Beach
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 15:47 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 35 · shots 154–156. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- beach (beach, exterior) evidence: frame:1
- People
- Mike (named at t:15:53): man wearing a striped brown and white shirt, light pants, and a white cap visible, audible
- Captain (named at t:15:57): man wearing a blue shirt, light pants, and a dark cap, holding a coat visible, audible
- Bert (named at t:16:05): man in blue shirt and dark cap, arriving from background visible, mentioned
- Seen happening
- The Captain gestures for Bert to come on. [frame:3]
- Also said
- “Here he comes.” 16:05 · “Come on.” 16:09
- Seen
- wooden structure, pebbled beach, coat held by p2, hillside in background
- Interpretation
- Model opinion, not evidence: mood: casual and conversational; themes: departure, social plans, arrival; style notes: medium shots, natural daylight, outdoor setting with minimal props
Two men converse on a pebbled shore near a wooden structure; one mentions waiting for the Captain and having a date with Joplin, while another arrives. The setting includes a beach and a hillside, with one man holding a coat.
“Hey! Hey, Mike! Mike! Huh?” 15:53 · “Oh, we wait for you, Captain. Well, I'm staying ashore. I've got a date with Joplin. Where's Bert?” 15:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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