Ship
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 42:12 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 79 · shots 350–353. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- ship (ship, exterior) evidence: frame:1
- Time of day
- day evidence: frame:1
- People
- shirtless, wearing light trousers and a dark cap, standing at a ship's wheel visible
- shirtless, wearing light trousers, seen from behind near the mast visible
- shirtless, wearing light trousers, visible on deck near the mast visible
- shirtless, sitting in a dark interior, holding a bottle visible
- Seen happening
- Men work on the deck of a ship under daylight [frame:1]
- A man at the helm shouts with his mouth open [frame:3]
- Men sit together in a dark interior space [frame:4]
- Seen
- ship's wheel, sail, bottle
- Interpretation
- Model opinion, not evidence: mood: energetic and tense; themes: seafaring, crew dynamics, command; style notes: high-contrast lighting, wide shots on deck, close-up at helm, abrupt cut to dark interior
Men work on a ship's deck under daylight, then a scene cuts to a dark interior where men sit together. One man at the helm shouts while others are visible on deck or in the dark space.
“¡Vamos!” 42:30 · “¡Gracias!” 42:32 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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