in The Giant of Marathon: Philippides must turn the strength that wins him a crown into something useful to Athens.6 Played by Steve Reeves, the athlete passes from organised competition into a struggle in which physical superiority offers no protection against deception.1 His strength is established before the drama begins. What remains is to find tasks that strength alone cannot accomplish. The plot keeps returning this outsized individual to the obligations and vulnerabilities of belonging to a city.

The Italian-French production drew loosely on the Battle of Marathon.12 Ancient history supplies the approaching Persian threat. Within that framework, Philippides’ attachment to Andromeda, played by Mylène Demongeot, gives the defence of Athens a private dimension.1 The threatened homeland is also the place where he hopes to live. The film opened in Italy on 3 December 1959.1 Its American release followed in May 1960.5 The different release years need not, by themselves, indicate different versions.

The casting makes the central contrast legible. Reeves supplies the conspicuous physical presence around which the story is organised. Sergio Fantoni’s Theocritus belongs to the world of calculation and divided loyalties.1 An athletic contest has agreed rules against which its outcome can be judged. Political manoeuvring offers Philippides no such certainty. Moving him between those worlds allows the film to make innocence a liability. Its historical liberties serve that design. Rather than presenting the battle as an event whose outcome follows from impersonal military forces, it gives the spectator a body to follow through the conflict. The movement towards combat is also a movement towards a situation in which his abilities can finally answer the danger directly.

Behind this story of individual prowess stands a less tidy account of collective work. Jacques Tourneur’s place in the directing credits is more consistent than the attribution of the work around him.123 One account names Mario Bava as his co-director.1 Another names Bruno Vailati as co-director instead.3 Bava’s participation as a director is also acknowledged in an account that includes Vailati.2 A separate visual-effects credit for Bava does not resolve the extent of his directing work.9 These attributions do not establish which decisions were his or how much of the finished film he directed. Nor does the presence of several names establish a division of labour. A film built around a recognisable star can still depend on work that its headline credits leave difficult to separate.

Its later circulation preserves some of that untidiness. Reported running times for the American release range from 88 to 92 minutes.5 These descriptions alone cannot establish the reasons for the differences. A non-theatrical rental listing gives a running time of 90 minutes.11 That is the duration advertised for the rental copy, rather than a measure that can safely be applied to every version. The listing does not document how that copy was assembled. Commercial availability and the registry’s account of the US copyright term are separate kinds of evidence. A comparison of the copies themselves would be needed before a shorter running time could be treated as evidence of cuts.

The record: Registration LP16440 by Metro-Goldwyn- Mayer, Inc is dated 31 December 1959. The registry found no renewal in the renewal volumes for 1986 to 1988, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1987 and the film has been free in the US since 1 January 1988. This is a conclusion from the registration and renewal search described, not from the film’s availability online. The record does not settle the division of directing work. It also leaves open the relationship between the surviving versions.

Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.

  1. en.wikipedia.org https://en.wikipedia.org/wiki/The_Giant_of_Marathon
  2. filmlinc.org https://www.filmlinc.org/films/the-giant-of-marathon/
  3. it.wikipedia.org https://it.wikipedia.org/wiki/La_battaglia_di_Maratona
  4. patrimonioacs.cultura.gov.it https://patrimonioacs.cultura.gov.it/patrimonio/2e5510aa-5313-478b-a3d9-c6fecba80dcc/30...
  5. catalog.afi.com https://catalog.afi.com/Film/53155-THE-GIANTOFMARATHON
  6. cinematografo.it https://www.cinematografo.it/film/la-battaglia-di-maratona-iv116nl2
  7. encyclopedia.com https://www.encyclopedia.com/movies/dictionaries-thesauruses-pictures-and-press-release...
  8. photogenie.be https://photogenie.be/we-cant-go-to-rome-again-the-italian-model-of-collaborative-filmmaking/
  9. imdb.com https://www.imdb.com/title/tt0052604/fullcredits/
  10. en.wikipedia.org https://en.wikipedia.org/wiki/Steve_Reeves
  11. swank.com https://www.swank.com/motorcoaches/details/22267-the-giant-of-marathon?bucketName=Relat...
  12. comingsoon.it https://www.comingsoon.it/film/la-battaglia-di-maratona/17829/scheda/
  13. imdb.com https://www.imdb.com/title/tt0052604/

Inside the film

681 shots over 1:24:24 · 396 beats in 271 sequences · 744 transcript lines · JSON

Lands on the beat covering that second.
271 sequences; each is also a heading below.

Every shot, 681 frames with timestamps and on-screen text

How this page was made

681 shots over 1:24:24, read from the Internet Archive copy cco_TheGiantofMarathon (ccoPublicDomainThe_Giant_of_Marathon.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Giant of Marathon No renewal found. JSON

Measurements: colour film on its keyframes (676 of 681 shots judged colour), average shot 7.4s long, a frontal face detected in 24% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1959 (Internet Archive).

396 beats in 271 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 396 of 396 beats annotated, 389 passed the checks, 7 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:07, shot 00:07
1 of 1 shots sampled

1. Other

0:00–0:15 Machine checks passed

Model synopsis: The beat shows a studio title card for Metro-Goldwyn-Mayer against a painted sky background. No people, actions, or dialogue are present.

Evidence, details and a link to share

Sequence 2 from 0:15

Frame at 0:17, shot 10:17Frame at 0:21, shot 20:21Frame at 0:27, shot 30:27Frame at 0:35, shot 40:35
4 of 4 shots sampled

2. Field

0:15–0:38 Machine checks passed (partial)

Model synopsis: A group of men in ancient-style attire stand outdoors with spears. Title cards for the film and a co-star appear. A muscular man is shown running up steps with statues behind him.

  • A group of men stand in formation holding spears. [frame:1]
  • The film title 'THE GIANT OF MARATHON' is displayed over a crowd. [frame:2]
  • A muscular man runs up stone steps with statues behind him. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Sequence 3 from 0:38

Frame at 0:44, shot 50:44Frame at 0:53, shot 60:53
2 of 2 shots sampled

3. Other

0:38–0:56 Machine checks flagged: name not grounded

Model synopsis: Two frames from the opening credits of a 1959 film show a muscular man in a white loincloth holding a helmet, with a crowd behind him, and production credits overlaid. The text identifies the film as an Italo-French co-production titled 'Titanus-Galatea' and names Philippe Hersent.

Named: Philippe Hersent (frame:1). 1 person observed.

Flagged: name not grounded (Philippe Hersent)

Evidence, details and a link to share

Sequence 4 from 0:56

Frame at 1:00, shot 71:00Frame at 1:11, shot 81:11
2 of 2 shots sampled

4. Other

0:56–1:18 Machine checks passed

Model synopsis: Two frames from the opening credits of a 1959 film show text listing production roles over a background scene of figures in ancient attire. No dialogue or named characters appear in this segment.

Evidence, details and a link to share

Sequence 5 from 1:18

Frame at 1:23, shot 91:23Frame at 1:31, shot 101:31
2 of 2 shots sampled

5. Stadium

1:18–1:33 Machine checks passed

Model synopsis: The beat shows two title cards from the film's opening credits, one listing production staff and the other advertising the film's color process, both set against a backdrop of an ancient stadium scene. No characters or actions are depicted in the frames.

Evidence, details and a link to share

Sequence 6 from 1:33

Frame at 1:40, shot 111:40Frame at 1:53, shot 121:53
2 of 2 shots sampled

6. Outdoor stadium

1:33–2:00 Machine checks passed

Model synopsis: A man in a white robe addresses a group of athletes outdoors, one of whom is being proclaimed champion. The scene includes a title card crediting Bruno Vailati as producer.

  • A title card credits Bruno Vailati as producer. [frame:1]
  • Philippides stands among athletes as a robed man addresses him. [frame:2]

Named: Philippides of Athens (t:1:37). 3 people observed.

“I proclaim you, Philippides of Athens, the champion of these Olympic Games. May you thank the gods for having given you the laurel wreath o…” 1:37

Evidence, details and a link to share

Sequence 7 from 2:00

Frame at 2:03, shot 132:03
1 of 1 shots sampled

7. Town square

2:00–2:06 Machine checks passed

Model synopsis: A crowd of silhouetted figures watches a large statue of a mounted figure in an outdoor setting framed by columns. The scene is shot from behind the crowd, looking toward the statue and trees in the background.

1 person observed.

Evidence, details and a link to share

Sequence 8 from 2:06

Sequence 9 from 2:45

Frame at 2:48, shot 152:48
1 of 1 shots sampled

9. Town square

2:45–2:50 Machine checks passed

Model synopsis: A crowd gathers before a large classical temple with columns and a statue on a pedestal. The scene is shot from a low angle, showing silhouetted figures in the foreground and the temple in the background.

1 person observed.

Evidence, details and a link to share

Sequence 10 from 2:50

Frame at 2:55, shot 162:55Frame at 3:00, shot 173:00Frame at 3:12, shot 193:12Frame at 3:23, shot 203:23
4 of 5 shots sampled

10. Town square

2:50–3:29 Machine checks passed (partial)

Model synopsis: A man in a yellow robe holds laurels while speaking to Athena; soldiers and officials stand nearby. The transcript mentions Philippides returning to Athens' ranks after winning Olympic laurels and the exile of Hippias.

  • Philippides holds laurels and speaks to Athena. [frame:1]
  • Men in robes stand together, listening. [frame:2]
  • Philippides walks among soldiers in armor. [frame:3]
  • 1 more under Evidence and details.

Named: Philippides (t:3:14). 4 people observed.

“To thee, divine Athena.” 2:54 · “Protect Athens, which bears thy name.” 3:02

Evidence, details and a link to share

Frame at 3:36, shot 213:36Frame at 3:44, shot 223:44
2 of 2 shots sampled

11. Town square

3:29–3:45 Machine checks passed (partial)

Model synopsis: A man in a yellow robe stands before soldiers and civilians near a classical temple; a crowd gathers on steps below a statue. A speaker addresses Ballaris Philippides, naming him and his companions as custodians of Athenian liberty.

  • A man in yellow robe stands before soldiers and civilians. [frame:1]
  • A crowd gathers on steps below a temple and statue. [frame:2]

Named: Ballaris Philippides (t:3:33). 4 people observed.

“and have forever banished dictatorship.” 3:29 · “Do you?” 3:32

Evidence, details and a link to share

Frame at 3:51, shot 233:51Frame at 4:02, shot 244:02Frame at 4:08, shot 254:08Frame at 4:11, shot 264:11
4 of 4 shots sampled

12. Town square

3:45–4:11 Machine checks passed (partial)

Model synopsis: A man in a yellow toga speaks to a group of citizens and soldiers outdoors, referencing democracy and citizen-soldiers. Another man, identified as Cruises, is addressed as a leading citizen and head of the Council of Athens.

  • The man in the yellow toga is visible among soldiers and citizens. [frame:1]
  • The man in the yellow toga stands before a group in a town square. [frame:2]
  • A bearded man in a dark robe is shown among other citizens. [frame:3]
  • 1 more under Evidence and details.

Named: Cruises (t:4:06). 4 people observed.

“I'm not afraid of death, Miltiades.” 3:45 · “But we live in a democracy.” 3:51

Evidence, details and a link to share

Frame at 4:14, shot 274:14Frame at 4:19, shot 284:19
2 of 2 shots sampled

13. Field

4:11–4:22 Machine checks passed (partial)

Model synopsis: A man in a yellow robe stands before soldiers holding shields; another man in similar attire is shown in profile. The transcript includes a spoken request naming 'Bethelippides' as commander.

  • A man in a yellow robe addresses soldiers. [frame:1]
  • A man in a yellow robe is shown in profile, surrounded by soldiers. [frame:2]

Named: Bethelippides (t:4:14). 3 people observed.

“I ask in the name of all my companions...” 4:12 · “Bethelippides!” 4:14

Evidence, details and a link to share

Frame at 4:34, shot 294:34
1 of 1 shots sampled

14. Other

4:22–4:45 Machine checks passed (partial)

Model synopsis: Two men speak while soldiers stand behind one of them; one man calls the other Philippides and speaks of liberty and intelligence. The setting appears to be outdoors with trees and soldiers in armor visible.

  • Two men face each other while soldiers stand behind one of them. [frame:1]

Named: Philippides (t:4:25), Theocrates (t:4:34). 4 people observed.

“Bravo, Philippides.” 4:25 · “I'm just a peasant.” 4:35

Evidence, details and a link to share

Sequence 11 from 4:45

Frame at 4:51, shot 304:51Frame at 4:59, shot 314:59
2 of 2 shots sampled

15. Other

4:45–5:02 Machine checks passed (partial)

Model synopsis: Two figures are shown in a dimly lit outdoor setting with an arched doorway and foliage; one holds a tablet. The transcript describes a sunset and Trojans praying for survival until dawn.

  • Two figures stand near an arched doorway with foliage. [frame:1]
  • A blonde woman holds a tablet while facing a dark-haired figure. [frame:2]

2 people observed.

“The sun sinks in splendor, red as blood, bringing the fearsome blackness of the night.” 4:46 · “While the desperate Trojans pray to all the gods above.” 4:46

Evidence, details and a link to share

Frame at 5:09, shot 325:09
1 of 1 shots sampled

16. Garden

5:02–5:17 Machine checks passed

Model synopsis: Three figures in classical robes are seated outdoors under trees; one is asked to read a story about Paris and Helen. The scene is lit with soft, diffused daylight, suggesting a garden or shaded grove.

Named: Andromeda (t:5:02). 3 people observed.

“Go on, Andromeda. Read us the passage about the Great War. No, read us a story about Paris and Helen. Read, Andromeda.” 5:02 · “Whatever you like. Then I shall read you of Paris and Helen. Oh, wonderful. I always cry when I hear it.” 5:10

Evidence, details and a link to share

Sequence 12 from 5:17

Sequence 13 from 5:25

Frame at 5:26, shot 345:26Frame at 5:47, shot 355:47
2 of 2 shots sampled

18. Garden

5:25–6:06 Machine checks passed (partial)

Model synopsis: A woman in a light-colored gown stands alone, then is joined by a man who places his hand on her shoulder; dialogue reveals a discussion about an arranged marriage and generational differences in attitudes toward it. No named characters are identified in the dialogue or visuals.

  • A woman stands alone in a garden. [frame:1]
  • A man approaches and places his hand on the woman's shoulder. [frame:2]

2 people observed.

“Luz's your daughter doesn't seem to love a future husband” 5:27 · “Every time she sees me, she frowns.” 5:30

Evidence, details and a link to share

Sequence 14 from 6:06

Frame at 6:16, shot 366:16Frame at 6:42, shot 376:42
2 of 2 shots sampled

19. Courtyard

6:06–6:58 Machine checks passed

Model synopsis: Two men in ancient Greek attire converse in a colonnaded outdoor setting; one holds a goblet. The dialogue reveals political maneuvering around a character named Philippides and references to Hippias and control of Athens.

2 people observed.

“Felipides will be a dangerous opponent for us.” 6:06 · “He's a friend of Miltiades, and he's bullheaded like all our peasants. No, Philippides is not a mere peasant.” 6:09

Evidence, details and a link to share

Sequence 15 from 6:58

Frame at 7:06, shot 387:06Frame at 7:14, shot 397:14Frame at 7:16, shot 407:16
3 of 3 shots sampled

20. Field

6:58–7:17 Machine checks passed (partial)

Model synopsis: A man in a red cape and a woman in a light tunic are outdoors in a grassy area with trees; other figures run in the background. The transcript includes dialogue about being frightened and rules of a game.

  • A woman stands facing a man in a red cape in a grassy field. [frame:1]
  • Several figures run across the field in the background. [frame:2]
  • The man in the red cape is shown in close-up, smiling slightly. [frame:3]

3 people observed.

“Oh, you frighten me.” 7:06 · “Is hitting me part of the game? No.” 7:09

Evidence, details and a link to share

Frame at 7:20, shot 417:20Frame at 7:24, shot 427:24Frame at 7:27, shot 437:27Frame at 7:30, shot 447:30
4 of 4 shots sampled

21. Field

7:17–7:33 Machine checks passed (partial)

Model synopsis: A woman in a white dress stands in a field with trees, holding a ball and speaking to someone off-screen. She gestures toward a tree where a ball is lodged, and another person is partially visible beside her.

  • The woman stands in a field with others in the background. [frame:1]
  • The woman looks up at a tree while holding a ball. [frame:2]
  • A ball is visible lodged in the branches of a tree. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“It's there. I was trying to knock the ball out of the tree.” 7:18 · “It is not too easy to do.” 7:24

Evidence, details and a link to share

Sequence 16 from 7:33

Sequence 17 from 7:37

Frame at 7:38, shot 467:38
1 of 1 shots sampled

23. Forest

7:37–7:38 Machine checks passed

Model synopsis: A man in a sleeveless tunic stands beside a tree in an outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 7:39, shot 477:39Frame at 7:49, shot 487:49Frame at 8:03, shot 508:03Frame at 8:07, shot 518:07
4 of 5 shots sampled

24. Field

7:38–8:08 Machine checks passed (partial)

Model synopsis: A woman in a white tunic and a man in a red cape are outdoors on grass, interacting with a ball and other people in the background. The man speaks to the woman, complimenting her appearance after she throws the ball.

  • The woman stands holding a ball, facing the camera. [frame:1]
  • The woman and man face each other on a grassy field, with other people in the background. [frame:2]
  • The woman kneels on the grass beside the man, who is also kneeling. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“That wasn't so hard.” 7:39 · “How do you play this game?” 7:45

Evidence, details and a link to share

Frame at 8:10, shot 528:10
1 of 1 shots sampled

25. Other

8:08–8:11 Machine checks passed

Model synopsis: A woman in a white tunic faces a man in a red tunic; another person in yellow stands behind them. The setting appears to be outdoors with foliage visible.

3 people observed.

Evidence, details and a link to share

Frame at 8:52, shot 588:52
1 of 1 shots sampled

27. Forest

8:51–8:53 Machine checks passed

Model synopsis: A man in ancient-style attire stands outdoors near a white horse. The setting appears to be a wooded area with natural lighting.

1 person observed.

Evidence, details and a link to share

Sequence 18 from 8:53

Frame at 8:56, shot 598:56
1 of 1 shots sampled

28. Field

8:53–8:59 Machine checks passed

Model synopsis: A woman in a white dress stands in a grassy field while another woman in a yellow dress runs toward her. In the background, figures are visible on a slope.

  • A woman in a yellow dress runs across a grassy field toward a woman in white. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 19 from 8:59

Frame at 9:11, shot 609:11
1 of 1 shots sampled

29. Town square

8:59–9:23 Machine checks passed (partial)

Model synopsis: A figure in a purple robe faces a man in a short tunic holding a weapon, with a crowd behind them at night. The transcript contains the spoken word 'Come on.'

  • A figure in a purple robe stands facing a man in a tunic holding a weapon. [frame:1]
  • A crowd is visible behind the two figures. [frame:1]

3 people observed.

“Come on.” 9:04

Evidence, details and a link to share

Sequence 20 from 9:23

Frame at 9:38, shot 619:38
1 of 1 shots sampled

30. Other

9:23–9:52 Machine checks passed

Model synopsis: A man identified as Philippides is spoken to off-screen about an invitation involving a girl who will dance tonight; he asks for her name and is told it does not matter. The scene is dimly lit and appears to be indoors, with only one visible person.

Named: Philippides (t:9:27). 2 people observed.

“You are a fortunate man, Philippides. I have an invitation for you for my mistress. A girl who will dance tonight?” 9:27 · “What's her name?” 9:39

Evidence, details and a link to share

Sequence 21 from 9:52

Frame at 9:54, shot 629:54Frame at 9:59, shot 649:59Frame at 10:11, shot 6510:11Frame at 10:27, shot 6710:27
4 of 6 shots sampled

31. Private office

9:52–10:27 Machine checks passed (partial)

Model synopsis: A man in armor stands in a dimly lit room while a woman in a gown speaks to him and others. The dialogue suggests a political or romantic scheme involving the man, with references to Olympia and a character named Kairos.

  • The man in armor stands still while women surround a seated woman. [frame:1]
  • A woman in an orange gown holds a mirror while speaking to a man in dark robes. [frame:2]
  • The man in armor remains standing in the room. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“Yes, Philip it is.” 9:52 · “And you, Kairos, will tame him.” 9:55

Evidence, details and a link to share

Sequence 22 from 10:30

Frame at 10:32, shot 6910:32
1 of 1 shots sampled

33. Other

10:30–10:33 Machine checks passed

Model synopsis: A man in ancient-style attire stands in a dimly lit interior space with foliage visible through an opening. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 23 from 10:33

Frame at 10:38, shot 7010:38Frame at 10:46, shot 7110:46
2 of 2 shots sampled

34. Private office

10:33–10:50 Machine checks passed

Model synopsis: A woman is seen in a dimly lit interior, looking toward a window; a man in a robe stands with his back to the camera as another person speaks to him. The dialogue indicates someone is being dismissed and another is being granted entry.

3 people observed.

“Well, what do you think of it?” 10:34 · “Good night, Charis. I will leave you to your work.” 10:37

Evidence, details and a link to share

Frame at 10:52, shot 7210:52Frame at 10:54, shot 7310:54Frame at 11:15, shot 7411:15
3 of 3 shots sampled

35. Private office

10:50–11:34 Machine checks passed (partial)

Model synopsis: A man and a woman meet in a dimly lit interior space; the woman greets the man, who is identified as Philippides, and offers him a feast. The man questions her identity and appearance, and she responds with a challenge.

  • A woman stands in a doorway and speaks to a man. [frame:1]
  • A man stands in a doorway, looking toward the woman. [frame:2]
  • The man and woman face each other in conversation. [frame:3]

Named: Philippides (t:10:58). 2 people observed.

“Are you not pleased by what you see, Philippides? I was.” 10:58 · “Expecting to see someone else.” 11:01

Evidence, details and a link to share

Frame at 11:40, shot 7511:40
1 of 1 shots sampled

36. Other

11:34–11:46 Machine checks passed

Model synopsis: Two figures stand in a dimly lit interior space with ornate flooring and columns; a third figure is visible in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Frame at 11:49, shot 7611:49
1 of 1 shots sampled

37. Other

11:46–11:51 Machine checks passed

Model synopsis: A man and a woman are seated together in a dimly lit interior space with blue lighting and decorative elements. No dialogue or on-screen text is visible in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 24 from 11:51

Frame at 11:54, shot 7711:54
1 of 1 shots sampled

38. Theatre

11:51–11:57 Machine checks passed

Model synopsis: A woman in a light-colored dress stands between columns on a stage-like set, adjusting her hair. The background is dark blue with silhouetted architecture, suggesting an evening or theatrical setting.

1 person observed.

Evidence, details and a link to share

Sequence 25 from 11:57

Frame at 12:01, shot 7812:01
1 of 1 shots sampled

39. Other

11:57–12:04 Machine checks passed

Model synopsis: A figure in silhouette sits in the foreground while another figure in yellow moves in the background under blue lighting. The setting appears to be a large hall with columns and a patterned floor.

2 people observed.

Evidence, details and a link to share

Frame at 12:08, shot 7912:08Frame at 12:16, shot 8012:16
2 of 2 shots sampled

40. Courtyard

12:04–12:20 Machine checks flagged: time_of_day without evidence

Model synopsis: A man and a woman stand near classical columns at night; the woman holds a goblet and speaks. The setting appears to be an outdoor courtyard with a fountain, lit by artificial light.

  • The woman holds a goblet while standing near columns. [frame:1]
  • The man and woman face each other closely, the woman still holding the goblet. [frame:2]

2 people observed.

“You may drink with me. It's not a love potion.” 12:04

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Frame at 12:32, shot 8112:32
1 of 1 shots sampled

41. Other

12:20–12:44 Machine checks passed

Model synopsis: A person in a light-colored garment is on the floor in a dimly lit interior with a patterned floor. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 26 from 12:44

Frame at 12:45, shot 8212:45
1 of 1 shots sampled

42. Other

12:44–12:46 Machine checks passed

Model synopsis: A dimly lit interior space with classical columns and a patterned floor is shown; one figure stands bent over near the center while others are seated or standing in shadow. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 27 from 12:46

Frame at 12:47, shot 8312:47
1 of 1 shots sampled

43. Private office

12:46–12:49 Machine checks passed

Model synopsis: A man in a red cloak sits beside a woman in a golden robe while another figure in yellow gestures toward them in a dimly lit interior. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Frame at 12:51, shot 8412:51
1 of 1 shots sampled

44. Other

12:49–12:53 Machine checks passed

Model synopsis: A figure in silhouette sits in the foreground while another figure in light-colored clothing runs across a patterned floor in the background. The setting includes columns and dim lighting, suggesting an interior space with classical architecture.

  • A figure runs across a patterned floor in the background. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 28 from 12:53

Frame at 12:56, shot 8512:56
1 of 1 shots sampled

45. Other

12:53–13:00 Machine checks passed

Model synopsis: A single frame shows a dark, silhouetted structure with columns against a blue night sky, with hanging vines and trees visible. No people, objects, or text are clearly identifiable, and no events occur in the still.

Evidence, details and a link to share

Sequence 29 from 13:00

Frame at 13:10, shot 8613:10
1 of 1 shots sampled

46. Other

13:00–13:20 Machine checks passed (partial)

Model synopsis: Two robed figures stand outdoors at night under a dark sky; one speaks of the moon over the Acropolis and calls for Andromeda and Diana to come. A prayer to Venus is uttered, asking for the return of a beloved.

  • Two robed figures stand outdoors at night. [frame:1]

Named: Andromeda (t:13:01), Diana (t:13:01). 2 people observed.

“Do you really think so? I'm sure of it. When the moon is over the Acropolis, you shall see. He'll be here. Andromeda, Diana, come. It's…” 13:01 · “Oh, divine Venus, in your goodness, grant that we find our beloved.” 13:15

Evidence, details and a link to share

Sequence 30 from 13:20

Frame at 13:33, shot 8713:33
1 of 1 shots sampled

47. Other

13:20–13:45 Machine checks passed (partial)

Model synopsis: A person is visible in a dimly lit interior space with another figure nearby; spoken lines express alarm and urgency. No names, time of day, or period are established from the frames or transcript.

  • Two figures are standing in a dim interior. [frame:1]

2 people observed.

“Oh, my God.” 13:28 · “I'm sorry.” 13:35

Evidence, details and a link to share

Frame at 13:52, shot 8813:52Frame at 14:03, shot 8914:03Frame at 14:06, shot 9014:06Frame at 14:09, shot 9114:09
4 of 4 shots sampled

48. Arena

13:45–14:11 Machine checks passed

Model synopsis: Two shirtless men grapple in a tiled arena; one is thrown to the ground. A voice says they are no better than animals. The setting appears to be an ancient or historical arena with decorative flooring.

  • Two men grapple closely. [frame:1]
  • One man throws the other to the ground. [frame:2]
  • The man on the ground struggles as the other looms over him. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“They're no better than animals.” 14:10

Evidence, details and a link to share

Sequence 31 from 14:11

Frame at 14:14, shot 9214:14Frame at 14:23, shot 9314:23
2 of 2 shots sampled

49. Other

14:11–14:28 Machine checks passed (partial)

Model synopsis: A man and a woman in classical attire are shown together, followed by a shot of a man running away from a fountain. The transcript includes a rhetorical question about payment and a statement of intent to leave.

  • A man and a woman stand together in classical attire. [frame:1]
  • A man runs away from a fountain toward columns. [frame:2]

3 people observed.

“Know what I pay them?” 14:16 · “I'm going to go.” 14:18

Evidence, details and a link to share

Frame at 14:33, shot 9414:33Frame at 14:40, shot 9514:40Frame at 14:45, shot 9614:45
3 of 3 shots sampled

50. Private office

14:28–14:49 Machine checks passed (partial)

Model synopsis: A man in a dark tunic stands beside two seated figures in a dimly lit room with blue-tinted windows; a shirtless man is seen behind a pillar; a man in a red cape holds a goblet. The dialogue suggests a discussion about wrestling and killers.

  • A man in a dark tunic stands beside two seated figures. [frame:1]
  • A shirtless man is seen behind a pillar. [frame:2]
  • A man in a red cape holds a goblet. [frame:3]

5 people observed.

“Hold on.” 14:31 · “Don't you like wrestling at all?” 14:34

Evidence, details and a link to share

Sequence 32 from 14:49

Sequence 33 from 14:51

Frame at 15:11, shot 10115:11
1 of 1 shots sampled

53. Other

15:10–15:12 Machine checks passed

Model synopsis: A woman in a dark, low-cut dress stands against a blue, vine-draped background. No dialogue or action is visible in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 34 from 15:12

Frame at 15:13, shot 10215:13
1 of 1 shots sampled

54. Other

15:12–15:15 Machine checks passed

Model synopsis: A close-up shows a muscular arm and hand gripping a weapon handle in a dimly lit setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 35 from 15:15

Frame at 15:20, shot 10315:20
1 of 1 shots sampled

55. Other

15:15–15:26 Machine checks passed (partial)

Model synopsis: A silhouetted figure is visible in a dimly lit interior space, leaning over another figure or object. The lighting is dramatic, with a strong beam of light cutting across the scene.

  • A silhouetted figure leans over another figure or object in a dimly lit space. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 36 from 15:26

Frame at 15:27, shot 10415:27
1 of 1 shots sampled

56. Other

15:26–15:28 Machine checks passed (partial)

Model synopsis: A dimly lit interior scene shows a figure in dark clothing leaning over another person lying on the ground. No dialogue or on-screen text is present in this beat.

  • A person in dark clothing leans over another person lying on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 37 from 15:28

Frame at 15:29, shot 10515:29
1 of 1 shots sampled

57. Other

15:28–15:30 Machine checks passed

Model synopsis: A woman in a dark, low-cut gown stands against a blue, vine-covered backdrop. No dialogue or action is visible in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 38 from 15:30

Frame at 15:34, shot 10615:34
1 of 1 shots sampled

58. Other

15:30–15:38 Machine checks passed (partial)

Model synopsis: A single figure is seen from behind in a dimly lit interior space, moving toward a doorway. The lighting is low and directional, casting strong shadows.

  • a silhouetted figure moves toward a doorway [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 39 from 15:38

Frame at 15:39, shot 10715:39
1 of 1 shots sampled

59. Other

15:38–15:40 Machine checks passed

Model synopsis: A woman in a dark, low-cut gown stands against a night backdrop with foliage and a stone wall. No dialogue or action is visible in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 40 from 15:40

Frame at 15:43, shot 10815:43Frame at 15:51, shot 11015:51Frame at 15:57, shot 11115:57Frame at 16:07, shot 11316:07
4 of 6 shots sampled

60. Other

15:40–16:11 Machine checks passed (partial)

Model synopsis: Two shirtless men struggle physically in a dimly lit interior space with stone walls; one man is then seen from behind walking away toward a distant figure. The transcript includes exclamations and a question during the struggle.

  • Two men are engaged in a physical struggle. [frame:1]
  • One man walks away from the struggle toward a distant figure. [frame:4]

3 people observed.

“Oh!” 15:41 · “What are you doing?” 15:43

Evidence, details and a link to share

Sequence 41 from 16:11

Frame at 16:14, shot 11416:14
1 of 1 shots sampled

61. Other

16:11–16:16 Machine checks passed

Model synopsis: A woman in a draped gown stands against a dark, vine-covered background. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Sequence 42 from 16:16

Frame at 16:22, shot 11516:22
1 of 1 shots sampled

62. Hilltop overlooking sea

16:16–16:27 Machine checks passed

Model synopsis: A lone figure stands silhouetted on a hilltop against a twilight sky, with a distant sea and a structure with figures on its roof visible to the right. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 43 from 16:27

Frame at 16:47, shot 11616:47
1 of 1 shots sampled

63. Garden or courtyard at night

16:27–17:08 Machine checks flagged: time_of_day without evidence

Model synopsis: A person speaks in a dark outdoor setting at night, expressing frustration over rejection and insisting they won't give up. No names are spoken, and no other people are visible or audible in the frames or transcript.

  • A person stands silhouetted against a dark blue night sky with trees and a structure behind them. [frame:1]

1 person observed.

“Do you expect me to believe that fantastic story?” 16:52 · “I doubt if I ever will...” 16:57

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Sequence 44 from 17:08

Frame at 17:26, shot 11717:26
1 of 1 shots sampled

64. Private office

17:08–17:45 Machine checks passed (partial)

Model synopsis: A man in a green tunic confronts a seated woman in a draped gown inside a room with columns and a garden view; he asserts ownership over her and the house while questioning her feelings for someone named Philippides.

  • Karras stands and gestures toward Charis while speaking. [frame:1]

Named: Karras (t:17:26), Charis (t:17:13). 2 people observed.

“I thought you understood, Charis, what your position was.” 17:13 · “This house is mine.” 17:20

Evidence, details and a link to share

Frame at 17:47, shot 11817:47Frame at 17:53, shot 12017:53Frame at 18:01, shot 12318:01Frame at 18:09, shot 12518:09
4 of 8 shots sampled

65. Other

17:45–18:15 Machine checks passed (partial)

Model synopsis: A man in a green tunic speaks to a woman outdoors, threatening her with death if she disobeys his orders. The woman is seen from behind, and the man's expressions shift from calm to intense across the frames.

  • A man in a green tunic looks calmly at the camera. [frame:1]
  • A woman is seen from behind, facing the man outdoors. [frame:2]
  • The man speaks with an intense expression. [frame:3]
  • 1 more under Evidence and details.

Named: Charis (t:17:58). 2 people observed.

“Felipides loves someone else.” 17:45 · “I will not see him.” 17:50

Evidence, details and a link to share

Frame at 18:17, shot 12618:17Frame at 18:30, shot 12718:30Frame at 18:55, shot 12918:55Frame at 18:59, shot 13018:59
4 of 5 shots sampled

66. Training ground

18:15–19:03 Machine checks passed (partial)

Model synopsis: Two men practice sword fighting in an outdoor training area with statues and columns; one instructs the other to move faster and watch his shoulders. The dialogue reveals the trainee's reluctance toward weapons and the instructor's insistence on their necessity.

  • A shirtless man with a headband looks intently off-camera. [frame:1]
  • Two men spar with swords in a courtyard with statues and columns. [frame:2]
  • One man lunges at another with a sword while others train in the background. [frame:3]
  • 1 more under Evidence and details.

Named: Philippides (t:18:41), Neutrides (t:18:59). 3 people observed.

“you say you hate weapons get even a man like you might need them one day” 18:18 · “But they do exist, Philippides.” 18:41

Evidence, details and a link to share

Frame at 19:05, shot 13119:05Frame at 19:11, shot 13219:11Frame at 19:20, shot 13319:20
3 of 3 shots sampled

67. Courtyard

19:03–19:23 Machine checks passed (partial)

Model synopsis: Two men are shown in an outdoor setting with columns and trees; one is shirtless and the other wears armor. They appear to be practicing or sparring with swords, as indicated by the transcript lines about speed and sword use.

  • A shirtless man stands facing another armored man in a courtyard. [frame:1]
  • The armored man swings a sword toward the shirtless man. [frame:2]
  • The shirtless man holds a sword while facing the armored man. [frame:3]

2 people observed.

“You're fast as the wind.” 19:05 · “Again.” 19:06

Evidence, details and a link to share

Frame at 19:25, shot 13419:25
1 of 1 shots sampled

68. Other

19:23–19:27 Machine checks passed

Model synopsis: A person in ancient armor stands in a stone-walled interior space with a large urn and a decorative shield. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 19:29, shot 13519:29Frame at 19:34, shot 13719:34Frame at 19:38, shot 13919:38Frame at 19:42, shot 14119:42
4 of 7 shots sampled

69. Outdoor garden

19:27–19:43 Machine checks passed (partial)

Model synopsis: A man in ancient-style attire aims a slingshot outdoors near stone columns, then runs into bushes. The transcript includes brief dialogue about direction and aiming.

  • man holds slingshot in ready position [frame:1]
  • man pulls back slingshot [frame:2]
  • man releases slingshot [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“This way?” 19:28 · “That's it?” 19:31

Evidence, details and a link to share

Sequence 45 from 19:43

Sequence 46 from 19:53

Frame at 19:56, shot 14319:56
1 of 1 shots sampled

71. Forest

19:53–19:58 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves through a wooded area with trees and open ground. No dialogue or on-screen text is present in this beat.

  • A rider on horseback is visible moving through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 47 from 19:58

Frame at 20:01, shot 14420:01
1 of 1 shots sampled

72. Forest

19:58–20:04 Machine checks passed

Model synopsis: A woman in a white sleeveless dress stands beside a large ornate drum in a wooded area. The scene is shot outdoors with trees and daylight visible.

1 person observed.

Evidence, details and a link to share

Sequence 48 from 20:04

Frame at 20:07, shot 14520:07
1 of 1 shots sampled

73. Forest

20:04–20:10 Machine checks passed

Model synopsis: A single frame shows a dimly lit forest scene with tall trees and dappled light on the ground. No people, objects, or text are visible, and no dialogue is present in the beat.

Evidence, details and a link to share

Sequence 49 from 20:10

Frame at 20:16, shot 14620:16
1 of 1 shots sampled

74. Outdoor podium

20:10–20:21 Machine checks passed (partial)

Model synopsis: A woman stands behind a podium outdoors with trees behind her. No dialogue or on-screen text is visible in the frame.

  • A woman stands behind a podium outdoors. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 20:23, shot 14720:23
1 of 1 shots sampled

75. Forest

20:21–20:25 Machine checks passed

Model synopsis: A woman in a light-colored dress stands behind a decorative railing outdoors, with trees visible behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 50 from 20:25

Frame at 20:26, shot 14820:26
1 of 1 shots sampled

76. Forest

20:25–20:27 Machine checks passed

Model synopsis: A horse stands in a wooded area with sunlight filtering through the trees. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Frame at 20:30, shot 14920:30
1 of 1 shots sampled

77. Forest

20:27–20:32 Machine checks passed

Model synopsis: A single frame shows a sunlit forest with tall trees and a dirt path. No people, objects, or text are visible, and no dialogue is present.

Evidence, details and a link to share

Frame at 20:36, shot 15020:36
1 of 1 shots sampled

78. Forest

20:32–20:39 Machine checks passed

Model synopsis: A forest scene is shown with dappled sunlight filtering through trees. No people, objects, or on-screen text are visible in the single frame provided.

Evidence, details and a link to share

Sequence 51 from 20:43

Frame at 20:46, shot 15220:46
1 of 1 shots sampled

80. Forest

20:43–20:48 Machine checks passed (partial)

Model synopsis: A person rides a horse through a wooded area. The scene is shot in daylight with trees and dappled sunlight visible.

  • A person rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 52 from 20:48

Frame at 21:17, shot 15521:17
1 of 1 shots sampled

82. Other

21:06–21:29 Machine checks passed (partial)

Model synopsis: A man and a woman stand close, facing each other in an outdoor setting with statues and sea visible. The woman speaks lines about love and separation, while the man listens.

  • The man and woman stand face-to-face in an outdoor setting with statues and sea behind them. [frame:1]

2 people observed.

“Does it matter?” 21:07 · “I love you.” 21:11

Evidence, details and a link to share

Frame at 21:38, shot 15621:38
1 of 1 shots sampled

83. Other

21:29–21:48 Machine checks passed (partial)

Model synopsis: A shirtless man and a woman in classical attire face each other in a colonnaded outdoor setting with statues and sea visible behind them. The transcript contains a plea to forget and a statement that hoping would be useless.

  • A man and a woman stand facing each other in a colonnaded outdoor setting. [frame:1]

2 people observed.

“No, you mustn't even hope it would be useless.” 21:33 · “Please forget me.” 21:37

Evidence, details and a link to share

Sequence 53 from 21:48

Frame at 21:51, shot 15721:51
1 of 1 shots sampled

84. Forest

21:48–21:54 Machine checks passed (partial)

Model synopsis: A person rides a horse through a forest. The scene is dimly lit with tall trees and dappled light.

  • A person rides a horse through a forest. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 54 from 21:54

Frame at 21:55, shot 15821:55
1 of 1 shots sampled

85. Forest

21:54–21:56 Machine checks passed

Model synopsis: A man in a draped garment stands in a forest, holding an object. No dialogue or on-screen text is present in this beat.

  • A man stands in a forest holding an object. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 55 from 21:56

Frame at 21:57, shot 15921:57
1 of 1 shots sampled

86. Other

21:56–21:58 Machine checks passed

Model synopsis: A man stands near two statues on pedestals in an outdoor setting with a horse-drawn chariot in the foreground. The scene is framed by columns and shows a distant sea horizon.

1 person observed.

Evidence, details and a link to share

Sequence 56 from 21:58

Frame at 21:59, shot 16021:59
1 of 1 shots sampled

87. Forest

21:58–22:00 Machine checks passed (partial)

Model synopsis: A man in a tunic stands in a forest, holding a sword. No dialogue or on-screen text is present in this beat.

  • A man in a tunic holds a sword and looks over his shoulder in a forest. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 57 from 22:15

Frame at 22:17, shot 16522:17
1 of 1 shots sampled

89. Forest

22:15–22:20 Machine checks passed (partial)

Model synopsis: A person rides a horse through a forest during daylight. The scene is shot from a distance with trees framing the action.

  • A person rides a horse through a forest. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 58 from 22:20

Sequence 59 from 22:24

Frame at 22:29, shot 16722:29
1 of 1 shots sampled

91. Temple

22:24–22:34 Machine checks passed

Model synopsis: A wide shot shows a large classical temple at dusk with people and a horse on its steps. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 60 from 22:34

Frame at 22:52, shot 16822:52Frame at 23:12, shot 16923:12Frame at 23:23, shot 17123:23Frame at 23:26, shot 17223:26
4 of 5 shots sampled

92. Private office

22:34–23:27 Machine checks passed (partial)

Model synopsis: A man and a woman have a tense conversation in a dimly lit room. The woman questions how he entered and asserts control, while the man denies anger or love, and she expresses a desire to make him happy despite knowing he does not love her.

  • A man and a woman stand facing each other in a dimly lit room. [frame:1]
  • The man looks intently at the woman. [frame:2]
  • The man's expression is serious as he speaks. [frame:3]
  • 1 more under Evidence and details.

Named: Philippides (t:23:05). 2 people observed.

“Do I surprise you?” 22:43 · “I don't have much trouble making men do what I want them to do.” 22:48

Evidence, details and a link to share

Frame at 23:39, shot 17323:39
1 of 1 shots sampled

93. Private office

23:27–23:50 Machine checks passed

Model synopsis: A man and a woman stand in a dimly lit room with a torch on the wall; the man speaks and then departs. The transcript includes dialogue about love, cruelty, and a guard relief, ending with a farewell to someone named Caris.

Named: Philippi (t:23:38), Caris (t:23:42). 2 people observed.

“But now I do.” 23:28 · “I love you. I need you so much. All you need is to get what you want.” 23:29

Evidence, details and a link to share

Sequence 61 from 23:50

Frame at 23:59, shot 17423:59Frame at 24:39, shot 17524:39
2 of 2 shots sampled

94. Private office

23:50–25:10 Machine checks passed

Model synopsis: Two men in ancient robes speak in a sunlit room with a table and columns; one is addressed as Theocritus and mentions a plan. A woman named Andromeda is summoned to dine with an important guest who is not yet her friend.

Named: Theocritus (t:24:40), Andromeda (t:24:49). 3 people observed.

“Convince Philippides.” 24:11 · “What is it, Theocritus?” 24:40

Evidence, details and a link to share

Sequence 62 from 25:10

Frame at 25:14, shot 17625:14
1 of 1 shots sampled

95. Private office

25:10–25:19 Machine checks passed (partial)

Model synopsis: A man in ancient Greek-style attire stands in a doorway with another figure behind him; the transcript identifies him as Philippides. The setting appears to be an interior room with stone walls and a barred window.

  • Philippides stands in a doorway with another figure behind him. [frame:1]

Named: Philippides (t:25:11). 2 people observed.

“Philippides is here.” 25:11

Evidence, details and a link to share

Sequence 63 from 25:19

Sequence 64 from 25:20

Sequence 65 from 25:23

Frame at 25:25, shot 17925:25Frame at 25:29, shot 18025:29Frame at 25:31, shot 18125:31Frame at 25:35, shot 18225:35
4 of 4 shots sampled

98. Private office

25:23–25:38 Machine checks passed (partial)

Model synopsis: A man in a toga enters a room and is greeted; a woman is introduced as his future wife. The setting is an interior with classical architecture and artwork.

  • A man in a toga enters a room through a doorway. [frame:1]
  • A man in a toga looks directly at the camera. [frame:3]

3 people observed.

“Welcome to my home Philippides your presence here is an honor so is your invitation I” 25:23 · “This is my daughter Who is to? become my wife” 25:30

Evidence, details and a link to share

Frame at 25:40, shot 18325:40Frame at 25:45, shot 18425:45Frame at 25:52, shot 18525:52
3 of 3 shots sampled

99. Other

25:38–25:55 Machine checks passed

Model synopsis: Two characters in classical-style robes converse in an interior space with stone walls and sculptural reliefs; one man and one woman are shown in separate close-ups, then a third man appears in a medium shot. The dialogue suggests a prior, possibly dreamlike, encounter.

3 people observed.

“It seems you already know each other. Yes. We may have met.” 25:39 · “But without really knowing each other. As it happens in a dream sometimes. If I had ever met you, even in a dream...” 25:45

Evidence, details and a link to share

Frame at 25:56, shot 18625:56Frame at 26:10, shot 18726:10
2 of 2 shots sampled

100. Living room

25:55–26:22 Machine checks passed (partial)

Model synopsis: A woman in a white toga stands outdoors while two men in dark tunics play pipes indoors. The transcript includes lines about music, wine, and company, suggesting a banquet or social gathering.

  • A woman stands outdoors, looking toward the camera. [frame:1]
  • Two men stand indoors, playing pipes. [frame:2]

3 people observed.

“I don't understand a word of what you're talking about. The table is set. Be seated.” 25:56 · “Music! Music is excellent for the digestion, if you please.” 25:59

Evidence, details and a link to share

Frame at 26:24, shot 18826:24Frame at 26:38, shot 18926:38
2 of 2 shots sampled

101. Private office

26:22–26:52 Machine checks passed (partial)

Model synopsis: A woman speaks with two men in a room with classical architecture; one man is seated while the other stands. The transcript indicates a conversation about an urgent counsel meeting and a fleet being decimated.

  • A woman looks toward the camera with a serious expression. [frame:1]
  • Two men stand near a seated woman in a room with columns and a window showing trees. [frame:2]

3 people observed.

“What is it, Philip? It is.” 26:24 · “On the contrary, I'm having a wonderful time.” 26:28

Evidence, details and a link to share

Frame at 26:53, shot 19026:53Frame at 27:01, shot 19127:01
2 of 2 shots sampled

102. Private office

26:52–27:07 Machine checks passed

Model synopsis: A woman with blonde hair is shown in a close-up, followed by two men in ancient-style robes standing in a room with columns and outdoor light. The transcript mentions Persians, a traitor named Hippias, and someone expressing tiredness.

3 people observed.

“And the Persians threatened to land on our shores, guided by the traitor Hippias.” 26:52 · “Not everyone thinks hippies is a traitor.” 26:56

Evidence, details and a link to share

Sequence 66 from 27:07

Frame at 27:35, shot 19227:35
1 of 1 shots sampled

103. Private office

27:07–28:04 Machine checks passed (partial)

Model synopsis: A man stands in a room with a window showing trees; dialogue reveals a forced childhood marriage promise involving Andromeda and Philippides, and a proposal to exchange her for political aid. No names are visually confirmed, and no objects beyond the window and interior walls are visible.

  • A man stands in a room looking toward a window showing trees. [frame:1]

1 person observed.

“Poor Andromeda.” 27:07 · “And I think you know why, Philippides.” 27:10

Evidence, details and a link to share

Sequence 67 from 28:04

Frame at 28:05, shot 19328:05Frame at 28:17, shot 19428:17Frame at 28:32, shot 19528:32
3 of 3 shots sampled

104. Private office

28:04–28:38 Machine checks passed (partial)

Model synopsis: A man in a toga speaks to another man indoors, then a woman in a toga appears outdoors near columns. The transcript includes dialogue about Andromeda agreeing to something for her father and a character named Filippity declaring love.

  • A man in a toga speaks to another man indoors. [frame:1]
  • A man in a toga stands near a doorway, holding something. [frame:2]
  • A woman in a toga stands outdoors near columns and foliage. [frame:3]

Named: Andromeda (t:28:07). 3 people observed.

“Does Andromeda agree to this?” 28:07 · “Why, of course she does. Otherwise, we would hardly have asked you here. She would do it for her father. She would do anything for him. …” 28:08

Evidence, details and a link to share

Frame at 28:45, shot 19628:45Frame at 28:56, shot 19728:56
2 of 2 shots sampled

105. Forest

28:38–29:00 Machine checks passed (partial)

Model synopsis: A man in a draped garment stands with his back to the camera amid trees; a second shot shows a man in ornate attire and a woman in a dark dress beside him, both looking off-camera. Dialogue indicates conflict over betrayal and a character named Philippides.

  • A man in a draped garment stands with his back to the camera among trees. [frame:1]
  • A man in ornate attire and a woman stand side by side, both looking off-camera. [frame:2]

Named: Philippides (t:28:45). 3 people observed.

“So now you love me.” 28:39 · “Now I know that you're one of them.” 28:40

Evidence, details and a link to share

Sequence 68 from 29:00

Frame at 29:09, shot 19829:09
1 of 1 shots sampled

106. Field

29:00–29:19 Machine checks passed

Model synopsis: A muscular man in a red tunic stands outdoors in a hilly landscape. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 69 from 29:19

Frame at 29:22, shot 19929:22Frame at 29:26, shot 20029:26Frame at 29:35, shot 20129:35Frame at 29:46, shot 20229:46
4 of 4 shots sampled

107. Field

29:19–29:50 Machine checks passed (partial)

Model synopsis: A man in a red tunic walks across a field near a settlement while another person in a hooded robe stands nearby; a cow is visible in the background. A voice mentions someone named Miltiades and greets Philippides.

  • A person in a hooded robe stands in a field with a cow in the background. [frame:1]
  • A man in a red tunic walks across a field carrying a staff. [frame:3]
  • The man in the red tunic walks toward a settlement with thatched structures. [frame:4]

Named: Miltiades (t:29:24), Philippides (t:29:49). 4 people observed.

“Since he came back from the city, he's not the same. He doesn't talk to anyone.” 29:20 · “Miltiades!” 29:24

Evidence, details and a link to share

Sequence 70 from 29:50

Frame at 30:14, shot 20330:14
1 of 1 shots sampled

108. Other

29:50–30:38 Machine checks passed

Model synopsis: Two men are seated at a table in a dimly lit interior, one standing and one seated, with food and drink visible. The conversation mentions Athens, a girl named Karen, and a wind from the east.

2 people observed.

“Welcome, Miltiades.” 29:51 · “What's new in Athens? Let me see. Oh, they finished the new baths. It's very expensive, but to go there is a sign of distinction.” 30:08

Evidence, details and a link to share

Frame at 31:06, shot 20431:06Frame at 31:35, shot 20531:35Frame at 31:38, shot 20631:38Frame at 31:42, shot 20731:42
4 of 4 shots sampled

109. Private office

30:38–31:45 Machine checks flagged: visible event not seen

Model synopsis: Two men in ancient Greek attire converse in a dimly lit interior with columns; one delivers news of Persian forces landing at Marathon and urges the other to return to Athens. The dialogue references past events at Olympia and the sacred guard, and the setting includes firelight and stone architecture.

  • Two men stand facing each other in a dim room with columns. [frame:1]
  • The man in armor speaks to the man in red. [frame:2]
  • The man in armor stands alone, looking forward. [frame:3]
  • 1 more under Evidence and details.

Named: Philippities (t:30:55), Miltiades (t:31:33). 2 people observed.

“She might have seen you at Olympia.” 30:39 · “Your friends in the sacred guard don't call it luck, Philippities.” 30:55

Flagged: visible event not seen (The man in armor stands alone, looking forward.)

Evidence, details and a link to share

Sequence 71 from 31:45

Frame at 31:51, shot 20831:51
1 of 1 shots sampled

110. Other

31:45–31:58 Machine checks passed

Model synopsis: A man in ancient armor stands beside two helmeted soldiers holding spears. The scene is dimly lit with silhouetted figures against a pale background.

3 people observed.

Evidence, details and a link to share

Sequence 72 from 31:58

Frame at 32:13, shot 20932:13
1 of 1 shots sampled

111. Water

31:58–32:27 Machine checks passed (partial)

Model synopsis: A group of horses and riders are shown on a wooden raft in water. The scene is dimly lit, suggesting night or low light conditions.

  • Horses and riders are on a wooden raft in water. [frame:1]

Evidence, details and a link to share

Sequence 73 from 32:27

Frame at 32:29, shot 21032:29
1 of 1 shots sampled

112. Other

32:27–32:31 Machine checks passed

Model synopsis: A man in ancient armor is shown in a low-angle shot. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 74 from 32:31

Frame at 32:39, shot 21132:39Frame at 32:49, shot 21232:49
2 of 2 shots sampled

113. Ship

32:31–32:51 Machine checks passed (partial)

Model synopsis: A chaotic battle scene unfolds on and around a wooden ship at sea, with figures in armor fighting in water and on deck. One armored man stands prominently on the ship's structure as others engage below.

  • figures in armor fight in water and on a wooden ship [frame:1]
  • an armored man stands on a ship's structure while others fight below [frame:2]

2 people observed.

Evidence, details and a link to share

Frame at 33:21, shot 21333:21
1 of 1 shots sampled

114. Beach

32:51–33:52 Machine checks passed (partial)

Model synopsis: A beach scene shows soldiers in boats near shore, with dialogue referencing an army and a march on Athens. The transcript mentions characters Hippias and Darius and a plan to overthrow tyranny.

  • Soldiers in boats approach a beach with spears and shields. [frame:1]

Named: Hippias (t:33:32), Darius (t:33:32), Ipius (t:33:41). 4 people observed.

“All goes well.” 33:11 · “What do you think of my army, Hippias? You'll see, Darius, your Persians won't even have to fight.” 33:32

Evidence, details and a link to share

Sequence 75 from 33:52

Frame at 33:54, shot 21433:54
1 of 1 shots sampled

115. Beach

33:52–33:56 Machine checks passed (partial)

Model synopsis: A figure is seen from above moving through turbulent water next to a dark object. No dialogue or on-screen text is present in this beat.

  • a figure moves through churning water near a dark object [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 33:58, shot 21533:58
1 of 1 shots sampled

116. Beach

33:56–33:59 Machine checks passed (partial)

Model synopsis: A person is seen from above wading through shallow, turbulent water. No dialogue or on-screen text is present in this beat.

  • A person wades through shallow, turbulent water. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 34:01, shot 21634:01
1 of 1 shots sampled

117. Beach

33:59–34:02 Machine checks passed

Model synopsis: A figure on horseback moves through water with other figures visible in the foreground and background. No dialogue or on-screen text is present in this beat.

  • A figure on horseback moves through shallow water. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 76 from 34:02

Frame at 34:12, shot 21734:12Frame at 34:24, shot 21834:24
2 of 2 shots sampled

118. Town square

34:02–34:26 Machine checks passed

Model synopsis: A speaker addresses a large crowd at night in front of a classical building, warning of an imminent Persian invasion. The transcript indicates a debate over whether to surrender or resist.

  • A speaker stands on a platform before a crowd at night. [frame:1]
  • A wide shot shows a large crowd gathered before a classical temple at night. [frame:2]

2 people observed.

“This is not the first time that our country has been invaded.” 34:03 · “This is not the first time that our country, our cities and our people have been threatened with destruction. True. But never before has the…” 34:07

Evidence, details and a link to share

Sequence 77 from 34:26

Frame at 34:39, shot 21934:39
1 of 1 shots sampled

119. Other

34:26–34:52 Machine checks passed

Model synopsis: A group of men in ancient Greek-style robes are seated outdoors at night, discussing Athens' military weakness against Darius and resolving to fight for freedom. The dialogue emphasizes numerical disadvantage and a collective decision to arm all citizens.

4 people observed.

“Don't you see that Athens alone isn't strong enough to defeat Darius and his army?” 34:27 · “At most, we might arm 10,000 infantrymen and 5,000 cavalry.” 34:34

Evidence, details and a link to share

Sequence 78 from 34:52

Frame at 34:58, shot 22034:58Frame at 35:07, shot 22135:07Frame at 35:16, shot 22235:16
3 of 3 shots sampled

120. Town square

34:52–35:22 Machine checks flagged: time_of_day without evidence

Model synopsis: A crowd addresses Miltiades at night before a large temple, urging him to defend Athens from the Persians. A man stands on a platform, addressing the crowd, while others sit behind him under columns.

  • A man stands on a platform addressing the crowd, with others seated behind him. [frame:3]

Named: Miltiades (t:34:52). 4 people observed.

“Miltiades! Hail, Miltiades! Defend us from the Persians! Save us, Miltiades! Throw the Persians back into the sea! The gods be with you, Mil…” 34:52 · “Come, we are waiting, Miltiades.” 35:12

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Sequence 79 from 35:22

Frame at 35:22, shot 22335:22Frame at 35:32, shot 22435:32
2 of 2 shots sampled

121. Other

35:22–35:41 Machine checks passed (partial)

Model synopsis: A man in dark robes speaks at night, stating his men will fight for Athens. Behind him, a group of robed figures and a statue stand under columns.

  • A man in dark robes speaks solemnly. [frame:1]
  • A group of robed figures and a statue are visible behind the speaker. [frame:2]

3 people observed.

“I do not possess the divine power to transform a disaster into a triumph.” 35:23 · “Theocritus asks me for a miracle, but he knows full well.” 35:31

Evidence, details and a link to share

Frame at 35:45, shot 22535:45Frame at 35:54, shot 22635:54Frame at 36:08, shot 22836:08Frame at 36:15, shot 22936:15
4 of 5 shots sampled

122. Other

35:41–36:20 Machine checks flagged: time_of_day without evidence

Model synopsis: A man in armor speaks to others at night, arguing that a small group of men must fight despite being ordered to guard a temple. The scene includes statues and columns, suggesting a sacred or civic space.

4 people observed.

“We shall force the invader back into the sea or he will enslave our people.” 35:41 · “Why have you held back all the men of the sacred God?” 35:52

Flagged: time_of_day without evidence (night)

Evidence, details and a link to share

Frame at 36:27, shot 23036:27Frame at 36:38, shot 23136:38Frame at 36:49, shot 23236:49Frame at 36:59, shot 23336:59
4 of 4 shots sampled

123. Town square

36:20–37:01 Machine checks passed (partial)

Model synopsis: A man in classical attire speaks to a crowd at night, arguing for surrender against overwhelming Persian odds; a woman in a green hooded cloak is shown among the listeners. The scene includes a statue and classical architecture, suggesting a public assembly.

  • A woman in a green hooded cloak is shown listening in the crowd. [frame:2]
  • The scene shows a statue and classical architecture, indicating a public assembly space. [frame:4]

4 people observed.

“Only strength, the number of armed men is what counts. Thord against thord. How can we match the Persian power? You forget one thing, Theocr…” 36:20 · “that we surrender to Darius.” 36:56

Evidence, details and a link to share

Frame at 37:08, shot 23437:08Frame at 37:18, shot 23537:18Frame at 37:24, shot 23637:24
3 of 3 shots sampled

124. Other

37:01–37:26 Machine checks passed

Model synopsis: A man in ancient Greek attire speaks before a group of seated figures under a night sky, discussing the strategic alliance with Sparta against the Persians. The scene is set outdoors near classical columns, with dramatic lighting emphasizing the speaker.

3 people observed.

“There will be little hope for us.” 37:03 · “But if we had an ally with an army as strong as ours, then there would be hope for us.” 37:06

Evidence, details and a link to share

Frame at 37:27, shot 23737:27Frame at 37:33, shot 23937:33Frame at 37:50, shot 24237:50Frame at 37:57, shot 24437:57
4 of 8 shots sampled

125. Other

37:26–37:59 Machine checks passed

Model synopsis: A man in ancient Greek attire speaks about Athenian distrust and plans to march against the Persians at Marathon, ordering Philippides to seek Spartan aid. Another man in a red tunic stands near a column and shield, visible in a separate shot.

Named: Philippides (t:37:54). 2 people observed.

“The Spartans have never trusted us.” 37:26 · “Sparta thinks that some Athenians are traitors.” 37:30

Evidence, details and a link to share

Sequence 80 from 37:59

Frame at 38:02, shot 24538:02
1 of 1 shots sampled

126. Other

37:59–38:05 Machine checks passed

Model synopsis: A single dark frame shows an indistinct red shape against black. No people, objects, or text are visible, and no audio is provided for this beat.

Evidence, details and a link to share

Sequence 81 from 38:05

Frame at 38:08, shot 24638:08
1 of 1 shots sampled

127. Monument plaza

38:05–38:11 Machine checks passed

Model synopsis: Three figures in ancient-style robes walk along a paved path near a large sculpted monument under daylight. The scene is outdoors, with trees and a clear sky visible.

3 people observed.

Evidence, details and a link to share

Sequence 82 from 38:11

Frame at 38:15, shot 24738:15
1 of 1 shots sampled

128. Other

38:11–38:18 Machine checks passed

Model synopsis: A man in a dark tunic stands in a dimly lit interior, holding a staff or spear, with a shadowed figure behind him. The scene is lit by a single strong light source from the left, casting deep shadows.

2 people observed.

Evidence, details and a link to share

Sequence 83 from 38:18

Sequence 84 from 38:22

Frame at 38:23, shot 24938:23
1 of 1 shots sampled

130. Town square

38:22–38:24 Machine checks passed (partial)

Model synopsis: Two figures in ancient-style attire walk on a paved path near a large statue of a horse and rider. The scene is outdoors under daylight, with trees and a building wall visible.

  • Two figures walk along a paved path near a large statue. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 85 from 38:24

Sequence 86 from 38:27

Frame at 38:31, shot 25138:31
1 of 1 shots sampled

132. Garden

38:27–38:34 Machine checks passed

Model synopsis: A rider on horseback moves past a classical column and large urn in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A rider on horseback passes a column and urn. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 87 from 38:34

Frame at 38:37, shot 25238:37
1 of 1 shots sampled

133. Forest

38:34–38:40 Machine checks passed

Model synopsis: A man in ancient Greek-style armor and helmet stands beside a white horse. The background shows trees under a bright sky.

1 person observed.

Evidence, details and a link to share

Sequence 88 from 38:40

Frame at 38:43, shot 25338:43
1 of 1 shots sampled

134. Forest

38:40–38:45 Machine checks passed (partial)

Model synopsis: A chariot pulled by two horses moves along a dirt path bordered by trees and shrubs. No people are named or audible, and no on-screen text is visible.

  • A chariot pulled by two horses moves along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 89 from 38:45

Frame at 38:46, shot 25438:46
1 of 1 shots sampled

135. Forest

38:45–38:48 Machine checks passed

Model synopsis: A woman in a light-colored gown stands among trees and foliage. The scene is lit with strong directional light, casting shadows on her and the surroundings.

1 person observed.

Evidence, details and a link to share

Frame at 38:51, shot 25538:51Frame at 38:56, shot 25638:56Frame at 39:02, shot 25739:02
3 of 3 shots sampled

136. Field

38:48–39:06 Machine checks passed (partial)

Model synopsis: A man in armor and a white horse are outdoors with a woman in a red dress; another woman in a light dress stands near columns. Dialogue includes farewells and thanks addressed to someone named Caris.

  • A man in armor stands beside a white horse in a field. [frame:1]
  • A blonde woman in a light dress stands near columns. [frame:2]
  • A woman in a red dress touches the armored man's shoulder. [frame:3]

Named: Caris (t:38:58). 3 people observed.

“Farewell. I'm sure you will succeed.” 38:51 · “Thank you, Caris. I will do all I can.” 38:58

Evidence, details and a link to share

Frame at 39:08, shot 25839:08
1 of 1 shots sampled

137. Garden

39:06–39:09 Machine checks passed

Model synopsis: A woman with blonde hair in a light-colored garment stands near foliage and a column. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 90 from 39:09

Frame at 39:16, shot 25939:16
1 of 1 shots sampled

138. Field

39:09–39:22 Machine checks passed

Model synopsis: A woman in a white toga stands beside a stone column, looking toward a man on horseback in a wooded area. The scene is outdoors in daylight with trees and grass visible.

2 people observed.

Evidence, details and a link to share

Frame at 39:24, shot 26039:24
1 of 1 shots sampled

139. Other

39:22–39:25 Machine checks passed

Model synopsis: A figure in a light-colored robe stands beside a column with foliage in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 91 from 39:25

Frame at 39:44, shot 26139:44
1 of 1 shots sampled

140. Other

39:25–40:03 Machine checks passed (partial)

Model synopsis: A man and a woman in ancient-style clothing stand close in a dimly lit interior, speaking emotionally. The dialogue reveals a romantic conflict involving a third man, political unrest, and personal regret.

  • A man and a woman stand close, facing each other in an interior space. [frame:1]

Named: Andromeda (t:39:26). 2 people observed.

“Andromeda?” 39:26 · “Yes, I love him.” 39:34

Evidence, details and a link to share

Sequence 92 from 40:03

Frame at 40:04, shot 26240:04
1 of 1 shots sampled

141. Dirt path

40:03–40:06 Machine checks passed (partial)

Model synopsis: A person rides a white horse along a dirt path bordered by trees and brush. The scene is outdoors under daylight, with no visible structures or other people.

  • A person rides a white horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 40:09, shot 26340:09
1 of 1 shots sampled

142. Sandy rise with treeline

40:06–40:13 Machine checks passed (partial)

Model synopsis: A person on horseback is visible on a sandy rise against a dark treeline. No dialogue or on-screen text is present in this beat.

  • A person on horseback is visible on a sandy rise. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 93 from 40:13

Frame at 40:20, shot 26440:20Frame at 40:31, shot 26540:31
2 of 2 shots sampled

143. Other

40:13–40:34 Machine checks passed

Model synopsis: Two women converse in a classical interior; one in a light veil and gown asks the other, in dark attire, about her intentions regarding Philippides. The dialogue reveals a love triangle involving Philippides, Theocritus, and the two women, with a plea to protect Philippides.

Named: Andromeda (t:40:30), Philippe (t:40:31). 2 people observed.

“Why did you really come here anyway?” 40:13 · “I want to make sure that Philippides will not be harmed.” 40:19

Evidence, details and a link to share

Frame at 40:36, shot 26640:36Frame at 40:40, shot 26740:40Frame at 40:56, shot 26940:56Frame at 41:01, shot 27041:01
4 of 5 shots sampled

144. Private office

40:34–41:03 Machine checks passed (partial)

Model synopsis: Two women confront each other in an interior space; one accuses the other of being loved by Philippides while lamenting her own inability to make him forget her. The confrontation ends with one woman ordering the other to leave.

  • A woman in a veil stands facing another woman in a dark dress. [frame:1]
  • The woman in the dark dress speaks while the veiled woman listens. [frame:2]
  • The woman in the dark dress looks away, appearing distressed. [frame:3]
  • 1 more under Evidence and details.

Named: Andromeda (t:40:48). 2 people observed.

“But never could I make him forget you, Andromeda.” 40:48 · “Are you satisfied now? Are you?” 40:50

Evidence, details and a link to share

Frame at 41:06, shot 27141:06
1 of 1 shots sampled

145. Colonnaded terrace

41:03–41:09 Machine checks passed

Model synopsis: A figure in a light-colored robe stands with their back to the camera in a colonnaded space. The setting includes classical columns and potted plants, suggesting an ancient architectural style.

1 person observed.

Evidence, details and a link to share

Sequence 94 from 41:09

Frame at 41:21, shot 27241:21
1 of 1 shots sampled

146. Rocky terrain

41:09–41:32 Machine checks passed

Model synopsis: A lone figure walks across a rocky, sunlit landscape with sparse vegetation. The terrain is uneven and appears arid, with no structures or other people visible.

  • A person walks across rocky ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 41:35, shot 27341:35Frame at 41:49, shot 27841:49Frame at 42:14, shot 28442:14Frame at 42:28, shot 28942:28
4 of 17 shots sampled

147. Hillside

41:32–42:30 Machine checks passed (partial)

Model synopsis: Two figures are seen on a rocky, arid hillside; one is on the ground while another stands over them. A third figure approaches from behind as the standing figure raises a weapon.

  • A figure is seen on a rocky hillside. [frame:1]
  • One man kneels over another who is lying on the ground. [frame:2]
  • A third man approaches from behind as the kneeling man turns. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Come on.” 41:33 · “Oh, God.” 42:03

Evidence, details and a link to share

Frame at 42:32, shot 29042:32Frame at 42:42, shot 29342:42Frame at 42:50, shot 29642:50Frame at 43:02, shot 29943:02
4 of 10 shots sampled

148. Canyon

42:30–43:04 Machine checks passed (partial)

Model synopsis: Two figures in ancient-style clothing are seen on a rocky, sunlit hillside; one is on horseback in a canyon, and another is lying face down on the ground. A voice exclaims 'Oh, my God.' during this sequence.

  • Two figures stand on a rocky hillside. [frame:1]
  • A person on horseback rides through a canyon. [frame:2]
  • A shirtless man lies face down on the ground. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“Oh, my God.” 42:33

Evidence, details and a link to share

Frame at 43:06, shot 30043:06Frame at 43:13, shot 30143:13Frame at 43:21, shot 30243:21
3 of 3 shots sampled

149. Desert

43:04–43:24 Machine checks passed (partial)

Model synopsis: A man is shown lying on sandy ground, then standing in a desert-like landscape, and finally riding a horse through a wooded area. The sequence suggests movement across different terrains in an outdoor setting.

  • man lying face down on sandy ground [frame:1]
  • man standing in a desert landscape, holding his side [frame:2]
  • man riding a horse through trees [frame:3]

1 person observed.

Evidence, details and a link to share

Frame at 43:49, shot 30343:49Frame at 44:16, shot 30544:16Frame at 44:20, shot 30644:20Frame at 44:26, shot 30844:26
4 of 6 shots sampled

150. Private office

43:24–44:27 Machine checks passed (partial)

Model synopsis: A man in ancient attire is seen from behind in a room with columns and drapes; a woman in a dark dress and necklace appears in close-up and in conversation with him. Dialogue reveals a plot involving a character named Philippides, a mission to Sparta, and a threat to take a woman to Darius's camp.

  • A man stands in a room with columns and drapes, facing away from the camera. [frame:1]
  • A woman in a dark dress and necklace is shown in close-up, looking off-camera. [frame:2]
  • The man and woman face each other in a room with columns and decorative elements. [frame:3]
  • 1 more under Evidence and details.

Named: Theocritus (t:44:12). 2 people observed.

“Everyone has lost his head over this Philippides.” 43:25 · “By sending him to Sparta.” 43:31

Evidence, details and a link to share

Frame at 44:28, shot 30944:28
1 of 1 shots sampled

151. Other

44:27–44:30 Machine checks passed

Model synopsis: Two figures walk past classical columns in a dimly lit setting. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 95 from 44:30

Frame at 44:31, shot 31044:31
1 of 1 shots sampled

152. Field

44:30–44:33 Machine checks passed

Model synopsis: A lone rider on horseback is visible atop a rocky hill under a clear sky. No dialogue or on-screen text is present in this beat.

  • A rider on horseback is silhouetted atop a rocky hill. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 96 from 44:33

Sequence 97 from 44:35

Frame at 44:36, shot 31244:36
1 of 1 shots sampled

154. Other

44:35–44:38 Machine checks passed

Model synopsis: A man in ancient-style armor stands beside a horse. The setting is indistinct, with no visible background details.

1 person observed.

Evidence, details and a link to share

Sequence 98 from 44:38

Frame at 44:39, shot 31344:39
1 of 1 shots sampled

155. Field

44:38–44:40 Machine checks passed (partial)

Model synopsis: A person rides a horse along a dirt path in an open, hilly landscape. The scene is shot from a distance under bright, even lighting.

  • A person rides a horse along a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 99 from 44:40

Frame at 44:46, shot 31444:46Frame at 44:55, shot 31544:55Frame at 45:00, shot 31645:00Frame at 45:08, shot 31745:08
4 of 4 shots sampled

156. Other

44:40–45:12 Machine checks passed (partial)

Model synopsis: A man in armor addresses a seated assembly in a stone amphitheater, pleading for aid as the transcript states Athens is under threat from Persia and Sparta refuses to act before the new moon. The assembly, dressed in robes, listens as the speaker gestures and the transcript quotes divine prohibition.

  • A man in armor stands before a seated assembly in an amphitheater. [frame:1]
  • The armored man turns his head upward as if addressing the assembly or sky. [frame:2]
  • The seated assembly, dressed in robes, looks toward the speaker. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Athens is fighting for its life and yours eventually.” 44:46 · “Athens asks you to help her fight.” 44:55

Evidence, details and a link to share

Frame at 45:14, shot 31845:14Frame at 45:16, shot 31945:16Frame at 45:25, shot 32145:25Frame at 45:28, shot 32245:28
4 of 5 shots sampled

157. Courtyard

45:12–45:29 Machine checks passed (partial)

Model synopsis: A man in armor stands before a seated assembly in a stone-walled courtyard; another man in a white robe speaks to the group. The transcript discusses Athens, Sparta, and Darius.

  • A man in armor stands before a seated assembly. [frame:1]
  • The armored man looks upward. [frame:2]
  • A man in a white robe stands and speaks to the assembly. [frame:3]
  • 1 more under Evidence and details.

Named: Yoris (t:45:23). 3 people observed.

“Philippides is right. We must help Athens.” 45:14 · “When Darius is taking over Athens, then nothing will stand in his way. He will come and take over Sparta.” 45:17

Evidence, details and a link to share

Frame at 45:31, shot 32345:31Frame at 45:38, shot 32545:38Frame at 45:41, shot 32645:41Frame at 45:48, shot 32845:48
4 of 6 shots sampled

158. Courtyard

45:29–45:49 Machine checks passed (partial)

Model synopsis: A man in armor addresses a seated assembly in an ancient stone courtyard; another man, Euras, vouches for him amid suspicion. The setting includes stone walls and a crowd, with dialogue indicating political tension and a reference to the Olympic Games.

  • A man in a white robe stands before seated men in a stone courtyard. [frame:1]
  • A man in golden armor stands before a crowd, looking upward. [frame:2]
  • A man in golden armor stands among other armored men. [frame:3]
  • 1 more under Evidence and details.

Named: Euras (t:45:37). 5 people observed.

“What proof do you have that this is not an Athenian trick? The word of Philippides. I, Euras, will vouch for it.” 45:37 · “I remember my encounter with Euros at the Olympic Games.” 45:45

Evidence, details and a link to share

Frame at 45:50, shot 32945:50Frame at 45:59, shot 33045:59
2 of 2 shots sampled

159. Town square

45:49–46:07 Machine checks passed (partial)

Model synopsis: A man in armor addresses a crowd from a stone platform; the transcript includes lines about fighting and Spartan unity. The setting appears to be an ancient Greek public space with stone architecture and trees in the background.

  • The man in armor stands on a stone platform, facing the crowd. [frame:1]
  • The crowd behind the speaker becomes more visible, showing many standing men. [frame:2]

3 people observed.

“Euross is a great fighter.” 45:49 · “Do not win a fight.” 45:54

Evidence, details and a link to share

Sequence 100 from 46:07

Frame at 46:11, shot 33146:11Frame at 46:18, shot 33246:18
2 of 2 shots sampled

160. Amphitheater

46:07–46:21 Machine checks passed (partial)

Model synopsis: A man in a tunic stands before a seated council in a stone amphitheater; later, soldiers gather around a large shield near a burning brazier. The transcript includes a farewell and a declaration that Greece's fate rests with others.

  • A man stands before a seated council in an amphitheater. [frame:1]
  • Soldiers gather around a large shield near a burning brazier. [frame:2]

3 people observed.

“I have nothing more to say.” 46:07 · “Now the fate of Greece is in your hands.” 46:09

Evidence, details and a link to share

Sequence 101 from 46:21

Frame at 46:23, shot 33346:23
1 of 1 shots sampled

161. Field

46:21–46:26 Machine checks passed

Model synopsis: A large group of soldiers in ancient armor stands in formation on a hillside. The scene is outdoors under a clear sky with no visible modern elements.

1 person observed.

Evidence, details and a link to share

Sequence 102 from 46:26

Frame at 46:28, shot 33446:28
1 of 1 shots sampled

162. Other

46:26–46:30 Machine checks passed

Model synopsis: A man in a helmet is shown in close-up against a backdrop of ancient ruins and a clear sky. No dialogue or action is visible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 103 from 46:30

Frame at 46:31, shot 33546:31
1 of 1 shots sampled

163. Battlefield

46:30–46:33 Machine checks passed (partial)

Model synopsis: A group of soldiers in ancient armor are shown striking a large drum with mallets. The scene is set outdoors under daylight, with a crowd visible in the background.

  • Soldiers strike a large drum with mallets. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 104 from 46:33

Frame at 46:35, shot 33646:35
1 of 1 shots sampled

164. Field

46:33–46:37 Machine checks passed

Model synopsis: A large group of soldiers is gathered in an open field with a chariot and a figure on horseback visible. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 46:38, shot 33746:38
1 of 1 shots sampled

165. Hillside

46:37–46:39 Machine checks passed

Model synopsis: A mounted soldier in ancient armor is shown on a hillside with a line of soldiers behind him. The scene is outdoors under a clear sky with no visible modern elements.

2 people observed.

Evidence, details and a link to share

Frame at 46:41, shot 33846:41
1 of 1 shots sampled

166. Field

46:39–46:43 Machine checks passed

Model synopsis: A group of people stands on a grassy hillside near large wooden siege engines. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 105 from 46:43

Frame at 46:45, shot 33946:45
1 of 1 shots sampled

167. Other

46:43–46:47 Machine checks passed (partial)

Model synopsis: A close-up shows hands placing a small animal into a basket on a wooden surface. No dialogue or on-screen text is present in this beat.

  • Hands place a small animal into a basket. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 106 from 46:47

Frame at 46:48, shot 34046:48
1 of 1 shots sampled

168. Battlefield

46:47–46:48 Machine checks passed

Model synopsis: A group of armored soldiers stands behind a wooden siege engine on a rocky outcrop. No dialogue or on-screen text is present in this beat.

  • Soldiers stand behind a wooden siege engine on a rocky terrain. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 107 from 46:48

Frame at 46:51, shot 34146:51
1 of 1 shots sampled

169. Sky with land

46:48–46:53 Machine checks passed

Model synopsis: The frame shows a pale sky with wispy clouds and a small portion of a dark landmass at the bottom right. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Sequence 108 from 46:53

Sequence 109 from 46:57

Sequence 110 from 47:05

Sequence 111 from 47:07

Sequence 112 from 47:11

Frame at 47:13, shot 34647:13
1 of 1 shots sampled

174. Battlefield

47:11–47:14 Machine checks passed

Model synopsis: A large wooden structure with a circular shield is visible outdoors with soldiers in the background. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Frame at 47:18, shot 34747:18
1 of 1 shots sampled

175. Field

47:14–47:22 Machine checks passed (partial)

Model synopsis: A mounted soldier in ancient armor commands troops on a hillside. The scene shows soldiers on horseback and on foot in a field under a clear sky.

  • A mounted soldier raises his arm and shouts to troops on a hillside. [frame:1]
  • Soldiers on horseback and on foot are positioned on a hillside. [frame:1]

2 people observed.

“To your posts!” 47:14

Evidence, details and a link to share

Sequence 113 from 47:22

Sequence 114 from 47:29

Frame at 47:31, shot 34947:31
1 of 1 shots sampled

177. Cliff

47:29–47:33 Machine checks passed (partial)

Model synopsis: A figure is seen in motion against a rocky cliff face. No dialogue or on-screen text is present in this beat.

  • A figure moves rapidly against a cliff face. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 115 from 47:35

Frame at 47:40, shot 35147:40
1 of 1 shots sampled

179. Field

47:35–47:45 Machine checks passed (partial)

Model synopsis: A lone rider on horseback faces a large formation of soldiers arrayed on a dusty plain under a clear sky. The scene is shot from a distance, showing the scale of the army and the open terrain.

  • A rider on horseback is stationary in the foreground, facing a large army arrayed on a hillside. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 47:47, shot 35247:47
1 of 1 shots sampled

180. Field

47:45–47:48 Machine checks passed

Model synopsis: Two armored riders on horseback are shown in the foreground with a large formation of soldiers on a hill behind them. The scene is outdoors under a clear sky, with no dialogue or on-screen text visible.

3 people observed.

Evidence, details and a link to share

Sequence 116 from 47:48

Frame at 47:49, shot 35347:49
1 of 1 shots sampled

181. Battlefield

47:48–47:50 Machine checks passed

Model synopsis: A single frame shows a dark, crowded scene with figures holding spears near a large yellow banner. No dialogue or identifiable names are present in this beat.

Evidence, details and a link to share

Sequence 117 from 47:50

Frame at 47:57, shot 35447:57
1 of 1 shots sampled

182. Field

47:50–48:05 Machine checks passed (partial)

Model synopsis: A mounted figure leads a large group of soldiers holding spears in an open outdoor setting. The scene is shot from a medium distance, showing the group in formation on what appears to be a field.

  • A mounted figure leads a group of soldiers holding spears across a field. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 118 from 48:05

Frame at 48:07, shot 35548:07
1 of 1 shots sampled

183. Field

48:05–48:08 Machine checks passed

Model synopsis: A wide shot shows a large group of figures standing in a dusty, open landscape with hills in the background. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 119 from 48:08

Frame at 48:13, shot 35648:13
1 of 1 shots sampled

184. Field

48:08–48:18 Machine checks passed (partial)

Model synopsis: Three armored men in ancient-style helmets and cloaks stand outdoors under a clear sky, discussing tactics. One speaks against attacking flanks and urges patience while observing the enemy's plan.

  • Three armored men stand in a field discussing enemy tactics. [frame:1]

3 people observed.

“Look, they're not using the cavalry.” 48:09 · “Let us attack them on the flanks” 48:12

Evidence, details and a link to share

Sequence 120 from 48:18

Frame at 48:21, shot 35748:21
1 of 1 shots sampled

185. Field

48:18–48:23 Machine checks passed (partial)

Model synopsis: A large group of horsemen rides across an open, hilly terrain. The scene is shot outdoors with natural daylight and shows motion across a wide landscape.

  • Horsemen ride across a field in formation. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 121 from 48:23

Frame at 48:26, shot 35848:26
1 of 1 shots sampled

186. Other

48:23–48:30 Machine checks passed

Model synopsis: A single frame shows a dark, jagged silhouette against a bright blue sky with white clouds. No people, objects, or text are identifiable, and no events are depicted.

Evidence, details and a link to share

Frame at 48:35, shot 35948:35
1 of 1 shots sampled

187. Field

48:30–48:41 Machine checks passed (partial)

Model synopsis: A person rides a white horse across a barren, sunlit landscape. No dialogue or on-screen text is present in this beat.

  • A person rides a white horse across a barren landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 48:42, shot 36048:42
1 of 1 shots sampled

188. Field

48:41–48:42 Machine checks passed (partial)

Model synopsis: A group of horsemen rides across a dusty, open field with hills in the background. No dialogue or on-screen text is present in this beat.

  • Horsemen ride across a field, kicking up dust. [frame:1]

Evidence, details and a link to share

Sequence 122 from 48:42

Frame at 48:43, shot 36148:43
1 of 1 shots sampled

189. Ridge

48:42–48:43 Machine checks passed

Model synopsis: A group of silhouetted figures holding curved weapons stand on a ridge against a bright sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 123 from 48:43

Frame at 48:45, shot 36248:45
1 of 1 shots sampled

190. Field

48:43–48:47 Machine checks passed (partial)

Model synopsis: A chaotic scene unfolds in a dusty open area with horses and riders in motion, one figure lying on the ground. The setting appears to be an outdoor, arid landscape with no visible structures or modern elements.

  • Horses and riders are in motion, kicking up dust; one person is lying on the ground. [frame:1]

Evidence, details and a link to share

Frame at 48:48, shot 36348:48
1 of 1 shots sampled

191. Battlefield

48:47–48:49 Machine checks passed (partial)

Model synopsis: A figure on horseback is mid-air over a dusty battlefield with other horses and riders visible. The scene is outdoors under a clear sky with no visible structures or time indicators.

  • A rider on horseback is airborne over a dusty field with other horses and riders nearby. [frame:1]

Evidence, details and a link to share

Sequence 124 from 48:49

Frame at 49:07, shot 36549:07
1 of 1 shots sampled

193. Field

49:01–49:12 Machine checks passed

Model synopsis: A horse is shown in motion, captured in a low-angle shot that emphasizes its legs and hooves. The setting appears to be an open, dusty area, likely outdoors.

  • A horse runs across a dusty ground. [frame:1]

Evidence, details and a link to share

Frame at 49:14, shot 36649:14Frame at 49:23, shot 36949:23Frame at 49:27, shot 37149:27Frame at 49:47, shot 37449:47
4 of 9 shots sampled

194. Field

49:12–49:52 Machine checks passed (partial)

Model synopsis: A military force advances with chariots and catapults in a rocky, open landscape. Commands are shouted to move forward with these siege weapons.

  • A chariot is visible in the distance. [frame:1]
  • A large wooden siege engine is positioned on a field near a rocky hill. [frame:2]
  • A close-up shows a part of a chariot or siege weapon against the sky. [frame:3]
  • 1 more under Evidence and details.

“Forward with the chariots!” 49:15 · “the catapults!” 49:45

Evidence, details and a link to share

Frame at 49:53, shot 37549:53
1 of 1 shots sampled

195. Other

49:52–49:54 Machine checks passed

Model synopsis: A low-angle shot shows a wooden structure and a figure in profile against a bright sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 125 from 49:54

Frame at 49:54, shot 37649:54
1 of 1 shots sampled

196. Sky

49:54–49:55 Machine checks passed

Model synopsis: A single frame shows a pale blue sky with two small dark specks. No people, objects, or text are visible, and no events are described.

Evidence, details and a link to share

Sequence 126 from 49:55

Frame at 49:55, shot 37749:55
1 of 1 shots sampled

197. Field

49:55–49:56 Machine checks passed

Model synopsis: A figure in ancient armor stands beside a large wooden structure under a clear sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 49:57, shot 37849:57
1 of 1 shots sampled

198. Other

49:56–49:59 Machine checks passed (partial)

Model synopsis: A person raises a large axe above their head beside a wooden structure under a clear sky. No dialogue or on-screen text is present in this beat.

  • A person raises a large axe above their head. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 127 from 49:59

Frame at 49:59, shot 37949:59
1 of 1 shots sampled

199. Sky

49:59–50:00 Machine checks passed

Model synopsis: A single frame shows a pale blue sky with several small dark objects floating or falling. No people, dialogue, or identifiable location are visible.

Evidence, details and a link to share

Sequence 128 from 50:00

Frame at 50:01, shot 38050:01
1 of 1 shots sampled

200. Battlefield

50:00–50:02 Machine checks passed

Model synopsis: A group of soldiers holding spears and shields is shown behind a wooden barricade in an outdoor setting. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 129 from 50:02

Frame at 50:03, shot 38150:03
1 of 1 shots sampled

201. Other

50:02–50:03 Machine checks passed

Model synopsis: A single frame shows a pale, uniform background with a few small, dark, out-of-focus specks. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Frame at 50:05, shot 38250:05
1 of 1 shots sampled

202. Sky

50:03–50:06 Machine checks passed

Model synopsis: The frame shows a pale blue sky with two small dark specks. No people, objects, or text are visible, and no audio is provided.

Evidence, details and a link to share

Sequence 130 from 50:06

Frame at 50:06, shot 38350:06
1 of 1 shots sampled

203. Rocky terrain

50:06–50:07 Machine checks passed (partial)

Model synopsis: A figure in ornate armor lies on the ground beside a rocky outcrop under a clear sky. No dialogue or on-screen text is present in this beat.

  • An armored figure lies motionless on rocky ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 131 from 50:07

Frame at 50:13, shot 38450:13
1 of 1 shots sampled

204. Dirt road

50:07–50:20 Machine checks passed

Model synopsis: A low-angle shot shows the wheels of a horse-drawn vehicle moving on a dirt surface. No people, dialogue, or on-screen text are visible in the single frame provided.

Evidence, details and a link to share

Sequence 132 from 50:20

Frame at 50:21, shot 38550:21Frame at 50:25, shot 38650:25
2 of 2 shots sampled

205. Field

50:20–50:28 Machine checks passed (partial)

Model synopsis: Two mounted figures in ancient-style armor are shown, followed by a wide shot of a large group of soldiers on horseback moving across a hilly landscape. A voiceover says 'Now men open the traps' during this sequence.

  • Two armored men on horseback are shown in close-up [frame:1]
  • A large cavalry force moves across a field [frame:2]

3 people observed.

“Now men open the traps” 50:20

Evidence, details and a link to share

Sequence 133 from 50:28

Frame at 50:29, shot 38750:29
1 of 1 shots sampled

206. Field

50:28–50:30 Machine checks passed (partial)

Model synopsis: A large wooden structure collapses in a dusty, open outdoor area with figures nearby. No dialogue or on-screen text is present in this beat.

  • A large wooden structure collapses, kicking up dust. [frame:1]

Evidence, details and a link to share

Sequence 134 from 50:30

Sequence 135 from 50:35

Frame at 50:36, shot 39050:36
1 of 1 shots sampled

209. Field

50:35–50:37 Machine checks passed (partial)

Model synopsis: A chariot crashes in a dusty open field with riders falling as horses scatter. No dialogue or on-screen text is present in this beat.

  • A chariot overturns in a cloud of dust as horses bolt. [frame:1]

Evidence, details and a link to share

Sequence 136 from 50:37

Sequence 137 from 50:39

Frame at 50:46, shot 39250:46Frame at 50:58, shot 39350:58
2 of 2 shots sampled

211. Battlefield

50:39–51:02 Machine checks passed

Model synopsis: Two men in ancient-style armor are shown in a battle setting; one speaks about calling reserves as a last resort. The scene includes a close-up of a helmeted man smiling.

Named: Militonides (t:50:45). 2 people observed.

“Militonides, the men can't hold out. Call in the reserves.” 50:45 · “Get back to your men. I'll call the reserves only as a last resort.” 50:45

Evidence, details and a link to share

Frame at 51:04, shot 39451:04Frame at 51:06, shot 39551:06Frame at 51:10, shot 39651:10
3 of 3 shots sampled

212. Field

51:02–51:14 Machine checks passed (partial)

Model synopsis: A soldier on horseback appears on a hilltop, followed by close-ups of armored men shouting to rallied troops. The transcript indicates a call to arms with references to Athenians, Spartans, and a returning Philippites.

  • A lone rider on horseback appears atop a grassy hill. [frame:1]
  • A man in armor shouts with mouth open. [frame:2]
  • A soldier turns to address a crowd of armored men. [frame:3]

Named: Telepites (t:51:05). 4 people observed.

“Athenians! Telepites! Athenians, hold out! Sparta is with us! Philippites is back! Sparta is with us!” 51:05

Evidence, details and a link to share

Frame at 51:31, shot 39751:31Frame at 51:56, shot 39951:56Frame at 52:09, shot 40152:09Frame at 52:18, shot 40352:18
4 of 7 shots sampled

213. Field

51:14–52:22 Machine checks passed (partial)

Model synopsis: A battle scene unfolds on a rocky hillside under a clear sky. Soldiers in helmets and armor are shown fighting, with one figure shouting commands.

  • A soldier raises a weapon in combat [frame:1]
  • Soldiers are engaged in close combat on rocky ground [frame:2]
  • A rocky hillside is shown under a clear sky [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Follow me! Attack!” 51:15 · “Come on!” 51:45

Evidence, details and a link to share

Sequence 138 from 52:22

Frame at 52:23, shot 40452:23
1 of 1 shots sampled

214. Mountain

52:22–52:25 Machine checks passed (partial)

Model synopsis: A figure is seen atop a rocky slope under a clear blue sky, kicking up dust. No dialogue or names are present in this beat.

  • a figure atop a rocky slope kicks up dust [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 139 from 52:25

Frame at 52:26, shot 40552:26
1 of 1 shots sampled

215. Battlefield

52:25–52:27 Machine checks passed

Model synopsis: A group of soldiers in ancient-style armor and conical helmets are shown in a dimly lit, crowded scene. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 140 from 52:27

Sequence 141 from 52:29

Frame at 52:30, shot 40752:30
1 of 1 shots sampled

217. Other

52:29–52:31 Machine checks passed

Model synopsis: A single frame shows a close-up of a rough, textured surface resembling stone or earth. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Sequence 142 from 52:31

Frame at 52:38, shot 40852:38
1 of 1 shots sampled

218. Hillside

52:31–52:44 Machine checks passed

Model synopsis: A large group of soldiers is visible on a rocky hillside under a clear sky, with dust rising from the slope. No dialogue or named characters are present in this beat.

Evidence, details and a link to share

Sequence 143 from 52:44

Frame at 52:47, shot 40952:47Frame at 52:53, shot 41052:53
2 of 2 shots sampled

219. Rocky slope

52:44–52:57 Machine checks passed (partial)

Model synopsis: A rocky, dusty slope is shown with a large boulder rolling down it, kicking up dust. The scene is outdoors under a clear blue sky, with no people visible.

  • A large boulder rolls down a rocky slope, kicking up dust. [frame:1]
  • The boulder continues rolling down the slope, partially obscured by dust and terrain. [frame:2]

Evidence, details and a link to share

Sequence 144 from 52:57

Frame at 53:10, shot 41153:10
1 of 1 shots sampled

220. Camp

52:57–53:23 Machine checks passed

Model synopsis: A silhouetted figure speaks to Theocritus, agreeing to provide men from 30 ships for a landing at Piraeus, warning against resistance. The scene is dimly lit with tent-like structures visible in the background.

Named: Theocritus (t:53:17). 1 person observed.

“All right, Theocritus. I'll give you the men of the 30 ships you want. The Athenians have no fleet in any case. But beware. There'd bett…” 53:17

Evidence, details and a link to share

Frame at 53:25, shot 41253:25Frame at 53:29, shot 41353:29Frame at 53:36, shot 41453:36
3 of 3 shots sampled

221. Tent

53:23–53:38 Machine checks passed

Model synopsis: Two silhouetted figures speak in a dark room while a third man in ornate costume addresses others in a dimly lit tent-like setting. The transcript indicates a demand for Athenian surrender and a warning about betrayal.

5 people observed.

“I want you to arrange for the complete surrender of the Athenian army.” 53:27 · “You know what happens to those who betray me this idea of yours to attack Athens from the rear is your last chance” 53:30

Evidence, details and a link to share

Frame at 53:40, shot 41553:40
1 of 1 shots sampled

222. Other

53:38–53:41 Machine checks passed

Model synopsis: A dimly lit scene shows a large, shadowy figure illuminated by firelight, surrounded by darkness. No dialogue or clear context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 145 from 53:41

Sequence 146 from 53:46

Frame at 53:47, shot 41753:47
1 of 1 shots sampled

224. Other

53:46–53:48 Machine checks passed

Model synopsis: A figure in a golden helmet and yellow garment is visible in a dimly lit interior. No other people, objects, or text are clearly identifiable in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 147 from 53:48

Frame at 53:49, shot 41853:49
1 of 1 shots sampled

225. Other

53:48–53:49 Machine checks passed

Model synopsis: A single dark frame shows indistinct shapes in low light. No people, objects, or text are clearly visible, and no transcript is provided for this beat.

Evidence, details and a link to share

Sequence 148 from 53:49

Frame at 53:50, shot 41953:50
1 of 1 shots sampled

226. Other

53:49–53:50 Machine checks passed

Model synopsis: A dark, outdoor night scene shows silhouetted figures near tall structures with a blue glow in the sky. No people are clearly visible or audible, and no objects or text are identifiable beyond the general setting.

Evidence, details and a link to share

Frame at 53:52, shot 42053:52
1 of 1 shots sampled

227. Other

53:50–53:53 Machine checks passed

Model synopsis: A dimly lit outdoor scene shows a figure lying on the ground near large draped structures under a blue-tinted light. No dialogue or clear time of day is established in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 149 from 53:53

Frame at 53:54, shot 42153:54
1 of 1 shots sampled

228. Field

53:53–53:56 Machine checks passed (partial)

Model synopsis: A person lies on the ground in a dimly lit outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person lies motionless on the ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 150 from 53:56

Frame at 53:57, shot 42253:57
1 of 1 shots sampled

229. Other

53:56–53:59 Machine checks passed

Model synopsis: A man in a helmet and cape stands in a dimly lit interior with other armored figures in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 151 from 53:59

Frame at 54:05, shot 42354:05Frame at 54:23, shot 42454:23
2 of 2 shots sampled

230. Other

53:59–54:35 Machine checks passed (partial)

Model synopsis: A dark, outdoor scene shows a figure on the ground and armed men nearby. A voice orders a woman to die and invokes Darius, followed by a reaction of shock.

  • A figure lies motionless on the ground. [frame:1]
  • Armed men stand over the figure on the ground. [frame:2]

5 people observed.

“Let her die on the dirt. She's a spy. That is what will happen to all your enemies. Hail Darius. We'll meet again in Athens.” 54:06 · “Oh, my God.” 54:30

Evidence, details and a link to share

Sequence 152 from 54:35

Frame at 55:02, shot 42555:02
1 of 1 shots sampled

231. Other

54:35–55:30 Machine checks passed

Model synopsis: Two men stand in a dimly lit interior, one in armor and the other in a robe, discussing the absence of the Spartans and the impending threat from Darius. One man gestures toward something off-screen while speaking about their lack of chance without Spartan aid.

  • Two men stand facing each other in a dimly lit interior, one in armor and one in a robe. [frame:1]

2 people observed.

“It will soon be midnight.” 55:04 · “The Spartans should have been here by sunset. Eurus told me they would.” 55:05

Evidence, details and a link to share

Frame at 55:35, shot 42655:35Frame at 55:46, shot 42755:46
2 of 2 shots sampled

232. Other

55:30–55:51 Machine checks passed (partial)

Model synopsis: A woman is shown in profile against a dark sky, followed by two men in armor standing indoors. One man calls out a name, suggesting a prisoner is present.

  • A woman is shown in profile against a dark sky. [frame:1]
  • Two men in armor are shown standing indoors. [frame:2]

3 people observed.

“It looks like they've taken a woman prisoner.” 55:46 · “Philippities come here quickly” 55:48

Evidence, details and a link to share

Frame at 55:55, shot 42855:55Frame at 56:07, shot 42956:07
2 of 2 shots sampled

233. Camp

55:51–56:15 Machine checks passed (partial)

Model synopsis: A scene at night outside a camp where a woman approaches a man named Kairos, and another man, Philip Deese, is present. A woman in a light garment raises her hand toward a dark sky while holding a drum-like object.

  • A woman approaches a man named Kairos outside a camp. [frame:1]
  • A woman raises her hand toward the sky while holding a drum-like object. [frame:2]

Named: Kairos (t:55:58), Philip Deese (t:56:03). 3 people observed.

“She asked for you. She said she had something to tell you. Kairos.” 55:58 · “Philip Deese.” 56:03

Evidence, details and a link to share

Frame at 56:16, shot 43056:16Frame at 56:30, shot 43156:30Frame at 56:43, shot 43256:43Frame at 56:47, shot 43356:47
4 of 4 shots sampled

234. Other

56:15–56:50 Machine checks passed

Model synopsis: A man and a woman are shown in close-up, speaking urgently about a Persian fleet landing at Piraeus and an impending attack on Athens led by someone called Theocratist. The dialogue includes emotional appeals and accusations, with the woman urging the man to save Athens.

Named: Felipe (t:56:38), Charis (t:56:15). 2 people observed.

“Charis, what happened?” 56:15 · “We landed Piraeus.” 56:23

Evidence, details and a link to share

Sequence 153 from 56:50

Frame at 56:56, shot 43456:56
1 of 1 shots sampled

235. Other

56:50–57:02 Machine checks passed

Model synopsis: A dimly lit interior scene shows a person reclining in a light-colored garment. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 154 from 57:02

Frame at 57:23, shot 43557:23
1 of 1 shots sampled

236. Other

57:02–57:44 Machine checks passed (partial)

Model synopsis: Two men are shown in a dimly lit interior, one in armor and the other in a robe, discussing a military mission. The dialogue urges haste to Athens, mentions delaying a fleet at Piraeus, and invokes divine help.

  • Two men stand facing each other in a dimly lit interior. [frame:1]

Named: Philippides (t:57:06). 2 people observed.

“You must hurry, Philippides.” 57:06 · “Or else Carys will have died in vain.” 57:10

Evidence, details and a link to share

Sequence 155 from 57:44

Frame at 57:48, shot 43657:48
1 of 1 shots sampled

237. Other

57:44–57:52 Machine checks passed

Model synopsis: A dark, crowded scene with indistinct figures in a dimly lit interior. No dialogue or clear actions are visible in the single frame.

Evidence, details and a link to share

Frame at 57:59, shot 43757:59Frame at 58:06, shot 43858:06
2 of 2 shots sampled

238. Field

57:52–58:07 Machine checks passed (partial)

Model synopsis: A person in a robe stands near a body lying on the ground; another figure moves in a dark outdoor setting. A voice orders a funeral pyre and burial on the field of battle.

  • A robed person stands near a body on the ground. [frame:1]
  • A dark figure moves across a dim outdoor area. [frame:2]

3 people observed.

“Prepare a funeral pyre for this woman and bury her ashes on the field of battle. She fought and died as one of us.” 57:56

Evidence, details and a link to share

Sequence 156 from 58:07

Frame at 58:14, shot 43958:14
1 of 1 shots sampled

239. Riverbank

58:07–58:21 Machine checks passed

Model synopsis: A lone figure on horseback is silhouetted against a wide river at dusk or night. The scene is static and dimly lit, with no visible structures or other people.

1 person observed.

Evidence, details and a link to share

Frame at 58:23, shot 44058:23Frame at 58:27, shot 44158:27Frame at 58:37, shot 44258:37
3 of 3 shots sampled

240. Water

58:21–58:43 Machine checks passed (partial)

Model synopsis: A man rides a horse through water at night. The scene is dark with blue lighting, showing only silhouettes and water movement.

  • water surface with ripples and foam [frame:1]
  • man in profile next to a horse, both silhouetted against dark background [frame:2]
  • man riding horse through shallow water, viewed from behind [frame:3]

1 person observed.

Evidence, details and a link to share

Frame at 58:44, shot 44358:44Frame at 58:51, shot 44458:51
2 of 2 shots sampled

241. Water

58:43–58:57 Machine checks passed (partial)

Model synopsis: Two figures are seen swimming in dark water, with one appearing to be a horse. The scene is set at night or in low light, with no visible structures or landmarks.

  • A swimmer and a horse are visible in dark water. [frame:1]
  • The swimmer and horse continue moving through the water. [frame:2]

2 people observed.

Evidence, details and a link to share

Frame at 58:59, shot 44558:59Frame at 59:06, shot 44659:06
2 of 2 shots sampled

242. River

58:57–59:10 Machine checks passed

Model synopsis: Two frames show a turbulent body of water with dark, submerged branches or debris. The scene is dimly lit, suggesting low light conditions, but no specific time of day or period is established.

Evidence, details and a link to share

Frame at 59:33, shot 44759:33
1 of 1 shots sampled

243. Beach

59:10–59:57 Machine checks passed (partial)

Model synopsis: A person is partially submerged in water near reeds, with a distant shoreline visible. No dialogue or on-screen text is present in this beat.

  • A person is partially submerged in water near reeds. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 157 from 59:57

Frame at 1:00:09, shot 4481:00:09Frame at 1:00:26, shot 4491:00:26
2 of 2 shots sampled

244. Forest

59:57–1:00:31 Machine checks passed (partial)

Model synopsis: A muscular man in armor stands in a dark, wooded area. A ship is seen on the water near a rocky shore.

  • A man in armor stands in a dark, wooded area. [frame:1]
  • A ship is on the water near a rocky shore. [frame:2]

1 person observed.

Evidence, details and a link to share

Frame at 1:00:38, shot 4501:00:38
1 of 1 shots sampled

245. Beach

1:00:31–1:00:46 Machine checks passed

Model synopsis: A group of figures in dark clothing are seen near boats in water at night, with one person speaking a command to hide the boats. No names or specific identities are provided in the dialogue or visuals.

  • Figures are seen near boats in water at night. [frame:1]

1 person observed.

“Be quiet hide the boats” 60:40

Evidence, details and a link to share

Sequence 158 from 1:01:02

Frame at 1:01:06, shot 4521:01:06
1 of 1 shots sampled

247. Hill

1:01:02–1:01:10 Machine checks passed (partial)

Model synopsis: A lone figure stands silhouetted on a hilltop against a cloudy sky. No dialogue or additional context is provided in this beat.

  • A lone figure stands on a hilltop. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 159 from 1:01:10

Frame at 1:01:13, shot 4531:01:13
1 of 1 shots sampled

248. Forest

1:01:10–1:01:16 Machine checks passed

Model synopsis: A single frame shows a dark silhouette of tree branches against a blue sky. No people, objects, or events are visible or mentioned in this beat.

Evidence, details and a link to share

Sequence 160 from 1:01:20

Frame at 1:01:30, shot 4551:01:30
1 of 1 shots sampled

250. Rocky cliff

1:01:20–1:01:39 Machine checks passed

Model synopsis: A single frame shows a dark, rocky cliff face under dim lighting. No people, objects, or text are visible, and no events are described in the transcript for this beat.

Evidence, details and a link to share

Sequence 161 from 1:01:39

Frame at 1:01:45, shot 4561:01:45
1 of 1 shots sampled

251. Other

1:01:39–1:01:51 Machine checks passed (partial)

Model synopsis: A dark, silhouetted figure is partially submerged in water, viewed from above. The surface reflects light and sky, suggesting an outdoor setting at night or in low light.

  • A silhouetted figure is partially submerged in water. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 162 from 1:01:51

Frame at 1:01:53, shot 4571:01:53
1 of 1 shots sampled

252. Ridge

1:01:51–1:01:55 Machine checks passed

Model synopsis: A lone figure stands silhouetted on a ridge against a cloudy sky. No dialogue or on-screen text is present in this beat.

  • A silhouetted figure stands on a ridge. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 163 from 1:01:55

Sequence 164 from 1:02:16

Frame at 1:02:24, shot 4591:02:24
1 of 1 shots sampled

254. Beat 254

1:02:16–1:02:32 Machine checks passed

Model synopsis: A single dark frame shows indistinct, possibly moving, light patterns against a black background. No people, objects, or text are visible, and no dialogue is present.

Evidence, details and a link to share

Frame at 1:02:35, shot 4601:02:35
1 of 1 shots sampled

255. Other

1:02:32–1:02:37 Machine checks passed

Model synopsis: The frame shows a dark, turbulent surface with scattered bright specks, possibly water at night or a stylized abstract texture. No people, objects, or text are identifiable, and no events are visible or mentioned.

Evidence, details and a link to share

Frame at 1:02:41, shot 4611:02:41
1 of 1 shots sampled

256. Beach

1:02:37–1:02:44 Machine checks passed (partial)

Model synopsis: A dark, low-lit scene shows a figure standing in shallow water at night. No dialogue or identifiable objects are visible in the single frame.

  • A figure stands motionless in shallow water under low light. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 165 from 1:02:44

Sequence 166 from 1:02:51

Frame at 1:02:52, shot 4631:02:52
1 of 1 shots sampled

258. Other

1:02:51–1:02:53 Machine checks passed

Model synopsis: A dimly lit interior scene shows silhouetted figures near a large window or opening with a dark blue night sky visible outside. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Frame at 1:03:00, shot 4641:03:00
1 of 1 shots sampled

259. Living room

1:02:53–1:03:06 Machine checks passed (partial)

Model synopsis: A woman stands in a dimly lit room while a man sits in a chair; she speaks to him, expressing concern that she did not hear him go to bed. No names are spoken that can be assigned to the visible figures.

  • A woman stands and speaks to a seated man. [frame:1]

Named: Andromeda (t:63:01). 2 people observed.

“Father.” 62:59 · “What is it Andromeda?” 63:01

Evidence, details and a link to share

Sequence 167 from 1:03:06

Frame at 1:03:22, shot 4651:03:22
1 of 1 shots sampled

260. Bedroom

1:03:06–1:03:37 Machine checks passed

Model synopsis: A woman with red hair in a dark, ornate dress is shown in a dimly lit interior, speaking to someone off-screen about her inability to sleep and her frustration at being treated like a child. The dialogue suggests tension within a family and concern about an impending mission by someone named Viliperides.

  • A woman stands in a dimly lit room, looking down and to the side. [frame:1]

Named: Andromeda (t:63:12), Father (t:63:16). 2 people observed.

“Do not worry about me, Andromeda.” 63:12 · “Father, why won't you tell me?” 63:16

Evidence, details and a link to share

Sequence 168 from 1:03:37

Frame at 1:03:39, shot 4661:03:39Frame at 1:03:45, shot 4671:03:45Frame at 1:03:56, shot 4681:03:56
3 of 3 shots sampled

261. Private office

1:03:37–1:04:03 Machine checks passed (partial)

Model synopsis: A man in armor speaks to two others in a dimly lit interior. The dialogue reveals a political demand for a council to surrender to Darius, with one speaker invoking a promise and another questioning the motive.

  • Theocratus enters and addresses Crucis. [frame:1]

Named: Theocratus (t:63:48), Crucis (t:63:42). 3 people observed.

“Forgive me for interrupting you, but this is important, Crucis. And between friends, there is no need to stand on ceremony.” 63:42 · “I am here to hold you to your promises.” 63:52

Evidence, details and a link to share

Frame at 1:04:06, shot 4691:04:06Frame at 1:04:13, shot 4701:04:13Frame at 1:04:22, shot 4721:04:22Frame at 1:04:27, shot 4731:04:27
4 of 5 shots sampled

262. Other

1:04:03–1:04:29 Machine checks passed (partial)

Model synopsis: A man in a tunic speaks to a council about resisting, while a woman in yellow is held by a man in armor; the armored man threatens to withhold the woman's daughter unless the council is convinced. The scene ends with the armored man declaring he will kiss the woman.

  • A man in a tunic speaks to others in a dim hall. [frame:1]
  • A man in armor confronts the man in the tunic. [frame:2]
  • The man in armor holds the woman in yellow. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“The awkward is I'm not a traitor to my country...” 64:06 · “I shall tell the council we must resist.” 64:08

Evidence, details and a link to share

Frame at 1:04:31, shot 4741:04:31Frame at 1:04:35, shot 4751:04:35Frame at 1:04:53, shot 4771:04:53Frame at 1:05:08, shot 4781:05:08
4 of 5 shots sampled

263. Other

1:04:29–1:05:13 Machine checks passed (partial)

Model synopsis: A man in armor speaks a threat about surrender and a daughter's life; a person lies on the ground; a dark close-up follows; then a figure runs toward a hilltop city under daylight. No names are spoken, and no specific time of day or period is established beyond the visual daylight in the final frame.

  • A man in armor stands in a dim interior. [frame:1]
  • A person lies on the ground in a dim interior. [frame:2]
  • A dark, close-up shot of a figure, possibly armored. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“You have no choice anymore.” 64:33 · “If Athens does not surrender...” 64:34

Evidence, details and a link to share

Sequence 169 from 1:05:13

Frame at 1:05:17, shot 4791:05:17
1 of 1 shots sampled

264. Rocky shore

1:05:13–1:05:20 Machine checks passed (partial)

Model synopsis: A group of figures is seen on a rocky shoreline next to a body of water, with some standing near what appear to be boat prows. No dialogue or on-screen text is present in this beat.

  • Figures stand on rocks near water with boat prows visible. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 170 from 1:05:20

Sequence 171 from 1:05:36

Frame at 1:05:38, shot 4821:05:38
1 of 1 shots sampled

266. Temple

1:05:36–1:05:40 Machine checks passed

Model synopsis: A night scene shows a large classical temple with columns and steps, where several figures stand on the stairs. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 172 from 1:05:40

Frame at 1:05:42, shot 4831:05:42Frame at 1:05:48, shot 4841:05:48Frame at 1:06:03, shot 4851:06:03
3 of 3 shots sampled

267. Town square

1:05:40–1:06:16 Machine checks passed (partial)

Model synopsis: A man collapses on stone steps while another stands over him; later, a crowd is seen behind a barrier. The transcript indicates urgency about Persians landing at Piraeus and summoning a sacred god.

  • A man collapses on stone steps. [frame:1]
  • A man lies on the ground, being attended to by another. [frame:2]
  • A man stands before a crowd behind a barrier. [frame:3]

Named: Philippides (t:65:41). 3 people observed.

“Philippides! What happened?” 65:41 · “Hurry! I want you to summon...” 65:44

Evidence, details and a link to share

Sequence 173 from 1:06:16

Frame at 1:06:17, shot 4861:06:17
1 of 1 shots sampled

268. Other

1:06:16–1:06:19 Machine checks passed

Model synopsis: A close-up shows armored feet and a sword blade on a dark ground. No people are named or audible, and no event is described beyond the static image.

Evidence, details and a link to share

Sequence 174 from 1:06:19

Frame at 1:06:26, shot 4871:06:26Frame at 1:06:39, shot 4881:06:39
2 of 2 shots sampled

269. Beach

1:06:19–1:06:46 Machine checks passed

Model synopsis: A group of shirtless men are gathered on a beach at dusk or dawn, receiving orders from a leader who speaks of holding back Persians. The leader, identified by name in the transcript, gives instructions to set stakes in the water and fight only on his signal.

  • A leader addresses a group of men on a beach. [frame:1]
  • The group of men listens intently to the leader. [frame:2]

Named: Philippides (t:66:33). 3 people observed.

“Listen carefully Our orders” 66:21 · “How to hold back the Persians?” 66:25

Evidence, details and a link to share

Frame at 1:06:47, shot 4891:06:47Frame at 1:06:53, shot 4901:06:53Frame at 1:07:03, shot 4911:07:03
3 of 3 shots sampled

270. Beach

1:06:46–1:07:07 Machine checks passed (partial)

Model synopsis: A man in a dark robe runs toward a rocky shore at night; a group of men carry a wounded person on a stretcher near the sea; a man lies dying in a dimly lit cave. A woman pleads for help for her master Crucis and mentions Andromeda.

  • A man in a dark robe runs toward a rocky shore. [frame:1]
  • A group of men carry a wounded person on a stretcher near the sea. [frame:2]
  • A man lies dying in a dimly lit cave. [frame:3]

Named: Crucis (t:66:46), Philippides (t:66:46), Andromeda (t:67:00). 6 people observed.

“Thank the gods you are still here, Philippides. It's my master. My master, Crucis. He's been wounded. He's dying. Won't you help him? Keep g…” 66:46 · “I ask nothing for me. But save Andromeda. She loves you, Philippides. Where is Andromeda?” 67:00

Evidence, details and a link to share

Frame at 1:07:10, shot 4921:07:10Frame at 1:07:15, shot 4931:07:15Frame at 1:07:23, shot 4941:07:23Frame at 1:07:33, shot 4951:07:33
4 of 4 shots sampled

271. Other

1:07:07–1:07:36 Machine checks passed (partial)

Model synopsis: A man in a brown tunic stands in a dim interior while another man lies down, appearing injured or distressed. Spoken lines express concern for a woman taken by force and a plea to save her for liberty.

  • A man lies down, appearing injured or distressed. [frame:1]
  • A standing man in a brown tunic looks toward the lying man. [frame:2]
  • The lying man remains in distress, mouth open. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Theokritus took her away by force, but I don't know where. I will do what I can to find her.” 67:08 · “I don't mind dying. I don't care what happens to me. I...” 67:16

Evidence, details and a link to share

Frame at 1:07:45, shot 4961:07:45Frame at 1:07:57, shot 4971:07:57Frame at 1:08:02, shot 4981:08:02
3 of 3 shots sampled

272. Other

1:07:36–1:08:04 Machine checks passed (partial)

Model synopsis: A man speaks of divine justice before leading others into water; the final frame shows a submerged figure. The setting transitions from a dim interior to open water.

  • A man stands in a dim interior, facing outward. [frame:1]
  • Several men are in water, some looking toward the shore. [frame:2]
  • A figure is submerged underwater. [frame:3]

3 people observed.

“I can only say this. If the gods are just, they will help.” 67:39 · “All right, let's get started. Follow me.” 67:43

Evidence, details and a link to share

Frame at 1:08:05, shot 4991:08:05Frame at 1:08:09, shot 5001:08:09Frame at 1:08:17, shot 5021:08:17Frame at 1:08:22, shot 5031:08:22
4 of 5 shots sampled

273. Underwater

1:08:04–1:08:26 Machine checks passed (partial)

Model synopsis: A person is underwater near a large submerged structure, with sounds of burping, thudding, and a loud noise occurring. A voice exclaims 'Oh, my God' and begins to speak before being cut off.

  • A submerged structure is visible. [frame:1]
  • A person is seen underwater near a diagonal beam. [frame:2]
  • A person is seen near a large submerged object. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“*Burps*” 68:04 · “*thud*” 68:08

Evidence, details and a link to share

Sequence 175 from 1:08:26

Frame at 1:08:42, shot 5041:08:42
1 of 1 shots sampled

274. Other

1:08:26–1:08:58 Machine checks passed (partial)

Model synopsis: A single frame shows a person lying on their back on a rocky surface, viewed from above, with another figure partially visible above them. No spoken names, time of day, or period are established in the supplied materials.

  • A person lies on their back on a rocky surface while another figure stands over them holding a long object. [frame:1]

2 people observed.

“I don't know.” 68:26

Evidence, details and a link to share

Sequence 176 from 1:08:58

Frame at 1:08:59, shot 5051:08:59
1 of 1 shots sampled

275. Underwater

1:08:58–1:09:00 Machine checks passed

Model synopsis: A single underwater shot shows a spear or pole extending upward toward the water's surface. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Sequence 177 from 1:09:00

Frame at 1:09:01, shot 5061:09:01
1 of 1 shots sampled

276. Sea

1:09:00–1:09:03 Machine checks passed

Model synopsis: A single ancient-style ship with yellow sails is visible on calm water under a pale sky. No people, dialogue, or on-screen text are present in the frame.

Evidence, details and a link to share

Sequence 178 from 1:09:03

Sequence 179 from 1:09:09

Frame at 1:09:13, shot 5081:09:13
1 of 1 shots sampled

278. Other

1:09:09–1:09:16 Machine checks passed

Model synopsis: A group of men in ancient-style clothing are seated on wooden benches in an outdoor setting. One man in the center appears to be adjusting or handling something near his lap while others sit nearby.

3 people observed.

Evidence, details and a link to share

Sequence 180 from 1:09:16

Sequence 181 from 1:09:49

Frame at 1:10:02, shot 5101:10:02Frame at 1:10:17, shot 5111:10:17Frame at 1:10:20, shot 5121:10:20
3 of 3 shots sampled

280. Other

1:09:49–1:10:23 Machine checks passed (partial)

Model synopsis: A person is seen underwater near a pole, then a man climbs a pole with a briefcase, and finally two men stand on a wooden structure with one holding a torch. The transcript includes the lines 'I'm going to go' and 'Hold your hand.'

  • A person is underwater near a pole. [frame:1]
  • A man climbs a pole while carrying a briefcase. [frame:2]
  • Two men stand on a wooden structure; one holds a torch. [frame:3]

4 people observed.

“I'm going to go.” 69:49 · “Hold your hand.” 70:19

Evidence, details and a link to share

Sequence 182 from 1:10:23

Frame at 1:10:36, shot 5131:10:36
1 of 1 shots sampled

281. Underwater

1:10:23–1:10:49 Machine checks passed

Model synopsis: A single frame shows dark, indistinct shapes moving in deep blue water, with vertical lines suggesting a structure. No people, objects, or text are clearly identifiable, and no events or dialogue are present.

Evidence, details and a link to share

Sequence 183 from 1:10:49

Frame at 1:10:51, shot 5141:10:51
1 of 1 shots sampled

282. Sea

1:10:49–1:10:52 Machine checks passed

Model synopsis: A row of ancient warships with curved prows and yellow sails are shown on water. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 184 from 1:10:52

Frame at 1:10:54, shot 5151:10:54
1 of 1 shots sampled

283. Other

1:10:52–1:10:56 Machine checks passed

Model synopsis: A group of men in athletic attire are seated on wooden benches, their legs and lower torsos visible. The setting appears to be an outdoor or open-air area with bright lighting.

3 people observed.

Evidence, details and a link to share

Sequence 185 from 1:10:56

Frame at 1:10:57, shot 5161:10:57
1 of 1 shots sampled

284. Other

1:10:56–1:10:58 Machine checks passed

Model synopsis: A man in a white shirt and dark trousers stands atop a tall, dark pedestal holding a large spear against a clear blue sky. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 186 from 1:10:58

Frame at 1:10:59, shot 5171:10:59
1 of 1 shots sampled

285. Other

1:10:58–1:11:00 Machine checks passed

Model synopsis: Two men stand on a wooden platform under bright daylight; one holds a small object. The setting appears to be a constructed outdoor scene with a painted backdrop.

3 people observed.

Evidence, details and a link to share

Sequence 187 from 1:11:00

Frame at 1:11:02, shot 5181:11:02
1 of 1 shots sampled

286. Ship

1:11:00–1:11:03 Machine checks passed

Model synopsis: A man in a white tunic stands on a ship deck with oarsmen; the sea is visible behind them. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 188 from 1:11:03

Frame at 1:11:12, shot 5191:11:12
1 of 1 shots sampled

287. Other

1:11:03–1:11:21 Machine checks passed (partial)

Model synopsis: A man in armor and a woman in white stand together outdoors; the man speaks of triumph over Athens while the woman is addressed as Andromeda. The setting includes spears and a ship-like structure in the background.

  • A man in armor speaks to a woman while standing outdoors. [frame:1]

Named: Andromeda (t:71:17). 2 people observed.

“Today you will share my triumph” 71:04 · “As your slave. Or as my queen. You have your choice. Today I will have Athens at my feet. Impossible. The gods will defeat you.” 71:07

Evidence, details and a link to share

Sequence 189 from 1:11:21

Frame at 1:11:23, shot 5201:11:23
1 of 1 shots sampled

288. Other

1:11:21–1:11:25 Machine checks passed

Model synopsis: A single frame shows a dark blue, indistinct background with two faint vertical lines. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Sequence 190 from 1:11:25

Frame at 1:11:27, shot 5211:11:27
1 of 1 shots sampled

289. Open sea

1:11:25–1:11:29 Machine checks passed

Model synopsis: Two ancient-style warships are shown on open water, with sails unfurled and oars visible. The scene is shot from a distance, showing the vessels moving parallel to each other.

Evidence, details and a link to share

Sequence 191 from 1:11:29

Frame at 1:11:31, shot 5221:11:31
1 of 1 shots sampled

290. Other

1:11:29–1:11:33 Machine checks passed

Model synopsis: A single frame shows two dark, vertical, spear-like shapes against a solid blue background. No people, text, or identifiable location are visible.

Evidence, details and a link to share

Sequence 192 from 1:11:33

Frame at 1:11:34, shot 5231:11:34
1 of 1 shots sampled

291. Ship

1:11:33–1:11:36 Machine checks passed

Model synopsis: A dark, low-angle shot shows the stern of a wooden ship moving through choppy water at night. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 193 from 1:11:36

Frame at 1:11:38, shot 5241:11:38
1 of 1 shots sampled

292. Ship

1:11:36–1:11:39 Machine checks passed

Model synopsis: A group of men in ancient-style clothing are pulling thick ropes on a ship deck under bright daylight. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 194 from 1:11:39

Sequence 195 from 1:11:41

Frame at 1:11:42, shot 5261:11:42
1 of 1 shots sampled

294. Other

1:11:41–1:11:43 Machine checks passed

Model synopsis: A dark, partially submerged object is visible in water near a structure at 4302s. No people or spoken dialogue are present in this beat.

Evidence, details and a link to share

Sequence 196 from 1:11:43

Frame at 1:11:43, shot 5271:11:43
1 of 1 shots sampled

295. Other

1:11:43–1:11:44 Machine checks passed

Model synopsis: A close-up shot shows the tip of a dark, pointed object against a solid blue background. No people, dialogue, or identifiable location are visible in this single frame.

Evidence, details and a link to share

Sequence 197 from 1:11:44

Sequence 198 from 1:11:47

Frame at 1:11:48, shot 5291:11:48
1 of 1 shots sampled

297. Ship

1:11:47–1:11:49 Machine checks passed

Model synopsis: A chaotic scene on a ship deck shows multiple figures in struggle or collapse, with ropes and wooden structures visible. The lighting is bright and the composition is crowded, suggesting an action sequence.

  • figures are engaged in a struggle or collapse on a ship deck [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 199 from 1:11:49

Frame at 1:11:53, shot 5301:11:53
1 of 1 shots sampled

298. Other

1:11:49–1:11:57 Machine checks passed (partial)

Model synopsis: A man in ancient-style clothing stands beside another man near a dark, rocky structure; a line of dialogue questions an event on the coast. No names, time of day, or period are established in this beat.

  • A man in ancient-style clothing stands beside another man near a dark, rocky structure [frame:1]

2 people observed.

“What happened over there? I can't understand it. I know this coast. The water is deep enough.” 71:51

Evidence, details and a link to share

Sequence 200 from 1:11:57

Frame at 1:12:03, shot 5311:12:03
1 of 1 shots sampled

299. Underwater

1:11:57–1:12:09 Machine checks passed

Model synopsis: A single dark underwater shot shows a large, indistinct submerged object with a faint horizontal light band. No people, dialogue, or on-screen text are visible.

Evidence, details and a link to share

Sequence 201 from 1:12:09

Frame at 1:12:10, shot 5321:12:10
1 of 1 shots sampled

300. Ship

1:12:09–1:12:12 Machine checks passed

Model synopsis: A man in ancient-style costume stands on a wooden structure with others around him; no dialogue or on-screen text is present. The scene appears to be set on a ship or dock with ropes and wooden beams visible.

3 people observed.

Evidence, details and a link to share

Sequence 202 from 1:12:12

Frame at 1:12:14, shot 5331:12:14
1 of 1 shots sampled

301. Other

1:12:12–1:12:16 Machine checks passed

Model synopsis: A dark, low-lit scene shows indistinct figures and a glowing object on the ground. No dialogue or clear actions are visible in the single frame provided.

Evidence, details and a link to share

Frame at 1:12:18, shot 5341:12:18Frame at 1:12:21, shot 5351:12:21Frame at 1:12:27, shot 5371:12:27Frame at 1:12:34, shot 5381:12:34
4 of 5 shots sampled

302. Ship

1:12:16–1:12:39 Machine checks passed (partial)

Model synopsis: A chaotic battle scene unfolds with figures in water and on a ship, as a voice issues commands about attacking the center and mentions the Aquatis. No named characters are identified in the dialogue or visuals.

  • Figures are submerged in murky water, suggesting a struggle or battle. [frame:1]
  • A figure in armor or dark clothing is seen moving through water or mud. [frame:2]
  • A silhouetted person raises an arm in water while facing a large dark shape. [frame:3]
  • 1 more under Evidence and details.

Named: Luthor (t:72:19). 3 people observed.

“Hey, Luthor!” 72:19 · “I'm not going to be a good one.” 72:23

Evidence, details and a link to share

Frame at 1:12:44, shot 5391:12:44Frame at 1:12:52, shot 5401:12:52Frame at 1:12:59, shot 5411:12:59Frame at 1:13:04, shot 5421:13:04
4 of 4 shots sampled

303. Ship

1:12:39–1:13:05 Machine checks passed (partial)

Model synopsis: A man in armor stands among soldiers on a ship; another man holds a spear; a figure on a mast is struck by a flaming projectile. No names or specific events are spoken in the transcript.

  • A man in armor stands among soldiers on a ship. [frame:1]
  • A man holds a spear. [frame:3]
  • A figure on a mast is struck by a flaming projectile. [frame:4]

4 people observed.

“Ah!” 72:56

Evidence, details and a link to share

Sequence 203 from 1:13:05

Frame at 1:13:05, shot 5431:13:05
1 of 1 shots sampled

304. Other

1:13:05–1:13:06 Machine checks passed (partial)

Model synopsis: A silhouetted figure stands atop a pointed structure against a bright sky, holding a long object. No dialogue or on-screen text is present in this beat.

  • A silhouetted figure stands atop a pointed structure holding a long object. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 204 from 1:13:06

Frame at 1:13:08, shot 5441:13:08
1 of 1 shots sampled

305. Sky

1:13:06–1:13:10 Machine checks passed

Model synopsis: A person is airborne against a clear sky, captured mid-motion. No dialogue or on-screen text is present in this beat.

  • A person is falling or leaping through the air. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 205 from 1:13:10

Frame at 1:13:11, shot 5451:13:11
1 of 1 shots sampled

306. Ship

1:13:10–1:13:13 Machine checks passed

Model synopsis: A group of men in loincloths are on a ship's deck, working with large black objects and tools. No dialogue or on-screen text is present in this beat.

  • Men in loincloths work with large black objects on a ship's deck. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 206 from 1:13:13

Frame at 1:13:13, shot 5461:13:13
1 of 1 shots sampled

307. Sky

1:13:13–1:13:14 Machine checks passed

Model synopsis: A single frame shows a distant, dark, elongated object against a blue sky with scattered clouds. No people, dialogue, or identifiable location are visible in this beat.

Evidence, details and a link to share

Sequence 207 from 1:13:14

Frame at 1:13:17, shot 5471:13:17
1 of 1 shots sampled

308. Other

1:13:14–1:13:19 Machine checks passed

Model synopsis: A group of men in tunics are seated on a wooden structure, one holding a long object. The scene is dimly lit with smoke or haze visible.

3 people observed.

Evidence, details and a link to share

Sequence 208 from 1:13:19

Frame at 1:13:20, shot 5481:13:20
1 of 1 shots sampled

309. Ship

1:13:19–1:13:21 Machine checks passed

Model synopsis: A shirtless man gestures with outstretched arms on a ship deck while other men sit or stand nearby. The sea is visible behind them.

2 people observed.

Evidence, details and a link to share

Sequence 209 from 1:13:21

Frame at 1:13:22, shot 5491:13:22
1 of 1 shots sampled

310. Battlefield

1:13:21–1:13:23 Machine checks passed (partial)

Model synopsis: A chaotic battle scene is depicted with soldiers in combat amidst smoke and fire. No dialogue or identifiable individuals are present in this beat.

  • Soldiers are engaged in close combat with weapons amidst smoke and fire. [frame:1]

Evidence, details and a link to share

Sequence 210 from 1:13:23

Sequence 211 from 1:13:31

Frame at 1:13:34, shot 5511:13:34
1 of 1 shots sampled

312. Other

1:13:31–1:13:37 Machine checks passed

Model synopsis: Three figures stand outdoors under a bright sky; a woman in a white garment is flanked by two men in dark, hooded attire. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 212 from 1:13:37

Frame at 1:13:37, shot 5521:13:37
1 of 1 shots sampled

313. Other

1:13:37–1:13:38 Machine checks passed (partial)

Model synopsis: A close-up shows a person's bare feet shackled to a dark wooden block, with flames and smoke rising nearby on a stone floor. No dialogue or names are provided in the transcript for this beat.

  • Flames and smoke rise near a person's shackled feet. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 213 from 1:13:38

Frame at 1:13:39, shot 5531:13:39
1 of 1 shots sampled

314. Ship

1:13:38–1:13:40 Machine checks passed

Model synopsis: A group of shirtless men are visible on a ship deck under bright daylight; one man raises his arm near a mast. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 214 from 1:13:40

Frame at 1:13:41, shot 5541:13:41
1 of 1 shots sampled

315. Sky

1:13:40–1:13:42 Machine checks passed (partial)

Model synopsis: A single frame shows a bright object streaking across a blue sky with scattered clouds. No people, dialogue, or identifiable location are visible.

  • A bright object streaks across the sky. [frame:1]

Evidence, details and a link to share

Sequence 215 from 1:13:42

Frame at 1:13:46, shot 5551:13:46
1 of 1 shots sampled

316. Ship

1:13:42–1:13:49 Machine checks passed

Model synopsis: A group of men in loincloths are rowing on a ship's deck under bright daylight. The setting is a ship with visible oars and rigging, and one man is standing at the stern.

2 people observed.

Evidence, details and a link to share

Sequence 216 from 1:13:49

Frame at 1:13:51, shot 5561:13:51
1 of 1 shots sampled

317. Sea

1:13:49–1:13:52 Machine checks passed

Model synopsis: Two ancient warships with red sails and ram bows are shown on water. No people, dialogue, or on-screen text are visible in the single frame.

Evidence, details and a link to share

Sequence 217 from 1:13:52

Frame at 1:13:53, shot 5571:13:53
1 of 1 shots sampled

318. Ship

1:13:52–1:13:54 Machine checks passed (partial)

Model synopsis: A group of men in ancient-style clothing are on a ship deck, some rowing or handling equipment. The setting is outdoors on water, with a clear sky and distant structures visible.

  • Men are on a ship deck, some rowing or handling equipment. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 1:13:59, shot 5581:13:59Frame at 1:14:09, shot 5601:14:09Frame at 1:14:21, shot 5631:14:21Frame at 1:14:29, shot 5651:14:29
4 of 8 shots sampled

319. Ship

1:13:54–1:14:34 Machine checks passed (partial)

Model synopsis: A chaotic scene unfolds on a ship with armed figures, smoke, and a woman being restrained. A man is seen wielding a weapon while others appear to be in conflict or preparing for battle.

  • A chaotic scene with smoke and figures in motion is visible. [frame:1]
  • A man in a light tunic stands on a platform while others are below. [frame:2]
  • A shirtless man swings a weapon overhead. [frame:3]
  • 1 more under Evidence and details.

Named: Andromeda (t:74:31). 5 people observed.

“The Ocridor.” 73:56 · “What about your triumph? You are afraid!” 74:26

Evidence, details and a link to share

Frame at 1:14:35, shot 5661:14:35
1 of 1 shots sampled

320. Ship

1:14:34–1:14:36 Machine checks passed (partial)

Model synopsis: A ship with oars and a large sail is shown on water, emitting smoke or steam from its deck. No people are clearly visible, and no dialogue or on-screen text is present in this beat.

  • Smoke or steam rises from the deck of a ship with oars and a sail. [frame:1]

Evidence, details and a link to share

Sequence 218 from 1:14:36

Frame at 1:14:39, shot 5671:14:39
1 of 1 shots sampled

321. Ship

1:14:36–1:14:41 Machine checks passed

Model synopsis: A man in ancient costume stands on a ship with flames visible nearby. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 219 from 1:14:41

Sequence 220 from 1:14:44

Frame at 1:14:45, shot 5691:14:45
1 of 1 shots sampled

323. Water

1:14:44–1:14:47 Machine checks passed

Model synopsis: A close-up shows a spiked wooden structure extending into water, attached to a larger wooden object. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 221 from 1:14:47

Frame at 1:14:52, shot 5701:14:52
1 of 1 shots sampled

324. Other

1:14:47–1:14:57 Machine checks passed

Model synopsis: A group of figures in ancient-style clothing stands atop a spiked structure under a cloudy sky. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 222 from 1:14:57

Sequence 223 from 1:15:15

Frame at 1:15:18, shot 5721:15:18
1 of 1 shots sampled

326. Ship

1:15:15–1:15:20 Machine checks passed

Model synopsis: A close-up shows a section of a wooden ship's hull with a row of bronze ramming spikes protruding into the water. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 224 from 1:15:20

Frame at 1:15:21, shot 5731:15:21
1 of 1 shots sampled

327. Ship

1:15:20–1:15:22 Machine checks passed

Model synopsis: A person in ancient-style armor and helmet is visible on a ship. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 225 from 1:15:22

Frame at 1:15:24, shot 5741:15:24
1 of 1 shots sampled

328. Other

1:15:22–1:15:27 Machine checks passed

Model synopsis: A dimly lit interior scene shows several figures in silhouette, one holding a torch. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 226 from 1:15:27

Frame at 1:15:28, shot 5751:15:28
1 of 1 shots sampled

329. Ship

1:15:27–1:15:28 Machine checks passed (partial)

Model synopsis: A ship's oar strikes the water, creating a splash, as seen from the side of the vessel. The frame shows part of the ship's wooden hull and the sea.

  • A ship's oar strikes the water, creating a splash. [frame:1]

Evidence, details and a link to share

Sequence 227 from 1:15:28

Frame at 1:15:30, shot 5761:15:30
1 of 1 shots sampled

330. Ship

1:15:28–1:15:32 Machine checks passed

Model synopsis: A man in ancient Greek-style armor and helmet stands on a ship, visible in one frame. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 228 from 1:15:32

Frame at 1:15:34, shot 5771:15:34
1 of 1 shots sampled

331. Other

1:15:32–1:15:36 Machine checks passed

Model synopsis: A woman in a white gown stands on red steps beside a dark structure under a cloudy sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 229 from 1:15:36

Frame at 1:15:39, shot 5781:15:39
1 of 1 shots sampled

332. Ship

1:15:36–1:15:42 Machine checks passed (partial)

Model synopsis: A man on a ship points forward as others stand nearby; a voice announces 'Here they come!' The scene is set on a ship with visible rigging and a lantern.

  • A man points forward with his arm extended while holding a spear. [frame:1]

2 people observed.

“Attention! Here they come!” 75:39

Evidence, details and a link to share

Sequence 230 from 1:15:42

Frame at 1:15:43, shot 5791:15:43
1 of 1 shots sampled

333. Sea

1:15:42–1:15:44 Machine checks passed

Model synopsis: A large ancient-style warship with a ram and a red sail is shown in shallow water, with other ships visible in the background. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 231 from 1:15:44

Frame at 1:15:46, shot 5801:15:46
1 of 1 shots sampled

334. Theatre

1:15:44–1:15:49 Machine checks passed (partial)

Model synopsis: A woman in a white gown stands on a red triangular platform against a dark textured backdrop. No dialogue or on-screen text is present in this beat.

  • A woman stands on a red triangular platform. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 1:15:52, shot 5811:15:52
1 of 1 shots sampled

335. Theatre

1:15:49–1:15:56 Machine checks passed

Model synopsis: A woman in a white gown stands on a red-carpeted staircase. The setting appears staged with theatrical lighting and a dark, textured backdrop.

1 person observed.

Evidence, details and a link to share

Sequence 232 from 1:15:56

Frame at 1:15:57, shot 5821:15:57
1 of 1 shots sampled

336. Sea

1:15:56–1:15:58 Machine checks passed

Model synopsis: A large ancient-style sailing ship with a single square sail and a smaller, dark-hulled vessel are shown on water. The larger ship has oars visible along its side and a figure standing at the top of its mast.

Evidence, details and a link to share

Sequence 233 from 1:15:58

Frame at 1:16:00, shot 5831:16:00
1 of 1 shots sampled

337. Ship

1:15:58–1:16:01 Machine checks passed

Model synopsis: A shirtless man leans over a railing on a ship, reaching toward something or someone. The scene is lit by daylight and includes a ship's mast and lantern in the background.

  • A man leans over a ship's railing, reaching forward. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 234 from 1:16:01

Frame at 1:16:02, shot 5841:16:02
1 of 1 shots sampled

338. Other

1:16:01–1:16:04 Machine checks passed

Model synopsis: A dimly lit interior scene shows silhouetted figures in what appears to be a crowded space. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 235 from 1:16:04

Frame at 1:16:05, shot 5851:16:05
1 of 1 shots sampled

339. Ship

1:16:04–1:16:06 Machine checks passed

Model synopsis: A close-up shot shows the oars of a galley-style ship moving through water. The ship's side features decorative patterns, and the water is visibly churned by the oars.

  • Oars of a ship are rowing through water. [frame:1]

Evidence, details and a link to share

Sequence 236 from 1:16:06

Frame at 1:16:06, shot 5861:16:06
1 of 1 shots sampled

340. Ship

1:16:06–1:16:07 Machine checks passed

Model synopsis: A man in ancient armor stands on a ship, gripping a mast. No dialogue or on-screen text is present in this beat.

  • A man in armor stands on a ship holding a mast. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 237 from 1:16:07

Frame at 1:16:09, shot 5871:16:09
1 of 1 shots sampled

341. Other

1:16:07–1:16:10 Machine checks passed

Model synopsis: A dark, dimly lit interior scene shows silhouetted figures in the foreground and a brighter, indistinct background. No people are named, no events are described, and no on-screen text is visible.

Evidence, details and a link to share

Sequence 238 from 1:16:10

Sequence 239 from 1:16:13

Sequence 240 from 1:16:17

Frame at 1:16:19, shot 5901:16:19
1 of 1 shots sampled

344. Other

1:16:17–1:16:20 Machine checks passed

Model synopsis: A dark, indistinct scene shows silhouetted figures in a dimly lit interior. No clear actions, objects, or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 241 from 1:16:20

Frame at 1:16:21, shot 5911:16:21
1 of 1 shots sampled

345. Ship

1:16:20–1:16:22 Machine checks passed

Model synopsis: A section of a large wooden ship with oars is shown moving through water. The scene is shot from a low angle, focusing on the hull and oars.

Evidence, details and a link to share

Sequence 242 from 1:16:22

Frame at 1:16:24, shot 5921:16:24Frame at 1:16:30, shot 5931:16:30
2 of 2 shots sampled

346. Ship

1:16:22–1:16:33 Machine checks passed (partial)

Model synopsis: A man in armor gestures from a ship while others prepare to board or row. A voice commands the group to follow him onto the water.

  • A man in armor gestures from a ship. [frame:1]
  • Men on a ship deck prepare to move or row. [frame:2]

2 people observed.

“Good work. This one is done for. Now for the second one, too. Everyone on the water, follow me!” 76:23

Evidence, details and a link to share

Sequence 243 from 1:16:33

Frame at 1:16:34, shot 5941:16:34Frame at 1:16:39, shot 5951:16:39Frame at 1:16:46, shot 5961:16:46Frame at 1:16:50, shot 5971:16:50
4 of 4 shots sampled

347. Underwater

1:16:33–1:16:52 Machine checks passed (partial)

Model synopsis: A soldier in armor is shown above water, followed by underwater scenes of figures moving in blue water. A voice commands to kill attackers who are attacking underwater.

  • A soldier in armor stands above water. [frame:1]
  • Figures are seen moving underwater. [frame:2]
  • More figures swim through dark blue water. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“They're attacking underwater. Kill them all!” 76:33

Evidence, details and a link to share

Frame at 1:17:13, shot 5991:17:13
1 of 1 shots sampled

349. Underwater

1:17:07–1:17:20 Machine checks passed

Model synopsis: A dark underwater scene shows indistinct figures moving in murky water. A single spoken line 'Oh, no.' is heard at 77:15.

  • indistinct figures move in dark underwater environment [frame:1]

1 person observed.

“Oh, no.” 77:15

Evidence, details and a link to share

Frame at 1:17:24, shot 6001:17:24
1 of 1 shots sampled

350. Underwater

1:17:20–1:17:27 Machine checks passed (partial)

Model synopsis: A person is shown underwater holding a spear. No dialogue or on-screen text is present in this beat.

  • A person holds a spear underwater. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 1:17:31, shot 6011:17:31Frame at 1:17:42, shot 6021:17:42
2 of 2 shots sampled

351. Ship

1:17:27–1:17:47 Machine checks passed

Model synopsis: Two frames show men in ancient-style armor and tunics on a ship, handling oars and standing on deck. No dialogue or on-screen text is present, and the setting is a ship at sea during daylight.

5 people observed.

Evidence, details and a link to share

Frame at 1:17:48, shot 6031:17:48Frame at 1:17:52, shot 6051:17:52Frame at 1:17:56, shot 6061:17:56Frame at 1:18:04, shot 6081:18:04
4 of 6 shots sampled

352. Other

1:17:47–1:18:07 Machine checks passed (partial)

Model synopsis: A shirtless man is shown in a dark, confined space, wielding a long object. The scene includes a bright flash and a view of the man lying down, suggesting a struggle or collapse.

  • A shirtless man is seen holding a long object in a dark space. [frame:1]
  • The man is shown from behind, still holding the object, in a dark environment. [frame:2]
  • A bright flash of light occurs in the dark space. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Frame at 1:18:12, shot 6091:18:12Frame at 1:18:21, shot 6111:18:21Frame at 1:18:28, shot 6121:18:28Frame at 1:18:39, shot 6141:18:39
4 of 6 shots sampled

353. Ship

1:18:07–1:18:40 Machine checks passed (partial)

Model synopsis: A shirtless man is shown in various positions on a ship, including climbing rigging and standing on deck with a shield. The transcript contains an incomplete line spoken at 78:15.

  • A man is seen underwater, partially submerged. [frame:1]
  • A man climbs the rigging of a ship. [frame:2]
  • A man climbs a mast against a blue sky. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“I'm going to.” 78:15

Evidence, details and a link to share

Sequence 244 from 1:18:40

Frame at 1:18:42, shot 6151:18:42
1 of 1 shots sampled

354. Other

1:18:40–1:18:44 Machine checks passed

Model synopsis: A woman in a white dress stands outdoors under a bright sky, with a dark structure behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 245 from 1:18:44

Frame at 1:18:47, shot 6161:18:47Frame at 1:18:50, shot 6171:18:50Frame at 1:18:52, shot 6181:18:52
3 of 3 shots sampled

355. Ship

1:18:44–1:18:54 Machine checks passed (partial)

Model synopsis: A muscular man stands on a ship's deck as other men prepare grappling irons. The scene is set outdoors under a clear sky, with multiple men visible on the deck.

  • A muscular man stands on a ship's deck. [frame:1]
  • Men handle grappling irons on the deck. [frame:2]
  • A group of men holds grappling irons on the deck. [frame:3]

3 people observed.

“Grappling irons!” 78:45

Evidence, details and a link to share

Sequence 246 from 1:18:54

Frame at 1:18:55, shot 6191:18:55Frame at 1:19:02, shot 6201:19:02
2 of 2 shots sampled

356. Underwater

1:18:54–1:19:09 Machine checks passed (partial)

Model synopsis: Two frames show turbulent water and an underwater scene with a submerged structure. No people, dialogue, or on-screen text are visible.

  • Water churns violently at the surface. [frame:1]
  • A submerged structure is visible underwater in murky blue water. [frame:2]

Evidence, details and a link to share

Frame at 1:19:14, shot 6211:19:14
1 of 1 shots sampled

357. Underwater

1:19:09–1:19:18 Machine checks passed

Model synopsis: A person is underwater, wearing white swim trunks, with another figure partially visible nearby. The scene is dimly lit with blue water and no visible landmarks or time indicators.

2 people observed.

Evidence, details and a link to share

Sequence 247 from 1:19:18

Frame at 1:19:19, shot 6221:19:19
1 of 1 shots sampled

358. Ship

1:19:18–1:19:19 Machine checks passed (partial)

Model synopsis: A scene on a ship shows multiple figures engaged in combat with spears and shields. The setting is a wooden vessel with a sail and mast, under daylight conditions.

  • Figures fight with spears and shields on a ship deck. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 248 from 1:19:19

Frame at 1:19:21, shot 6231:19:21
1 of 1 shots sampled

359. Underwater

1:19:19–1:19:22 Machine checks passed (partial)

Model synopsis: A person is underwater, surrounded by bubbles and murky blue water. No dialogue or on-screen text is present in this beat.

  • a person is underwater surrounded by bubbles [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 1:19:28, shot 6241:19:28
1 of 1 shots sampled

360. Underwater

1:19:22–1:19:33 Machine checks passed

Model synopsis: The frame shows an underwater scene with bubbles and murky blue-green water. No people, objects, or text are clearly visible, and no dialogue or events are recorded in this beat.

Evidence, details and a link to share

Sequence 249 from 1:19:33

Frame at 1:19:36, shot 6251:19:36
1 of 1 shots sampled

361. Ancient Greek temple

1:19:33–1:19:39 Machine checks passed (partial)

Model synopsis: A shirtless man in a white loincloth runs past ancient Greek-style architecture under a blue sky. No dialogue or on-screen text is present in this beat.

  • A man runs past a stone structure with helmets on top. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 250 from 1:19:39

Frame at 1:19:39, shot 6261:19:39
1 of 1 shots sampled

362. Other

1:19:39–1:19:40 Machine checks passed

Model synopsis: A man in ancient Greek-style armor stands beside a stone structure; another figure is partially visible behind him. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 251 from 1:19:40

Frame at 1:19:41, shot 6271:19:41
1 of 1 shots sampled

363. Other

1:19:40–1:19:42 Machine checks passed

Model synopsis: A large, ornate chariot with sculpted figures and a tall, pointed canopy is shown outdoors under a clear sky. The chariot appears to be part of a procession or display, with no people visible in the frame.

Evidence, details and a link to share

Sequence 252 from 1:19:42

Frame at 1:19:43, shot 6281:19:43
1 of 1 shots sampled

364. Field

1:19:42–1:19:43 Machine checks passed (partial)

Model synopsis: A warrior in ancient armor holds a spear while standing beside a horse. The scene is outdoors under bright daylight.

  • A warrior in armor holds a spear beside a horse. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 253 from 1:19:43

Frame at 1:19:44, shot 6291:19:44
1 of 1 shots sampled

365. Other

1:19:43–1:19:45 Machine checks passed

Model synopsis: A shirtless man with a beard is visible on a structure under a clear sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 1:19:47, shot 6301:19:47Frame at 1:19:53, shot 6311:19:53Frame at 1:20:01, shot 6321:20:01
3 of 3 shots sampled

366. Ship

1:19:45–1:20:06 Machine checks flagged: visible event not seen

Model synopsis: A man on a ship's deck is urged to act, then resists as another figure approaches. The setting is a wooden ship with shields and cargo visible.

  • A man stands on a ship's deck near shields and cargo. [frame:1]
  • A robed figure approaches the man on deck. [frame:3]

2 people observed.

“Come on.” 79:59 · “No!” 80:00

Flagged: visible event not seen (A robed figure approaches the man on deck.)

Evidence, details and a link to share

Frame at 1:20:08, shot 6331:20:08
1 of 1 shots sampled

367. Field

1:20:06–1:20:10 Machine checks passed (partial)

Model synopsis: A man in a loincloth bends over on dusty ground near a coiled rope while other figures are visible in the background. No dialogue or on-screen text is present in this beat.

  • A man in a loincloth bends over near a coiled rope on dusty ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 254 from 1:20:10

Frame at 1:20:11, shot 6341:20:11
1 of 1 shots sampled

368. Deck

1:20:10–1:20:12 Machine checks passed

Model synopsis: A single frame shows a wooden deck with a shadow and part of a person's head. No dialogue or identifiable actions are present.

1 person observed.

Evidence, details and a link to share

Sequence 255 from 1:20:12

Frame at 1:20:12, shot 6351:20:12
1 of 1 shots sampled

369. Field

1:20:12–1:20:13 Machine checks passed (partial)

Model synopsis: A figure in ancient armor rides a horse against a bright sky. No dialogue or on-screen text is present in this beat.

  • A figure in armor rides a horse. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 256 from 1:20:13

Frame at 1:20:14, shot 6361:20:14
1 of 1 shots sampled

370. Ship

1:20:13–1:20:14 Machine checks passed

Model synopsis: A group of shirtless men in loincloths are crowded on a wooden structure, possibly a ship or fort, with some holding shields. The scene is lit by bright daylight and appears to be an action sequence.

1 person observed.

Evidence, details and a link to share

Sequence 257 from 1:20:14

Frame at 1:20:15, shot 6371:20:15
1 of 1 shots sampled

371. Other

1:20:14–1:20:16 Machine checks passed

Model synopsis: A man in a loincloth climbs a netted structure while another man in a helmet looks on. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 258 from 1:20:16

Frame at 1:20:22, shot 6381:20:22
1 of 1 shots sampled

372. Ship

1:20:16–1:20:28 Machine checks passed

Model synopsis: A person is visible on a ship with ornate railings and a row of oars. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 1:20:29, shot 6391:20:29Frame at 1:20:31, shot 6401:20:31
2 of 2 shots sampled

373. Other

1:20:28–1:20:31 Machine checks passed

Model synopsis: Two frames show spiked towers and a statue atop a structure under a clear sky. A single exclamation is heard.

  • A spiked tower is visible against a dark sky. [frame:1]
  • Two figures are silhouetted atop a statue on a spiked structure under a clear sky. [frame:2]

2 people observed.

“Oh!” 80:30

Evidence, details and a link to share

Sequence 259 from 1:20:31

Sequence 260 from 1:20:34

Frame at 1:20:34, shot 6421:20:34
1 of 1 shots sampled

375. Other

1:20:34–1:20:34 Machine checks passed

Model synopsis: A man and a woman stand side by side outdoors under bright daylight. The man is shirtless and muscular; the woman wears a white draped garment.

2 people observed.

Evidence, details and a link to share

Sequence 261 from 1:20:34

Frame at 1:20:36, shot 6431:20:36
1 of 1 shots sampled

376. Other

1:20:34–1:20:37 Machine checks passed

Model synopsis: A person in a yellow robe is visible near a large, ornate structure with water crashing behind them. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 262 from 1:20:37

Frame at 1:20:40, shot 6441:20:40
1 of 1 shots sampled

377. Ship

1:20:37–1:20:43 Machine checks passed

Model synopsis: A man in a yellow cloak stands on a ship's deck under a clear sky. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 263 from 1:20:43

Frame at 1:20:44, shot 6451:20:44
1 of 1 shots sampled

378. Ship

1:20:43–1:20:45 Machine checks passed

Model synopsis: A close-up shows a golden statue of a robed figure on a ship’s prow, with water splashing beside it. No people, dialogue, or on-screen text are visible in this beat.

Evidence, details and a link to share

Sequence 264 from 1:20:45

Frame at 1:20:49, shot 6461:20:49Frame at 1:20:55, shot 6471:20:55
2 of 2 shots sampled

379. Other

1:20:45–1:20:57 Machine checks passed (partial)

Model synopsis: A shirtless man embraces a woman in a dim interior while a voice warns of an attack; the next shot shows several ancient-style ships on open water. No names are spoken that identify the characters, and no on-screen text is visible.

  • A man embraces a woman in an interior setting. [frame:1]
  • Several ancient-style ships are shown on open water. [frame:2]

Named: Philippides (t:80:52). 3 people observed.

“They're coming in, Philippides. They're going to attack.” 80:52

Evidence, details and a link to share

Frame at 1:21:05, shot 6481:21:05Frame at 1:21:15, shot 6491:21:15
2 of 2 shots sampled

380. Coast

1:20:57–1:21:16 Machine checks passed

Model synopsis: A shirtless man and a woman in a white dress stand near a wooden structure; a small boat with oars approaches a rocky coast with classical buildings. The dialogue indicates a defeat at Sparta and a reunion between the characters.

  • A small boat approaches a rocky coast with classical buildings. [frame:2]

Named: Andromeda (t:80:57). 2 people observed.

“It's the end, Andromeda.” 80:57 · “Sparta didn't come in time. Miltiades must have been defeated.” 81:00

Evidence, details and a link to share

Frame at 1:21:18, shot 6501:21:18
1 of 1 shots sampled

381. Ship

1:21:16–1:21:20 Machine checks passed

Model synopsis: A large ancient-style sailing ship with a brown sail is shown on the water, with another similar ship visible in the background. The scene is set on open water under a bright sky, with no people visible in the frame.

Evidence, details and a link to share

Sequence 265 from 1:21:20

Frame at 1:21:21, shot 6511:21:21
1 of 1 shots sampled

382. Ship

1:21:20–1:21:22 Machine checks passed

Model synopsis: A low-angle shot shows the prow of a wooden ship with figures in helmets visible along its edge. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Sequence 266 from 1:21:22

Frame at 1:21:23, shot 6521:21:23
1 of 1 shots sampled

383. Ship

1:21:22–1:21:24 Machine checks passed

Model synopsis: A group of shirtless men in loincloths are shown in a crowded, active scene on a ship. The setting appears to be a vessel at sea, with wooden railings and oars visible.

4 people observed.

Evidence, details and a link to share

Frame at 1:21:26, shot 6531:21:26
1 of 1 shots sampled

384. Ship

1:21:24–1:21:28 Machine checks passed

Model synopsis: Four shirtless men are rowing a wooden boat under bright daylight. The boat has a tall mast and is on open water.

4 people observed.

Evidence, details and a link to share

Sequence 267 from 1:21:28

Frame at 1:21:31, shot 6541:21:31
1 of 1 shots sampled

385. Beach

1:21:28–1:21:34 Machine checks passed

Model synopsis: A group of shirtless men runs through shallow water near a rocky cliff. No dialogue or on-screen text is present in this beat.

  • Men run through shallow water near a cliff. [frame:1]

4 people observed.

Evidence, details and a link to share

Sequence 268 from 1:21:34

Frame at 1:21:35, shot 6551:21:35
1 of 1 shots sampled

386. Beach

1:21:34–1:21:36 Machine checks passed (partial)

Model synopsis: A beach scene with ancient-style ships near shore and figures running in shallow water. No dialogue or on-screen text is present in this beat.

  • Figures run through shallow water near beached ships. [frame:1]

Evidence, details and a link to share

Sequence 269 from 1:21:36

Frame at 1:21:39, shot 6561:21:39
1 of 1 shots sampled

387. Beach

1:21:36–1:21:41 Machine checks passed

Model synopsis: A group of men in loincloths are gathered on a sandy beach near a rocky cliff; one man in white stands elevated among them. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 270 from 1:21:41

Frame at 1:21:49, shot 6581:21:49Frame at 1:21:59, shot 6591:21:59Frame at 1:22:04, shot 6601:22:04
3 of 3 shots sampled

389. Other

1:21:44–1:22:05 Machine checks passed (partial)

Model synopsis: A woman in a white toga stands against a rock wall while a chaotic struggle occurs nearby. A voice exclaims 'Oh, my God.' during the scene.

  • A woman stands against a rock wall. [frame:1]
  • Figures are engaged in a chaotic struggle. [frame:2]
  • The woman in the toga is shown in a close-up, looking toward the struggle. [frame:3]

2 people observed.

“Oh, my God.” 81:44

Evidence, details and a link to share

Frame at 1:22:12, shot 6611:22:12Frame at 1:22:22, shot 6621:22:22Frame at 1:22:28, shot 6631:22:28
3 of 3 shots sampled

390. Field

1:22:05–1:22:29 Machine checks passed (partial)

Model synopsis: A man in a yellow garment is shown alongside a white horse in a rocky landscape; a voice commands 'Forward, men!' during this sequence. No named individuals or specific time of day are established.

  • A man in a yellow garment is visible in a close-up. [frame:1]
  • A white horse is shown in a rocky landscape with riders. [frame:2]
  • The man in yellow is shown again, next to another man. [frame:3]

2 people observed.

“Forward, men!” 82:14

Evidence, details and a link to share

Frame at 1:22:39, shot 6661:22:39
1 of 1 shots sampled

393. Rocky terrain

1:22:36–1:22:41 Machine checks passed

Model synopsis: A person in a light robe stands on rocky terrain while another person sits nearby. The setting appears to be outdoors among rocks and uneven ground.

2 people observed.

Evidence, details and a link to share

Frame at 1:22:44, shot 6671:22:44Frame at 1:22:49, shot 6681:22:49Frame at 1:23:05, shot 6701:23:05Frame at 1:23:08, shot 6711:23:08
4 of 5 shots sampled

394. Field

1:22:41–1:23:09 Machine checks passed (partial)

Model synopsis: A large group of soldiers on horseback moves across a hilly, arid landscape. A shirtless man is shown in close-up, looking upward and then in profile against a clear sky.

  • Soldiers on horseback advance across a hilly field. [frame:1]
  • Horses gallop rapidly across the field. [frame:2]
  • A shirtless man looks upward with an intense expression. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Oh, my God!” 82:44

Evidence, details and a link to share

Frame at 1:23:13, shot 6721:23:13Frame at 1:23:19, shot 6741:23:19Frame at 1:23:28, shot 6771:23:28Frame at 1:23:53, shot 6791:23:53
4 of 8 shots sampled

395. Battlefield

1:23:09–1:24:08 Machine checks passed (partial)

Model synopsis: A chaotic battle scene unfolds on horseback near water, followed by a shot of a falling figure and churning water. A shouted command is heard during the action.

  • Warriors on horseback clash in a chaotic battle near water. [frame:2]
  • A figure in armor is seen falling through the air. [frame:3]
  • The water is shown churning violently. [frame:4]

2 people observed.

“Come on!” 83:14

Evidence, details and a link to share

Sequence 271 from 1:24:08

Frame at 1:24:16, shot 6801:24:16
1 of 1 shots sampled

396. Hill

1:24:08–1:24:24 Machine checks passed

Model synopsis: The final frame shows silhouetted figures on a hill against a sunset sky with the words 'THE END' overlaid. No dialogue or action is visible or audible in this beat.

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 744 segments kept, 110 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:37 I proclaim you, Philippides of Athens, the champion of these Olympic Games. May you thank the gods for having given you the laurel wreath of victory.
  2. 2:07 we shall gather at the Eternal Flame for the next Olympic Games.
  3. 2:54 To thee, divine Athena.
  4. 2:56 To thee
  5. 2:57 I consecrate the laurels of Olympia.
  6. 3:00 As thou has protected me, goddess.
  7. 3:02 Protect Athens, which bears thy name.
  8. 3:06 Today is a day for celebration.
  9. 3:14 Philippides has brought Athens the laurels of the Olympic Games.
  10. 3:17 Now he returns to his post in the ranks of Athens' sacred god.
  11. 3:22 We must never forget.
  12. 3:24 that the people of Athens decreed only a short year ago, the exile of the tyrant Hippias.
  13. 3:29 and have forever banished dictatorship.
  14. 3:32 Do you?
  15. 3:33 Ballaris Philippides.
  16. 3:35 And to your companions of the sacred gods.
  17. 3:37 The Athenians...
  18. 3:38 appoint you the custodians of their liberty.
  19. 3:45 I'm not afraid of death, Miltiades.
  20. 3:48 And hope we shall never have to fight for liberty.
724 more segments
  1. 3:51 But we live in a democracy.
  2. 3:53 And if there's war,
  3. 3:55 than every citizen
  4. 3:56 Every citizen will be a soldier.
  5. 3:58 You used her
  6. 4:03 Commander of the military forces of our city.
  7. 4:06 And to you, Cruises.
  8. 4:07 Our beloved leading citizen...
  9. 4:09 and head of the Council of Athens.
  10. 4:12 I ask in the name of all my companions...
  11. 4:14 Bethelippides!
  12. 4:15 be made commander of the sacred god.
  13. 4:25 Bravo, Philippides.
  14. 4:28 You're a popular man today.
  15. 4:30 I too.
  16. 4:32 make you the custodian of my liberty.
  17. 4:34 Theocrates.
  18. 4:35 I'm just a peasant.
  19. 4:37 The gods gave me strength.
  20. 4:39 But they gave you something even more precious.
  21. 4:42 Intelligence.
  22. 4:43 Be sure you make use of it.
  23. 4:46 The sun sinks in splendor, red as blood, bringing the fearsome blackness of the night. While the desperate Trojans pray to all the gods above.
  24. 4:59 Hoping to live till the dawn.
  25. 5:02 Go on, Andromeda. Read us the passage about the Great War. No, read us a story about Paris and Helen. Read, Andromeda.
  26. 5:10 Whatever you like. Then I shall read you of Paris and Helen. Oh, wonderful. I always cry when I hear it.
  27. 5:19 Here's my father. I shall read it later.
  28. 5:27 Luz's your daughter doesn't seem to love a future husband
  29. 5:30 Every time she sees me, she frowns.
  30. 5:31 No, no. You're wrong, Theocritus.
  31. 5:34 He is wrong, isn't he, Andromeda?
  32. 5:37 You said it for me.
  33. 5:40 You already know the use of double meanings, Andromeda.
  34. 5:43 Perhaps your father should not have promised you to me when we were children.
  35. 5:47 You might want to marry someone else.
  36. 5:49 You young people have strange ideas.
  37. 5:51 In my day, we wouldn't have dared to argue about whom our parents had chosen for us to marry.
  38. 5:56 But with that, I'll leave you.
  39. 5:57 Andromeda.
  40. 6:01 Think over what your father said.
  41. 6:06 Felipides will be a dangerous opponent for us.
  42. 6:09 He's a friend of Miltiades, and he's bullheaded like all our peasants. No, Philippides is not a mere peasant.
  43. 6:14 He is a man who loves the soil only because he doesn't know anything better.
  44. 6:21 We will show him how good light can be.
  45. 6:23 And he'll be one of us.
  46. 6:25 What do you mean?
  47. 6:27 If we control the sacred guard, we could easily control the whole city of Athens.
  48. 6:31 That is what hippias in exile suggest that we do.
  49. 6:33 Philippities has to join us.
  50. 6:35 Otherwise, you'll be done away with.
  51. 6:40 You know I share your ideals.
  52. 6:42 and those of hippias.
  53. 6:44 I promised you my daughter.
  54. 6:47 But I refuse to be involved in bloodshed. I refuse. Ah, Crucis.
  55. 6:51 I don't want Philippides removed.
  56. 6:54 I want him with us.
  57. 6:56 to our ideals.
  58. 7:06 Oh, you frighten me.
  59. 7:09 Is hitting me part of the game? No.
  60. 7:12 And losing a ball in a tree isn't part of the game either.
  61. 7:18 It's there. I was trying to knock the ball out of the tree.
  62. 7:24 It is not too easy to do.
  63. 7:26 Want to try?
  64. 7:39 That wasn't so hard.
  65. 7:45 How do you play this game?
  66. 7:50 You throw the ball as far as possible.
  67. 7:52 Like this.
  68. 7:56 Was that all right? No, that was too far.
  69. 8:05 You're as beautiful as a statue of a goddess.
  70. 8:13 Why don't you like me? I know you!
  71. 8:16 You were Philippides. Philippides. The hero of Olympia.
  72. 8:19 And you? My name is
  73. 8:23 I won't tell you.
  74. 8:24 We shall never meet again.
  75. 8:26 We will meet again.
  76. 8:28 Do you know the temple on the road to Piraeus?
  77. 8:30 I know it very well.
  78. 8:32 What are you talking about?
  79. 8:33 He wants to see you again.
  80. 8:35 He's just being kind. You're wrong.
  81. 8:38 I really want to.
  82. 8:43 Come on.
  83. 8:45 Don't forget, she will dance with us in honor of Eve at the temple tonight. Remember.
  84. 9:04 Come on.
  85. 9:24 Are you Philippe D yes, I am I
  86. 9:27 You are a fortunate man, Philippides. I have an invitation for you for my mistress. A girl who will dance tonight?
  87. 9:35 Why, that's right, Philippides.
  88. 9:36 A girl will dance tonight.
  89. 9:38 How do you know?
  90. 9:39 What's her name?
  91. 9:40 What difference does that make?
  92. 9:42 She will be no more beautiful if you know her name.
  93. 9:45 It doesn't matter.
  94. 9:46 All right. Where do I go?
  95. 9:48 Follow me.
  96. 9:52 Yes, Philip it is.
  97. 9:54 The hero of Olympia...
  98. 9:55 And you, Kairos, will tame him.
  99. 9:58 I hope he is at least a handsome man.
  100. 10:01 Would I ask you to make love to him if he were not? Well, it would hardly be the first time you've lied to me, Theocritus.
  101. 10:07 Be careful of what you say.
  102. 10:08 And think about what you have to do.
  103. 10:13 Let me tell you this. Win him to my cause and you can name your price.
  104. 10:18 Oh, that's much better.
  105. 10:20 I adore to hear you when you talk that way.
  106. 10:25 Here he is.
  107. 10:26 Don't you want to see him?
  108. 10:34 Well, what do you think of it?
  109. 10:37 Good night, Charis. I will leave you to your work.
  110. 10:44 You may go in. You're expected.
  111. 10:52 You're expected.
  112. 10:52 Welcome to my house.
  113. 10:55 What's the matter?
  114. 10:58 Are you not pleased by what you see, Philippides? I was.
  115. 11:01 Expecting to see someone else.
  116. 11:03 Huh?
  117. 11:04 prettier than me?
  118. 11:05 No, different.
  119. 11:07 Who are you?
  120. 11:09 Got it.
  121. 11:11 I was at Olympia the day you won. You know, I think...
  122. 11:14 I've heard your name before.
  123. 11:16 I've prepared a feast in your honor.
  124. 11:18 For me?
  125. 11:20 You'll see.
  126. 11:21 The most wonderful dancer in Athens. The finest wine, wrestlers and music.
  127. 11:26 It is all for you.
  128. 11:30 But not tonight.
  129. 11:31 We'll see about that.
  130. 12:04 You may drink with me. It's not a love potion.
  131. 13:01 Do you really think so? I'm sure of it. When the moon is over the Acropolis, you shall see. He'll be here. Andromeda, Diana, come. It's time. Come.
  132. 13:15 Oh, divine Venus, in your goodness, grant that we find our beloved.
  133. 13:28 Oh, my God.
  134. 13:35 I'm sorry.
  135. 13:37 Come on.
  136. 13:39 Oh!
  137. 13:46 All right.
  138. 13:48 Oh, fuck.
  139. 13:59 Oh!
  140. 14:00 I...
  141. 14:03 Come on.
  142. 14:04 I
  143. 14:05 perfect
  144. 14:07 I'm
  145. 14:10 They're no better than animals. Well, I thought they were the fangs.
  146. 14:16 Know what I pay them?
  147. 14:18 I'm going to go.
  148. 14:31 Hold on.
  149. 14:32 I like this better.
  150. 14:34 Don't you like wrestling at all?
  151. 14:36 I do.
  152. 14:37 But these men are not wrestlers.
  153. 14:39 They're killers.
  154. 14:41 Fruits are what they are.
  155. 14:54 But I must leave.
  156. 14:56 You are rude. You have to leave.
  157. 14:59 I'm very sorry.
  158. 15:00 But I must.
  159. 15:02 Adios.
  160. 15:04 Let me pass.
  161. 15:06 Oh, please.
  162. 15:41 Oh!
  163. 15:41 I...
  164. 15:43 What are you doing?
  165. 15:45 it
  166. 15:50 Ha!
  167. 15:51 Okay.
  168. 15:52 Oh, my God.
  169. 16:33 I'm
  170. 16:52 Do you expect me to believe that fantastic story?
  171. 16:56 When do you meet him again?
  172. 16:57 I doubt if I ever will...
  173. 16:59 Why do you insist on it?
  174. 17:01 I have already explained it to you as eloquently as I could.
  175. 17:04 I'm not used to being rejected the awkwardness.
  176. 17:07 I don't like it. Hmm? And I don't want anyone to know it. Carus, I don't give up so easily. I can't help.
  177. 17:13 I thought you understood, Charis, what your position was.
  178. 17:17 I decide what you do and when you do it. Is that clear?
  179. 17:20 This house is mine.
  180. 17:22 Everything you have is mine.
  181. 17:24 This time you are mistaken.
  182. 17:26 And you too, Karras, are mine.
  183. 17:28 You wish I would leave here?
  184. 17:29 Don't ask me to do this.
  185. 17:31 I've no desire to hurt Philippides.
  186. 17:34 I pay well to be served.
  187. 17:36 What is this with Philippides? Are you in love?
  188. 17:39 He's the one who's in love.
  189. 17:41 But with another.
  190. 17:42 Ah!
  191. 17:44 So that's it.
  192. 17:45 Felipides loves someone else.
  193. 17:48 And you love him.
  194. 17:50 I will not see him.
  195. 17:51 Anymore.
  196. 17:54 That was to remind you that you will see Felipides whether you want to or not.
  197. 17:58 You will obey me, Charis. You will obey all my orders, whatever I tell you to do. You have no choice. Understand?
  198. 18:07 Otherwise, I will kill you.
  199. 18:18 you say you hate weapons get even a man like you might need them one day
  200. 18:37 You may be right.
  201. 18:39 But it would be better if weapons didn't exist.
  202. 18:41 But they do exist, Philippides.
  203. 18:44 What if you were attacked by a swordsman?
  204. 18:47 You would be at a disadvantage. You have to know how to use a sword.
  205. 18:51 Here, catch it.
  206. 18:53 All right.
  207. 18:55 Harry.
  208. 18:57 Again.
  209. 18:59 Faster! Watch your shoulders! Neutrides!
  210. 19:05 You're fast as the wind.
  211. 19:06 Again.
  212. 19:09 You try.
  213. 19:11 Now.
  214. 19:14 Pah!
  215. 19:15 A beautiful...
  216. 19:17 Perfect
  217. 19:19 Another thing.
  218. 19:21 A sword is not used only for hand-to-hand fighting.
  219. 19:28 This way?
  220. 19:31 That's it?
  221. 19:32 Aim.
  222. 19:33 I'm going to go.
  223. 19:44 That was dead center
  224. 19:48 What is it what happened to it?
  225. 19:50 I care.
  226. 19:51 He saw her chariot and rode off after her.
  227. 20:49 Why did you run from me?
  228. 20:52 I have nothing to say to you.
  229. 20:55 I
  230. 20:58 I only want to tell you I've been thinking about you.
  231. 21:01 You only saw me once.
  232. 21:03 You don't even know my name.
  233. 21:07 Does it matter?
  234. 21:08 I think that
  235. 21:11 I love you.
  236. 21:15 Don't you believe me? It's no use. My future's been decided. You must never see me again. Listen. I won't give you up. If you tell me one thing. Say that you could love me.
  237. 21:33 No, you mustn't even hope it would be useless.
  238. 21:37 Please forget me.
  239. 22:01 Your name? Can't you tell me?
  240. 22:43 Do I surprise you?
  241. 22:44 I know you would never have come to see me.
  242. 22:46 How did you get in?
  243. 22:48 I don't have much trouble making men do what I want them to do.
  244. 22:52 But not Philippides.
  245. 22:54 You're wrong
  246. 22:56 I'm glad you came.
  247. 22:57 I don't believe you.
  248. 23:04 No.
  249. 23:05 Not like that. You must never kiss me like that, Philippi Deese. Kiss me when your anger has left you.
  250. 23:11 There's no anger in me.
  251. 23:12 And no love. Don't worry. I know you don't love me. It's too much to ask for. I'm aware of that. But I want to make you happy. I wish it were as easy as you seem to think. Before I met you, I had no need of love.
  252. 23:28 But now I do.
  253. 23:29 I love you. I need you so much. All you need is to get what you want.
  254. 23:36 You're cruel.
  255. 23:38 Philippi, it's time to relieve the guard.
  256. 23:41 I have to go.
  257. 23:42 Goodbye, Caris.
  258. 23:50 That's enough.
  259. 24:07 I invited him here so we could convince him.
  260. 24:11 Convince Philippides.
  261. 24:12 Might as well try to convince multi-edges.
  262. 24:15 How do you suggest we go about it? You said you were the expert.
  263. 24:18 Every man has his price, some way or other.
  264. 24:21 I hate these intrigues.
  265. 24:23 Ipheus is returning from exile.
  266. 24:25 Soon we'll be able to act.
  267. 24:27 The people are with us.
  268. 24:29 But the sacred God.
  269. 24:31 Could ruin everything if it were against us, Crucis.
  270. 24:33 Well then?
  271. 24:35 You have an idea?
  272. 24:36 Of course.
  273. 24:37 And it's a beautiful one.
  274. 24:40 What is it, Theocritus?
  275. 24:41 I'll tell you later. Don't worry
  276. 24:46 You sent for me, Father?
  277. 24:48 Yes.
  278. 24:49 We're having an important guest, my dear. I want you to dine with us today.
  279. 24:54 Very
  280. 24:55 Important guest, Andromeda.
  281. 24:58 Very.
  282. 24:59 A friend of yours?
  283. 25:00 Not yet.
  284. 25:02 But he still may be one.
  285. 25:05 What is his name?
  286. 25:07 He'll tell you himself there he is.
  287. 25:11 Philippides is here.
  288. 25:23 Welcome to my home Philippides your presence here is an honor so is your invitation I
  289. 25:30 This is my daughter Who is to? become my wife
  290. 25:39 It seems you already know each other. Yes. We may have met.
  291. 25:45 But without really knowing each other. As it happens in a dream sometimes. If I had ever met you, even in a dream...
  292. 25:54 I would remember.
  293. 25:56 I don't understand a word of what you're talking about. The table is set. Be seated.
  294. 25:59 Music! Music is excellent for the digestion, if you please.
  295. 26:10 Find thee the pleasures of wine, and drown the sorrows of life.
  296. 26:15 Find thee the pleasure of company and know the beauty of life.
  297. 26:24 What is it, Philip? It is.
  298. 26:25 I'm afraid you're not having a very good time.
  299. 26:28 On the contrary, I'm having a wonderful time.
  300. 26:34 Counsel in session.
  301. 26:35 At this hour?
  302. 26:36 Surprising. They must have an important reason.
  303. 26:40 I'm very sorry, but I must go. Philippine's, my house is yours. Andromeda and Theocritus will keep you company.
  304. 26:46 Do you know what is going on?
  305. 26:49 I know what everyone knows.
  306. 26:50 Our fleet is decimated.
  307. 26:52 And the Persians threatened to land on our shores, guided by the traitor Hippias.
  308. 26:56 Not everyone thinks hippies is a traitor.
  309. 27:00 I'm very tired.
  310. 27:01 Excuse me.
  311. 27:07 Poor Andromeda.
  312. 27:09 She's so sad.
  313. 27:10 And I think you know why, Philippides.
  314. 27:12 What do you mean?
  315. 27:15 You might as well admit that you know her.
  316. 27:17 I suspected that you knew each other.
  317. 27:19 And when I saw her embarrassment on seeing you, I was certain of it.
  318. 27:23 She never broke the promise she made.
  319. 27:26 The promise her father gave to my father, you mean?
  320. 27:29 Our marriage was decided on while we were still children.
  321. 27:32 She doesn't love me.
  322. 27:35 If you want to marry her, I might be able to help you.
  323. 27:39 And what do you want in exchange?
  324. 27:41 Aye.
  325. 27:42 Nothing.
  326. 27:43 Cruiser starts.
  327. 27:45 You and your sacred guard could be valuable to him. You see, they left the two of us alone.
  328. 27:49 So we might talk plainly.
  329. 27:51 You can have Andromeda.
  330. 27:53 Only if you aid us in our cause.
  331. 27:56 Does Andromeda accept this?
  332. 27:59 I said that she accept this.
  333. 28:01 and you do you accept tell the please i asked you a question i am asking the questions answer me
  334. 28:07 Does Andromeda agree to this?
  335. 28:08 Why, of course she does. Otherwise, we would hardly have asked you here. She would do it for her father. She would do anything for him. And if necessary, she would do anything for our cause.
  336. 28:24 Filippity?
  337. 28:26 What do you want?
  338. 28:29 I waited for you.
  339. 28:32 I want to tell you how I really feel.
  340. 28:37 I love you.
  341. 28:39 So now you love me.
  342. 28:40 Now I know that you're one of them.
  343. 28:42 I'll have no part of the scheme.
  344. 28:45 Philippides!
  345. 28:50 Philippides.
  346. 28:55 What did you tell him about me? Why does he hate me?
  347. 28:58 He will be sorry.
  348. 29:20 Since he came back from the city, he's not the same. He doesn't talk to anyone.
  349. 29:24 Miltiades!
  350. 29:49 Hail Philippides!
  351. 29:51 Welcome, Miltiades.
  352. 29:54 always talked about.
  353. 29:56 Ah, the wind is from the east.
  354. 29:59 dries up the land
  355. 30:00 What are you talking about?
  356. 30:02 The east wind brings rain.
  357. 30:05 Palladies, bring us wine.
  358. 30:08 What's new in Athens? Let me see. Oh, they finished the new baths. It's very expensive, but to go there is a sign of distinction.
  359. 30:15 It's not for us. Well, I've never been there myself.
  360. 30:17 But I hear Theocrates goes there all the time to show how rich he is to everyone.
  361. 30:22 Do you know who misses you in Athens?
  362. 30:24 Philip, it is.
  363. 30:26 That very beautiful girl from Mycena.
  364. 30:30 Karen.
  365. 30:32 And you never said a word about her.
  366. 30:35 I don't know her.
  367. 30:39 She might have seen you at Olympia.
  368. 30:42 She wasn't the only girl who fell in love with you then.
  369. 30:44 They all went out of their minds when they saw you.
  370. 30:46 Especially when you wrestled the Spartans
  371. 30:48 I think he's a very good man
  372. 30:51 Euross is his name.
  373. 30:53 He might have won.
  374. 30:55 But I had all the luck that day. Your friends in the sacred guard don't call it luck, Philippities.
  375. 31:01 After you left Athens, the heart went out of them. They need your leadership.
  376. 31:05 They don't need me that much.
  377. 31:07 No.
  378. 31:08 We all need you now more than we ever did.
  379. 31:11 but we can understand why you wanted to leave Athens.
  380. 31:15 to avoid worries, responsibilities.
  381. 31:17 Here you have calm and you can live pleasantly.
  382. 31:21 You're wrong.
  383. 31:23 There are responsibilities.
  384. 31:25 Here?
  385. 31:26 Everywhere.
  386. 31:28 But I'm not going back to Athens.
  387. 31:33 Miltiades, I bring bad news. Persian forces have begun to land at the Plain of Marathon. You must return to Athens.
  388. 33:11 All goes well.
  389. 33:32 What do you think of my army, Hippias? You'll see, Darius, your Persians won't even have to fight.
  390. 33:41 them from the tyranny of their rulers. You will march into Athens in triumph. Yes, you may be right, Ipius, and yet you may be wrong. I put my faith in my soldiers.
  391. 34:03 This is not the first time that our country has been invaded.
  392. 34:07 This is not the first time that our country, our cities and our people have been threatened with destruction. True. But never before has the danger been so great.
  393. 34:16 The Persians are but a few hours march away. What do you mean by that? That we should surrender? That we should welcome the Persians as friends?
  394. 34:27 Don't you see that Athens alone isn't strong enough to defeat Darius and his army?
  395. 34:32 We're to view in number.
  396. 34:34 At most, we might arm 10,000 infantrymen and 5,000 cavalry.
  397. 34:38 It's six against one.
  398. 34:40 And we have no ships of war.
  399. 34:42 We will arm everyone.
  400. 34:43 Everyone!
  401. 34:44 and fight for an ideal common to every Athenian citizen.
  402. 34:48 If we may not live in freedom...
  403. 34:50 Then we will die for freedom.
  404. 34:52 Miltiades! Hail, Miltiades! Defend us from the Persians! Save us, Miltiades! Throw the Persians back into the sea! The gods be with you, Miltiades!
  405. 35:12 Come, we are waiting, Miltiades.
  406. 35:14 All of Athens waits to hear from you.
  407. 35:16 I am sure you have an ingenious plan to lead us to victory.
  408. 35:23 I do not possess the divine power to transform a disaster into a triumph.
  409. 35:31 Theocritus asks me for a miracle, but he knows full well.
  410. 35:34 It cannot be.
  411. 35:36 I can only say this.
  412. 35:38 My men will fight for Athens up to the end.
  413. 35:41 We shall force the invader back into the sea or he will enslave our people.
  414. 35:45 Every one of us.
  415. 35:46 Every man who hates tyranny...
  416. 35:48 His duty is to help fight the enemy.
  417. 35:51 Well then.
  418. 35:52 Why have you held back all the men of the sacred God?
  419. 35:54 These champions of the sacred God.
  420. 35:56 Why do they stay in Athens?
  421. 35:58 Only a hundred men.
  422. 36:00 Not enough to make a decisive difference in a war, Theocritus.
  423. 36:04 They have been ordered to defend the temple of Pallas Athena.
  424. 36:07 I do not believe in miracles.
  425. 36:09 But I put faith in the will of the gods.
  426. 36:11 and in the justice of our cause.
  427. 36:14 What good is justice?
  428. 36:16 What good is justice on the battlefield?
  429. 36:18 There is no justice in war.
  430. 36:20 Only strength, the number of armed men is what counts. Thord against thord. How can we match the Persian power? You forget one thing, Theocritus. When a man fights on the side of justice, he has the strength of a giant. He who defends his home, his wife and his children, is a tiger before the enemy.
  431. 36:41 A splendid massacre.
  432. 36:43 That is what our commander proposes.
  433. 36:46 We will all be slaughtered.
  434. 36:48 But in glory...
  435. 36:50 Look at what the odds are.
  436. 36:51 We are one against six.
  437. 36:54 So I propose...
  438. 36:56 that we surrender to Darius.
  439. 36:59 It is true that if we alone here in Athens attempted to push back the Persians,
  440. 37:03 There will be little hope for us.
  441. 37:06 But if we had an ally with an army as strong as ours, then there would be hope for us.
  442. 37:10 The army of Sparta!
  443. 37:12 With the help of Sparta, Athens would be saved.
  444. 37:16 And what guarantees the help of Sparta?
  445. 37:19 The common peril.
  446. 37:21 After Athens, Sparta would be the Persians' target. And after Sparta, all of Greece. The Spartans know this.
  447. 37:26 The Spartans have never trusted us.
  448. 37:28 You're right
  449. 37:30 Sparta thinks that some Athenians are traitors.
  450. 37:33 Ready to welcome the Persians.
  451. 37:35 For there is one man in whom they would believe.
  452. 37:38 A man they respect.
  453. 37:40 An Athenian who is above all suspicion.
  454. 37:43 for liberties.
  455. 37:45 As soon as our forces are ready, Athens will march against the Persians.
  456. 37:48 and will face them on the plane of Marathon.
  457. 37:52 If the council approves my plans.
  458. 37:54 I order you, Philippides, to leave for Sparta immediately and enlist their help.
  459. 38:18 May the gods ride with you. We'll meet at Marathon.
  460. 38:51 Farewell. I'm sure you will succeed.
  461. 38:58 Thank you, Caris. I will do all I can.
  462. 39:26 Andromeda?
  463. 39:28 Uh-huh.
  464. 39:29 You love him, don't you?
  465. 39:31 I should have realized before today that he was the man for you.
  466. 39:34 Yes, I love him.
  467. 39:36 Someone turned him away from me.
  468. 39:39 Since the day he was our guest.
  469. 39:40 He despises me.
  470. 39:42 He hates me.
  471. 39:43 I've been wrong, Adromeda.
  472. 39:45 I've been so wrong in everything.
  473. 39:48 The people are against hippias.
  474. 39:50 Theokritus is a liar.
  475. 39:52 Father, you shouldn't blame yourself.
  476. 39:55 No one doubts your good faith.
  477. 39:58 Maybe everything will be all right.
  478. 40:13 Why did you really come here anyway?
  479. 40:15 Why did you?
  480. 40:16 You say you want me to do something for you.
  481. 40:18 Well, what is it? Tell me.
  482. 40:19 I want to make sure that Philippides will not be harmed.
  483. 40:23 He loves you and I know you love him.
  484. 40:26 Protect him from Theocritus.
  485. 40:30 Andromeda.
  486. 40:31 Philippe, he doesn't love me. He's in love with you.
  487. 40:37 He's in love with me.
  488. 40:39 But he never spoke about you at all.
  489. 40:42 Yet I could see it in his eyes. I knew it when he kissed me.
  490. 40:45 that he loved another.
  491. 40:47 I tried.
  492. 40:48 But never could I make him forget you, Andromeda.
  493. 40:50 Are you satisfied now? Are you?
  494. 40:53 Karis, listen to me.
  495. 40:54 Get out of here.
  496. 40:55 You dare come here parading your precious innocence and your purity. Philippides loves you. What more do you want?
  497. 41:33 Come on.
  498. 42:03 Oh, God.
  499. 42:33 Oh, my God.
  500. 43:24 Oh.
  501. 43:25 Everyone has lost his head over this Philippides.
  502. 43:29 They expect to save Athens.
  503. 43:31 By sending him to Sparta.
  504. 43:34 If he manages to get to Sparta.
  505. 43:37 I'll be surprised. Surprised?
  506. 43:39 Why do you say that?
  507. 43:41 Because we are at war and the road is treacherous.
  508. 43:45 There are some men here to see you, master.
  509. 43:54 Tell me what happened Where are the others and Philippi's he's still alive he got away I?
  510. 44:12 How I hate you Come on, you're coming with me No, let me alone, Theocritus I'm taking you with me to the camp of Darius No, I don't want to go I'm sorry, my dear You know too much, so you're coming with me
  511. 44:46 Athens is fighting for its life and yours eventually.
  512. 44:49 The Athenian army is facing the Persian hordes at Marathon alone.
  513. 44:53 The life of Athens depends on you.
  514. 44:55 Athens asks you to help her fight.
  515. 44:58 Sparta will listen to the appeal of Athens?
  516. 45:01 But before the new moon has risen...
  517. 45:03 There is nothing we can do
  518. 45:05 Our priests forbid us to fight until then. That is the will of the gods.
  519. 45:09 If the gods say that,
  520. 45:10 Then the gods will the destruction of all Greece.
  521. 45:14 Philippides is right. We must help Athens.
  522. 45:17 When Darius is taking over Athens, then nothing will stand in his way. He will come and take over Sparta.
  523. 45:23 You're forgetting, Yoris, that for as long as we can remember, Sparta and Athens have been bitter enemies.
  524. 45:29 Wars have divided us.
  525. 45:31 How can we aid them after what we have suffered at their hands?
  526. 45:34 Athenian!
  527. 45:35 We suspect and mistrust you.
  528. 45:37 What proof do you have that this is not an Athenian trick? The word of Philippides. I, Euras, will vouch for it.
  529. 45:44 Friends...
  530. 45:45 I remember my encounter with Euros at the Olympic Games.
  531. 45:49 Euross is a great fighter.
  532. 45:51 And he can tell you himself
  533. 45:52 That strong arms
  534. 45:54 Do not win a fight.
  535. 45:55 If the other parts of the body...
  536. 45:57 I'm not working with them.
  537. 45:59 Spartans!
  538. 46:00 Our two cities are members of the same body.
  539. 46:03 And if they fight together, then it can make all the difference. Greece shall be saved.
  540. 46:07 I have nothing more to say.
  541. 46:09 Now the fate of Greece is in your hands.
  542. 46:14 Oh!
  543. 46:58 Darius wants to strike fear in the hearts of the men. With a skull. Our men don't frighten easily, Miltiades.
  544. 47:14 To your posts!
  545. 48:09 Look, they're not using the cavalry.
  546. 48:12 Let us attack them on the flanks
  547. 48:14 No.
  548. 48:15 We'd better wait and see exactly what they're planning. Be patient.
  549. 48:56 Athenians, listen to me! For liberty and our country's freedom! Forward!
  550. 49:15 Forward with the chariots!
  551. 49:45 the catapults!
  552. 50:20 Now men open the traps
  553. 50:45 Militonides, the men can't hold out. Call in the reserves. Get back to your men. I'll call the reserves only as a last resort.
  554. 51:05 Athenians! Telepites! Athenians, hold out! Sparta is with us! Philippites is back! Sparta is with us!
  555. 51:15 Follow me! Attack!
  556. 51:45 Come on!
  557. 53:17 All right, Theocritus. I'll give you the men of the 30 ships you want. The Athenians have no fleet in any case. But beware. There'd better be no resistance when these men land at Piraeus.
  558. 53:27 I want you to arrange for the complete surrender of the Athenian army.
  559. 53:30 You know what happens to those who betray me this idea of yours to attack Athens from the rear is your last chance
  560. 53:44 Come here, she heard all you said
  561. 54:06 Let her die on the dirt. She's a spy. That is what will happen to all your enemies. Hail Darius. We'll meet again in Athens.
  562. 54:30 Oh, my God.
  563. 55:04 It will soon be midnight.
  564. 55:05 The Spartans should have been here by sunset. Eurus told me they would.
  565. 55:11 Perhaps they've changed their minds.
  566. 55:14 Perhaps they think that Darius will be satisfied just to conquer Athens.
  567. 55:22 Today we were able to defend ourselves.
  568. 55:24 But tomorrow, without Sparta...
  569. 55:28 we have no chance at all look over there
  570. 55:46 It looks like they've taken a woman prisoner.
  571. 55:48 Philippities come here quickly
  572. 55:56 Founder just outside the camp
  573. 55:58 She asked for you. She said she had something to tell you. Kairos.
  574. 56:02 Oh.
  575. 56:03 Philip Deese.
  576. 56:08 - Philippe Biddy. - What is it?
  577. 56:11 Oh, my God.
  578. 56:12 I want you to listen.
  579. 56:14 Beloved.
  580. 56:15 Charis, what happened?
  581. 56:18 The Persian fleet.
  582. 56:23 We landed Piraeus.
  583. 56:26 Tomorrow, they will attack Ant.
  584. 56:31 Oh.
  585. 56:32 Led by
  586. 56:35 Theocratist.
  587. 56:36 Traitor.
  588. 56:38 Felipe.
  589. 56:40 Beloved.
  590. 56:42 You must save Athens.
  591. 56:44 Ah!
  592. 57:06 You must hurry, Philippides.
  593. 57:08 You must leave now for Athens.
  594. 57:10 Or else Carys will have died in vain.
  595. 57:13 What can we do against the fleet?
  596. 57:15 I want you and the men of the sacred God.
  597. 57:18 to delay the landing at Piraeus.
  598. 57:20 All right.
  599. 57:22 It's the only thing to do.
  600. 57:23 Listen, if the Spartan army comes in time.
  601. 57:25 we will be able to attack.
  602. 57:27 We will attack before dawn.
  603. 57:29 Hold out as long as you can.
  604. 57:31 You do not see us by noon.
  605. 57:33 Save yourselves.
  606. 57:37 Pray to the gods for hermit, Aedes.
  607. 57:40 and pray for help.
  608. 57:56 Prepare a funeral pyre for this woman and bury her ashes on the field of battle. She fought and died as one of us.
  609. 1:00:00 The
  610. 1:00:40 Be quiet hide the boats
  611. 1:00:53 We'll be back in an hour.
  612. 1:01:58 I'm going to go.
  613. 1:02:44 Oh, my God.
  614. 1:02:46 I'm going to go.
  615. 1:02:59 Father.
  616. 1:03:01 What is it Andromeda?
  617. 1:03:02 I didn't hear you go to bed.
  618. 1:03:05 I was worried.
  619. 1:03:06 I couldn't get to sleep.
  620. 1:03:09 I wanted to think a little.
  621. 1:03:12 Do not worry about me, Andromeda.
  622. 1:03:16 Father, why won't you tell me?
  623. 1:03:19 I'm not a child any longer
  624. 1:03:21 Yet you'd treat me like a baby.
  625. 1:03:25 There is something wrong.
  626. 1:03:28 Everything is wrong and wrong. It is
  627. 1:03:30 Everything? No.
  628. 1:03:32 I'm sure that Viliperides will succeed in his mission.
  629. 1:03:36 a very touching family scene.
  630. 1:03:42 Forgive me for interrupting you, but this is important, Crucis. And between friends, there is no need to stand on ceremony.
  631. 1:03:48 What do you want, Theocratus?
  632. 1:03:49 The time has come to show Hippias how loyal we are.
  633. 1:03:52 I am here to hold you to your promises.
  634. 1:03:55 What do you mean?
  635. 1:03:56 Your father must convince the council to surrender to Darius.
  636. 1:03:59 As the most venerable member of the council, he can make them do whatever he wants. Whatever you want, you mean? Yes.
  637. 1:04:04 Well...
  638. 1:04:06 The awkward is I'm not a traitor to my country...
  639. 1:04:08 I shall tell the council we must resist.
  640. 1:04:10 I will not bother to tell you again.
  641. 1:04:12 Convince the Council
  642. 1:04:14 Or you will never see your daughter again. Stop! Stop! No! Let me go! When you come to your senses. No! Not before. No!
  643. 1:04:24 I will kiss you! I will kiss you!
  644. 1:04:33 You have no choice anymore.
  645. 1:04:34 If Athens does not surrender...
  646. 1:04:36 It means...
  647. 1:04:37 The life of your daughter.
  648. 1:04:40 Come on.
  649. 1:05:21 Here, take her.
  650. 1:05:27 Now back to the fleet.
  651. 1:05:41 Philippides! What happened?
  652. 1:05:44 Hurry! I want you to summon...
  653. 1:05:47 The sacred god!
  654. 1:05:49 We've got to get to Piraeus. The Persians are landing there. Attacking us from the rear.
  655. 1:06:21 Listen carefully Our orders
  656. 1:06:25 How to hold back the Persians?
  657. 1:06:28 Only as long as we can.
  658. 1:06:29 Remember, we're only a hundred against a whole fleet.
  659. 1:06:33 We have no fear of them, Philippides. We will hold them back as ordered. We have a chance if we surprise them. First, we'll set the stakes in the water.
  660. 1:06:41 And men?
  661. 1:06:42 We fight only if I give the signal.
  662. 1:06:44 Philippides!
  663. 1:06:46 Thank the gods you are still here, Philippides. It's my master. My master, Crucis. He's been wounded. He's dying. Won't you help him? Keep going. I'll be right back.
  664. 1:07:00 I ask nothing for me. But save Andromeda. She loves you, Philippides. Where is Andromeda?
  665. 1:07:08 Theokritus took her away by force, but I don't know where. I will do what I can to find her.
  666. 1:07:16 I don't mind dying. I don't care what happens to me. I...
  667. 1:07:21 But I know...
  668. 1:07:24 She's done nothing wrong.
  669. 1:07:27 She's suffering.
  670. 1:07:30 without knowing why.
  671. 1:07:33 Save her.
  672. 1:07:34 Save her for liberties.
  673. 1:07:39 I can only say this. If the gods are just, they will help.
  674. 1:07:43 All right, let's get started. Follow me.
  675. 1:08:04 *Burps*
  676. 1:08:08 *thud*
  677. 1:08:11 Oh, my God.
  678. 1:08:14 I
  679. 1:08:18 *Loud noise*
  680. 1:08:26 I don't know.
  681. 1:09:41 They're in a hurry, of course. Yes.
  682. 1:09:43 But you will get to Athens.
  683. 1:09:46 in my chariot
  684. 1:09:47 Don't be too sure.
  685. 1:09:49 I'm going to go.
  686. 1:10:19 Hold your hand.
  687. 1:11:04 Today you will share my triumph
  688. 1:11:07 As your slave. Or as my queen. You have your choice. Today I will have Athens at my feet. Impossible. The gods will defeat you.
  689. 1:11:17 You're wrong, Andromeda.
  690. 1:11:19 Even Zeus would not be able to stop this.
  691. 1:11:51 What happened over there? I can't understand it. I know this coast. The water is deep enough.
  692. 1:12:19 Hey, Luthor!
  693. 1:12:23 I'm not going to be a good one.
  694. 1:12:26 No.
  695. 1:12:28 I'm sorry. Stand by. Stand by. We will attack the center. They will attack the flag. They're mad, the Aquatis. They're attacking. Let the fools try to attack us.
  696. 1:12:56 Ah!
  697. 1:13:26 It's Philippineese. I know him anywhere.
  698. 1:13:56 The Ocridor.
  699. 1:14:26 What about your triumph? You are afraid!
  700. 1:14:28 Tie her to the prowl!
  701. 1:14:31 Andromeda, you will regret that.
  702. 1:15:00 men forward pull on those men don't let them get away open the jaws.
  703. 1:15:39 Attention! Here they come!
  704. 1:16:14 They've got to run the boat!
  705. 1:16:15 Let's board them!
  706. 1:16:23 Good work. This one is done for. Now for the second one, too. Everyone on the water, follow me!
  707. 1:16:33 They're attacking underwater. Kill them all!
  708. 1:17:15 Oh, no.
  709. 1:18:15 I'm going to.
  710. 1:18:45 Grappling irons!
  711. 1:19:59 Come on.
  712. 1:20:00 No!
  713. 1:20:30 Oh!
  714. 1:20:52 They're coming in, Philippides. They're going to attack.
  715. 1:20:57 It's the end, Andromeda.
  716. 1:21:00 Sparta didn't come in time. Miltiades must have been defeated.
  717. 1:21:06 I'm not afraid
  718. 1:21:09 I found you again.
  719. 1:21:12 Land the oars!
  720. 1:21:14 Head for the coast
  721. 1:21:44 Oh, my God.
  722. 1:22:14 Forward, men!
  723. 1:22:44 Oh, my God!
  724. 1:23:14 Come on!

Also from 1959

Every free film of 1959 with a copy

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