Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 46:41 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 81 · shots 390–390. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, exterior) evidence: frame:1
- People
- shirtless man wearing a dark sailor cap, young, lean build visible
- man in brown shirt and dark sailor cap, older, smiling visible
- woman in patterned dress, standing behind p2 visible
- sailor in cap, partially visible behind p1 visible
- Seen happening
- Two men in sailor caps face each other on a ship deck. [frame:1]
- Also said
- “Friend, speak up, ¿por qué no te? You got your face hidden” 46:58 · “Pero yo puedo sentir como un viejo, ¿qué es?” 46:58
- Seen
- sailor caps [frame:1], ship rigging [frame:1], patterned dress [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: confrontation, identity, surrender; style notes: medium shot, natural daylight, ship deck setting with rigging visible, characters in close proximity
Two men in sailor caps face each other on a ship deck; one is shirtless, the other wears a brown shirt. A woman in a patterned dress stands behind them, and another sailor is visible in the background. Dialogue in Spanish and English suggests a tense exchange about surrender and identity.
“¿Joplin en la Maluca? Yo swear en mi honor No sé que no era ni su amigo, Samson” 46:58 · “Yo sentí a mandio de surrender, Bill Ha, ha, ha, ha” 46:58 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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