Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 17:08 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 44 · shots 117–117. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- Karras (named at t:17:26): man, mid-adult, wearing a green tunic, standing, gesturing with hands visible, audible
- Charis (named at t:17:13): woman, mid-adult, wearing a draped gown, seated, hands near chest visible, audible
- Seen happening
- Karras stands and gestures toward Charis while speaking. [frame:1]
- Also said
- “And you too, Karras, are mine.” 17:26 · “So that's it.” 17:44
- Seen
- columns [frame:1], garden view [frame:1], draped gown [frame:1], green tunic [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: power and ownership, romantic entanglement, gender roles in antiquity; style notes: medium shot, static framing, bright studio lighting, classical costume design
A man in a green tunic confronts a seated woman in a draped gown inside a room with columns and a garden view; he asserts ownership over her and the house while questioning her feelings for someone named Philippides.
“I thought you understood, Charis, what your position was.” 17:13 · “This house is mine.” 17:20 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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