Public Reel

The Milky Way (1936)

No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6128 of 1936 by Paramount Productions, Inc was not renewed in the volumes searched. Record.

Poster for The Milky Way
Copy
Milky_Way_movie on the Internet Archive; released 1936
Read
220 shots over 1:27:27 · 127 beats in 79 sequences · 1200 transcript lines · JSON
Record
The Milky Way No renewal found
Poster
Wikimedia Commons, public domain
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Lands on the beat covering that second.
79 sequences; each is also a heading below.
Check before citing the shot count. A 6:05 shot at 24:03 (shot 65): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

220 shots over 1:27:27, read from the Internet Archive copy Milky_Way_movie (Milky_Way.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Milky Way No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 220 shots judged colour), average shot 23.9s long, a frontal face detected in 37% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1936 (Internet Archive).

127 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Sequence 2 from 1:49

Frame at 1:50, shot 11:50Frame at 2:12, shot 22:12
2 of 2 shots sampled

2. Private office

1:49–2:31 Not yet checked

Model synopsis: A man in a bow tie is seated among others while a speaker congratulates Mr. Snodgrass and Mr. Scott. Another man in a suit walks away from a desk toward a doorway.

  • A man in glasses and a bow tie sits among others. [frame:1]
  • A man in a suit walks away from a desk toward a doorway. [frame:2]

Named: Mr. Snodgrass (t:1:56), Mr. Scott (t:2:00). 5 people observed.

“I congratulate you, Mr. Snodgrass.” 1:56 · “And you, Mr. Scott, are deserving of honorable mention. And you...” 2:00

Evidence, details and a link to share

Frame at 2:32, shot 32:32
1 of 1 shots sampled

3. Private office

2:31–2:33 Not yet checked

Model synopsis: A man in a white shirt and bow tie sits in a dimly lit interior, with other men visible behind him. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 2:34, shot 42:34Frame at 2:37, shot 52:37Frame at 2:40, shot 62:40Frame at 2:44, shot 72:44
4 of 4 shots sampled

4. Private office

2:33–2:46 Not yet checked

Model synopsis: A man in a suit points at a large map on a wall while speaking; another man in a bow tie reacts with surprise. The setting appears to be an interior room with a brick wall and a lamp visible.

  • Man in suit points at a map on the wall. [frame:1]
  • Man in bow tie looks surprised and touches his chest. [frame:2]
  • Man in suit continues pointing at the map. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Now, in this area here,” 2:34 · “We'll find.” 2:37

Evidence, details and a link to share

Sequence 3 from 2:46

Sequence 4 from 2:51

Frame at 2:52, shot 92:52Frame at 2:56, shot 102:56Frame at 3:06, shot 113:06
3 of 3 shots sampled

6. Private office

2:51–3:13 Not yet checked

Model synopsis: A man in a bow tie speaks in a meeting room while another pours coffee; a third man stands at a podium addressing seated men. The transcript includes fragmented dialogue about falling sales and polite requests.

  • A man in a bow tie speaks in a meeting. [frame:1]
  • A man pours coffee from a pot into a cup. [frame:2]
  • A man in a suit stands at a podium addressing seated men. [frame:3]

4 people observed.

“I say, in this area, our sales are falling far below what they should.” 2:52 · “There is no reason...” 2:56

Evidence, details and a link to share

Sequence 5 from 3:13

Frame at 3:18, shot 123:18
1 of 1 shots sampled

7. Restaurant

3:13–3:24 Not yet checked

Model synopsis: Two men in white shirts and bow ties examine an object together while other men in similar attire look on in the background. The transcript indicates a discussion about declining business and a competitor named Reese.

  • Two men examine a small object together. [frame:1]

Named: Reese (t:3:20). 4 people observed.

“We find in this area here that our business is falling off.” 3:16 · “While that of our competitor seems to be on suit, Reese.” 3:20

Evidence, details and a link to share

Frame at 3:25, shot 133:25Frame at 3:28, shot 143:28Frame at 3:35, shot 163:35Frame at 3:39, shot 173:39
4 of 5 shots sampled

8. Private office

3:24–3:40 Not yet checked

Model synopsis: A man in a suit points at a map while speaking to a seated audience in white shirts and bow ties. The audience members react with gestures such as checking a watch, drinking, and smiling.

  • Man in suit points at map on wall. [frame:1]
  • Man with mustache checks his watch. [frame:2]
  • Man with glasses drinks from a glass. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“As I was saying, that in this area we find that...” 3:27 · “In this area, I'm telling you that we find our sails are falling below what they should.” 3:31

Evidence, details and a link to share

Frame at 3:41, shot 183:41Frame at 4:30, shot 194:30
2 of 2 shots sampled

9. Private office

3:40–5:17 Not yet checked

Model synopsis: A man in a white shirt and bow tie holds a cup while another man in a uniformed cap speaks into a wall-mounted device. The transcript includes dialogue about drinking ink, a check room, and a guard waiting outside.

  • A man in a white shirt and bow tie holds a cup while seated. [frame:1]
  • A man in a uniform cap speaks into a wall-mounted device. [frame:2]
  • A man in a cap is seen speaking into a wall device. [frame:2]

Named: Burleigh (t:4:00). 4 people observed.

“Burleigh, what's the matter with you?” 4:00 · “I just drank some ink. You know how that is. No, I don't. I never drink ink.” 4:02

Evidence, details and a link to share

Sequence 6 from 5:17

Sequence 7 from 8:25

Sequence 8 from 9:16

Sequence 9 from 10:28

Sequence 10 from 17:08

Sequence 11 from 18:29

Sequence 12 from 18:30

Sequence 13 from 18:32

Sequence 14 from 30:09

Sequence 15 from 30:26

Sequence 16 from 30:34

Sequence 17 from 30:36

Sequence 18 from 30:40

Sequence 19 from 30:43

Sequence 20 from 31:58

Sequence 21 from 34:30

Sequence 22 from 36:23

Sequence 23 from 37:13

Sequence 24 from 37:37

Sequence 25 from 40:08

Sequence 26 from 41:09

Sequence 27 from 41:47

Sequence 28 from 43:51

Sequence 29 from 44:45

Sequence 30 from 51:02

Sequence 31 from 51:35

Sequence 32 from 54:40

Sequence 33 from 54:41

Sequence 34 from 55:23

Sequence 35 from 56:03

Sequence 36 from 56:12

Sequence 37 from 56:15

Sequence 38 from 56:19

Sequence 39 from 56:22

Sequence 40 from 56:38

Sequence 41 from 59:20

Sequence 42 from 1:00:08

Sequence 43 from 1:00:34

Sequence 44 from 1:01:17

Sequence 45 from 1:02:27

Sequence 46 from 1:03:20

Sequence 47 from 1:05:32

Sequence 48 from 1:06:08

Sequence 49 from 1:07:37

Sequence 50 from 1:08:48

Sequence 51 from 1:09:25

Sequence 52 from 1:09:27

Sequence 53 from 1:09:29

Sequence 54 from 1:09:51

Sequence 55 from 1:11:02

Sequence 56 from 1:13:59

Sequence 57 from 1:15:58

Sequence 58 from 1:17:19

Sequence 59 from 1:19:27

Sequence 60 from 1:20:49

Sequence 61 from 1:21:09

Sequence 62 from 1:22:17

Sequence 63 from 1:22:49

Sequence 64 from 1:22:52

Sequence 65 from 1:23:22

Sequence 66 from 1:24:01

Sequence 67 from 1:24:04

Sequence 68 from 1:24:05

Sequence 69 from 1:24:07

Sequence 70 from 1:24:15

Sequence 71 from 1:24:19

Sequence 72 from 1:24:43

Sequence 73 from 1:24:45

Sequence 74 from 1:25:42

Sequence 75 from 1:25:46

Sequence 76 from 1:25:50

Sequence 77 from 1:25:52

Sequence 78 from 1:25:55

Sequence 79 from 1:25:56

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1200 segments kept, 259 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:03 I'm not.
  2. 1:06 Amen.
  3. 1:08 Oh, my God.
  4. 1:15 Gentlemen.
  5. 1:15 We are here to do homage to one who has filled the bottle of achievement, one who rose to the top,
  6. 1:21 Just like Hart Green.
  7. 1:23 This man has faithfully delivered our products.
  8. 1:26 achieving a record for which we may all be justly proud.
  9. 1:40 And there are others among you who are deserving of honorable mention. You, Mr. Ackerman, for your splendid record of 397 points.
  10. 1:49 But there is another man who has been with us for a short time.
  11. 1:52 but in that short time has achieved a wonderful record.
  12. 1:56 I congratulate you, Mr. Snodgrass.
  13. 2:00 And you, Mr. Scott, are deserving of honorable mention. And you...
  14. 2:04 And you!
  15. 2:05 And you...
  16. 2:09 I'll see you later.
  17. 2:11 Now, just a moment's chat about the pulse of our public.
  18. 2:17 Come on.
  19. 2:34 Now, in this area here,
  20. 2:37 We'll find.
1180 more segments
  1. 2:42 In this area here, we find that our sails are fo...
  2. 2:52 I say, in this area, our sales are falling far below what they should.
  3. 2:56 There is no reason...
  4. 3:01 Okay.
  5. 3:06 Please.
  6. 3:09 Please.
  7. 3:16 We find in this area here that our business is falling off.
  8. 3:20 While that of our competitor seems to be on suit, Reese.
  9. 3:27 As I was saying, that in this area we find that...
  10. 3:31 In this area, I'm telling you that we find our sails are falling below what they should.
  11. 3:36 We are losing on our customers. Now something is wrong.
  12. 3:40 Now the question is, what is wrong?
  13. 3:43 Why is it? I asked you!
  14. 3:46 There's the reason.
  15. 3:48 I can see it now. That's what's wrong.
  16. 4:00 Burleigh, what's the matter with you?
  17. 4:02 I just drank some ink. You know how that is. No, I don't. I never drink ink.
  18. 4:05 Some of the boys been playing tricks on you? Who gave you that? Oh, no one gave it to me, sir. Well, probably that clown has been doing the hiccoughing in their hands. Oh, no, sir. How do you know?
  19. 4:14 Get in there.
  20. 4:19 Look!
  21. 4:26 Harvest Moon check room.
  22. 4:28 Hello, sis.
  23. 4:29 Y'all ready to go?
  24. 4:30 Yeah, I'm leaving right away. All right, I'll be waiting out in front.
  25. 4:34 I think it's terrible little guard waiting out in front. Me too.
  26. 4:38 Yes, Burleigh.
  27. 4:39 Uh-huh.
  28. 4:40 Well, I'll be there any time you say.
  29. 4:42 - That's all I. - Me too.
  30. 4:45 Don't worry, I'll be there.
  31. 4:47 I think I ought to stay home.
  32. 4:49 Me too.
  33. 4:52 You know, I'm glad you took, because I was getting a little tired. Yes, I know. You, too.
  34. 5:07 Pardon me. You gave us the wrong hat. Oh that's very funny. If you tell me where the axe playing I'll try and miss it.
  35. 5:19 We like you.
  36. 5:21 We don't.
  37. 5:23 Listen, what happened? Did you lose your address book?
  38. 5:25 Yes.
  39. 5:26 Guess what?
  40. 5:28 Yes, ma'am.
  41. 5:28 Hmm, that's what I thought. Good night.
  42. 5:31 Where are you going?
  43. 5:34 You give me my hat.
  44. 5:38 Heh heh.
  45. 5:40 Give me my hat. Listen, I got a great idea. Let's all go over to your house.
  46. 5:46 Did it ever occur to you that I might be somebody's sister?
  47. 5:49 Hello, sis.
  48. 5:51 Listen, I'm warning you.
  49. 5:53 My brother's a very tough man. She's got a brother.
  50. 6:00 Riley! Oh, oh, darling.
  51. 6:03 Riley!
  52. 6:13 What's the matter?
  53. 6:14 Say!
  54. 6:15 You fellas can't do this.
  55. 6:16 Who are you?
  56. 6:17 Well, I'm her brother. How do we know? Yeah, yeah. Can you dinner for yourself?
  57. 6:23 A serious thing posing as somebody's brother.
  58. 6:26 What's your name?
  59. 6:28 Put it in a cane. Ask me again, I'll tell you the same.
  60. 6:45 Give me that again.
  61. 6:46 What's your name?
  62. 6:47 Joe Monroe, ask me again, you still won't know. He said it again. He repeated it. He repeated it. I'll give him the last chance to make a dying statement.
  63. 6:57 This is silly, Burly, and dangerous. It's all right, sis. I know a million of them. Yeah, what? He can't get away with that. This is it. What's your name?
  64. 7:05 Poop-oop-a-doo. That's who I am. And who are you? That kid, you see?
  65. 7:11 Fight! Fight! In front of the club! Hurry, hurry, let's put this to fun. Who's fighting? Come on, come on, come on, come on.
  66. 7:24 Do any of you mugs know these mugs? I don't know this guy, but this guy is the middleweight champion of the world.
  67. 7:35 Hey, I'd like to shake the hand of the man that knocked out the middleweight champion. So would I. Oh, yeah. Extra, extra. Read all about it.
  68. 7:43 Middleweight champion knocked out by truck driver. Read all about it. Extra!
  69. 7:53 Well, they kind of got you in the spot, ain't they, Gabby? Yeah. Every time I leave town, something happens.
  70. 7:57 That is news. There's a rule something happens and then you leave town. Oh, I see. Wise guy, huh? I thought you were paid for a report. I'll take it's trash. I'll take it.
  71. 8:02 Listen, I don't want any more. Inside, inside, you'll lose it. Great guy. Come on, let's get out of here.
  72. 8:14 Speed!
  73. 8:15 Oh, speed!
  74. 8:25 Oh, no, no, no, no.
  75. 8:28 Uh-huh. Go.
  76. 8:49 Spider! Spider! Hey, William! William! William! William! It's me, Spider!
  77. 8:54 How'd I get this mouse?
  78. 8:57 Oh, I don't know. I was done with you.
  79. 9:02 No.
  80. 9:04 Yes, you were.
  81. 9:06 Where's I?
  82. 9:08 Of course you...
  83. 9:09 Weren't you?
  84. 9:12 What?
  85. 9:14 What?
  86. 9:18 You shouldn't come in here when Gabby's out of town. He might think it wasn't on the level.
  87. 9:22 He wouldn't understand anything that was.
  88. 9:25 Good morning, Plato.
  89. 9:26 Play to what? Let's keep it simple.
  90. 9:30 How did you get that?
  91. 9:31 Oh, uh...
  92. 9:32 This? Oh, well, you see, uh...
  93. 9:34 I was shadow boxing and-- - In the shadow one?
  94. 9:37 No, no. You see, it was like this. Spider came in, and we started to spar, and...
  95. 9:43 And I ran into one.
  96. 9:45 Where were you when I called last night?
  97. 9:47 In the shower.
  98. 9:49 Tub.
  99. 9:51 More accidents happen in bathrooms.
  100. 9:53 Look.
  101. 9:55 That's the story of the lion.
  102. 9:57 And the mouse.
  103. 9:58 It's a lie! Then sue the paper.
  104. 10:04 What does it say?
  105. 10:06 Truck driver knocks out champion. Oh, it must be some other mug. Yeah, some other middleweight champion. There ain't no other middleweight champ. Not officially. Listen, Ann, be a pal. You're not going to say anything to Gabby about this, are you? He reads just as easy.
  106. 10:21 Oh, but he's in Philadelphia.
  107. 10:24 I hear they got a paper there now.
  108. 10:28 - We're in your jam now. - Tabby, you're his manager. I'm telling you, I'll give you a statement of ten minutes. Well, it better be ten minutes or we'll write one of our own.
  109. 10:36 Yeah, but you don't know what it means to lose your reputation. Walk down the street and have the whole town talking about you. No.
  110. 10:42 Well, 12 years ago in my hometown, I went on a hayride.
  111. 10:46 What's that got to do with it? Nothing.
  112. 10:48 Except they're still talking about it.
  113. 10:50 Let me see that.
  114. 10:52 Oh, that'll be all right in a few days.
  115. 10:55 Oh.
  116. 10:56 Hello, Daddy.
  117. 10:58 Remind me to ask you later what you were doing in here with him. I wish you cared.
  118. 11:03 Well...
  119. 11:10 You dumb cluck, you thick-skulled gorilla. What do you think I'm feeding you for? Why don't you watch him? Well, what are you going to say for yourself?
  120. 11:16 I got a headache. Shut up!
  121. 11:18 And you?
  122. 11:19 You, the middleweight champion of the world.
  123. 11:24 Yesterday you had a title worth a million dollars.
  124. 11:26 Today it isn't worth a nickel. I'm in Philly, signing up to meet Kid Miller for 20 Gs. I got the pen in my hand all ready to sign on what happens.
  125. 11:33 Yeah.
  126. 11:34 That's what I want to know. What happened?
  127. 11:37 He wants to know what happened. Ha! They want to know what happened. Sure they want to know. The lobby's calling the reporters and I gotta give them a statement. - Yeah, but, Gabby, you're... - You better get a story ready. We're gonna need it.
  128. 11:46 Hello.
  129. 11:47 Now listen, Willard. I said I'd give you a statement in ten minutes. Well, I always keep my word.
  130. 11:52 I said 10 minutes, didn't I?
  131. 11:55 The rats are coming up in five. Well, come on, let's have it. Come on, come on. Listen, Gabby, it was like this. Spider and I were walking down the street and up comes a guy. What a guy.
  132. 12:08 Right.
  133. 12:09 Gabby, he was the biggest guy I ever saw. Biggest?
  134. 12:12 Boss, he was bigger than Canary.
  135. 12:14 Yeah, yeah, with hands as big as watermelons. How did he wind his watch?
  136. 12:19 Speed looked like this alongside him.
  137. 12:22 I had to jump up in the air to hit him. Now, wait a minute, wait a minute.
  138. 12:24 This is serious.
  139. 12:25 - A big guy, huh? - Yeah.
  140. 12:27 Middleweight knocked out by heavyweight.
  141. 12:29 That's an angle. Grab it, Spider. Why, yeah. It weighs 50 pounds.
  142. 12:34 - Got a good right hand. - What'll I say? Say hello. They'll take it up from there.
  143. 12:38 Hello?
  144. 12:41 Huh?
  145. 12:43 He is!
  146. 12:46 The truck driver, Boyle Sullivan, is on his way up. Let's all hide under the bed.
  147. 12:50 Now be calm, everybody, be calm.
  148. 12:53 Now, the big stiff's on his way up. The reporters are downstairs.
  149. 12:56 We'll get a picture to show you. You know like you do, big guy?
  150. 12:59 Little guy?
  151. 13:00 Hey.
  152. 13:01 The public gets one look at you alongside of that big bruiser, or you'll even get sympathy.
  153. 13:05 You know what we can do, aren't you?
  154. 13:07 Why, say, we can take that man mountain and...
  155. 13:16 What do you want?
  156. 13:18 I'm Burley Sullivan.
  157. 13:19 It's a lie.
  158. 13:21 Hands as big as watermelons, huh?
  159. 13:23 Come in, Sullivan.
  160. 13:32 Hello there.
  161. 13:34 No, you don't. Now I got him. Now I got him. Go on. Get the press. Get the press. I'll lay him out as flat as a piece of linoleum. Get him over here in the sunlight where the boys can photograph the body. Now, wait a minute. Wait a minute before you make any more mistakes. Wait a minute.
  162. 13:47 Are you sure that you're the man that knocked out our Mr. McFarlane?
  163. 13:50 Yes, ma'am. Why, you put it in the way. Hey, hey, hey. We've got to find out what's going to say before. Get up here. Now, stop talking.
  164. 13:56 In the first place,
  165. 13:57 You got to cut out all this rough stuff.
  166. 13:59 All right, cut it out.
  167. 14:00 That's better. All right, get started.
  168. 14:02 Well...
  169. 14:04 You've all read the papers? We glanced through them. Rubbing it in, huh? There he goes again. Shut up!
  170. 14:10 All right, come on.
  171. 14:12 Now I don't know how you folks feel about all this but it's got me worried.
  172. 14:16 You're looking well.
  173. 14:19 This thing was partly my fault and.
  174. 14:22 All right if I sit down? Yeah.
  175. 14:26 Now I'll tell you just how it started.
  176. 14:28 You see I've never had my name in the papers.
  177. 14:31 when I saw a chance to get in the headlines,
  178. 14:34 Whoo! You don't know what that did to me.
  179. 14:37 See, I lead a very simple life. I'll bet you do. Hmm.
  180. 14:40 At the dairy.
  181. 14:42 I'm only a 120-pointer.
  182. 14:44 It's bad, huh?
  183. 14:45 Oh, it's awful.
  184. 14:47 And then out of the clear sky, this thing happened last night.
  185. 14:52 You know? And as all those reporters came running up to me,
  186. 14:55 I said, oh, boy, oh, boy, oh, boy, and...
  187. 15:00 Well, I guess I was carried away. Well, now we're getting somewhere.
  188. 15:05 There's a telephone.
  189. 15:06 Yeah.
  190. 15:10 Huh?
  191. 15:12 Coming upstairs?
  192. 15:13 Hey.
  193. 15:14 Hey, wait a minute.
  194. 15:15 Come on, let him alone, let him alone.
  195. 15:17 Tell the boy I'll give him five bucks to stall the elevator. Now, come on. Let's get out of cases. Let's get out of cases.
  196. 15:22 How did a check get knocked out?
  197. 15:24 When I was a little boy. Now listen, you have to go back that far. Now, please don't stop me.
  198. 15:29 He's nervous isn't he. What do you suggest. Warm milk's very good. No he's tried that. Now listen come on let's get going.
  199. 15:38 Uh, well, when I was a little boy. Now listen, let's just start with your little order.
  200. 15:42 Oh, no, I got to start where I'm a little boy. We got no time to wait for you to grow up.
  201. 15:47 Oh, now I'm all right.
  202. 15:50 Now you got him all rattled. Oh, come on. Come on and tell Ann all about it. Just one.
  203. 15:55 Well...
  204. 15:56 When I was a little boy, I was sort of puny.
  205. 15:59 Hey!
  206. 16:03 The big boys used to pick on me.
  207. 16:05 They threw things at me.
  208. 16:07 bricks and tomatoes.
  209. 16:08 You know, like kids do.
  210. 16:10 -So I learned to duck. -What?
  211. 16:12 It's a duck.
  212. 16:14 See what I mean?
  213. 16:15 Oh, I had to. I finally got so good at it that I could put my hands in my pockets and...
  214. 16:22 Bet the kids pennies they could knock my hat off.
  215. 16:24 They couldn't either.
  216. 16:26 You know what?
  217. 16:27 I made enough to take my mother and my sister-may to the picture show.
  218. 16:30 Say, you met her last night. Look here.
  219. 16:33 I'm trying to find out how the chad got knocked out, and you keep talking about milk and too many babies and mogans.
  220. 16:38 Now, this isn't going to get you anywhere.
  221. 16:41 How would you like to let me do that to you? That's right. All right. Go ahead. Now I don't know where I was.
  222. 16:46 Now listen, Sully.
  223. 16:48 You were a puny little boy.
  224. 16:49 And you took your mother and sister to a picture show.
  225. 16:52 Now do you remember?
  226. 16:54 Oh, yes.
  227. 16:56 I even remember the picture.
  228. 16:59 You remember the one where the man locked the girl in his cabin.
  229. 17:02 And he chased her round and round.
  230. 17:03 So that one. Yes you do. Yes. How did it end. My mother took me home.
  231. 17:09 Take the witness. Look here. Now pay attention to me.
  232. 17:13 Now listen, don't let your mind wander. Keep it in a straight line. - They're coming up the stairs. - You hear what he said? They're coming up the stairs.
  233. 17:20 You gotta think. You gotta think! You gotta concentrate!
  234. 17:23 Listen, you got us all nuts around here. The first thing you know, you've been telling me that you didn't knock him out. I didn't. That's what I said.
  235. 17:28 What's that, Kishel?
  236. 17:29 I said I didn't knock him out.
  237. 17:31 Everybody hear that?
  238. 17:32 Did you all hear that?
  239. 17:33 He didn't knock him up! Hines!
  240. 17:35 That's our angle. That's our lamp. Damn, open the door and let the press in.
  241. 17:39 - You didn't knock him out? - No.
  242. 17:41 - You don't deny it? - No. - What are you gonna tell the press? - He knocked him out.
  243. 17:45 It's alive! So, you hung on me. You weren't with me last night. Oh, really? Where's my heart again? He can't get away with that! - Let him cut it out now! - You're a Muslim! No! Hey, cut it out! What are you trying to do? Settle down, will ya? Yes, if you'll settle down, I'll explain exactly what happened. All right, go ahead. Give us the lowdown. Well,
  244. 18:06 In the first place, he swung at me and missed. I never missed.
  245. 18:10 Yes, you missed me.
  246. 18:11 Then...
  247. 18:12 I can't hit you, huh?
  248. 18:14 I'm sorry.
  249. 18:15 No.
  250. 18:16 You see what I mean? There. You see, Mr. Sloan? That's point number one.
  251. 18:21 He swung at me and missed, see? But I never missed!
  252. 18:28 Hey!
  253. 18:36 Oh, no. That's not the way to do it. Look, this is the way to do it. See? Like that.
  254. 18:43 What is nonsense? Will you kindly tell me how I got knocked?
  255. 18:52 Mr. Sloan, that's exactly what happened. Boy, what a story. Twice in one day. He gave him another demonstration. Now, wait a minute. I can explain everything. He can explain better. Yeah, but I didn't do it. It was an accident. What an accident. He's right. I did it. How much did Gavin give you to say that? Not that. I didn't give you a... Please don't punish these four... No, boys, you're wrong. Everybody's serious. Where is that? Where is that? I don't want to... Give me that.
  256. 19:18 Get out of here, you buzzards. Give me that. Get out of here, you buzzards. He's still going to get out of here.
  257. 19:22 I'm going to go.
  258. 19:42 Say something.
  259. 19:43 Mm.
  260. 19:43 Okay.
  261. 19:45 He'll be all right, Doctor.
  262. 19:46 It's the shock, that's all. What he really needs is sleep.
  263. 19:49 This will fix him up.
  264. 19:50 I'll give him a spoonful of that and a glass of water.
  265. 19:53 Someone should do it. - Oh, I'll watch him, Doctor. You remember I looked after him the time he got his face caught in the cash register. - Yes, yes. - Well, good night.
  266. 20:00 Good night. Good night. Good night gentlemen. Good night. Come on Doc, get going. Will you get going? Good night. Good night. Good night. Good night.
  267. 20:08 I got it. I got it. Was the doctor saying it was? Get Sullivan. Come on.
  268. 20:13 It's a regular, I tell you, I got it. It's an angle. I love an angle. Come on.
  269. 20:17 Get some of them, bring them up here. Bring them up here, don't like them. Bring them right up here. That does it.
  270. 20:22 That writ!
  271. 20:23 Oh, dear.
  272. 20:30 Whee!
  273. 20:37 *whistling*
  274. 20:55 Whistling
  275. 21:02 *crickets*
  276. 21:06 *whistling*
  277. 21:11 Oh, heh.
  278. 21:13 Yeah. All right.
  279. 21:20 Much of sugar?
  280. 21:21 Huh? Do you?
  281. 21:23 Yeah. Hmm.
  282. 21:25 How do I know you love me? Hmm? How do I know you love me?
  283. 21:28 Oh, yeah.
  284. 21:30 Now wait a minute.
  285. 21:31 Wait now, wait now, wait now, wait now, wait now. Show me you love me.
  286. 21:35 Mm-hmm.
  287. 21:39 Oh...
  288. 21:40 I got some more. I got some more. Let's.
  289. 21:46 All right, guess which...
  290. 21:47 Hey, you.
  291. 21:48 The boss wants to see you.
  292. 21:50 You're coming with me. No, sir, I got work to do. Come on. Anyway, I'm not going up there again.
  293. 21:56 Anyway. What's that?
  294. 21:59 Once better than twice shy. Huh?
  295. 22:01 Give me that once again.
  296. 22:03 I don't chew my cabbage twice.
  297. 22:04 So you're starting out again, huh?
  298. 22:08 Hey! Two against one, huh? I'll show you.
  299. 22:15 Listen, you!
  300. 22:17 Look here. I'm delivering grade A milk for better babies. Gabby won't take no for an answer. You better cut it out now. You can get in trouble for this, you know.
  301. 22:44 Oh, my God.
  302. 22:51 You let me go now! Come on, not enough of them! Wait, Adam, you're coming with me! Look out, I got a gun! Again, Adam?
  303. 23:04 Mark!
  304. 23:06 Come on, come on. He's a dangerous character. Officer, he's a menace to humanity. Wait a minute, officer. This is a sense to explain. Yeah, I know. I'm a witness. Come on. Hey, wait a minute. I can get out of this. Take me.
  305. 23:26 That guy can find a lick, protect the garden, or maybe the polo ground. Or a telephone booth. How about a swig of the sleeping medicine? He's a natural. We'd build him a rep, and then he'd be the biggest growing car since Detson.
  306. 23:34 First, he's gonna knock out a few setups. Starting with you? You got the idea. He knocks over six setups and then he meets you in the photograph. And we have a new champion. A spider in the lobby. We're all in, Gloria.
  307. 23:45 Hello, Spider. You got a little of me? Well, ring her. What?
  308. 23:48 Your heart?
  309. 23:50 He's in jail!
  310. 23:53 Holy... It's all my fault for trusting a lug like that. I should have had more sense. I should have sent somebody with brains. Yeah. Yeah. Yeah. You. Yeah. Why don't you go? Yeah. That's right. Yeah.
  311. 24:02 For where'll I find them?
  312. 24:04 You stop the first new wagon you come to, and if you're still on your feet, you say to yourself, that's not him.
  313. 24:09 Thanks for the tip.
  314. 24:11 I'm going to go.
  315. 24:14 This program is coming to you for the courtesy of Amalgamated Gas.
  316. 24:24 Will you stop ringing my doorbell?
  317. 24:26 Did somebody tell you it was Halloween? I tell you, I gotta see your brother. And I told you, my brother isn't here. And I don't believe it.
  318. 24:33 Will you believe me when I tell you I'm going to get some sleep?
  319. 24:38 Now,
  320. 24:50 What's the idea?
  321. 24:51 Oh, I'm sorry. I didn't know it was your bell. It ought to be a shame of yourself, a big fellow like you going around ringing people's doorbells. I said I was sorry. What more can I say? That's not the idea. It's the principle of the thing.
  322. 25:01 My wife's been talking for two hours. She finally went to sleep. You come along and wake her up.
  323. 25:06 Well, what am I supposed to do about that? You're supposed to beat it before I get sore. Oh, getting tough, huh? Just as tough as you are.
  324. 25:13 Now, wait a minute, buddy. My business is knocking out people. Is that so? Yeah, and for two cents, I'll let you have one right on that.
  325. 25:19 I'm in business myself.
  326. 25:31 Come on, Dori.
  327. 25:32 Let's go.
  328. 25:38 *thud*
  329. 25:45 and
  330. 25:57 Hello, Spain.
  331. 25:58 You got him in the lobby?
  332. 26:00 Where are you?
  333. 26:02 Oh, what have I done to deserve this?
  334. 26:06 Every time I pick up this phone, I get where it moves. Well, I'll put a stop to that.
  335. 26:18 That's two of them in jail.
  336. 26:22 Or maybe three.
  337. 26:26 - Come on.
  338. 26:34 At that...
  339. 26:35 That's more good, you know.
  340. 26:36 That's a misdemeanor. Cots are coming up.
  341. 26:38 Plus my angle.
  342. 26:39 What's my arm?
  343. 26:40 Why did you tell him you were a little boy you were kind of puny that ought to do it.
  344. 26:44 Ah.
  345. 26:55 Agnes!
  346. 26:58 What's the matter?
  347. 27:00 Get him!
  348. 27:04 Oh, my.
  349. 27:14 That gave me right.
  350. 27:17 Angus!
  351. 27:19 Oh, my God.
  352. 27:21 Hurry up!
  353. 27:22 Help, my horse!
  354. 27:27 Help! Help!
  355. 27:43 Hello.
  356. 27:44 Look, hello!
  357. 27:49 Hello? Oh, hello? Yes, look, hello. Just one moment, just one moment. Will you hold the phone? I'm talking to someone. Yes, here's what I want. I need a... Are you bothering me this time of night? Just a moment, please. I'm talking over here. Yes, I'm trying to explain. No, I'm talking to another fellow. Let us out.
  358. 28:04 Hello? Don't...
  359. 28:06 Hello. Yes, what? Hello!
  360. 28:08 Hello!
  361. 28:10 Hello!
  362. 28:11 Hello! Hello up there! Hey, come on! Hello! I've got to have a telephone! I've got to have a telephone!
  363. 28:29 Ha!
  364. 28:30 Hello! You can use my phone. 313, third floor. Thank you. Thank you very much.
  365. 28:36 Yes.
  366. 28:48 Come in.
  367. 28:52 - The phone's over there. - Thank you.
  368. 28:59 - This is sure nice of you. - That's all right.
  369. 29:01 Hello, hello. Is this Kenny? This is Burleigh. Something's happened to Agnes.
  370. 29:07 Yeah, she's lying in the gutter.
  371. 29:09 MR KIRBY: I – I –
  372. 29:10 Well, she won't get up.
  373. 29:11 Yeah, our tongue's hanging out a foot.
  374. 29:14 Thirsty?
  375. 29:14 Oh, she couldn't be. She's had plenty to drink.
  376. 29:16 What she's got's a bellyache.
  377. 29:19 Yeah, you better get her an ambulance. This is 56 in Lotus Apartments. Yes.
  378. 29:25 You'd better bring the lady up here until... She's not a lady. I didn't think she was.
  379. 30:01 Hello, sunflower dairy? Maybe you can help me out.
  380. 30:04 One of your men left his cap in my apartment.
  381. 30:06 Oh, about 3 o'clock this morning.
  382. 30:09 No, I don't know his name.
  383. 30:12 Well...
  384. 30:13 He was about 5 feet 10.
  385. 30:15 Has dark hair and glasses.
  386. 30:17 AND I THINK THAT'S A GOOD IDEA.
  387. 30:18 And a very pleasant smile.
  388. 30:20 Yes.
  389. 30:26 Well, if you know who it is,
  390. 30:28 Would you ask him to stop by the Acme Barbershop? - Manicure! - Manicure!
  391. 30:40 Uh-huh.
  392. 30:45 - Hello. - Hello.
  393. 30:48 I was just talking about you. Yeah, I know.
  394. 30:55 How is Agnes?
  395. 30:56 Oh.
  396. 30:57 She's not very good.
  397. 30:59 I was up with her all night. Oh, that's too bad.
  398. 31:02 Yeah, I took it to a good doctor, though.
  399. 31:04 No powder. I hope she'll be all right.
  400. 31:08 Do you?
  401. 31:09 All through.
  402. 31:11 Hmm?
  403. 31:12 Oh, well...
  404. 31:13 Give me another shave.
  405. 31:15 Another shave?
  406. 31:16 Yeah.
  407. 31:28 Hey! Hey!
  408. 31:30 You let me go! Cut it out now! Stop it! Help! Oh! Oh! You give me back my pants! Give me my pants!
  409. 31:39 - Pardon me. - Oh, don't mind me. I used to work with the four flying fagans.
  410. 31:42 Ten around.
  411. 31:44 Well, there's one thing in his favor. He's got a front and a back. What do you think? You could wrap him in a horse plank until the bell rings. Say, what is this? Gotta take some of that off.
  412. 31:52 You can't do that, no. I know what I found, Lord.
  413. 31:55 Soft as a bag of dead mice.
  414. 31:58 It's no soap, Gabby. That string bean couldn't lick Zazu's face. He's got to work. He's got to fight somebody in 30 days. It's only out. What do you mean? He's got to work.
  415. 32:11 Might I say something?
  416. 32:13 Quiet, boys.
  417. 32:13 He wants to say something.
  418. 32:15 I'm sorry, but I just don't want to fight.
  419. 32:19 Listen, Bernie.
  420. 32:20 I'm your friend.
  421. 32:21 I'm honest, Gabby Sloan.
  422. 32:22 I'm trying to do your thing. - Oh, not either. - Oh, wait a minute. You haven't heard me yet, Miss.
  423. 32:27 Get a picture of this.
  424. 32:29 You're up to hear him go.
  425. 32:30 You got a string of big cars from here to Boyle's Half Acre. The dames are doing nip-ups over here in the street. The crowds are pointing at you. They're yelling, there he goes! Who? You! You!
  426. 32:39 Why? Because you're the big shot!
  427. 32:41 You're fighting for the title. It's the polo grounds. 80,000 people are going batty.
  428. 32:45 - There goes the bell. - I'll answer.
  429. 32:47 There goes the gun. You're at him like a tiger. He leads the tiger duck that you you're the tiger. He leads again the tiger ducks again. No, no.
  430. 32:53 Robot.
  431. 32:54 That's nothing like it. Here, show you. You've got to get that knee action, see?
  432. 32:58 Now here, relax, you're a bundle of nerves.
  433. 33:00 Hmm.
  434. 33:01 Come on, give in here.
  435. 33:02 That's better. That's it.
  436. 33:05 Don't you want to learn how to duck?
  437. 33:07 We're back in the polo grounds. The tiger leads the left to right and left. Ninety thousand people are standing up to see. Eighty thousand. Right. Right.
  438. 33:12 80,000. That's one for you. 80,000 people. And not quite 80,000.
  439. 33:17 What do you mean by not quite 80,000?
  440. 33:19 Because I won't be there.
  441. 33:20 Two up for him and game.
  442. 33:22 Talk isn't gonna do this monkey any good, but I'll show you what will. Now I got you. Now I got you. Try this one on your piano.
  443. 33:30 Why, you big hoodlum.
  444. 33:32 You big, swift bell ringer.
  445. 33:36 I don't like dames that head gentlemen.
  446. 33:39 Another docker?
  447. 33:40 Burleigh, what are they doing to you? They're trying to make a fighter out of me. We wasn't doing nothing. You get out of here. All of you get out of here. Brooklyn Hospitality. You're a bunch of hoodlums. Who's a hoodlum? He's the worst. I ain't no hoodlum. Get out of here.
  448. 33:54 The little lady's right.
  449. 33:57 My apologies.
  450. 33:58 And my regrets, Miss Sullivan.
  451. 34:04 Uh, uh, Burling.
  452. 34:06 Yes?
  453. 34:07 Just one thing before I go.
  454. 34:10 If you think of me at all, Bertie,
  455. 34:12 Try to remember me as...
  456. 34:14 He's honest, Gabby Sloan.
  457. 34:15 All right.
  458. 34:18 who came to lay a future in your lap.
  459. 34:21 A future that you'd be proud of.
  460. 34:23 that your lovely sister would be proud of.
  461. 34:26 And that that...
  462. 34:27 That dear sweet-faced
  463. 34:29 ...kindly old lady would be proud of her.
  464. 34:31 Hmm?
  465. 34:34 You know, Billy...
  466. 34:36 I sometimes wonder if we're half the men our mothers hoped we'd be.
  467. 34:39 Hmm.
  468. 34:40 I'll bet your mother's this, sweet little woman.
  469. 34:42 Yeah, she's been having a little trouble with her kidneys lately, hasn't she, sis?
  470. 34:47 You know, Bernie, that's uncanny.
  471. 34:50 If I didn't know, I'd swear that that was my mother.
  472. 34:53 Maybe there's your mother.
  473. 34:55 It was here when we moved in.
  474. 34:56 Maybe that's your father. He was here too.
  475. 34:59 Pardon me, that's my horse.
  476. 35:04 How about a glass of warm milk?
  477. 35:09 Hello.
  478. 35:12 But she was sick, Mr. Kinney.
  479. 35:14 I had to take her to the hospital.
  480. 35:16 Yes, I know those things cost money. Oh, Bernie, did I hear you say you needed cash? What?
  481. 35:22 Oh, you couldn't sell her hide.
  482. 35:24 No, Mr. Kenny, I'm not trying to tell you how to run your business. Oh, I can tell you why you care. But you can't do that to Agnes.
  483. 35:29 What?
  484. 35:30 All right, fire me then. But she's worth more than that to me alive.
  485. 35:33 Huh?
  486. 35:34 No, I never had that much money in my whole life. Have us this. No, but I'll get it. Hang up on the rack. Oh, don't listen to him. You get the money. You, you...
  487. 35:43 How?
  488. 35:44 By signing a contract with me that will get you a fortune. Hold a wire. But a fortune.
  489. 35:48 for a few moments pleasant employment in a cool, airy arena.
  490. 35:53 I'll do it.
  491. 36:07 Good morning.
  492. 36:10 Good morning.
  493. 36:11 Where's Spider?
  494. 36:12 At the ring.
  495. 36:14 Oh.
  496. 36:15 Hmm.
  497. 36:17 My, you look lovely this morning.
  498. 36:19 and vice versa.
  499. 36:37 Oh, Tiger!
  500. 36:38 We always use it.
  501. 36:39 Ridge!
  502. 36:42 Oh, yes.
  503. 36:55 Hello?
  504. 36:56 Ah.
  505. 37:01 You perspire easy, don't you? No, I... Never mind that.
  506. 37:04 Where'd you get those?
  507. 37:06 The elastic broke. Never mind that, too. Let's get going.
  508. 37:09 It's your face fight.
  509. 37:10 The bell rings. You come out fightin'.
  510. 37:12 You mix it up in the middle of the ring. He throws a right, you duck. He throws a left, you duck. Suddenly the crowd goes nuts. There's a guy down.
  511. 37:19 Not you.
  512. 37:20 He's down and he's out.
  513. 37:22 Eight.
  514. 37:22 9, 10, and you're the winner.
  515. 37:31 Don't you think that we ought to practice losing?
  516. 37:33 Don't worry, you win.
  517. 37:37 Give me that.
  518. 37:41 How's that?
  519. 37:42 Tied.
  520. 37:51 Come on.
  521. 37:57 I keep it on.
  522. 38:02 You know, I know two fellows once they got in the same spot.
  523. 38:05 Six months later, they got the gloves away from them.
  524. 38:07 They're all right now.
  525. 38:13 Have I gotta go on with this? You can't quit.
  526. 38:16 Think of your career.
  527. 38:28 You know, it's the monotony of the thing that's getting me down.
  528. 38:31 All right, let's see. Where were we?
  529. 38:32 Oh, yeah.
  530. 38:33 You're the win--
  531. 38:34 Oh, no.
  532. 38:35 You win.
  533. 38:36 And to look good, you give them the old business. You give them that...
  534. 38:39 It didn't miss.
  535. 38:40 And to top it...
  536. 38:41 You're getting missed.
  537. 38:43 See?
  538. 38:44 Now we'll start from the beginning.
  539. 38:46 The bell rings on the other fella.
  540. 38:48 Put them up.
  541. 38:52 Ain't you ever forgotten?
  542. 38:53 Ha!
  543. 38:57 All right.
  544. 39:03 Now make a face.
  545. 39:06 Nah, no.
  546. 39:07 Make a face to scare him.
  547. 39:09 Like yours?
  548. 39:11 I never scare nobody. Scare me?
  549. 39:14 I'll put him up.
  550. 39:16 All right. I'm the other fella. You come in swinging.
  551. 39:19 One, two, boom.
  552. 39:20 One, two, boom.
  553. 39:22 Start swinging.
  554. 39:23 Oh, no, I might hurt you.
  555. 39:25 I'll take a chance. I'm very game.
  556. 39:28 All right.
  557. 39:30 You too?
  558. 39:32 Pum-choo-pum, pum-choo-pum.
  559. 39:35 Mr. St.
  560. 39:38 What's holding you up?
  561. 39:41 No, no, get tough. Give it all you got. Oh, no. Come on, start swinging.
  562. 39:47 All right.
  563. 39:50 I
  564. 40:00 How what?
  565. 40:00 That's all. I quit.
  566. 40:07 Oh, Tiger? Yeah. Or are you too busy?
  567. 40:13 You know how to dance?
  568. 40:14 Dance? Yes, at the Sunflower, you know, we used to dance there. Now, I'm convinced. Now, how do you hold the girl?
  569. 40:20 Like that.
  570. 40:21 I close your fist.
  571. 40:22 A dance.
  572. 40:24 Without music?
  573. 40:28 Tra la la la... Now, wait a minute. Now, listen.
  574. 40:31 Tra la la la.
  575. 40:33 boom, boom.
  576. 40:34 Tra-la-la-la
  577. 40:37 Boom, boom.
  578. 40:40 Boom, boom.
  579. 40:45 La la la boom boom boom.
  580. 40:57 This is what I tell them.
  581. 40:58 Here, Joe.
  582. 40:59 She'll be in Detroit on the 9th.
  583. 41:00 Don't worry about the wait.
  584. 41:02 He'll make it with a quart of milk in each hand. It's all set, Speeds. Chicago on the 4th, Detroit on the 9th.
  585. 41:08 Why can't I just punch him in the nose in public and get it over with?
  586. 41:18 The way you talk speed is the difference between a smart guy and a great guy.
  587. 41:21 Oh look what's coming our house?
  588. 41:26 Yes, I'm coming to make trouble.
  589. 41:28 Now get a hold of them, stop them and keep them away from that waltzing mouth. Now listen, Speed.
  590. 41:32 That sister's plenty tough.
  591. 41:34 Make a play for her. And if she falls for you, she'll be a cinch to handle.
  592. 41:37 Turn down that hundred and sixty pounds of personality.
  593. 41:39 And if you want to put in a good humor,
  594. 41:40 Tell her I broke my leg and you had to shoot me.
  595. 41:46 Okay.
  596. 41:48 Hey!
  597. 41:50 Where do you think you're going? There's Polly and me. So what? Dames and fighters don't mix. That's what he found out. Oh, but... Come on, keep calm. But I want to say hello to him. Keep cool, keep cool.
  598. 42:01 Take him over and give him a shower. While you're there, take one yourself. Hey, I... What can you lose?
  599. 42:07 Look.
  600. 42:09 *whistling*
  601. 42:11 Oh, don't worry, Polly. I'll do the talking. I'll tell that Gabby Sloan that... Welcome, welcome, welcome. That means we're welcome.
  602. 42:17 Miss Pringle, Mr. McFarland.
  603. 42:19 - How do you do? - How do you do?
  604. 42:21 I want to talk to Mr. Sloan. And you most certainly would if he was here, but he's in town.
  605. 42:26 Choose.
  606. 42:26 Mm.
  607. 42:27 Out the hood.
  608. 42:28 Good.
  609. 42:29 Maybe I can talk to you.
  610. 42:30 Now that's a pleasure.
  611. 42:32 If you'll excuse us.
  612. 42:33 Oh, I'll be around.
  613. 42:36 Give me back those pants! I'll fix you!
  614. 42:41 Hey, come back with that towel!
  615. 42:44 Kimmy!
  616. 42:46 I ain't true with you.
  617. 42:48 Don't get the wrong impression of the fight game just because a few fighters walk on their heels.
  618. 42:52 The wise ones don't.
  619. 42:53 Look at me.
  620. 42:55 I am.
  621. 42:57 Why are you so interested in Burleigh?
  622. 42:59 Well.
  623. 43:00 first place because he's
  624. 43:02 He's your brother.
  625. 43:04 That doesn't even make sense.
  626. 43:06 What I wouldn't give for a place like this.
  627. 43:07 with a cow and a few chickens.
  628. 43:10 And you...
  629. 43:11 Honey?
  630. 43:11 If this thing works out,
  631. 43:13 And it can't miss.
  632. 43:14 I'll get you a place like this and a million chickens.
  633. 43:17 You know, I've heard all that before.
  634. 43:20 When I first met you, I had two of everything.
  635. 43:23 Now I've got one of nothing.
  636. 43:33 WXJK. Ladies and gentlemen, the cannon bomb hour.
  637. 43:37 I just can't imagine you're being a fighter.
  638. 43:40 Oh, well, it's just a means to an end.
  639. 43:43 Had to have some money quickly and...
  640. 43:45 Well, as soon as Agnes is better, I'm going back to the dairy business.
  641. 43:48 You think a whole lot of Vagnus, don't you?
  642. 43:49 Mm-hmm.
  643. 43:53 That came right off her tail.
  644. 43:55 I made it myself. - You did? - Mm-hmm. It's my good luck charm.
  645. 43:58 Well...
  646. 43:59 You weren't very lucky.
  647. 44:00 You wouldn't have lost your job, would you?
  648. 44:03 No, but...
  649. 44:05 I was lucky when I met you.
  650. 44:10 It helped.
  651. 44:10 You're an awfully nice person.
  652. 44:22 Thumbs?
  653. 44:23 Amen.
  654. 44:25 Oh, my God.
  655. 44:55 That guy Hogan's terrible. Yeah. Mr. Hogan's doing everything you taught me. Okay, kid, you're next. Now? Yep, right now.
  656. 45:16 Hey, give me that phone.
  657. 45:47 - Mr. Sloan, I don't feel so good.
  658. 46:01 What's the matter, Bernie? I don't know.
  659. 46:03 I think I've got to chill.
  660. 46:06 - There you go, right here. - Huh?
  661. 46:07 Oh, my God.
  662. 46:08 No.
  663. 46:12 Yeah.
  664. 46:13 Feel better now. He's not much to look at, folks.
  665. 46:15 But if you don't think he packs a wallet,
  666. 46:17 Ask our first-while champions.
  667. 46:18 Speed McFarland. He's fighting a good man. Toilado Todd. And here's Todd now.
  668. 46:33 Imagine having to lose to this guy. Don't seem right.
  669. 46:37 Mr. Sloan. Yeah?
  670. 46:40 Do you think I've had enough boxing lessons? Listen, Bernie, you got nothing to worry about. But everything we taught you and that good luck horse head chan you got?
  671. 46:47 It's a cinch.
  672. 46:51 Wait a minute.
  673. 46:52 Hmm?
  674. 46:53 What's the matter with you now? A charm.
  675. 46:57 Ladies and gentlemen! In this corner we have...
  676. 47:05 Tornado time!
  677. 47:08 In this corner we have!
  678. 47:15 Throw in a couple of Filipinos. I'll have them back in ten minutes.
  679. 47:19 Oh, oh! Oh, ain't the circumstance over which...
  680. 47:24 The milkman has no control!
  681. 47:30 Come on.
  682. 47:33 Am I supposed to ask what you're looking for? I'm looking for a horse's tail. Oh, Mike looking for ice.
  683. 47:38 Yeah, I gotta find it. He must have left the riot somewhere. Where's the Wonder Boy? He's in his dressing room. Spider's sitting on it.
  684. 47:44 Ah, here it is!
  685. 47:47 - What was that? - Tiger O'Duck. Pursued by the headless horseman. - You're Judas? He set me for a bag of peanuts. And when I come back, what do you think? - You forgot the peanuts. - No, he was gone.
  686. 47:59 Hey, Bertie!
  687. 48:00 Look, here's your good luck, Charles. Come on out. Ha-ah.
  688. 48:04 Oh, look, just what we're looking for. The horses tell us. Come on, let's hurry.
  689. 48:07 You know, Mr. Sloan...
  690. 48:10 Because I was running across 42nd Street. You try to make a left-hand turn?
  691. 48:13 You can't.
  692. 48:15 Anyway, as I was running,
  693. 48:17 I got to thinking.
  694. 48:19 Got to wondering if you couldn't put this fight off till tomorrow night.
  695. 48:22 Maybe I'd feel more like it then.
  696. 48:24 Some of the boys might not be able to get out again tomorrow night. I'll get it, Wood. I see a quitter.
  697. 48:31 Oh no, I'm not quitting. Oh gee, that's swelling. Come on, let's go. I'm just not starting.
  698. 48:35 I see.
  699. 48:37 On a double cross a guy that never did a dirty trick in his life.
  700. 48:42 You know I...
  701. 48:44 I don't deserve this.
  702. 48:45 Spider.
  703. 48:46 Tiger.
  704. 48:47 Tiger, excuse me.
  705. 48:50 You've done something to me.
  706. 48:52 Right here.
  707. 48:52 Let me bust the door, even. If you do, I'll go down the fire escape.
  708. 48:56 Come on, are you going to fight an archer?
  709. 48:59 Ha-ah.
  710. 49:01 Well...
  711. 49:02 If it's no go, there's no hard feeling.
  712. 49:05 To show you the kind of a guy I am.
  713. 49:07 I'm going over to call the whole thing off.
  714. 49:11 Goodbye, buddy. And don't forget, folks, this fight program comes to you for the courtesy of Winebaum's Wonder Wafers, those delicious chocolate-coated...
  715. 49:29 Groceries.
  716. 49:31 Oh, it's you. Yes, sir. Now we're going to celebrate. Your brother knocked out the tornado in the first round. Boy, that's over. You said it.
  717. 49:39 What is Nova? The fight. What do you mean?
  718. 49:42 Well, it hasn't started.
  719. 49:44 Well, it's supposed to be over.
  720. 49:49 There's the tiger. There he's coming down the aisle now. A tremendous ovation, folks. And no wonder. This is the lad who knocked the middleweight champ off the front page of every newspaper.
  721. 49:58 They were going to introduce Mr. MacFarlane tonight, folks. Why aren't you there? Oh, I'd much rather be here with you.
  722. 50:05 Put it mildly, maybe the thought of meeting Mr. Sullivan again made him a little bashful.
  723. 50:10 A dope.
  724. 50:11 There they go, folks. The trainer comes up on a wild ball. He swings, the tiger ducks. He swings again, the tiger ducks.
  725. 50:18 The Tiger Ducks again! Folks, what a...
  726. 50:28 Oh, wow.
  727. 50:32 Sullivan sends in a jab to the face. He sends in another. 20 or down folks. He's down. He wins. Oh Burley. Burley. He won. The Tiger wins.
  728. 50:53 Sullivan won!
  729. 50:54 Come on.
  730. 50:56 Eddie, knock him out.
  731. 50:57 And in the first round, too,
  732. 50:59 - So did he want him? - In the first round. - But why didn't he get up? - Because of that good right hand. That's why. - You want to. - Do you want to have to fight anymore? - It's all over. - All over. - Maybe I can get the fighting new man to say a few words. - And here he is now.
  733. 51:13 Tell them about it, Bernie. Hello, folks.
  734. 51:16 You know, I'm just as surprised as you are, because I could swear that I missed him.
  735. 51:23 What a wit. What a clown. What a fighter. This is Honest Gabby Stone, his manager, talking, folks. And I want to say right here and now, that of all the boys I've ever handled, I've never had a boy that had the zip, the snap. What a wit.
  736. 52:13 I'm going to go.
  737. 52:23 Come on.
  738. 52:29 One, two, three.
  739. 52:30 What a cute little...
  740. 52:31 One, two, three.
  741. 52:33 What you both.
  742. 52:34 One, two, four.
  743. 52:35 I don't know.
  744. 52:38 Mr. Sloan.
  745. 52:42 - Mr. Sloan. - Oh, well, well, well, well, there.
  746. 52:44 Mr. Solomon, what is color?
  747. 52:46 What's what?
  748. 52:47 Color.
  749. 52:49 That stuff you was talking about on the radio that I got.
  750. 52:52 That's what gets a guy's name in the newspapers.
  751. 52:54 Hmm.
  752. 52:55 Like what, for instance?
  753. 52:57 Like what, what?
  754. 52:58 I mean like who, for instance?
  755. 52:59 That's what makes a man stand out from the crowd, makes them talked about. Dizzy Dean's got it, Bobby Jones has got it.
  756. 53:05 Amelia Earhart's got it. And Mae West?
  757. 53:08 She's got it in a big way.
  758. 53:10 Here.
  759. 53:11 Suppose that I had what all four of them's got.
  760. 53:14 I'd pack 'em in, huh?
  761. 53:15 I hope to tell you.
  762. 53:17 That's what I thought.
  763. 53:19 Until...
  764. 53:21 One, two, boom. One, two, boom.
  765. 53:24 One, two, boom.
  766. 53:28 Amen.
  767. 53:35 I'm going to go.
  768. 53:49 Come on.
  769. 53:58 Come on.
  770. 54:45 Hey, let's have a little service here.
  771. 54:47 Oh.
  772. 54:48 How about it? Any mail from me?
  773. 54:50 Yes, Mr. Sullivan.
  774. 54:56 Here.
  775. 54:57 Read 'em, Spider.
  776. 54:59 Come on now, boys. He won't hurt you. He's gentle as a kitten.
  777. 55:09 There's the bell. Some of the local newspapers think this fight will go ten rounds. Others think about eight. Your announcer thinks...
  778. 55:18 Your announcer knows. It's over. It's Sullivan. Sullivan in the first.
  779. 55:30 I've got the biggest idea I've ever thought of in my life.
  780. 55:33 Tonight I'm leaving for Chicago.
  781. 55:35 Tomorrow I'll buy the Fighting McMahon's contract.
  782. 55:38 What do you think of that? As an advertising argument. But some flour milk, eh?
  783. 56:58 Jim's got to see you, Gabby.
  784. 57:00 You should be. Been reading about us in Peppers? Yeah. So what happened to Peppers?
  785. 57:03 -Color, honey, that's what's done is color.
  786. 57:06 One night on a train, I got to thinking. I got an idea that the milkman needed color. That's what you've been reading about.
  787. 57:10 He fell for it in a big way, and so did the public.
  788. 57:12 Then out of a clear sky, along comes a guy. This guy?
  789. 57:16 Yes, Mr. Austin, Austin, Austin. Miss Wesley. He bought the milkman's contract from me for $50,000.
  790. 57:22 Oh, I'm delighted. Sunflower, dairies and fells. I'll see you at my house tonight. I've invited some friends.
  791. 57:28 You see, I thought we'd make the signing of the articles a big thing, eh?
  792. 57:34 No thing! Oh, bless your heart. How are you? Hello, Burm. Oh, you're looking fine.
  793. 57:41 Hooks!
  794. 57:41 This is my little fist, here. Oh.
  795. 57:45 Hello, Steve. I've got a picture of you two.
  796. 57:47 Sure, you betcha.
  797. 57:48 Get ready, will you boys? That's fine. Anything for you. Here's what I had in mind.
  798. 57:52 The people wanted a full page, you see, with you and the champ standing together.
  799. 57:56 But I said to them it might be better if the two of you were standing-- Yes, sir.
  800. 58:00 The idea is to get a picture of you with the champ lying down.
  801. 58:05 Come on, make it snappy, make it snappy. This is all you're going to get.
  802. 58:10 Oh, you shouldn't. Oh, you shouldn't. Now, wait a minute, fellas, wait a minute. You can't do this to me. I know 50,000 will buy a lot of chickens. Chickens, honey, it'll buy ostriches. You haven't heard anything yet. You're right. I'm still trying to find out where the money is. All right, here it comes.
  803. 58:26 Mr. Sunflower Dairies insisted that I bet the $50,000 back on the champ, and I had to take it.
  804. 58:31 You mean that if Speed loses, we have nothing?
  805. 58:33 Yeah?
  806. 58:34 But how can he lose?
  807. 58:36 I don't know.
  808. 58:37 But it'll be in the papers.
  809. 58:39 I can't wait to tell you it's not the important you see speed and I have kind of oh there's probably probably
  810. 58:49 Pardon me, sir. Pardon me. Holly!
  811. 58:52 You know what? We'll get married anyway. Holly! Holly! Hello!
  812. 58:58 Have I got a lot to tell you? I have a lot to tell you, too, Burleigh. Hey, Burleigh, how about a picture of you and the love interest?
  813. 59:03 Sure. All right, fine. Come on, boys. Get your cameras all set down. Get over there.
  814. 59:08 Come on now.
  815. 59:09 Might as well, they all do it. I'll do it, too.
  816. 59:15 Come on, Wurley. We've got to get to the Paramount Theater. Oh, yeah.
  817. 59:39 - Hey! - Hey!
  818. 1:00:06 Ah!
  819. 1:00:09 Well, honey, what do you think of me now?
  820. 1:00:10 I think you sold the wrong fighter.
  821. 1:00:12 You don't get me.
  822. 1:00:14 Listen, you're talking to a guy that kidded an out and out dub into thinking he was a great fighter.
  823. 1:00:19 Now all speed has got to do is to give her one good punch, and we collect a cool fortune.
  824. 1:00:22 Minus a few dollars for the Tigers hospital bills. We ought to pay that. What do you think?
  825. 1:00:27 I think you talk too much.
  826. 1:00:29 Listen, honey, I can explain everything.
  827. 1:00:34 Oh, wait a minute, honey. You great big phony baloney. You don't get it. All this time, you'll be making a play for me, so I wouldn't stand in the way of your foul plot to murder my brother. You don't understand. Oh, I don't, honey. No, you don't. My public won't want to see me anymore.
  828. 1:00:47 I don't either.
  829. 1:00:49 It's my only out. Oh, I get it.
  830. 1:00:51 Darling, I love you, said he, breaking her brother's jaw. Oh, wait a minute, honey. I promise I won't eat him any harder than this. What was that? That's my brother. Come on, let's get out of here. Don't look back.
  831. 1:01:27 How do you do, Mr. Lamar?
  832. 1:01:29 Good evening, Mrs. Lemoyne. Good evening, my dear.
  833. 1:01:32 Amen.
  834. 1:01:33 Oh, I beg your pardon, Mrs. Lamar.
  835. 1:01:35 This is a pleasure, Mrs. LaVoyne.
  836. 1:01:40 Good evening, Mr. Austin.
  837. 1:01:41 Hi. How do you do? I'd like to have you meet some of my friends. Certainly.
  838. 1:01:51 Party of the first part, in this instance, agrees with the party of the second part. You wouldn't give the dame a nickel.
  839. 1:01:56 I said the party the first five degrees with the party the second half now
  840. 1:02:00 Will you go away?
  841. 1:02:02 I'm trying to get you some ice cream. Tutti frutti?
  842. 1:02:05 witness whereof the parties here to have here unto affixed their hands and seals in tripicum
  843. 1:02:10 Now all we need is the signature. How about a statement to the press, Mrs. Lemoyne? Yeah, give them a note of it from your I know.
  844. 1:02:15 The Milk Fund, as you all know, is an idea of my own, designed purely as a means of raising funds for charity.
  845. 1:02:23 Of course, I know nothing about fisticuffs, but the cause is a worthy one. Makes me very happy when I think of the thousands of tiny tots who will receive abundant nourishment from this, um, oh, what shall I say? The sunflower dairy. Yes.
  846. 1:02:36 To my dear friend, Mr. Auston, and to you, Mr. Sloan, my sincerest gratitude.
  847. 1:02:41 That ought to kill him.
  848. 1:02:42 Hello there.
  849. 1:02:45 - Go on, Speed. We're waiting for you. - We have a contract.
  850. 1:02:47 All right, Teddy.
  851. 1:02:49 Now you sign on the bottom line. The top line's for Freddy.
  852. 1:02:51 And you better make it Elwood MacFarlane instead of...
  853. 1:02:54 Oh, yeah. You know, that elbow always bothers him a little. I'm not fighting, Gabby.
  854. 1:02:58 Quiet, everybody. Quiet now. Let's take it in here.
  855. 1:03:01 Everyone speak at once.
  856. 1:03:02 Yeah.
  857. 1:03:03 You know my blood pressure.
  858. 1:03:04 A cheap joke like that and I'm liable to fall out of my face.
  859. 1:03:06 Now, where was I?
  860. 1:03:08 Oh, yeah. You sign that contract.
  861. 1:03:10 I'm not going to fight my brother-in-law. Your brother...
  862. 1:03:15 There goes my pump.
  863. 1:03:16 There goes my chicken coop.
  864. 1:03:17 Can he do that?
  865. 1:03:41 Come on.
  866. 1:03:42 I
  867. 1:03:56 They're signing the contracts in the library. Oh, fine. Come on, Polly. You go ahead, Burley. I'll tell you later. OK.
  868. 1:04:02 Come on.
  869. 1:04:06 Gentlemen, the contract.
  870. 1:04:08 Well, what seems to be the trouble? The contract is called.
  871. 1:04:11 Yeah, but I don't... Why don't you tell him? He wants to know. It still goes. I'm not going to fight my brother-in-law. He's not your brother-in-law yet. Say, that's an angle.
  872. 1:04:18 Why don't you wait a couple of months, huh? We can't wait. I mean we don't want to. Don't be a piece of putty. Take my word for it. A couple of months is nothing. Yeah, we waited 15 years. And look at us.
  873. 1:04:26 Well, we're not waiting and I'm not fighting.
  874. 1:04:33 It had me worried.
  875. 1:04:35 For nights I wasn't sleeping.
  876. 1:04:36 I tried warm milk and everything. Internally? And I...
  877. 1:04:40 Of course. Why?
  878. 1:04:41 Never mind, go on.
  879. 1:04:43 Well, anyway, night after night, I kept dreaming the same dream.
  880. 1:04:47 That was you and Sis and...
  881. 1:04:49 You're three beautiful kids. What?
  882. 1:04:51 Incidentally, you'll love them. Spacely Jr. He looks just like you. Oh, cut it out, will you?
  883. 1:04:58 Well, anyway...
  884. 1:04:59 There they were on the front porch.
  885. 1:05:01 And as I came through the gate, they all started to scream, Mama! Mama! Mama!
  886. 1:05:05 There comes Uncle Burleigh, the man that knocked out Papa. Yeah.
  887. 1:05:10 So that's it. Your attitude regarding babies simply fascinates me. I'm Mrs. Lemoyne. I'm delighted. You know, you're a most remarkable fellow.
  888. 1:05:18 You know, you're not so bad yourself.
  889. 1:05:21 Well, much as I should like to sponsor the Milk Fund affair, I find myself deeply affected by what you've been saying. Really? Won't you tell me something about yourself? Well, when I was a little boy, I was kind of puke.
  890. 1:05:34 Our children will not cry when they see Uncle Burleigh.
  891. 1:05:37 No? No. Elwood, you signed that contract. Gee, honey, you mean. Gabby, the contract, the contract. I got a million of them. Will you get Sullivan? That's a smart move, miss.
  892. 1:05:46 You know, I finally got to good at it that I could put my hands in my pockets and bet the kids pennies they could knock my hat off.
  893. 1:05:52 And I couldn't either.
  894. 1:05:54 What was that you just did?
  895. 1:05:55 That's the old box shift.
  896. 1:05:57 That's what you've been reading about the papers.
  897. 1:06:03 No, nothing like it. No? You've got to give it that...
  898. 1:06:06 Knee action.
  899. 1:06:09 You're pretty good. You're fine. Oh, you're a darling. Now I'll show you how I use it in the ring. Yes. All right, you swing at me. You mean actually hit you? Go ahead. I won't be there.
  900. 1:06:18 Sure? All right.
  901. 1:06:20 Oh, no, not like that. Look, you must let it go.
  902. 1:06:24 Clear through. That's the stuff. Follow right through. Mm-hmm. All right. Now, be afraid of it. Now watch. All right.
  903. 1:06:30 Oh, that's wonderful! Oh, you know...
  904. 1:06:33 Really, that's fascinating. No.
  905. 1:06:36 You're too stiff.
  906. 1:06:37 Yes, I know I am.
  907. 1:06:39 - Relax. - Uh-huh.
  908. 1:06:41 Yeah.
  909. 1:06:42 Give it in.
  910. 1:06:43 Uh-huh. More freedom. That's it. Oh, yes. And loosen up here. That's it.
  911. 1:06:49 Don't forget the only action. No, no, I'm not. Now, now, you...
  912. 1:06:53 You do it to me.
  913. 1:06:55 You mean it? - Uh-huh. All right. Remember what I taught you? - Uh-huh. - You forget it's bad.
  914. 1:07:02 Very good. That's wonderful. How did you do it tomorrow? All right.
  915. 1:07:07 Oh, Mr. Sullivan. - Hello, Polly. - Why, uh, how do you do?
  916. 1:07:29 - How do you do? - We'll take this matter up later, Mr. Talbot.
  917. 1:07:36 They want you in there. The fight's on again. Speed says he wants to go through with it.
  918. 1:07:39 What?
  919. 1:07:41 Okay.
  920. 1:07:42 Tell him the tiger will be there in two minutes.
  921. 1:07:44 But this is just like committing suicide. You're right, Tiger.
  922. 1:07:51 Oh, there you are.
  923. 1:07:55 Burleigh, I don't even know you.
  924. 1:07:57 You don't know me.
  925. 1:07:58 All right.
  926. 1:07:59 Polly, you're being facetious, aren't you?
  927. 1:08:01 I was never more serious in my life.
  928. 1:08:03 The boy I knew went away.
  929. 1:08:05 And never came back.
  930. 1:08:06 Yes, he did. I'm the same fellow. I can prove it.
  931. 1:08:09 I'll show you my driver's license. No, you don't understand, Burleigh.
  932. 1:08:12 I met a boy once that...
  933. 1:08:15 Well, to say the least,
  934. 1:08:16 I liked him very much. - How?
  935. 1:08:19 No, that was the old Burley, the nice fellow.
  936. 1:08:21 The one who's kind of horses.
  937. 1:08:23 The humanitarian.
  938. 1:08:24 But the one who came back...
  939. 1:08:26 came back with a smell of blood still fresh in his nostrils.
  940. 1:08:29 Burleigh, you're nothing but a killer.
  941. 1:08:30 You should be hanging on the wall with the rest of the killers.
  942. 1:08:33 Killer.
  943. 1:08:35 Me? A killer? Yes, you are.
  944. 1:08:37 You're a Dr. Jekyll and a Mr. Hyde. That's what you are.
  945. 1:08:40 A dual personality.
  946. 1:08:42 And the good side of your nature is being destroyed by the bad that's in you.
  947. 1:08:45 Oh, that's bad.
  948. 1:08:48 You should see yourself as I see you.
  949. 1:08:51 Why, when you got off that train, I was never so amazed in my life.
  950. 1:08:53 You're a totally different character. And that character is going on and on, breaking people.
  951. 1:08:59 tearing them apart just to satisfy your lust.
  952. 1:09:04 That's you, Burleigh.
  953. 1:09:05 Can't you just see yourself? Uh-huh.
  954. 1:09:08 That's you. The tiger. The killer.
  955. 1:09:11 And I don't want any part of a killer.
  956. 1:09:12 I'm through.
  957. 1:09:14 Oh, Polly. Please. Please.
  958. 1:09:15 But --
  959. 1:09:18 Okay.
  960. 1:09:38 Oh, yeah.
  961. 1:09:46 Aiiiiiii!
  962. 1:09:49 Ah!
  963. 1:09:54 Spider!
  964. 1:09:59 I can't fight.
  965. 1:10:00 Who told you?
  966. 1:10:01 Never mind, I'm convinced.
  967. 1:10:03 Did you ever hear of Chico and Hyde?
  968. 1:10:06 No.
  969. 1:10:07 Well, they're like, uh... Amos and Andy? No.
  970. 1:10:10 A might and Marge? No.
  971. 1:10:13 I'm a dual personality. No fool.
  972. 1:10:21 Hey, Gabby!
  973. 1:10:22 -Gabby! -Listen. Get out of here, you tramp.
  974. 1:10:24 I'm a tramp with news.
  975. 1:10:26 I'm trying to put over a big deal, and this guy's trying to tell me... The tiger ain't fighting.
  976. 1:10:31 What?
  977. 1:10:33 A couple of guys got to him. What guys? A couple of mugs named Jackal and Hyde.
  978. 1:10:37 They got talking to him, and he ain't fighting. I don't understand it. I tell you, I can't understand it. There's a curse on the fighter on me, run something.
  979. 1:10:44 But I'll lick it in spite of that blood pressure. Hiya, boy.
  980. 1:10:48 Well, I just got the news. So you're not fighting, huh?
  981. 1:10:51 No, Mr. Sloan, I'm in an awful fix. Oh, yeah, I heard.
  982. 1:10:54 Let's get a little air.
  983. 1:10:56 You see, I'm two different people.
  984. 1:10:58 What is a sign for both of them? Oh, you can't do that.
  985. 1:11:02 Sit down.
  986. 1:11:06 Mr. Sloan, this is a very serious matter.
  987. 1:11:08 You see...
  988. 1:11:10 I have a good side.
  989. 1:11:11 And a bad sign.
  990. 1:11:13 A humanitarian...
  991. 1:11:14 And a killer.
  992. 1:11:16 And the good must kill the bad.
  993. 1:11:18 I've got to destroy the tiger in me.
  994. 1:11:20 I have to.
  995. 1:11:22 Who gave you that liner?
  996. 1:11:24 Who told you that?
  997. 1:11:24 Polly.
  998. 1:11:25 Polly?
  999. 1:11:26 Holly.
  1000. 1:11:27 Oh, yes, Polly.
  1001. 1:11:30 Smart girl, Polly. She's right.
  1002. 1:11:32 There is a killer in you.
  1003. 1:11:33 But you, you're all confused.
  1004. 1:11:35 It's the killer in you that's talking.
  1005. 1:11:37 Why, you're baffled, balled up, and bewildered.
  1006. 1:11:39 I am? Well, I'll say you are.
  1007. 1:11:41 Now listen.
  1008. 1:11:42 If you do fight...
  1009. 1:11:43 Thousands of babies get milk, don't they?
  1010. 1:11:45 Yes?
  1011. 1:11:45 But the killer in you...
  1012. 1:11:46 The bad side...
  1013. 1:11:48 wants to deprive these tiny toddling tots of their one chance to enjoy life, limb, and the pursuit of happiness.
  1014. 1:11:54 Now imagine I'm your father.
  1015. 1:11:55 Why? I don't know. You got me there.
  1016. 1:11:58 I want to help you kill the tiger in your.
  1017. 1:12:00 Now, concentrate.
  1018. 1:12:01 Concentrate as you've never concentrated before.
  1019. 1:12:05 Think of a baby.
  1020. 1:12:06 - Have you got it? - Yes.
  1021. 1:12:08 Now think of a bottle of milk.
  1022. 1:12:09 - Have you got it? - No, the baby's got it. Did you want me to have it?
  1023. 1:12:16 Take away the bottle of milk.
  1024. 1:12:17 But you just gave it to the baby. I... Would it be asking too much to ask you to take the bottle of milk? No.
  1025. 1:12:23 What have you got left? I've got a baby.
  1026. 1:12:25 And he's crying. No, he's laughing.
  1027. 1:12:30 Throw in a thousand babies.
  1028. 1:12:32 Uh-huh. Now they're all crying.
  1029. 1:12:34 - Hold for that wand. - Throw out that wand.
  1030. 1:12:37 Now they're all crying, aren't they? What are they crying for? I don't know.
  1031. 1:12:40 They're crying for milk.
  1032. 1:12:41 Why can't they have it? Because the killer says no.
  1033. 1:12:44 The killer doesn't want them to have milk.
  1034. 1:12:45 The killer likes to see baby starve.
  1035. 1:12:47 But the good you.
  1036. 1:12:48 The humanitarian you, he loves babies. He wants babies to have milk.
  1037. 1:12:53 Now, you're not going to let that tiger lick you, are you? Uh-uh. Because you're fighting for a cause. And what a cause!
  1038. 1:12:58 You're the baby's champion.
  1039. 1:13:00 They're all cheering for you.
  1040. 1:13:30 Oh, my God.
  1041. 1:13:34 What a lot of money.
  1042. 1:13:35 Half for those little kiddies and half for those kiddies. Can't you see it all now, honey? A million chickens.
  1043. 1:13:42 Oh, hello.
  1044. 1:13:44 Oh, hello, Burleigh. Burleigh?
  1045. 1:13:46 Any here?
  1046. 1:13:47 No.
  1047. 1:13:48 Not yet.
  1048. 1:13:49 What?
  1049. 1:13:50 Oh, well, I...
  1050. 1:13:51 Oh, well, all right.
  1051. 1:13:53 He says he's been delayed.
  1052. 1:13:55 But he'll make every effort to get here, though, tonight.
  1053. 1:13:59 - Should we stop selling tickets, boss? - Now open up those windows. I'll take a look at the shop selling tickets.
  1054. 1:14:06 You know, Doc,
  1055. 1:14:07 Little Agnes could look just like a mama.
  1056. 1:14:11 That's all wrongly, Doc. She was hungry. Yeah.
  1057. 1:14:15 I think she's had about enough help.
  1058. 1:14:17 Better put her away. All right.
  1059. 1:14:19 Yeah.
  1060. 1:14:22 Yeah. All right, girl. You go.
  1061. 1:14:25 Yes.
  1062. 1:14:27 Oh, I better go. There's a lot of people waiting for me.
  1063. 1:14:29 No, you can't go. You are, would you? Yeah, I know, but you have to stay with the mom. You stay right there.
  1064. 1:14:33 Yeah, I gotta go over and win the championship of the world. I'll be back, uh...
  1065. 1:14:36 About an hour, huh? No, Agnes, you can't go. Now, you stay there with Mama. Here's the order for Lershey, honey. I'll be seeing you. Goodbye, Mama. Goodbye, Agnes. No, stay there now. Goodbye.
  1066. 1:14:46 Oh, hello. I thought you were at the fight. Oh, I'm all mixed up. The man that I love is going to fight my brother whom I love and now at the last minute I've got cold feet. Well, why did you let it go this far then? Oh, it's a long story. It's a long story. All about a champion being in disgrace and a brother needing a punch in the nose and you've got to stop it. Oh, I wouldn't worry me. Burley says feet will be all right an hour after the fight.
  1067. 1:15:07 Oh, he did, did he? Let me tell you something.
  1068. 1:15:10 An hour after the fight, they'll probably find Burleigh's head in the 21st row singing "I ain't got no body."
  1069. 1:15:16 Oh, is that so? What about all those men he knocked out? Oh, Polly, Gabby paid him to lay down. Why, Burleigh couldn't lick anybody. And tonight, after the fight...
  1070. 1:15:24 Say listen.
  1071. 1:15:25 Have you ever seen a fighter after he's been very badly beaten? No. No, I didn't think so. Well, they go around and they talk like this. They don't know what time it is. Oh, this is terrible. Why didn't you tell me all this before? Well, I promised Speed I wouldn't interfere. Like a dope. This really does complicate things. Why? You're taking care of all Speed's money, aren't you?
  1072. 1:15:43 Yes, it's in my bank. Why? Well, your account is Burleigh's too, and Burleigh drew it all out.
  1073. 1:15:49 He did what? Yes, he wanted to surprise you. He took Allsby's money and bet it on himself to win.
  1074. 1:15:54 Wait a minute.
  1075. 1:15:55 Give it to me again. He took all the... Never mind. I heard you. Come on. Hey, driver. See if you can beat that signal. I'll make every effort.
  1076. 1:16:09 Sorry I couldn't make it. Yeah, yeah.
  1077. 1:16:12 Oh, my God.
  1078. 1:16:19 Madness! Oh, darling!
  1079. 1:16:22 Well, come here, baby. Well, baby, what are you doing here? For goodness sake, honey. You shouldn't have come over here.
  1080. 1:16:32 Hey! Hey! Taxi! Hold it right up there! I got it!
  1081. 1:16:55 Hello there!
  1082. 1:16:56 Are you busy? - Hey, I'm not deep. - What's that? I said I'm not deep. Yeah, so am I. Look, we ought to get together sometime for a quiet little chat.
  1083. 1:17:07 -What for? -Yeah! Yeah, that's right! You're right!
  1084. 1:17:21 Just my luck. Send me wind up over in the first round.
  1085. 1:17:27 Listen to him! The crowd's yelling for the main event. No fooling! Everything's wrong!
  1086. 1:17:35 - The scales are wrong, too. - Yeah, we gotta do something. We're gonna stall for time. What's our angle? What's our up? I can get in the ring and take a few bows. - Why?
  1087. 1:17:41 I got it. I got it. We're throwing Mrs. Hooten at it. Me, me, me. Come on. Give him a load of that stuff out of those tiny-totting tots. That ought to empty the place.
  1088. 1:17:49 *Screaming*
  1089. 1:17:58 *Screaming*
  1090. 1:18:15 Amen.
  1091. 1:18:18 Nice day!
  1092. 1:18:21 He's not only deep, but he's goofy.
  1093. 1:18:23 Yes.
  1094. 1:18:26 Come on! Step on it!
  1095. 1:18:44 What's so funny about that?
  1096. 1:18:58 I guess this is close you can get. Yeah. We'll get out here.
  1097. 1:19:03 We?
  1098. 1:19:03 Yeah. There's enough proposals.
  1099. 1:19:06 Come on, baby. Come on. Come on. Come on. That's the girl. That's the girl. Come on. Come on, baby. Come on. It is my privilege to introduce to you that well-known philanthropist Mrs. E. Winsor-Lemoyne. Ladies and gentlemen,
  1100. 1:19:27 to supply milk for those tiny toddling tops.
  1101. 1:19:31 He's here.
  1102. 1:19:40 That's it, boy.
  1103. 1:19:42 Well,
  1104. 1:19:43 Hello, Speed.
  1105. 1:19:44 Look!
  1106. 1:19:45 His little eggnots.
  1107. 1:19:46 Where did you get that?
  1108. 1:19:48 Oh, I just brought her along for luck.
  1109. 1:19:50 Well...
  1110. 1:19:51 You'll need it. Oh, look out, Higgins. You're heavy.
  1111. 1:19:56 I
  1112. 1:19:59 What heck?
  1113. 1:20:00 Here, he's here! The tiger's here! Yeah, he's been here, too. What's the matter? What happened?
  1114. 1:20:04 He ain't in the face with his horse. Oh, this is brutal.
  1115. 1:20:07 I shot that guy last night, but it was only a dream.
  1116. 1:20:10 Get the aromatics first and ammonia. Send my bag over there. - Huh? - Some ammonia, some ammonia. - Some ammonia, some ammonia. - Come on, step out of it, please.
  1117. 1:20:17 I'm a moon.
  1118. 1:20:18 It's Samonia.
  1119. 1:20:21 It's a moon.
  1120. 1:20:23 In some money.
  1121. 1:20:25 Insimul.
  1122. 1:20:26 Oh, yeah.
  1123. 1:20:27 Here it is.
  1124. 1:20:29 Here it is. Give him a twig of that. - We're out for action. - Well, there. Oh, man. I don't like that stuff. Come on, it'll break down and look at myself.
  1125. 1:20:48 Forget this.
  1126. 1:20:50 We gotta make it look good.
  1127. 1:20:52 If you win with one punch, they'll know it's a fake.
  1128. 1:20:54 There's a lot of wise guys around here be throwing pop bottles at us.
  1129. 1:20:57 I've been your manager for a long time.
  1130. 1:20:58 You've paid me a lot of dough.
  1131. 1:21:00 If you've ever listened to me, listen to me now. You've got to make this guy look good for three rounds.
  1132. 1:21:05 What's the matter with you?
  1133. 1:21:07 What's the matter with you?
  1134. 1:21:30 Ladies!
  1135. 1:21:31 Hi, gentlemen.
  1136. 1:21:32 This is the man about an evening.
  1137. 1:21:34 15 rounds of boxing for the middleweight championship of the world, presenting a boy who in the short time of six months has risen to be a leading contender.
  1138. 1:21:45 For the middleweight championship!
  1139. 1:21:47 none other than that fighting milkman, worthy
  1140. 1:21:52 Tiger!
  1141. 1:21:53 All aboard!
  1142. 1:22:04 Reganning!
  1143. 1:22:06 The middleweight champion!
  1144. 1:22:08 and the whole
  1145. 1:22:10 No!
  1146. 1:22:11 - Speed, that's Byron!
  1147. 1:22:19 - Rebel, Byron, referee!
  1148. 1:22:26 - Now both these boys know the rules in the boxing game.
  1149. 1:22:30 Both of you boys know the rules of the parking game.
  1150. 1:22:32 I might just as well be broke the way I am now.
  1151. 1:22:34 I'll bet you my head of the purse against yours.
  1152. 1:22:36 Go ahead.
  1153. 1:22:37 Well, whatever you say goes, Mrs.
  1154. 1:22:39 - All right. - All right.
  1155. 1:22:44 Here, take another shot of this.
  1156. 1:22:53 - -Rolly!
  1157. 1:22:58 - Polly, it's me! - Burley, don't go in there. You can't fight. - I can't what? - They framed you. Speed is gonna knock you out. - You never could fight, Burley. - Oh, yes I can. - Come on, Tiger's trapped in here. - Burley! - Suppose she's right. Suppose I can't fight. - Don't take a name's word for nothing. They never start to think they have to open their mouth. Just walk right out there and give them that one kill.
  1158. 1:23:19 She's right.
  1159. 1:23:21 She's right.
  1160. 1:23:22 Look!
  1161. 1:23:23 Here's your good luck charm. Just hang on to this and you can't lose.
  1162. 1:23:29 What did he tell you to do?
  1163. 1:23:31 - Stay around. - Hey, your glasses! Give me your glasses! Oh, yes! Your glasses! Give me your glasses! Wait a minute now! He won't let me! Hey, wait a minute. Get those glasses. Can you get my foot out of there? Then hurry up. It hurts me. Oh, so good. It's like a minute left. I know.
  1164. 1:24:31 Help me, my boys. Lay, lay.
  1165. 1:25:01 Come on, man.
  1166. 1:25:31 Three, four, five, six, seven, eight, four, five.
  1167. 1:26:01 - I'm sorry I'll hurt you. - I'm sorry I'll hurt you.
  1168. 1:26:05 I guess it didn't realize how strong I was. He's going to leave me alone.
  1169. 1:26:10 Before all the pressure, I'm going to make you an offer.
  1170. 1:26:13 If you'll resign from the ring, the undefeated champion of the world,
  1171. 1:26:16 I'll make you my partner in the daily business.
  1172. 1:26:20 Oh, that's right.
  1173. 1:26:21 Wonderful, Mr. Austin. Wilbur. Say, boy, you make me mighty happy tonight.
  1174. 1:26:27 You know, everybody should be happy tonight.
  1175. 1:26:28 Now, Steve here, he's all right. And then, there's this, she...
  1176. 1:26:33 What about Kathy?
  1177. 1:26:34 Oh yeah, what about Gaby? We gotta do something.
  1178. 1:26:37 Couldn't you make him your gentleman, manager?
  1179. 1:26:39 He can give the boys up and at 'em. Well, anything you say goes, partner. But what about Speed here? Oh, Speed, he's fine. He's a wealthy man.
  1180. 1:26:46 You see, I bet all his money on me. They gave me three to one to die through.

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