Outdoor stadium
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 1 quote checked against the transcript; 3 names checked for a spoken or on-screen source; 2 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:33 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: cutting rhythm changes. Sequence 6 · shots 11–12. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- outdoor_stadium (other, exterior) evidence: frame:1, frame:2
- People
- older man, white robe, holding a staff visible
- Philippides of Athens (named at t:1:37): young muscular man, bare-chested, wearing a laurel wreath visible, audible
- group of athletes, mostly bare-chested, some with laurel wreaths visible
- Seen happening
- A title card credits Bruno Vailati as producer. [frame:1]
- Philippides stands among athletes as a robed man addresses him. [frame:2]
- Seen
- laurel wreath, white robe, staff, title card: 'Produced By BRUNO VAILATI'
- On screen
- Produced By BRUNO VAILATI
- Interpretation
- Model opinion, not evidence: mood: solemn and ceremonial; themes: victory, ancient tradition, public honor; style notes: wide outdoor shot, bright daylight, classical costume, static framing
A man in a white robe addresses a group of athletes outdoors, one of whom is being proclaimed champion. The scene includes a title card crediting Bruno Vailati as producer.
“I proclaim you, Philippides of Athens, the champion of these Olympic Games. May you thank the gods for having given you the laurel wreath of victory.” 1:37 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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