Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 54:38 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 139 · shots 431–433. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- boy, light hair, wearing light-colored pajamas, lying down visible, audible
- Jonathan (named at t:55:11): man, dark hair, wearing light shirt, leaning over boy visible, audible
- Seen happening
- A man leans over a boy lying in bed and speaks to him. [frame:1]
- The boy turns away in bed while the man remains beside him. [frame:2]
- A painted landscape with figures on horseback is shown. [frame:3]
- Also said
- “Just sleep, son.” 55:02 · “Oh, Jonathan!” 55:11
- Seen
- bed [frame:1], pillow [frame:1], pajamas [frame:1], painted landscape [frame:3], horses [frame:3]
- Interpretation
- Model opinion, not evidence: mood: quiet, intimate, slightly tense; themes: comfort, memory, childhood, transition; style notes: close-up framing on faces, dim lighting in interior, abrupt cut to painted exterior
A man speaks to a boy lying down in a dim room, urging him to sleep and forget an event. The scene cuts to a painted landscape with figures on horseback.
“Let's both of us forget about what happened tonight.” 54:39 · “I guess so. Sure, we will. Now you get some sleep, and you'll be fine in the morning.” 54:46 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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