Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 21:28 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 44 · shots 139–139. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (private office, interior) evidence: frame:1
- People
- man in light shirt and dark pants, standing near doorway with dog visible
- Nathan (named at t:21:57): man in light shirt and dark pants, holding gun, standing near table visible, audible
- Seen happening
- Two men face each other inside a log cabin, one holding a gun. [frame:1]
- Also said
- “You're edgy, dear. Getting worse every time more gold goes under that floor.” 21:51 · “And ain't just being scared, someone will steal it, Nathan.” 21:57
- Seen
- gun [frame:1], wooden table [frame:1], small dog [frame:1], log cabin walls [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: greed, trust, conflict over treasure; style notes: medium shot, static framing, naturalistic lighting from doorway, rustic interior setting
Two men stand inside a log cabin, one holding a gun, while a small dog stands near the doorway. Dialogue suggests tension over gold hidden under the floor and a dispute about sharing it with others named Martha and Nathan.
“You give him dust.” 21:34 · “At the death giveaway we struck Paydard. The old fool talked to you on...” 21:35 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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