Public Reel

Captain Calamity · Beat 21 · permalink

Vehicle interior

6:26–6:56 Registered 1936

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 6:306:30Frame at 6:356:35Frame at 6:526:52Frame at 6:556:55

Play from 6:26 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 12 · shots 68–72. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
vehicle_interior (vehicle interior, exterior) evidence: frame:1
People
  • woman with dark hair, flower in hair, wearing a patterned top visible
  • man, shirtless, smiling visible
  • Mike (named at t:6:26): man wearing white pith helmet and light suit visible
  • Mr. Carr (named at t:6:26): man wearing dark sailor-style cap and blue shirt visible
Seen happening
  • A woman and a shirtless man are seen on a boat, smiling and leaning on the railing. [frame:1]
  • Two men sit together on the boat; one wears a pith helmet, the other a sailor cap. [frame:2]
  • The man in the pith helmet gestures while speaking to the man in the sailor cap. [frame:3]
  • A person dives into the water from the boat, hands gripping the railing. [frame:4]
Also said
“Oh, Mr. Carr's sailing on the Mall he made. You better change your mind.” 6:26 · “See you tonight, Anana. I don't know, Mike. Maybe I say trip on Mallory made myself. Come here, Mike.” 6:26
Seen
boat railing, pith helmet, sailor cap, blue shirt, light suit
Interpretation
Model opinion, not evidence: mood: lighthearted and conversational; themes: social interaction on a boat, introductions and flirtation, travel and leisure; style notes: medium shots, bright outdoor lighting, casual framing focused on character interaction

A woman and a man are seen on a boat, followed by two men in conversation; one man later dives into the water. The transcript includes greetings, mentions of a hotel and a sailing trip, and a suggestion to change one's mind.

“Hello, Captain Bill. Loving kisses. Hello, Anana. This is Mike's bad luck. Meet Mr. Carr.” 6:26 · “Mmm, he's nice. I like him. You come to see at Mammy's Hotel? We show you a good time.” 6:26 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

Share

Paste the permalink anywhere that shows link previews and it carries the frame, the time and the finding. The card image can be saved and used with a credit.

Frame from Captain Calamity (1936) at 6:30 (passage 6:26–6:56); US record: No renewal found

Permalink
always the current cut
Permalink to this version
warns if the beats are recut later
Card image
https://publicreel.org/cards/moment/captain_calamity/b21.png
Figure for a newsletter or page
Cite