Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 7:58 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 13 · shots 53–55. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1, frame:2, frame:3
- People
- Jonathan (named at t:8:10): older man, white hair and beard, wearing dark vest over light shirt visible, audible
- younger person, light hair, wearing light-colored pajamas, lying in bed visible, audible
- Seen happening
- An older man leans toward a younger person in bed and speaks intensely. [frame:1]
- The younger person in bed looks up and speaks with an emotional expression. [frame:2]
- The older man touches the younger person's face while holding a dog. [frame:3]
- Also said
- “He's your dog. Nobody else's till she dies.” 8:15 · “Don't tell anybody I bawled.” 8:21
- Seen
- dog [frame:3], bed [frame:2, frame:3], pillow [frame:2, frame:3], window [frame:3]
- Interpretation
- Model opinion, not evidence: mood: tense and emotionally charged; themes: interpersonal conflict, emotional vulnerability, ownership and responsibility; style notes: close-up shots, dim interior lighting, focused on facial expressions and physical contact
An older man with white hair and beard speaks intensely to a younger person in bed; the younger person reacts emotionally. A dog is present, and the older man touches the younger person's face while speaking.
“You're no liar, Jonathan.” 8:10 · “I can't take shit from you.” 8:13 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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