0:271. Beat 1
Model synopsis: The beat shows a title card for a Technicolor film, listing photography directors and color consultants. No characters or actions are visible, only text on screen.
“I'm.” 0:14 · “Oh, my God.” 0:34
No renewal found Free in the US since 1 January 1980, on the registry's reading: registration LP892 of 1951 by Loew's Inc was not renewed in the volumes searched. Record.
Billed as a Lassie adventure, this gold-country Western gives its dog a darker task: carrying loyalty into a story of murder and possession.
The dog at the centre of The Painted Hills is called Shep. The name selling the picture was Lassie, placed above the title in release advertising.5 Within the story, however, recognition offers little reassurance. A prospector’s discovery of gold makes him vulnerable to his partner’s greed. The dog becomes an obstacle that must also be removed. What looks like a comforting arrangement between a man and an animal opens onto a Western about the destruction of trust.
Harold F. Kress directed the film for Metro-Goldwyn-Mayer.1 Its working title, Shep of the Painted Hills, placed the animal inside the landscape rather than under the Lassie banner.2 The finished film was released on 4 May 1951.1 Its central problem belongs to the gold-country Western: the difficulty of protecting a claim beyond the reach of settled authority. The animal story changes the use of that material. Shep’s attachment is not open to the negotiation that gold introduces into the obligations between men.
The production included location shooting in the High Sierras.8 Release advertising stressed Technicolor as part of the attraction.5 The landscape offers an expansiveness quite different from the intimacy of watching an animal respond to a particular person. The plot makes their combination uneasy. Open country permits violence to take place away from witnesses who can give an account of it. The space that promises the prospector independence also leaves him exposed to his partner.
Shep occupies precisely that gap. Lin’s attempt to poison the dog after murdering Jonathan makes animal loyalty a practical danger to the murderer, rather than simply a quality for the audience to admire. Shep cannot turn what he knows into a legal accusation. His survival leaves Lin facing a witness beyond his control. That distinction gives the story its severity: the human crime is answered through a creature outside human procedures. The boy Tommy supplies a different measure of attachment, one that does not depend on ownership of the gold. The film’s family appeal and its violence arise from the same uncertainty about whom Shep can trust.
The surviving commercial notices give a limited but concrete sense of the film’s first life. A box-office report dated 15 August 1951 recorded $7,500 over five days in its second week.6 The report described the opening week as strong.6 Those figures are evidence of a particular engagement, not a total return or a verdict on the film’s reception. An Australian advertisement dated 1 October 1951 offered a new Lassie adventure in M-G-M Technicolor.7 The selling proposition placed the animal star ahead of the story’s murderous partnership.
Its later availability has acquired another frame. A sound-feature copy circulates through the Internet Archive.11 One unverified account attributes the film’s copyright lapse to MGM’s failure to renew.4 That explanation should not be confused with evidence of why a renewal was missed. Nor does the availability of a digital copy establish its fidelity to the original presentation. The access history and the history of the object being watched are related, but they are not identical.
The record: Registration LP892 by Loew's Inc is dated 22 March 1951. The registry found no renewal in the renewal volumes for 1978 to 1980, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1979 and the film has been free in the US since 1 January 1980. No primary Copyright Office renewal record was verified in this research. The registry’s conclusion therefore remains a reading of the reported absence of renewal, rather than an independently verified determination here. The record does not settle why no renewal was found. It does not establish the film’s rights status outside the US.
Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.
574 shots over 1:07:55 · 322 beats in 173 sequences · 754 transcript lines · JSON
574 shots over 1:07:55, read from the Internet Archive copy ThePaintedHills (ThePaintedHills.mp4, 640×480, 30.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Painted Hills No renewal found. JSON
Measurements: colour film on its keyframes (569 of 574 shots judged colour), average shot 7.1s long, a frontal face detected in 19% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1951 (Internet Archive).
322 beats in 173 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 322 of 322 beats annotated, 319 passed the checks, 3 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:27Model synopsis: The beat shows a title card for a Technicolor film, listing photography directors and color consultants. No characters or actions are visible, only text on screen.
“I'm.” 0:14 · “Oh, my God.” 0:34
0:56Model synopsis: A snow-covered mountain peak is shown under a dark blue sky. No people, objects, or text are visible in the frame.
1:16Model synopsis: A single frame shows a mountainous landscape under a cloudy sky. The transcript contains reflective narration about a dog's love for a man, concluding with an exclamation.
“Who of us will ever know?” 0:58 · “what is in the heart of a dog.” 1:00
1:39Model synopsis: A dog is shown in profile against a blue background. No people, dialogue, or identifiable location are visible in the frame.
1:45Model synopsis: A dog stands on a rocky outcrop against a backdrop of misty mountains. A voice calls out the name 'Justin' during this scene.
Named: Justin (t:1:47). 1 person observed.
“Justin!” 1:47
1:50Model synopsis: A dog stands on a large rock against a cloudy sky. No people or dialogue are visible or audible in this beat.
1:52Model synopsis: A collie stands on a rocky outcrop against a twilight sky. No people or dialogue are present in this beat.
1:55Model synopsis: A rocky outdoor landscape with a narrow path and a wooden structure is shown. No people, text, or spoken dialogue appear in this beat.
Model synopsis: A dog digs in dirt while a man with a white beard and turban lies on the ground nearby. The transcript includes urgent commands to dig and references to 'million dollar dirt' and being the 'richest corpse in the territory.'
1 person observed.
“Get me out of this mess!” 2:02 · “Start digging!” 2:11
Model synopsis: A man and a dog are seen near a rocky area, followed by a view of a forested landscape with mountains. A camp with teepees and people on horseback is shown, and a person rides a horse through water. The transcript mentions heading to town, Frank Blake becoming a millionaire, and a Merry Christmas greeting.
3 people observed.
“Come on, girl.” 2:46 · “We're heading for town.” 2:47
Model synopsis: A man in a hat speaks with a bartender at a bar while a dog sits on the floor. A woman in a red hat is seated at the bar, and another man stands in the background.
Named: Jonathan (t:3:22). 5 people observed.
“Well, Jonathan, how are you? Merry Christmas.” 3:22 · “How about it? On the house? No.” 3:25
Model synopsis: A dog sits on a floor while two men talk at a bar counter; later, a group gathers around a table in what appears to be a saloon. Dialogue references characters named Jonathan, Shipp, Steve, Frank, and Mike Lake, with one person saying they'll be right back and another indicating they're backstage.
Named: Jonathan (t:3:39), Steve (t:3:43). 8 people observed.
“Well, how's it going, Jonathan? Shipp and me ain't complaining.” 3:39 · “- Steve.” 3:43
Model synopsis: Two men converse in an interior setting; one identifies himself as Lynn Taylor and mentions Martha and Christ's death. The setting includes wooden walls and machinery, suggesting a workshop or office.
Named: Lynn Taylor (t:4:04). 2 people observed.
“Jonathan Harvey?” 4:00 · “I'm Lynn Taylor.” 4:04
4:20Model synopsis: A man with a beard and a wide-brimmed hat is visible in an interior space with wooden walls. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
4:30Model synopsis: A man and a woman are in a room with a Christmas tree and a dog; the woman expresses concern about a child named Tommy, and the man reassures her while shifting focus to someone named Taylor. The scene is indoors, with no visible clock or window to establish time of day.
Named: Martha (t:4:31), Jonathan (t:4:22). 2 people observed.
“Tommy worries me, Jonathan.” 4:22 · “Do you know that he's never once cried?” 4:26
4:50Model synopsis: A man and a woman are in a room; the man speaks about Lynn and Frank's partnership, and mentions a strike. The woman listens and responds to his statements.
2 people observed.
“Lynn's a fine man. He's been wonderful.” 4:39 · “Why did Frank take him in as a partner?” 4:41
5:04Model synopsis: A man and a woman stand in a dimly lit room with period furnishings; the man leans over a table while the woman stands upright nearby. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Three people are in a room where one man shows a sample of ore to two others, discussing the need to file a mining claim before others learn of the discovery. The conversation suggests urgency and secrecy about a potential large mineral strike.
Named: Jonathan (t:5:10), Martha (t:5:09). 3 people observed.
“- Lynn. - Hello, Martha.” 5:09 · “Come in. Jonathan's inside. I'm so glad you're here. Jonathan has something to show us.” 5:10
Model synopsis: Three people stand in a room with draped curtains and a table holding books and a vase; one man speaks about supplies and meeting in a store, while another asks to speak with Tommy. The scene ends with a farewell and an apology.
Named: John (t:5:58), Martha (t:5:52), Tommy (t:6:08), Lynn (t:6:04), Jonathan (t:6:08). 6 people observed.
“Martha's right about you.” 5:52 · “And right now you can start working and being a partner by lining me up some supplies.” 5:54
6:34Model synopsis: A man stands beside a bed where another person lies, as a voice calls out 'Jonathan' and expresses grief over his impending death. The scene is set in a dimly lit room with minimal furnishings.
Named: Jonathan (t:6:40). 2 people observed.
“Come on.” 6:35 · “Tell him.” 6:37
6:58Model synopsis: An older man with white hair and beard embraces a child in a dim interior. The transcript includes lines about wanting a father, inability to do certain things, and divine will.
2 people observed.
“I want my father, Jonathan.” 6:51 · “The Lord's got his way of doing things.” 7:01
Model synopsis: A boy in a bed speaks to an older man with white hair and beard; the man responds while standing near the bed. The transcript includes lines about crying and a phone, and ends with an offer for a drink.
2 people observed.
“I didn't want to cry. You go ahead and cry.” 7:10 · “Used to do it myself, so.” 7:14
7:40Model synopsis: An older man with a white beard embraces a young boy in bed; dialogue suggests tension and emotional discomfort. No names are spoken that identify the characters, and the setting appears to be a dimly lit bedroom.
2 people observed.
“- What's wrong, sir?” 7:30 · “If I did, she just plain ain't happy with it.” 7:34
Model synopsis: An older man with white hair and beard speaks intensely to a younger person in bed; the younger person reacts emotionally. A dog is present, and the older man touches the younger person's face while speaking.
Named: Jonathan (t:8:10). 2 people observed.
“You're no liar, Jonathan.” 8:10 · “I can't take shit from you.” 8:13
Model synopsis: An older man stands in a dimly lit room with a dog, speaking about fatherhood and Christmas. The dog is shown in close-up, appearing to bark or growl.
1 person observed.
“We didn't do so good.” 8:32 · “All right, it's Christmas.” 8:36
9:04Model synopsis: A person sleeps in a bed as a child's voice calls out to wake them for Christmas. The scene is dimly lit, suggesting early morning or night.
2 people observed.
“Amen.” 9:05 · “Hey, Mom!” 9:11
9:16Model synopsis: A man in a light shirt stands in profile beside a door, looking toward the left. The scene is dimly lit with strong shadows, suggesting an interior setting.
1 person observed.
9:18Model synopsis: A dog sits indoors holding a red object in its mouth. The setting includes a decorated tree and a draped table, suggesting a festive occasion.
Model synopsis: A boy and a woman are in a room with Christmas decorations; the boy holds a dog while the woman speaks to him. The woman confirms the dog is his, and the boy asks about someone named Jonathan, who is said to be gone.
Named: Tommy (t:9:25), Ma (t:9:25), Jonathan (t:9:41), John (t:9:38). 4 people observed.
“Merry Christmas Tommy. Merry Christmas Ma.” 9:25 · “She's yours.” 9:37
10:03Model synopsis: A dog is seen through a rain-streaked window. No people or dialogue are visible or audible in this beat.
10:09Model synopsis: A person is visible through a window in a dimly lit interior, holding an object. The scene is framed by foliage and window panes, with no audible dialogue or on-screen text.
1 person observed.
10:14Model synopsis: A silhouetted figure moves across a dark porch at night. The scene is lit only by ambient moonlight, showing a railing and trees in the background.
1 person observed.
Flagged: time_of_day without evidence (night)
10:25Model synopsis: A dark, silhouetted figure moves near a fence at dusk or night. No dialogue or identifiable person is present beyond the single exclamation 'Oh,' heard at 10:33.
1 person observed.
“Oh,” 10:33
Flagged: time_of_day without evidence (night)
Model synopsis: A boy and a man attend to a dog lying on the floor while another dog watches; the boy calls for help and the man examines the dog. The transcript includes fragmented dialogue about the dog's condition and mentions of names including Jonathan.
Named: Mr. Bald Eagle (t:10:49). 3 people observed.
“What's the matter with you, Shep? Ma! Ma, something's wrong with Shep!” 10:41 · “What's wrong with him, Mr. Bald Eagle?” 10:49
Model synopsis: Two young women stand in a room; one is addressed as Jonathan. A group gathers around a bed where a man in green speaks to others. The transcript includes farewells and thanks to named characters.
Named: Jonathan (t:11:17), Red Wayne (t:11:24). 5 people observed.
“He say, dogs starve till die, if not go.” 11:14 · “Jonathan.” 11:17
11:38Model synopsis: A woman in a checkered dress speaks to a boy while a man in a vest stands nearby; they discuss taking someone named Chef to Jonathan. The dialogue suggests concern for Chef's strength and a plan involving Shep and a claim.
Named: Martha (t:11:43), Chef (t:11:48), Shep (t:11:37), Sarah (t:11:30), Taker (t:11:30), Jonathan (t:11:27). 9 people observed.
“Ma, we've got to get her to Jonathan.” 11:27 · “Please, Sarah and Taker. Please, Ma. Well, I don't know, dear.” 11:30
Model synopsis: A boy sits with a bowl beside a dog while a woman and a man stand nearby in a room with a desk and coat rack. The woman offers food to the boy, who thanks her, and dialogue indicates they plan to return him to someone named Jonathan.
Named: ma'am (t:12:08). 3 people observed.
“You hear that, Chef? We're gonna take you back to Jonathan. Now you've got to eat and get strong for the trip.” 11:48 · “Here, take some.” 11:57
12:20Model synopsis: A single frame shows a dark, wooded area with no visible people or clear activity. The transcript contains fragmented exclamations and a name, 'Lon,' but no visual confirmation of identity or event.
Named: Lon (t:12:12). 1 person observed.
“Lon look!” 12:12 · “If she thinks she's gonna be all right.” 12:14
Model synopsis: A man tends to a sick person lying on a bed inside a dim log cabin; dialogue suggests the sick person is Chef, who has been ill for a week and is too weak to eat. Another person, Tommy, is present and speaks to Jonathan, who appears to be the caregiver.
Named: Jonathan (t:12:32), Chef (t:12:30), Tommy (t:12:32). 3 people observed.
“Oh, Chef, what is it?” 12:30 · “Jonathan? Jonathan? Yes, Tommy?” 12:32
13:01Model synopsis: A man and a boy stand beside a bed where an older person lies; a dog is mentioned but not visible. The boy is told to gather wood while someone else attends to food.
3 people observed.
“She wouldn't leave.” 12:55 · “Ma's right, Jonathan.” 12:58
Model synopsis: Two men are in a log cabin; one is lying down with a dog, the other is eating at a table. They discuss a partnership and a claim, with one man admitting the other was right about it.
2 people observed.
“You should wonder how our partnership's been going.” 13:23 · “You were right.” 13:26
Model synopsis: A man in a white shirt and cap is shown in a log cabin interior, moving a wooden chest and reaching under it. He is instructed by an off-screen voice to slide the chest and lift a board underneath to retrieve items.
1 person observed.
“Tommy?” 13:42 · “Go on over there by the shell. Now slide that chest out. The board underneath will lift up.” 13:43
14:01Model synopsis: Two men sit at a table with plates of food in a dimly lit wooden interior. One man is younger and wears a blue shirt; the other is older with white hair and a beard, wearing a red shirt.
2 people observed.
Model synopsis: Two men and a boy are inside a log cabin; one man gestures toward a table while speaking to the boy. The boy, holding a small object, looks down at a plate on the table.
Named: Tommy (t:14:06). 3 people observed.
“*thud*” 14:04 · “Look inside, Tommy.” 14:06
Model synopsis: Two men and a boy are inside a log cabin, discussing a recent gold find worth $6,000, with plans to return to town to deposit it and bring back equipment. One man, identified as Jonathan, is told he needs help and that the group will be rich, while another man, Lynn Taylor, vows to find the main vein.
Named: Jonathan (t:14:14), Lynn Taylor (t:14:33). 3 people observed.
“How much is here, Jonathan? Oh, not much.” 14:14 · “$6,000? And plenty more to come.” 14:19
15:16Model synopsis: A river flows through a forested area with rocky banks. A plan is discussed to run a channel and build a sluice box below a rapid.
“We'll run the Inver Channel across there.” 15:20 · “and build a sluice box below the rapid.” 15:23
15:28Model synopsis: Two men are visible near a riverbank with wooden sluice boxes; one sits while the other stands. The setting is outdoors beside a flowing river with rocky banks and trees.
2 people observed.
15:34Model synopsis: A person in a light shirt is in a small boat on a river, holding a dog while another person is visible in the background. A voice shouts 'Let her go, Tommy!' during this moment.
Named: Tommy (t:15:31). 3 people observed.
“Let her go, Tommy!” 15:31
15:41Model synopsis: Two men stand near a wooden sluice box beside a stream, one holding a tool. One man asks when they will see the day's take from 'this baby,' and the other replies to wait.
Named: Taylor (t:15:39). 2 people observed.
“When do you see one day's take from this baby, Taylor?” 15:39 · “Just wait.” 15:43
Model synopsis: A person is seen in a dim, rocky environment, partially submerged or lying in water, with another figure standing nearby. The scene includes a visible reaction of shock from an unseen speaker, as indicated by the transcript.
3 people observed.
“Oh, my God.” 15:50
16:21Model synopsis: A young boy in a light shirt is shown in a close-up, holding his head with one hand while his mouth is open. The background is indistinct and blurred, suggesting an interior setting with soft lighting.
1 person observed.
16:27Model synopsis: A single frame at 988s shows a dark, indistinct close-up of what appears to be a rough, textured surface. No people, objects, or readable text are visible, and no transcript lines are provided for this beat.
16:32Model synopsis: A close-up shot shows an elderly man with white hair and beard, wearing a red garment, against a dark, indistinct background. No dialogue or on-screen text is present in this beat.
1 person observed.
16:36Model synopsis: A person in a light-colored shirt is visible against a rough stone wall. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
16:43Model synopsis: A man peers through a window in a dark, wooded setting. No dialogue or on-screen text is present in this beat.
1 person observed.
16:58Model synopsis: A man stands beside a bed where another person lies, in a dimly lit wooden room; dialogue suggests fear of intruders seeking gold. No names are spoken, and the setting appears to be a rustic shelter.
2 people observed.
“I tell you, I tell you, I hurt somebody. Somebody's out there.” 16:48 · “Sure, the same fellow you've been here for three days.” 16:51
Model synopsis: A man in a light shirt speaks inside a wooden cabin; another man with white hair and a beard holds a dog. The dialogue suggests they are discussing guarding a cabin while they are at a mine.
Named: Taylor (t:17:16). 2 people observed.
“and from now on we're keeping a guard here at the cabin while we're up at the mine.” 17:11 · “All right, Taylor.” 17:16
Model synopsis: A man in a grey shirt stands in a dimly lit wooden room while another man with white hair and a beard lies in bed holding a dog. The transcript includes dialogue about someone being awake, advice to stop worrying, and a suggestion to get sleep.
2 people observed.
“Yeah, he's up, Dale.” 17:30 · “Stop worrying.” 17:32
17:45Model synopsis: A man stands in a dimly lit log cabin while an older person rests in bed nearby. A lit lamp provides the only visible light source in the room.
2 people observed.
17:50Model synopsis: A person stands beside a horse near a wooden structure at dusk, with trees and hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: An older man with a white beard and a younger man with a beard are inside a wooden structure; the older man is told to retrieve something from a saddlebag while being accused of watching. The younger man then embraces the older man near a doorway showing daylight outside.
2 people observed.
“Come on.” 18:02 · “Go get it. Go get Hushbutt in that saddlebag.” 18:12
Model synopsis: A man stands near a log cabin while another lies on the ground; a second shot shows the standing man confronting others near the cabin with a dog and horse present. A transcript includes shouted dialogue about retrieving something and accusations of lying.
Named: Taylor (t:18:44). 5 people observed.
“Go on. Go get what you put in there. Santa!” 18:26 · “Well, you get it or don't you. You crazy fool. I ought to lay you low. Making sure you ain't putting that saddlebag. I took something.” 18:34
Model synopsis: A man in a dark coat stands outdoors near rocks and debris while a voice apologizes and mentions someone was inside searching. A close-up shows a hand near a book with a cross on its cover.
2 people observed.
“I'm sorry.” 18:56 · “He was inside searching around, snooping.” 19:04
19:25Model synopsis: A group of men stand outside a log cabin with a dog and a horse; one man addresses another as 'Pete' while discussing roots and regularity. The scene includes dialogue about food, mistakes in the hills, and personal identity.
Named: Pete (t:19:26). 4 people observed.
“For food?” 19:07 · “This is Pilot P, Taylor. If you've been longer in these hills, you'd never have made that mistake.” 19:18
19:52Model synopsis: An older man with a white beard and a young boy sit at a table inside a log-walled room; the older man speaks while holding an object. The transcript includes lines about 'The Lord's Mountains' and searching for 'sinners'.
2 people observed.
“The Lord's Mountains.” 19:47 · “To the Lord's sinners. So I spend my time in one looking for the other.” 19:49
Model synopsis: A dog is shown in close-up, followed by a scene of four people seated at a table inside a wooden structure. One person speaks about the dog's behavior and quotes scripture, while another comments on the dog's affection and stew.
4 people observed.
“You better leave Shep alone. She never makes up to strangers.” 20:03 · “Well, you got it wrong, Brother Taylor. Thou sawest the beast that was and is not. Revelation 17, 8.” 20:13
Model synopsis: A group of men stand outside a log cabin while one speaks scripture. A dog is present and one man gestures during conversation.
5 people observed.
“The Lord be with you in all your labors.” 20:45 · “Lay not up for yourselves treasures on earth.” 20:49
Model synopsis: A man on horseback speaks to others near a log cabin; a boy is told to go to work while another man remains. A dog is present near the cabin.
Named: Mr. B (t:21:07), Pete (t:21:08), Tommy (t:21:24). 4 people observed.
“Get up, Gabriel.” 21:03 · “Why, Mr. B?” 21:07
21:46Model synopsis: Two men stand inside a log cabin, one holding a gun, while a small dog stands near the doorway. Dialogue suggests tension over gold hidden under the floor and a dispute about sharing it with others named Martha and Nathan.
Named: Nathan (t:21:57). 2 people observed.
“You give him dust.” 21:34 · “At the death giveaway we struck Paydard. The old fool talked to you on...” 21:35
Model synopsis: Two men stand inside a log cabin, one holding a rifle, while a dog stands nearby; one man speaks about not having the guts to shoot the other. The setting is a rustic interior with a view of trees and sky outside the doorway.
2 people observed.
“I only get a quarter.” 22:06 · “That keeps eating at you, Tila.” 22:10
Model synopsis: Two men stand inside a log cabin with a dog nearby; an exterior shot shows the same cabin in a wooded, mountainous area. No dialogue or on-screen text is present in these frames.
2 people observed.
23:02Model synopsis: A person sits with their back to the camera inside a dim log cabin, looking out a window at trees. No dialogue or on-screen text is present in this beat.
1 person observed.
23:19Model synopsis: A person with gray hair lies asleep under a blanket in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a grey shirt sits indoors handling papers while a collie dog sits nearby. The setting appears to be a rustic wooden interior with dim lighting.
1 person observed.
Model synopsis: A man in a grey shirt is seated inside a log cabin, handling an object on a table; a woman in a white dress sits nearby. Another man in a grey shirt stands in the same room, which contains a table with dishes and a lamp. No names are spoken or visible.
3 people observed.
“Oh, my God.” 23:44
Model synopsis: An older man with white hair and a beard sits on a bed in a dim log cabin, holding a dog. A voice says 'the girl' during the beat.
1 person observed.
“the girl.” 24:08
24:16Model synopsis: A person stands inside a dimly lit log cabin, near a table with objects. The scene is static and shows no clear action or dialogue.
1 person observed.
24:21Model synopsis: A person and a dog are silhouetted indoors, looking out a window at a forested, rocky landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
24:30Model synopsis: A rocky cliff face with sparse trees is shown. No people, objects, or text are visible in the frame.
24:40Model synopsis: A man climbs a rocky slope under bright daylight. No dialogue or on-screen text is present in this beat.
1 person observed.
24:48Model synopsis: A single figure is visible on a rocky cliffside in a natural, outdoor setting. No names, dialogue beyond an exclamation, or specific time indicators are present.
1 person observed.
“Oh.” 24:49
25:02Model synopsis: A person climbs a rocky outcrop during daylight. Two short spoken lines occur: 'No.' and 'Yeah.'
1 person observed.
25:13Model synopsis: The scene shows a rocky, vegetated hillside with no people or structures visible. No dialogue or on-screen text is present in this beat.
25:18Model synopsis: A man in a dark coat stands outdoors against a rocky hillside. No dialogue or on-screen text is present in this beat.
1 person observed.
25:23Model synopsis: A man in dark clothing sits on a rocky slope under a clear sky. No dialogue or on-screen text is present in this beat.
1 person observed.
25:27Model synopsis: A rocky, vegetated slope is shown in a single frame. No people, objects, or text are visible, and no events are described in the supplied transcript.
25:39Model synopsis: A man in dark clothing kneels on rocky ground, appearing to examine or interact with something at his hands. The scene is outdoors, with no visible structures or other people, and the only spoken word is "Amen."
1 person observed.
“Amen.” 25:42
26:12Model synopsis: Two men converse inside a log cabin; one gives an item to the other and instructs him to deliver a message to his mother. The scene ends with one man calling out for 'Chip' or 'Chef' off-screen.
Named: Jonathan (t:26:01), Tommy (t:25:50). 2 people observed.
“Tommy?” 25:50 · “I want you to take this to your mom.” 25:51
26:43Model synopsis: A man in a white hat and light shirt stands beside a window where a dog rests; dialogue suggests a group is preparing to leave with a boy who does not know the trails. No named individuals appear, and the setting is not clearly identifiable beyond being indoors.
1 person observed.
“What is this?” 26:36 · “You're not between us. We gotta take care of that boy. He don't know these trails like we do.” 26:39
Model synopsis: Two men speak near a wooden structure while a dog walks on a rocky path; one man mentions sending a child home. The setting appears to be outdoors near a rustic building.
2 people observed.
“I sent Tommy home. The kid's getting lonesome for his mom.” 27:05 · “What's all the excitement?” 27:08
Model synopsis: Two men in period Western attire converse outdoors near a wooden structure; one describes finding white quartz with gold veins at the head of a canyon. The dialogue suggests a plan to go there, with one man affirming the location and the other urging action.
2 people observed.
“white quartz, the whitest you ever saw.” 27:17 · “And in it, jackets like lightning, a vein of pure gold.” 27:19
Model synopsis: A person is seen climbing a rocky slope in a forested mountain area while another person stands nearby. The scene includes tall trees and a fallen log, with one frame showing a startled reaction.
2 people observed.
“Oh, my God.” 27:45
Model synopsis: A person walks along a mountain trail while a dog stands nearby; two people are later seen climbing a rocky slope. The dialogue references mountain goats and includes a command to 'go on back.'
3 people observed.
“All right, Jack. Go on back. Over. Go to turn her.” 27:53 · “You were sure right about the mountain goats.” 28:00
28:15Model synopsis: Two men walk up a rocky slope under a pale sky. No dialogue or on-screen text is present in this beat.
2 people observed.
28:18Model synopsis: A rocky stream flows through a narrow channel between large boulders. No people or man-made objects are visible in the single frame.
28:25Model synopsis: A person stands on a rocky outcrop while another climbs up a steep rock face in a mountainous landscape. The scene is set outdoors with no visible structures or artificial lighting.
2 people observed.
“Go ahead.” 28:21
28:36Model synopsis: A log cabin is shown in a forested area with mountains in the background. A person speaks the words 'Come on' and 'I'm' during this beat.
1 person observed.
“Come on.” 28:31 · “I'm” 28:32
28:45Model synopsis: A dog sits on a bed inside a dimly lit log cabin. No people are visible and no dialogue is present in this beat.
28:52Model synopsis: A dog stands in front of a log cabin. No people or spoken dialogue are present in this beat.
28:55Model synopsis: A rocky, tree-lined hillside is shown in daylight. No people or man-made objects are visible in the frame.
Model synopsis: Two men are visible on a rocky mountainside path; one gestures while the other stands beside him. A distant village and snow-capped mountains are visible in the background. The transcript contains an exclamation at 29:00.
2 people observed.
“Oh, my God.” 29:00
29:07Model synopsis: A rocky hillside is shown under a cloudy sky. No people, objects, or text are visible in the frame.
29:10Model synopsis: A rocky cliff face with sparse trees is shown. No people, dialogue, or on-screen text are visible in this beat.
Model synopsis: Two people are on a rocky cliffside; one gestures while the other climbs. They speak briefly, expressing urgency and alarm, before moving forward.
2 people observed.
“It's a ledge just beyond.” 29:16 · “Amen.” 29:17
29:34Model synopsis: Two men are on a rocky hillside; one stands while the other leans forward with an outstretched arm. The setting is outdoors under bright daylight, with no visible structures or signage.
2 people observed.
29:38Model synopsis: A close-up shows a boot stepping on rocky ground. No people are named or audible, and no place or time is established.
1 person observed.
Model synopsis: Two men are outdoors on rocky terrain; one stands while the other sits. A voice asks where something is, calling it a big thing down on the ledge.
2 people observed.
“Well, where is it?” 29:46 · “It's a big thing.” 29:47
29:53Model synopsis: A man with a beard and a wide-brimmed hat is visible in a close-up shot against a bright sky. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person is seen clinging to a rocky cliffside in a mountainous area, with snow-capped peaks visible in the background. Spoken lines include calls of "Taylor!", "Howdy!", and "Jack! Jack!", and a plea for someone named Kelsey to refuse a request.
1 person observed.
30:13Model synopsis: The beat shows a rocky mountainside under a clear blue sky, with snow-capped peaks visible in the distance. No people, objects, or on-screen text are visible, and no dialogue is present.
30:14Model synopsis: A person is visible lying on a rocky slope in a natural outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
30:16Model synopsis: A dog is visible in a rocky outdoor setting. No people, dialogue, or on-screen text are present in the frame.
30:17Model synopsis: A dog is visible on a rocky slope. No people, dialogue, or on-screen text are present in this beat.
30:21Model synopsis: A man in a light shirt and dark trousers is climbing a rocky slope under a clear blue sky. No dialogue or on-screen text is present in this beat.
1 person observed.
30:25Model synopsis: A wide shot shows a barren, rocky hillside under a pale sky. A small, dark figure, possibly a person or animal, is visible on the ridge in the distance.
30:30Model synopsis: A person walks up a rocky slope in daylight. No dialogue or on-screen text is present in this beat.
1 person observed.
30:36Model synopsis: A man in a light shirt stands beside a large rock in a wooded area. No dialogue or on-screen text is present in this beat.
1 person observed.
30:39Model synopsis: A dog stands outdoors near rocks; a voice says 'Hello, Chef.' No people are visible. The setting appears natural and dimly lit.
1 person observed.
“Hello, Chef.” 30:37
30:42Model synopsis: A person is visible climbing a rocky, snow-dusted slope in a mountainous landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
30:45Model synopsis: A person stands beside a large rock formation in a rugged outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
30:47Model synopsis: A man calls out to a sheriff in a mountainous outdoor setting. The scene is brief and shows only one person speaking.
1 person observed.
30:50Model synopsis: A dog is visible in a rocky outdoor setting. No people, dialogue, or on-screen text are present in this beat.
30:53Model synopsis: A man with a beard and a light shirt stands outdoors near a rocky slope. He is asked what is wrong with him, as shown in a single frame at 1854s.
1 person observed.
30:57Model synopsis: A dog is visible in a rocky outdoor setting. No people, dialogue, or on-screen text are present in this beat.
31:01Model synopsis: A horse stands on rocky, snow-covered terrain. No people or dialogue are visible or audible in this beat.
31:06Model synopsis: A man with a beard and a light shirt stands outdoors near rocks and trees. No dialogue or on-screen text is present in this beat.
1 person observed.
31:11Model synopsis: A person stands on a rocky slope with mountains in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
31:14Model synopsis: A dog rests on rocky ground. No people, dialogue, or on-screen text are visible in the frame.
31:16Model synopsis: A person wearing a hat is visible on a rocky slope. No dialogue or on-screen text is present in this beat.
1 person observed.
31:20Model synopsis: A dog walks on rocky ground during a beat with sad music. No people, dialogue, or named characters appear in the frames or transcript.
“*sad music*” 31:20
31:32Model synopsis: A person is seen climbing a steep, rocky slope under a clear blue sky. No dialogue or on-screen text is present in this beat.
1 person observed.
31:46Model synopsis: A small dog with brown and white fur is crouched on a rocky surface. No people, dialogue, or identifiable location are visible in the single frame.
32:00Model synopsis: A dimly lit scene shows two figures in close proximity; one speaks 'Amen' and 'Come on' while the other makes a sound. The setting is too dark to identify specific objects or location features.
2 people observed.
32:10Model synopsis: A single blurry figure is visible in a dark, indistinct setting. No dialogue or clear environmental details are present in this beat.
1 person observed.
32:14Model synopsis: A man lies in bed, eyes open, in a dimly lit room. No dialogue or on-screen text is present in this beat.
1 person observed.
32:54Model synopsis: A man sits in a dimly lit room with a dog lying nearby while a conversation occurs about someone named Jonathan and a warning to Shepard. The dialogue includes repeated use of 'Amen' and a threat disguised as concern.
Named: Shepard (t:32:53). 1 person observed.
“Amen.” 32:25 · “Hello, Sheila.” 32:30
33:33Model synopsis: A dog is visible in a dimly lit interior setting. No people, dialogue, or on-screen text are present in this beat.
Model synopsis: Two dark, indistinct outdoor frames show rocky ground and foliage; no people are visible. The transcript contains two short spoken lines: 'Come on.' and 'I'm sorry.'
“Come on.” 33:42 · “I'm sorry.” 33:48
33:57Model synopsis: A person is seen from behind in a dimly lit interior, saying 'Amen.' The setting is not clearly identifiable beyond being dark and enclosed.
1 person observed.
“Amen.” 33:57
Model synopsis: A dark outdoor scene shows a figure lying on the ground, followed by a close-up of a man's face in distress. The transcript includes an exclamation and a prayer-like utterance.
1 person observed.
34:25Model synopsis: A man in a light shirt and dark trousers stands in a dimly lit interior space with wooden structures behind him. No dialogue or on-screen text is present in this beat.
1 person observed.
34:34Model synopsis: A dark, wooded outdoor scene is shown at night. No people or objects are visible beyond trees and distant hills under a cloudy sky.
Model synopsis: A man confronts a dog in a dark outdoor setting; the man is audible shouting commands. The dog barks and appears startled while the man gestures aggressively.
1 person observed.
“Get up! Get up!” 34:39 · “I said get away from there.” 34:46
Model synopsis: A dog is shown barking and running through a dark, rocky outdoor area. The transcript includes a loud noise and wind sounds, suggesting an outdoor scene with weather effects.
“Yeah.” 34:55 · “*Loud noise*” 34:56
35:26Model synopsis: A person is partially visible among dense foliage in low-light conditions. The only spoken word is 'Amen' at 35:33.
1 person observed.
“Amen.” 35:33
35:35Model synopsis: A dog is visible in a dimly lit outdoor setting. No people, dialogue, or on-screen text are present in the frames or transcript for this beat.
35:38Model synopsis: A person is seen moving through a dark, rocky outdoor environment. No dialogue or on-screen text is present in this beat.
1 person observed.
35:41Model synopsis: A single frame shows a dimly lit, indistinct figure or object in a dark, possibly outdoor setting. No people, dialogue, or clear objects are visible, and no time of day or period can be determined from the frame.
35:58Model synopsis: A man stands inside a rustic wooden room as a dog enters through an open doorway; the man speaks to the dog, indicating he has prepared something for it. The scene is lit by natural light from the doorway, showing a forested landscape outside.
1 person observed.
“Hungry, huh? I figured I'd bring you around. Then I got something all ready for you.” 36:03
36:15Model synopsis: A collie dog lies on a wooden porch, looking out through an open doorway. The setting appears to be outdoors with natural light, but no people or specific time of day are visible.
36:17Model synopsis: A man in a light shirt stands with his back to the camera inside a log cabin, facing a shelf with jars and bottles. The scene is dimly lit and shows no other people or movement.
1 person observed.
Model synopsis: A hand holds a bottle labeled 'POISON' while a man in a log cabin holds a plate. The transcript includes an apology.
2 people observed.
“I'm sorry.” 36:18
36:31Model synopsis: A man sits at a table inside a rustic wooden structure, eating from a bowl. A dog is visible near an open doorway that shows a mountainous landscape outside.
1 person observed.
Model synopsis: A dog stands near a bowl on a wooden floor while a man sits at a table with a bowl. The man speaks to the dog, suggesting it is not yet hungry.
1 person observed.
“Oh” 36:41 · “Not hungry enough yet, huh?” 36:44
36:53Model synopsis: A man sits at a table inside a rustic wooden structure while a dog sits on the porch outside. The scene is lit by natural daylight coming through an open doorway.
1 person observed.
Model synopsis: A dog sits on a porch while a man eats at a table inside a rustic building. The transcript includes exclamations and a question, but no names are spoken.
1 person observed.
“Come on.” 36:59 · “Woo!” 37:02
Model synopsis: A bearded man sits at a table inside a wooden structure while a dog sits outside on a porch, barking. The man speaks and gestures, and the dog reacts to something off-camera.
1 person observed.
“So that's the way it is, huh?” 37:20 · “with the camera.” 37:23
37:28Model synopsis: A dog sits on a tiled porch with a wooden wall and outdoor greenery visible. No people or spoken dialogue are present in this beat.
Model synopsis: A bearded man sits at a table with a bowl and utensils; a dog sits on a tiled floor near a doorway. No names or events are established beyond the visual presence of these figures and the sound of coughing.
1 person observed.
“more and” 37:34 · “*coughing*” 37:35
37:37Model synopsis: A man with a beard sits at a table with a bowl and utensils in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
37:40Model synopsis: A dog sniffs the ground on a wooden porch. No people or dialogue are visible or audible in this beat.
Model synopsis: A man in a shirt and trousers stands near a table in a rustic interior while a dog stands near a doorway. A voice tells someone to leave and warns they asked for it.
1 person observed.
“Now get out of here. Get out! And remember, you ask for it.” 37:43
37:59Model synopsis: A dog sits in front of a log cabin structure. No people or dialogue are visible or audible in this beat.
38:14Model synopsis: A dog walks across a rocky, grassy outdoor area. A voice says 'I'm sorry.'
“I'm sorry.” 38:15
38:22Model synopsis: A forest stream flows over rocks, surrounded by dense trees and undergrowth. No people or artificial structures are visible in the single frame provided.
38:47Model synopsis: A dog lies on a rocky, dirt ground. Two lines of dialogue are spoken: 'Hey.' and 'Come on.'
“Hey.” 38:38 · “Come on.” 38:57
Model synopsis: A dog is shown lying on the ground, then standing near a river in a forested area. People are visible in the distance near the riverbank. No names or specific events are stated in the transcript.
1 person observed.
“Oh, my God.” 39:09 · “I'm not.” 39:16
39:38Model synopsis: A person is lying on rocky ground near water. A voice says 'Come on.'
1 person observed.
“Come on.” 39:43
39:49Model synopsis: A white dog stands on a log near a stream in a wooded area. No people or dialogue are visible or audible in this beat.
39:53Model synopsis: A still frame shows a rocky, natural outdoor setting with a large boulder and a partially visible animal lying on the ground. No people, dialogue, or on-screen text are present in this beat.
39:56Model synopsis: A small white dog stands on a dirt path in a wooded area. No people or dialogue are visible or audible in this beat.
Model synopsis: A dog is shown near a rocky stream, then a person rides a horse through a forested area. The transcript includes the word 'Pow!' at 40:09.
1 person observed.
Model synopsis: Two dogs rest near a rocky riverbank while a woman on horseback appears in a wooded area. No names or specific events are mentioned in the dialogue.
1 person observed.
“What? What?” 40:16 · “Woo!” 40:21
40:26Model synopsis: Two dogs are near a rocky stream; one stands while the other lies on the ground. No people or dialogue are visible or audible in this beat.
40:28Model synopsis: Two people are on horseback in a wooded area. One person embraces the other from behind while both face forward.
2 people observed.
Model synopsis: Two people are in a rocky, wooded outdoor area; one crouches near water while the other stands nearby. A voice says 'Duck, wait, Mama Lou, it's like a clue,' suggesting they are searching or reacting to something.
Named: Mama Lou (t:40:39). 2 people observed.
“Oh, fuck, look.” 40:34 · “Duck, wait, Mama Lou, it's like a clue.” 40:39
Model synopsis: A person tends to a dog in a tented camp while a horse runs nearby; a dog is seen running alone in dust. A voice mentions 'Old Eagle' and urges quiet.
1 person observed.
“I'm sorry.” 40:59 · “Old Eagle in town, find great.” 41:03
41:29Model synopsis: A horse-drawn wagon is shown with a person driving it, moving along a dirt path. The setting appears to be outdoors in a wooded area with trees visible in the background.
1 person observed.
41:31Model synopsis: A close-up shows a person's hands resting on a light-colored animal, possibly a dog, lying on a patterned surface. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A group of people on horseback are in a forested area; one person gestures while others look on. A woman is shown in close-up, then a wider shot shows several riders with horses in a wooded clearing.
5 people observed.
“Doctor! Doctor! Oh!” 41:33 · “In Santa Maria, it's all called Cori.” 41:39
41:46Model synopsis: A group of people on horseback and in a wagon are gathered outdoors near trees. One person in a vest sits on the wagon's edge while others are mounted or seated nearby.
3 people observed.
41:52Model synopsis: A group of people in period Western attire gather around a prone figure on the ground in an outdoor, rocky setting. No dialogue or on-screen text is present in this beat.
5 people observed.
Model synopsis: Two men in period Western attire are shown in a wooded outdoor setting, one speaking while others sit in a wagon. A horse-drawn wagon is visible, and one man gestures while speaking. No names are spoken in the transcript lines provided.
5 people observed.
“It's coming out of the day.” 41:57 · “How do I ask them?” 41:59
42:14Model synopsis: A person on horseback moves along a dirt path through a wooded area. The scene is outdoors with dense foliage and a rocky outcrop visible.
1 person observed.
42:17Model synopsis: A man stands near a wagon on a dirt street lined with wooden buildings, including a barber shop, while horses and people are visible in the background. No dialogue or on-screen text is present in this beat.
2 people observed.
42:21Model synopsis: A man on horseback is outside a general store in a dusty town. A woman in a red dress stands on the store's porch.
2 people observed.
42:34Model synopsis: A person's hand touches a dog lying on the ground. No dialogue or other actions are visible or audible in this beat.
1 person observed.
42:49Model synopsis: A group of silhouetted figures sits around a campfire at night under a cloudy sky. One person gestures with an object while others watch.
4 people observed.
“Marshmallow.” 42:47
43:00Model synopsis: A man and a boy stand outdoors at dusk or night, surrounded by trees. No dialogue or on-screen text is present in this beat.
2 people observed.
43:10Model synopsis: Two men are shown in a dimly lit interior, one pleading with the other. The transcript indicates a request addressed to 'Mr. Bald Eagle' and a follow-up question about alternatives.
Named: Mr. Bald Eagle (t:43:08). 2 people observed.
“Please, Mr. Bald Eagle.” 43:08 · “Isn't there anything else you can do?” 43:10
43:16Model synopsis: A wolf lies motionless on the ground in low light. No people, dialogue, or on-screen text are visible in the frame.
43:19Model synopsis: Two men are shown in profile, facing each other in a dimly lit interior. One man wears a dark jacket and shirt; the other wears a necklace and a dark top.
2 people observed.
43:28Model synopsis: A dark, indistinct scene with a person speaking to someone named Shep and addressing Mr. Bald Eagle, calling them wonderful. No clear visual details are available to identify the setting or people.
Named: Shep (t:43:29), Mr. Bald Eagle (t:43:31). 3 people observed.
“Shep, shep.” 43:29 · “Mr. Bald Eagle?” 43:31
Model synopsis: A group of people are gathered outdoors at night, with one person speaking about finding out about poison and being unstoppable. A close-up shows a person in a light-colored shirt and a crumpled pink garment, suggesting a moment of physical interaction or distress.
3 people observed.
“Mama said, "What's up, my house? Big Lil' Ya Katoosh!"” 43:36 · “You take her to your house.” 43:40
Model synopsis: A man is shown in a dimly lit log cabin, first lying on a table, then sitting up, and finally standing and moving. The transcript includes fragmented phrases about hills, weather, stars, and gold, and ends with the man saying he is going to leave.
1 person observed.
“these hills.” 44:11 · “Oh, man.” 44:12
44:43Model synopsis: A single frame shows a dark, shadowed outdoor scene with trees and a patch of sky. No people, objects, or text are clearly visible, and no events or spoken lines are present.
44:45Model synopsis: A single silhouette is visible against a dim outdoor background with trees. No dialogue or on-screen text is present in this beat.
1 person observed.
44:54Model synopsis: A rocky, wooded area with a stream and debris is shown. No people or vehicles are visible in the single frame provided.
45:05Model synopsis: A man in a dark coat stands outdoors near a stream with rocks and trees. No dialogue or on-screen text is present in this beat.
1 person observed.
45:12Model synopsis: A bearded man in a coat and bandana is shown in a close-up outdoors. The background includes trees and a blue sky, suggesting a natural setting.
1 person observed.
45:18Model synopsis: A rocky, debris-strewn ground is shown with a fallen log. No people, text, or events are visible or mentioned in this beat.
45:22Model synopsis: A rocky, uneven terrain with scattered boulders and loose stones is shown. No people, vehicles, or artificial structures are visible in the frame.
45:30Model synopsis: A man with a beard and dark coat is shown in a close-up, handling a bundle of fabric or clothing against a rocky background. No dialogue or on-screen text is present in this beat.
1 person observed.
45:43Model synopsis: A person on horseback is visible against a night sky with trees; someone off-screen shouts 'Come here!' and asks 'Where are you going?'. No named individuals or interior settings are shown or mentioned.
2 people observed.
“Yeah!” 45:39 · “Come here!” 45:40
45:56Model synopsis: A person in a dark coat kneels beside a suitcase and a sack in a dimly lit interior space, using a small light source. No dialogue or on-screen text is present in this beat.
1 person observed.
46:02Model synopsis: A person lies inside a coffin-like box in a dimly lit space. No dialogue or on-screen text is present in this beat.
1 person observed.
46:10Model synopsis: A man with dark curly hair and a beard, wearing a brown coat over a striped shirt, is shown in a close-up. He speaks two short lines of denial, 'Oh, no.' and 'No.'
1 person observed.
46:21Model synopsis: A person is visible in a dimly lit interior, leaning over a table with a lantern providing light. No dialogue or on-screen text is present in this beat.
1 person observed.
46:27Model synopsis: A man in a coat and bow tie is visible in a wooden interior, shouting 'Sheriff!' as captured in the transcript. The setting appears to be a rustic building with log walls.
1 person observed.
“Sheriff!” 46:26
46:34Model synopsis: A dim interior shows a lit lantern on a table; a doorway opens to a sunlit forest. No people or spoken dialogue are visible or audible in this beat.
46:40Model synopsis: A dim outdoor scene shows a small wooden structure among trees, with no people visible. The lighting is low, suggesting dusk or overcast weather.
46:43Model synopsis: A person wearing a dark coat and hat is visible in a dimly lit, indistinct setting. No spoken dialogue or clear environmental context is provided in this beat.
1 person observed.
46:46Model synopsis: A dim outdoor scene shows a horse-drawn wagon near a small wooden structure in a forested area. No people are visible, and no dialogue or on-screen text is present in this beat.
46:49Model synopsis: A person is visible on a rocky, tree-dotted hillside at dusk or dawn. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A dog is shown in profile, followed by a wide shot of a rocky, wooded area with a person walking, then a cabin in a forest clearing, and finally a close-up of a person lying on the ground. The transcript contains only exclamations and ambient sound.
2 people observed.
“*crickets*” 46:55 · “Oh.” 46:57
47:05Model synopsis: A man in a dark coat holds a pistol in a dimly lit wooden room with a lit lantern on a table. No dialogue or on-screen text is present in this beat.
1 person observed.
47:08Model synopsis: A single frame shows a dark forest scene with tall trees and a dim sky. No people, objects, or text are visible, and no dialogue is present in this beat.
47:10Model synopsis: A man stands in a dimly lit interior holding a pistol, with a lit lantern on a table in the foreground. The setting appears to be a rustic room with wooden walls and minimal furnishings.
1 person observed.
47:14Model synopsis: A person in a hat stands beside a tree in a dimly lit outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man and a woman speak inside a wooden cabin while a boy stands nearby; the dialogue reveals concern over a missing person named Jonathan and mentions a dog named Shep and a found child. The setting is dimly lit with a lantern and rustic interior, suggesting a remote or rural location.
3 people observed.
“Jonathan! - Tony, what are you doing here?” 47:17 · “Gone. He's been gone for three days.” 47:24
Model synopsis: A man and a boy are inside a wooden cabin at night; the boy is looking outside where a cabin with lit windows is visible. A person is seen standing in the doorway of the distant cabin. Dialogue indicates someone named Tommy is not present, and another named Kep arrives.
Named: Kep (t:48:05). 3 people observed.
“that she's all right now.” 47:46 · “Mr. Taylor, are you sure he's not here? I know I heard.” 47:52
Flagged: time_of_day without evidence (night)
48:22Model synopsis: Two people are inside a dimly lit log cabin; one stands while the other sits at a table with a lantern. One person speaks reassuringly about resting and getting supper, while another expresses concern about someone outside.
Named: Collin (t:48:14). 2 people observed.
“Why is she coming?” 48:09 · “Don't worry about it, Collin. They're tired and upset.” 48:14
48:38Model synopsis: A man in a coat stands inside a log cabin, holding a bottle near a shelf. A second person is visible through a window in the background.
2 people observed.
48:41Model synopsis: A boy sits at a table with a lit oil lamp in a log-walled room. He speaks the word 'Yeah' at 48:40.
1 person observed.
“- Yeah.” 48:40
48:43Model synopsis: A man in a coat and neckerchief sits inside a dimly lit wooden structure, looking down at something in his hands. The setting appears to be a rustic interior with shelves and a window visible in the background.
1 person observed.
48:49Model synopsis: A man sits at a wooden table in a dimly lit log cabin, speaking about unsaddling his horse. A lit oil lamp is on the table, and he appears to be addressing someone named Mr. Taylor.
Named: Mr. Taylor (t:48:48). 1 person observed.
“I'd better unsaddle my horse, Mr. Taylor.” 48:48 · “I'll be right there.” 48:51
Model synopsis: A person is visible in a dark outdoor setting with trees and uneven ground. The transcript includes questions about a ship and a name being called out, but no visual confirmation of those elements is present in the frames.
1 person observed.
“Chef, what is it?” 48:59 · “What is a ship?” 49:04
49:19Model synopsis: A dog is visible in a dimly lit interior. No people, dialogue, or on-screen text are present in this beat.
Model synopsis: A person stands on a dirt path near rocks and foliage; another person in light clothing climbs over rocks while a third stands nearby. One person speaks the line 'I'm not.' and another says 'Be quiet.'
3 people observed.
“I'm not.” 49:28 · “- - Be quiet.” 49:33
49:41Model synopsis: A single frame shows a rocky, wooded outdoor scene with no visible people or clear activity. The only spoken line is 'Yes.'
“Yes.” 49:42
49:45Model synopsis: A man in dark clothing stands beside a horse in a wooded area, looking upward. The scene is dimly lit and appears to be outdoors at dusk or under heavy tree cover.
1 person observed.
Model synopsis: A woman and a child are shown in a rocky outdoor setting; a man is also visible nearby. The transcript includes a child calling out 'Mommy!' and someone identifying 'Jonathan' and 'Tommy.'
Named: Tommy (t:49:55), Jonathan (t:49:50). 3 people observed.
“It's Jonathan.” 49:50 · “Tommy?” 49:55
50:09Model synopsis: A person calls out for Tommy in a dark, rocky outdoor setting. The scene is dimly lit, suggesting nighttime or deep shadow, with no visible structures or clear time indicators.
Named: Tommy (t:50:07). 2 people observed.
“Amen.” 50:00 · “Tommy, are you out here?” 50:07
50:27Model synopsis: A person is lying on the ground in a dark, brushy outdoor area. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man restrains a young boy in a wooded area while shouting at him; the boy accuses the man of murder. The confrontation ends with the boy lying on the ground as the man stands over him.
2 people observed.
“No! No! Let me go! Let me go! Where'd you get it?” 50:35 · “You lied, he isn't always dead! You killed him! He's buried over there and you killed him!” 50:39
Model synopsis: A man in a dark coat confronts another person outdoors at dusk; a dog runs through brush; a group of people lie on the ground near rocks. Spoken lines include a command to be quiet and a reference to 'Tommy' and 'Jeff'.
Named: Jeff (t:50:57). 3 people observed.
“You're wrong, Tommy.” 50:52 · “You're not gonna tell anybody that.” 50:54
51:07Model synopsis: A person in dark clothing and a light head covering is crouched on uneven ground in low light. No dialogue or on-screen text is present in this beat.
1 person observed.
51:09Model synopsis: A person in a light shirt is seen from behind, bent over in a dark, indistinct outdoor setting. No dialogue or identifiable location is present in this beat.
1 person observed.
51:12Model synopsis: A dark, low-resolution frame shows an indistinct outdoor scene at night with no visible people or objects. No dialogue or on-screen text is present.
51:13Model synopsis: A person in a light coat is seen crouching over another figure on uneven ground. No dialogue or on-screen text is present in this beat.
2 people observed.
51:16Model synopsis: A single frame shows a rocky, tree-dotted hillside under a cloudy sky. No people, dialogue, or on-screen text are visible.
51:19Model synopsis: A dark, low-resolution frame shows a figure moving against a shadowy, uneven background. No text, names, or clear objects are visible, and no audio is provided for this beat.
Model synopsis: A man on horseback moves through a fenced outdoor area while another man calls out to him; a third man is visible on foot nearby. The scene ends with a close-up of a man in a coat looking upward.
Named: Tony (t:51:30). 3 people observed.
“Hurry! Come on, Patrick! Stop it!” 51:24 · “Please come back to your brother, John. You've got him, boy. You've got him. Tony, come back here. Come back!” 51:30
51:40Model synopsis: A single frame shows a dark, wooded area with a small animal on the ground near a tree. No people, dialogue, or on-screen text are visible.
51:44Model synopsis: A person lies motionless on the ground in a wooded area. No dialogue or on-screen text is present in this beat.
1 person observed.
51:46Model synopsis: A man with a beard and coat is visible in a dimly lit outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person in dark clothing is bent over another person lying on the ground in a wooded area. The transcript includes a spoken insult and the word 'Amen.'
2 people observed.
“You little fool out of me.” 51:48 · “Amen.” 51:51
52:13Model synopsis: A single frame shows a pale, indistinct figure moving through dark foliage at night. No dialogue or on-screen text is present in this beat.
52:32Model synopsis: A person is partially visible in a dimly lit interior, with a window showing a dark outdoor scene. A voice urges someone named Tommy to drink.
Named: Tommy (t:52:47). 2 people observed.
53:07Model synopsis: A man holds a metal cup and speaks to a boy lying down, urging him to drink and reassuring him he is safe. The boy appears frightened and resists, telling the man to leave him alone.
Named: Donnie (t:53:22). 2 people observed.
“Drink, darling.” 52:52 · “Get away from me. Leave me alone.” 53:09
Model synopsis: A man and a boy are in a dimly lit interior space; the man speaks to the boy, who responds. The dialogue suggests a tense conversation about fear and a lie.
Named: Tommy (t:53:34). 2 people observed.
“A man can be scared too, Tommy.” 53:34 · “And you've got the wrong idea, son.” 53:42
54:06Model synopsis: A man tells a boy that Jonathan Dutton is dead, having fallen in a canyon two days prior. The boy lies down as the man speaks to him in a dimly lit interior space.
2 people observed.
“Because I knew you loved Jonathan Dutton.” 53:53 · “Jonathan is dead, son.” 54:05
Model synopsis: A child lies in bed while an adult man leans over them in a dimly lit interior. The transcript includes fragmented dialogue about a ship, someone named Shep, and an apology.
Named: Shep (t:54:33). 2 people observed.
“I was coming in tomorrow to tell you all.” 54:19 · “Shit.” 54:25
Model synopsis: A man speaks to a boy lying down in a dim room, urging him to sleep and forget an event. The scene cuts to a painted landscape with figures on horseback.
Named: Jonathan (t:55:11). 2 people observed.
“Let's both of us forget about what happened tonight.” 54:39 · “I guess so. Sure, we will. Now you get some sleep, and you'll be fine in the morning.” 54:46
Model synopsis: A man wakes a boy inside a log cabin while others arrive outside with horses. The arriving group includes men named Taylor, Steiner, and Crane, who mention a runaway horse and an accident involving Jonathan.
Named: Mr. Taylor (t:55:40), Mel Steiner (t:55:40), Carl Crane (t:55:40), Aldrin (t:55:33), Tommy (t:55:26), Jonathan (t:55:29). 8 people observed.
“Tommy, wake up.” 55:26 · “We've got company, son.” 55:28
56:03Model synopsis: Three people meet outside a wooden building; one adult greets a boy and another adult, then invites them inside to deliver bad news. The setting appears to be a rural or frontier location during the day.
Named: Tommy (t:55:59), Pete (t:56:04). 3 people observed.
“Why, hello there, Tommy boy!” 55:59 · “Hi, Mr. P. Gee, I'm sure glad to see you.” 56:01
56:26Model synopsis: A single frame shows a tall pine tree against a mountainous backdrop under a clear sky. The transcript contains a prayer for peace and heavenly grace, referencing gold sought on earth.
“And in thy heavenly kingdom, Lord, let him find peace.” 56:16 · “peace. which passeth understanding.” 56:24
56:47Model synopsis: Four men are outdoors in a snowy, mountainous landscape; one kneels while others stand, and a voice says 'Come on, Tommy.' The scene includes a prayer and humming, suggesting a moment of pause or reflection.
Named: Tommy (t:56:55). 4 people observed.
“We ask it, Lord.” 56:37 · “In his name.” 56:39
Model synopsis: A boy sits with a dog in a snowy, rocky landscape, then stands alone in the same setting. Dialogue reveals a character named Mr. Taylor is speaking about Jonathan's death, claiming it was not an accident and that someone named P.D. is lying.
Named: Tommy (t:57:12), Mr. Taylor (t:57:33), Pete (t:57:05), Jonathan (t:57:17), P.D. (t:57:35). 5 people observed.
“As long as you can take Tommy and the dog back for me, I'll probably stay on up here till spring.” 57:12 · “For everyone's sake, I'd like to prove Jonathan was right.” 57:17
57:57Model synopsis: Three men are in an outdoor confrontation; one accuses another of lying and murder, while the accused denies intent to harm and references shared proximity overnight. A third man, older with a beard and hat, stands nearby as the younger men argue.
Named: Pete (t:57:43), Tommy (t:57:49). 3 people observed.
“Pete, he's lying, he's lying about everything.” 57:43 · “He hated Jonathan and he killed him. And last night when I found out he tried to kill me too. He's lying Pete. Tommy listen to me.” 57:49
Model synopsis: Two men stand outdoors in a rugged landscape, one holding a tool; a third man joins them as dialogue reveals a dispute over a gold claim. The transcript confirms the presence of gold in a cabin and a disagreement about its payout.
3 people observed.
“You don't believe me.” 58:17 · “He said a claim didn't pay out.” 58:20
58:35Model synopsis: A person in a dark coat walks through a doorway into a cluttered interior space with shelves and tools visible. The transcript indicates someone agrees to show something and invites others to follow.
1 person observed.
“If that's true, guess you can show us some.” 58:27 · “I will. Come on.” 58:29
58:45Model synopsis: Two sacks lie on a dirt floor inside a dimly lit structure. No people or actions are visible in this beat.
Model synopsis: A boy in a dark jacket sits inside a wooden structure while a man in a coat stands nearby. The transcript suggests someone has concealed or altered something, with the phrase 'He's done something with the rest.'
2 people observed.
“There was more.” 58:47 · “A lot more.” 58:49
Model synopsis: Three men and a boy are inside a rustic wooden cabin; one man speaks to another while the boy looks on, then one man exits through a door. The dialogue suggests a disagreement about returning items and a request to leave.
Named: Mr. Steiner (t:59:08), Mr. Craig (t:59:05). 4 people observed.
“You better take these back to Mondo. I was holding this hoping that they'd have a bigger haul by spraying.” 58:56 · “Mr. Craig, can't you see his line?” 59:05
59:29Model synopsis: A man in a coat stands inside a log cabin. A voice says 'Come on, Gia.'
1 person observed.
“Come on, Gia.” 59:29
59:33Model synopsis: A man stands inside a log cabin looking out an open doorway at a dog and a forested hillside. The scene is lit from outside, suggesting daylight, but no clock or date is visible.
1 person observed.
59:35Model synopsis: A bearded man in a coat stands inside a wooden structure. No dialogue or on-screen text is present in this beat.
1 person observed.
59:43Model synopsis: A man in a coat stands inside a wooden structure, looking out as a dog runs past the doorway toward a forested area. A voice urges someone to come on, addressing them as 'Honey' and 'Good lady.'
1 person observed.
“- Honey, come on, come on.” 59:36 · “Oh,” 59:45
Model synopsis: A dog runs across a dirt path in a wooded area while a person calls out. The transcript includes short exclamations and a name, 'Sam,' spoken during the scene.
1 person observed.
“Hey, Papa!” 60:01 · “Sam!” 60:02
1:00:06Model synopsis: The frame is too dark to identify any distinct place, people, objects, or events. No transcript lines are available for this beat.
1:00:14Model synopsis: A man lies motionless on a bed in a log cabin after a gunshot is heard. No other people or actions are visible in the single frame provided.
1 person observed.
“*Gunshot*” 60:12
1:00:21Model synopsis: A person is seen from behind, looking out a window at a wooded, rocky landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A dog is seen moving through a rocky, wooded outdoor area, followed by a view from inside a structure looking out at a person walking away into the same landscape. No names or specific events are mentioned beyond the dog's movement and the person's departure.
1 person observed.
“I'm going to go.” 60:23
1:00:40Model synopsis: A single frame shows a forested, snow-dappled landscape with evergreen trees and a stream or riverbed visible through the trees. No people, objects, or text are present, and no events occur in the frame.
Model synopsis: A dog stands in snow near trees; the next frame shows a dark forest path with snow patches. No people, dialogue, or on-screen text are visible in these frames.
1:00:50Model synopsis: A dog stands on snow-covered ground at night. No people or dialogue are visible or audible in this beat.
1:00:52Model synopsis: A single frame shows a dark, wooded area with a body of water and a small boat visible through trees. No people, dialogue, or on-screen text are present in this beat.
Model synopsis: A man in a dark shirt and pants is seen moving through a snowy, wooded area at night. The scene is dimly lit, with trees and snow visible in the background.
1 person observed.
1:01:00Model synopsis: A single frame shows a snowy forest scene at night. A spoken exclamation 'Oh.' is heard during the beat.
“Oh.” 60:59
1:01:02Model synopsis: A dark-furred animal walks across a patch of snow in a rocky, wooded area. No people, dialogue, or on-screen text are visible in the single frame provided.
1:01:07Model synopsis: A snowy mountain landscape with trees and rocks is shown. No people, vehicles, or text are visible in the frame.
Model synopsis: A person walks across a snowy, rocky landscape under a cloudy sky. The transcript contains repeated lines about going and uncertainty.
1 person observed.
“I'm going to go.” 61:13 · “I'm going to go.” 61:26
1:01:44Model synopsis: A single frame shows a rocky, snow-dusted mountainside under dim lighting. No people, objects, or text are visible, and no events are described in the transcript.
Model synopsis: A person is seen in a snowy, wooded outdoor setting, partially obscured by shadow and trees. The transcript contains an incomplete utterance at 61:57, but no names or clear events are established.
1 person observed.
“I'm... I'm...” 61:57
Model synopsis: A person is seen moving through a snowy, rocky outdoor environment during what appears to be dusk or night. The person speaks briefly, expressing alarm and intent to leave.
1 person observed.
“Yeah.” 62:11 · “Oh, my God.” 62:13
1:02:23Model synopsis: A single frame shows a dark, woolly animal, likely a sheep, in a snowy environment. No people, dialogue, or on-screen text are visible.
1:02:27Model synopsis: A person walks on snow near a large rock at night. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person walks through a snowy, wooded landscape as blood-stained footprints are visible in the snow. A line of dialogue expresses uncertainty about the person's actions.
1 person observed.
“I'm not sure what you're doing.” 62:29 · “Oh” 62:40
1:02:49Model synopsis: A single figure stands on a snowy slope among trees, visible in one frame. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two frames show a snowy mountain landscape with a dark figure on a cliff edge. No people are visible or audible, and no text or dialogue is present.
Model synopsis: A dog is seen in a snowy, mountainous landscape, followed by a man appearing in the same setting. The scene is dimly lit, suggesting dusk or dawn, with no clear indoor elements.
1 person observed.
“Oh” 63:09
Model synopsis: A man and a dog are shown in a snowy mountain landscape during daylight. The man says he is going to leave, as seen across four frames and one transcript line.
2 people observed.
“I'm going to go.” 63:30
Model synopsis: A man in a snowy mountain landscape says he is going to leave. He is shown holding a revolver and then bending over as if in pain or exhaustion.
1 person observed.
“I'm going to go.” 63:52
Model synopsis: A dog is shown in snow, followed by a close-up of an older man with a beard against a cloudy sky. No names or events are mentioned in the transcript for this beat.
1 person observed.
“Oh” 64:17
1:04:24Model synopsis: A dog sits in snow with a forested hillside behind it. No people or dialogue are visible or audible in this beat.
Model synopsis: A man with a beard is shown outdoors at night against a cloudy sky, followed by a wide shot of a snow-covered mountain range and a person falling on a snowy slope. The transcript contains two exclamations of 'Oh, my God.'
2 people observed.
“Oh, my God.” 64:26 · “Oh, my God.” 64:29
1:04:42Model synopsis: A man with a beard and dark shirt is visible in a low-angle shot against a purple-hued background. No dialogue or additional context is provided in this beat.
1 person observed.
1:04:44
1:04:46Model synopsis: A person lies on a snowy slope while a dog runs nearby; the background shows snow-covered trees and mountains. No dialogue or on-screen text is present in this beat.
1 person observed.
1:04:48Model synopsis: A dog walks through snow in a dimly lit scene. No people, dialogue, or on-screen text are visible.
1:04:52Model synopsis: A person lies motionless on snow in a single frame. No dialogue or on-screen text is present in this beat.
1 person observed.
1:04:59Model synopsis: A snowy mountain slope is shown under a dark, cloudy sky, with pine trees in the foreground. No people or actions are visible in this single frame.
1:05:06Model synopsis: A single frame shows a dimly lit forest scene with trees and uneven ground. No people, objects, or on-screen text are visible, and no dialogue occurs in this beat.
1:05:13Model synopsis: A man stands near a tree in a dimly lit outdoor setting. He speaks an apology, saying 'I'm sorry.'
1 person observed.
“I'm sorry.” 65:10
1:05:20Model synopsis: A snowy mountain slope is shown under a dark sky. No people, vehicles, or text are visible in the single frame.
1:05:24Model synopsis: A lone figure stands on a snow-covered mountain peak under a cloudy sky. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man runs through a snowy mountain landscape while a dog barks aggressively nearby. The man pleads audibly, denying responsibility and begging someone named 'Chef' not to act.
1 person observed.
“Oh, my God.” 65:26 · “Oh, my God.” 65:32
1:06:01Model synopsis: A man with white hair and beard is shown outdoors against snow-covered mountains. No dialogue or on-screen text is present in this beat.
1 person observed.
1:06:03Model synopsis: A person is climbing a snow-covered slope under a dark sky. No dialogue or on-screen text is present in this beat.
1 person observed.
1:06:06Model synopsis: A single frame shows a rugged mountain landscape under dark, overcast skies. No people, vehicles, or artificial structures are visible in the shot.
1:06:11Model synopsis: A lone wolf stands atop a snow-covered slope at night. No people or dialogue are visible or audible in this beat.
1:06:16Model synopsis: A snowy landscape with a dark, winding feature is shown. No people, dialogue, or on-screen text are visible in the single frame.
1:06:22Model synopsis: A dark, indistinct figure is visible on a snow-covered slope at night. No people are identifiable, no dialogue is present, and no objects or text are legible.
Model synopsis: A dog runs through snow near trees while two figures walk uphill in the distance. A voice says 'Amen,' 'Dad!' and 'Here, ship!' during the sequence.
1 person observed.
1:06:53Model synopsis: Two men in heavy coats stand outdoors in a snowy, wooded area at night, speaking about someone being lost. One man says they will keep trying to find her despite the odds.
2 people observed.
“She's lost, Pete.” 66:49 · “We'll never find.” 66:51
1:06:59Model synopsis: A person is lying face down in snow-covered terrain with trees and mountains in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
1:07:05Model synopsis: A dog is shown in profile with water droplets on its fur. No people, dialogue, or location context is visible or audible in this beat.
1:07:11Model synopsis: A person is visible moving across a snowy slope under trees in a single frame. No dialogue or on-screen text is present in this beat.
1 person observed.
1:07:16Model synopsis: A single frame shows a snowy outdoor scene with a tree and snow-covered ground. No people, dialogue, or on-screen text are visible.
Model synopsis: A person and a dog are shown in a snowy mountain landscape; dialogue includes an apology and two 'Amen' responses. No named characters or indoor settings are visible or mentioned in the supplied lines.
1 person observed.
“Shit.” 67:21 · “It's all right, Chef. Sure it is.” 67:25
Model synopsis: A man in a hat and coat is shown outdoors in a snowy mountain setting, reacting emotionally as snow falls on him; the final frame displays the end credits. The transcript includes exclamations and a declaration of love.
2 people observed.
“Oh, my God.” 67:39 · “Hello.” 67:40
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 754 segments kept, 442 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1951 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement