0:021. Beat 1
Model synopsis: The beat shows a title card from Favorite Films Corporation. No people, actions, or setting are visible.
No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6445 of 1936 by Paramount Productions, Inc was not renewed in the volumes searched. Record.
A Zane Grey Western reached the screen before its source story appeared in book form, then acquired a tangled paper trail.
The Arizona Raiders appeared in 1936, two years before the recorded book publication of its source story.12 That sequence makes “adaptation” a less straightforward description than it might first appear. It does not establish when Grey wrote the story. The form in which the filmmakers encountered it also remains unclear. What the title card does establish is the prominence of the author’s name: the work announces itself as Zane Grey’s The Arizona Raiders.2 A familiar author’s name can tell us how a picture was presented without telling us how its screenplay took shape.
The picture’s immediate dramatic business is less bibliographical. Laramie Nelson must save himself from a lynching, a predicament the contemporary Billboard review calls a “necktie party.”3 The euphemism turns threatened killing into something almost convivial. For Nelson, the problem is survival. An escape from a rope is a useful premise for a Western because it separates danger from guilt: being pursued or condemned need not make a man the villain. Here the threat offers a more concrete entrance to the film than Grey’s name alone. It places a body in jeopardy before asking the audience to untangle reputations.
The surviving descriptions disagree even about how long that action takes. The running time is recorded as 57 minutes in two entries, including the contemporary review.23 Elsewhere it is given as 64 minutes.4 Those figures should remain discrepancies, not become an invented history of cuts and restorations. Nothing in these entries establishes that the differing durations describe distinct versions. A figure in a catalogue cannot by itself tell us whether footage is missing from a surviving print. The uncertainty concerns what was measured, not just how accurately the result was recorded.
The film’s later identity presents another trap. Heritage Auctions identifies material bearing the title Arizona Raiders as belonging to a 1951 Favorite Films reissue of Arizona Mahoney.8 That is an auction-house attribution concerning another film, not a verified account of Hogan’s picture being reissued on those terms. A later advertisement or poster bearing the shorter title therefore cannot safely be assigned to this film without further examination. Titles are often treated as stable identifiers; in this instance, the same words can point towards two different pictures. The distinction matters particularly when promotional objects survive apart from the prints they once advertised.
The rights search supplies a different kind of afterlife. It should not be made to explain more than it records. The registry’s conclusion concerns the term of protection rather than a chain of subsequent distribution. It does not show who circulated the film or which copies they used. Nor does it establish whether a distributor acted on the same reading of the copyright record. Those questions require evidence of circulation, not merely the absence of a renewal.
The record: Registration LP6445 by Paramount Productions, Inc is dated 26 June 1936. The registry found no renewal in the renewal volumes for 1963 to 1965, nor in the Copyright Office's records from 1978 on; on that reading the term ended on 31 December 1964 and the film has been free in the US since 1 January 1965. The record does not settle rights outside the US. Rights in material added to a later edition also remain outside that finding.
Written 6 September 2026 by gpt-6-astra from the registry record, the atlas's own evidence and the sources below, gathered by Qwen/Qwen3.8-Max with web search and questioned by deepseek-ai/DeepSeek-V4-Pro. Numbered notes are the sources; a claim marked unverified has no source yet; times open the atlas at that second. How these are made and checked.
561 shots over 57:19 · 221 beats in 94 sequences · 738 transcript lines · JSON
561 shots over 57:19, read from the Internet Archive copy TheArizonaRaiders (TheArizonaRaiders.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Arizona Raiders No renewal found. JSON
Measurements: colour film on its keyframes (561 of 561 shots judged colour), average shot 6.1s long, a frontal face detected in 21% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1936 (Internet Archive).
221 beats in 94 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 221 of 221 beats annotated, 219 passed the checks, 2 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:02Model synopsis: The beat shows a title card from Favorite Films Corporation. No people, actions, or setting are visible.
0:49Model synopsis: The beat shows a credit title card from the film's opening, listing crew roles and names. No characters or actions are depicted, only static text on screen.
“I'm not.” 1:29 · “Ha ha.” 1:31
1:39Model synopsis: A group of people on horseback are gathered outdoors, with one person speaking about finishing a task. No names are mentioned, and the setting appears to be a wooded area.
3 people observed.
“I reckon we'd feel right sorry if we ever found...” 1:34 · “Let's get this thing over with.” 1:39
1:46Model synopsis: A person wearing a hat with a large number 7 on it is seen from above, bent over in an outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
1:47Model synopsis: A man in dark clothing is visible in a wooded outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
1:49Model synopsis: A dark animal, likely a horse, is shown in a low-angle shot moving over uneven ground. No people, dialogue, or on-screen text are visible in this beat.
1:52Model synopsis: A single frame shows a rocky, tree-lined outdoor scene with no visible people or actions. No dialogue or on-screen text is present in this beat.
Model synopsis: A man shouts orders as riders on horseback pursue someone through a wooded area. The scene shifts to a wide shot of a barren hillside with sparse trees.
2 people observed.
“On your horses and after them, men!” 1:53 · “He's stolen my boot!” 1:55
Model synopsis: A person in dark clothing is visible in a rocky, outdoor setting across four frames. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
2:18Model synopsis: A rocky outdoor scene with dust or smoke rising, partially obscuring figures in the distance. No people are clearly visible or named, and no dialogue is present.
2:20Model synopsis: A person on horseback is seen from behind, looking out over a barren, rocky landscape. No dialogue or on-screen text is present in this beat.
1 person observed.
2:23Model synopsis: A single frame shows a blurry, low-resolution outdoor scene with indistinct shapes. No people, objects, or text are clearly identifiable, and no events can be described from the visual alone.
2:26Model synopsis: A single frame shows a rugged, hilly landscape with sparse vegetation under overcast lighting. No people, vehicles, or structures are visible in the shot.
Model synopsis: A chaotic outdoor scene with smoke and figures on horseback is shown. A voice exclaims 'Oh, my God.' during the sequence.
1 person observed.
“Oh, my God.” 2:30
2:39Model synopsis: A single frame shows a river flowing through a brushy, arid landscape. No people, vehicles, or structures are visible in this shot.
2:44Model synopsis: A person is partially submerged in a river with rocky banks. The scene is outdoors and appears to be in a natural, rugged environment.
1 person observed.
2:51Model synopsis: A person is seen wading through a shallow river or stream, surrounded by trees and brush. The scene is outdoors and appears to be in natural daylight, though no clear time of day is established.
1 person observed.
2:57Model synopsis: A single figure on horseback moves through a wooded, rocky area. The scene is shot in black and white with low contrast and no visible text or dialogue.
1 person observed.
3:03Model synopsis: A person crouches behind a rock in a brushy outdoor area with a horse visible nearby. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a top hat is confronted outdoors by a group; he claims innocence as others react. Another man in a top hat is singled out and raises his hand in surprise.
4 people observed.
“Have you got anything to say before you go?” 3:16 · “I'm innocent.” 3:22
3:53Model synopsis: A man in a dark cowboy hat and glasses stands with his hands raised, flanked by others in hats. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man on horseback addresses a group of men who appear to be preparing to hang someone; one of the group identifies himself as McGinnis and stops the hanging. The scene takes place outdoors with trees visible in the background.
Named: McGinnis (t:4:15). 4 people observed.
“I get the idea that you're about to hang my friend here. That was the idea.” 3:56 · “Say, I could hang this old rascal for anything you can think of.” 4:02
4:25Model synopsis: A person is visible crouching near rocks and trees in an outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
4:29Model synopsis: A group of men on horseback are visible outdoors, with one raising his arm. No dialogue or on-screen text is present in this beat.
3 people observed.
4:34Model synopsis: A group of men in period attire raise their hands outdoors. One man faces away from the camera while others gesture with raised hands.
4 people observed.
Model synopsis: A group of men in cowboy hats are gathered outdoors; one man demands guns from others, who comply. A man in glasses is shown in close-up, and another man is seen handing over a pistol.
4 people observed.
“Now I'm gonna have to trouble you boys for your gun.” 4:37 · “Put him on the end here.” 4:43
5:01Model synopsis: A man in a hat speaks to a sheriff while others stand nearby in an outdoor setting. The scene includes a visible vehicle and people in period clothing.
Named: Sheriff (t:4:56). 4 people observed.
“Ha.” 4:55 · “Well, Sheriff, I guess I'm going to have to skip you.” 4:56
5:10Model synopsis: A man wearing a wide-brimmed hat and a star-shaped badge is visible in a close-up shot. No dialogue or additional context is provided in this beat.
1 person observed.
5:27Model synopsis: A group of men, some raising hats, are addressed by a speaker who mentions reimbursement for a hat and directs others to take guns and horses down the road. One man is urged to leave with another named Ben.
Named: Ben (t:5:39). 5 people observed.
“That's my hat.” 5:15 · “That was your hat.” 5:17
Model synopsis: A group of men in hats gather outdoors; one man holds empty rifle shells while others look on. The scene is set in daylight with trees and hills visible in the background.
4 people observed.
“I” 5:43 · “empty rifle shells.” 5:56
6:08Model synopsis: Two figures are visible among trees in a wooded area. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men on horseback converse in a wooded outdoor setting; one recounts being nearly hanged after swapping horses. The scene includes a distant view of a wagon and trees, suggesting travel through a rural area.
Named: Jeremy Nelson (t:6:16). 2 people observed.
“Jeremy Nelson. That's a right nice name. How long you had it? Oh, ever since I can remember. Ever since I can remember.” 6:16 · “Well, that's quite unusual. Folks around here change the name quite frequently.” 6:22
7:05Model synopsis: A single frame shows a smoky outdoor scene with trees and indistinct shapes. No people, objects, or text are clearly visible, and no dialogue is present.
Model synopsis: Two men on horseback converse in a wooded area; one is later shown in a close-up, and a reward poster for 'Travis Williams' is displayed. The dialogue references Wyoming, New Mexico, and saving an innocent man from hanging.
Named: Travis Williams (frame:3). 3 people observed.
“When you get back to Wyoming, I always want you to remember” 7:08 · “When you stop that hanging, you save the innocentest man in New Mexico.” 7:11
Flagged: name not grounded (Travis Williams)
7:26Model synopsis: A wanted poster for Tracks Williams is shown, listing charges including stealing horses and cattle and committing assault. The poster also includes physical details and names Neddy J. Holahan as Acting Sheriff.
Model synopsis: A man in a dark coat and hat gestures while speaking. Two riders on horseback appear behind trees in a wooded area. No names are spoken, and no time of day or period is established.
3 people observed.
“Yeah. Well, come around here. I want you to meet a friend of yours.” 7:31
Model synopsis: Two men on horseback discuss a $500 reward poster for Trax Williams, which one considers an insult. A hand points at the poster's text.
3 people observed.
“Honest.” 7:38 · “Trax Williams.” 7:38
Model synopsis: Two men in hats speak outdoors near trees; one mentions returning to Wyoming. A second scene shows a dim interior with a desk and chairs, possibly an office or saloon.
Named: Crack (t:8:03). 3 people observed.
“Laramie.” 7:56 · “Take me back to Wyoming.” 7:58
Model synopsis: A man in a suit and a woman in a dress sit together while an older man at a desk speaks about altering a hunting license into a marriage license. The older man says he must ask questions before collecting fees.
3 people observed.
“Well, this, uh, this here is a hunting license.” 8:45 · “need only to change a word or two to make it a bona fide marriage license. Now, you just make yourself comfortable” 8:51
Model synopsis: A man and a woman stand before an older man seated at a desk, who appears to be officiating a marriage. The transcript reveals the couple is being asked for their names, with the man identifying himself as Alonzo Q. Mulhoff.
Named: Alonzo Q. Mulhoff (t:9:12). 3 people observed.
“You know, this is the first time I ever was married.” 9:02 · “I'd better put your names down so the law knows who's marrying who.” 9:07
9:30Model synopsis: A man in a dark suit sits at a desk in an interior setting while speaking. He is referred to as 'Al' in the dialogue, and the scene includes visible signage on the wall behind him.
Named: Al (t:9:32). 1 person observed.
“How long is it? A, L...” 9:25 · “I'm going to do you a favor, young fellow. I'll just...” 9:29
Model synopsis: A man and a woman stand before an older man seated at a desk in an office; the woman speaks about her father and their upcoming marriage to Kentucky. The older man, called 'General', is startled when told to check a rope behind him.
Named: General (t:9:59). 3 people observed.
“Your name...” 9:35 · “From the Spanish Peaks branch? Yes, ma'am.” 9:38
10:07Model synopsis: A dusty street scene with horses and figures in silhouette is shown. No dialogue or on-screen text is present in this beat.
10:15Model synopsis: A man stands beside a horse in front of a wooden building with awnings. A voice calls out to someone to come over.
1 person observed.
“Hey! Come here.” 10:19
10:33Model synopsis: Two men in hats converse in a dim interior; one taller, one shorter, both in dark clothing. One mentions meeting at the general store after a drink.
Named: Tracto (t:10:25). 2 people observed.
“in honor of my reforming aid. Now, listen, Tracto, boy, you told me you were going to turn over a new leaf.” 10:25 · “Sweating your thumbs.” 10:32
10:45Model synopsis: A person stands on a wooden porch next to a hitching rail with a horse nearby. The scene is outdoors and appears to be from a Western setting.
1 person observed.
10:47Model synopsis: A single frame shows an outdoor Western scene with a wooden structure, a horse-drawn wagon wheel, and figures in the distance. No dialogue or on-screen text is present in this beat.
10:50Model synopsis: A person sits on a wooden railing outside a building with a window and wooden siding. No dialogue or on-screen text is present in this beat.
1 person observed.
10:53Model synopsis: A person rides a horse past a wooden building with a porch and awning. The scene is outdoors and appears to be in a town setting.
1 person observed.
Model synopsis: A horse rears near a wooden building while a woman in a wide-brimmed hat reacts; a carriage and onlookers are visible on a street. Spoken lines include warnings and an exclamation.
3 people observed.
“Hold on! Barney!” 10:54 · “Whoa! Whoa, burn it!” 10:56
Model synopsis: A man in dark clothing and a hat moves near a wooden structure while a woman in a wide-brimmed hat and dark dress reacts to him. The transcript indicates a disagreement over how to handle a situation, with the woman asserting she knows a better way.
2 people observed.
“Pretty bad mess. I guess I'll have to unhitch him.” 11:06 · “Oh, no, you won't.” 11:08
11:22Model synopsis: A man in a suit and hat stands beside a horse in what appears to be an outdoor setting. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man in a top hat speaks to a woman in a wide-brimmed hat in front of a wooden building; later, a man in a cowboy hat and another man in a suit stand near a table. A voice says they must be in time and that they are now pronounced happily married.
5 people observed.
“Now I'll take care of you.” 11:24 · “I hope we're in time. We'd better be.” 11:28
Model synopsis: A man in a suit is confronted by two women in a room with a desk; one woman accuses him of being a coward while the other appears to support her. The man is seen holding a hat and later standing near the desk as the women leave.
4 people observed.
“You said you were my knight in shining armor. You said not even dragons could stop you. But your sister isn't a dragon.” 11:56 · “Give me time, then. I gotta think. You can think by yourself. I'm going.” 12:03
Model synopsis: Three men are shown in an interior room; one is addressed as 'Alonzo Q.' and another as 'Rabbit'. A man is told he will be shot if he returns to a ranch and is ordered locked up for eloping with a miner.
Named: Alonzo Q. (t:12:30), Rabbit (t:12:33). 3 people observed.
“Next time you show up at that ranch, I'm gonna take a shot at you. Lock this idiot up for eloping with a miner.” 12:19 · “Alonzo Q., uh...” 12:30
Model synopsis: Two men stand near a window in a dim interior while a third man in formal attire stands on a porch. Dialogue mentions Monroe Adams, a lawyer, and a sheriff reporting a boy shooting a mirror.
5 people observed.
“But you never told me Monroe Adams had something to do with this, you know. It's none of his business. He's already the administrator of C…” 12:35 · “And that Monroe Adams is a crafty lawyer when it comes to figures. I'll fix him before I get through.” 12:47
Model synopsis: Two men in suits and hats converse in what appears to be a jail or sheriff's office; one is being led away while another speaks with a sheriff about a friend in custody. The dialogue references past events in Kentucky, Kansas, Colorado, and Texas, and mentions an upcoming cattle herd and local spending.
Named: Sheriff (t:14:09). 4 people observed.
“I didn't shoot the bartender, did I? No, but you busted up the only looking lass in town. Come right with me. Don't suppose they could su…” 13:40 · “Hello, Sheriff. Hello, Sheriff. I'd like to talk to you about that friend of mine.” 14:09
15:06Model synopsis: A wooden building with a porch is shown outdoors as dust or smoke billows near its base. No people are visible in the frame.
Model synopsis: Two men converse through jail bars while a third man smokes a pipe nearby; the dialogue references a woman who owns a ranch with valuable horses and is perceived as overbearing. No named characters appear, and the setting is an interior jail cell.
3 people observed.
“Young fellow. You know, it's against the law to leave horses unhitched around here. In the meantime...” 15:12 · “Oh, she's got a ranch out there with a lot of valuable horses and, what'd you say?” 15:29
15:58Model synopsis: Two men stand in a dimly lit interior space; one speaks of helping the other escape and eloping. No names are spoken, and no objects or on-screen text are visible.
2 people observed.
“What you need is a good manager.” 15:52 · “What I need is somebody to get me out of here. Well, now, I'm just coming to that.” 15:54
16:16Model synopsis: A man in a hat crouches beside a boy outdoors; the man speaks to the boy about a firecracker and a store. The setting appears to be a wooden porch or platform with gravel visible behind.
2 people observed.
“Where'd you get the firecracker, Sonny?” 16:15 · “Hold on that door down there.” 16:17
Model synopsis: A group of riders moves cattle across open land, then a street scene shows people walking past storefronts, followed by a decorated wagon with seated passengers, and finally a man in a hat stands beside a horse. No names are spoken, and no time of day or period is established.
4 people observed.
“Come on.” 16:23
Model synopsis: A man in a hat is seen near a wooden structure as cattle move in the foreground; later frames show a chaotic, blurry scene. A voice says they are going and wonders about a prank.
2 people observed.
“I'm going to go.” 16:39 · “I wonder what's happening.” 17:04
17:13Model synopsis: A blurry, low-resolution frame shows a chaotic outdoor scene with a large animal, possibly a bull, in motion near a wooden structure. No people, dialogue, or readable text are visible in the single frame provided.
17:21Model synopsis: A person lies amid broken wooden planks in a dim, debris-filled interior. No dialogue or on-screen text is present in this beat.
1 person observed.
17:27Model synopsis: A dark, smoky outdoor scene shows a wooden palisade fence and a shadowy figure or object moving near it. No people are clearly visible, no dialogue is present, and no time of day or period is established.
17:33Model synopsis: Two men in hats and suits stand near a barred window; one speaks the line 'Come on' and then 'Time to go for it.' No names are spoken, and no objects beyond clothing and bars are visible.
2 people observed.
“Come on.” 17:29 · “Time to go for it.” 17:35
17:40Model synopsis: A man in a hat and coat gestures with his right arm raised while another man stands behind him near a horse; smoke or dust partially obscures the scene. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man mounts a horse in a dusty outdoor setting while others watch and give instructions. The horse then moves forward as the rider adjusts his position.
4 people observed.
“Nice day for a ride.” 17:43 · “Get on that horse.” 17:45
Model synopsis: Three men on horseback are shown in a desert landscape; one speaks of eloping and cooking for two until Wyoming, while another confirms his love for a girl. The group appears to be traveling together toward a destination described as a fine horse ranch in the West.
Named: Laramie (t:18:23), Lonesome (t:18:13). 4 people observed.
“The trouble with you is you don't know what romance is. Sure I do.” 17:59 · “Romance is when a man runs after a woman until she catches him. I promised this lonesome feller here to elope him. Real sure-fire elopemen…” 18:04
Model synopsis: Three men on horseback are seen in a wide, open landscape; one refuses to approach a ranch due to a threat from someone named Adam. The group decides to hide him while they scout the area.
Named: Adam (t:18:54). 3 people observed.
“There's the big herd over there.” 18:45 · “About 600 or 700 of them. Why'd even elope with an Eskimo for a herd like that? Well, come on. Let's ride in.” 18:47
Flagged: visible event not seen (A wide shot shows a vast field with a distant herd of cattle.)
19:09Model synopsis: A man stands near a building with horses nearby, under trees. The scene is outdoors and appears to be in a rural or semi-rural setting.
1 person observed.
19:23Model synopsis: Two men in hats stand under a wooden structure outdoors, discussing horses that were not delivered. One man explains they fought Andy’s men and captured him, who is now visible nearby.
2 people observed.
“I hired you and your riders to take that herd of horses across the border and deliver them to my agent. Is that right? That's right.” 19:12 · “Well, old Andy decided to put up a fight.” 19:26
19:37Model synopsis: Three riders on horseback are visible in an open field with mountains in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
Model synopsis: A group of men in cowboy hats stand outdoors near horses and a small building; one is identified by speech as 'old Andy Winslet, the foreman.' The scene includes mounted riders and a rural setting with mountains in the background.
Named: Andy Winslet (t:19:43). 5 people observed.
“I'm going to tell Miss Harriet about this.” 19:41 · “Well, that's old Andy Winslet, the foreman.” 19:43
Model synopsis: Three men on horseback are shown in an open field with mountains in the background; one man dismounts and speaks with another. A separate shot shows a man in a suit holding a rifle, and another man on horseback is seen alone in the field. The dialogue suggests a plan to conceal someone and prepare to ride in.
6 people observed.
“Looks like a nice quiet place.” 19:49 · “Everybody seems to like everybody else.” 19:51
Model synopsis: Two men in hats converse in an interior space while a third man sits nearby; dialogue concerns moving a horse herd before daybreak due to approaching fires. The scene is lit by artificial light and includes shelves and a desk lamp.
3 people observed.
“You decided what to do with him? I don't care what you do with him, as long as you keep his nose out of this.” 20:14 · “So far, you've made a mess out of it.” 20:20
20:51Model synopsis: A man and a woman stand outdoors in period clothing while discussing a man named Andy Winthrop who allegedly tried to steal horses. The dialogue suggests betrayal and financial motive, with the woman implying Andy acted out of self-interest.
2 people observed.
“How many horses did you say old Andy stole? Well, he didn't get any.” 20:41 · “Andy Winthrop would have given his life for my father...” 20:52
21:18Model synopsis: Two people stand near a wooden fence on a ranch; one speaks about managing the estate and hiring new hands. The dialogue mentions Lou Carly, Mr. Adams, and Arledge.
2 people observed.
“I just told Lou Carly to take his place as foreman. Thought you'd want me to do that.” 21:06 · “Now, Mr. Adams, you're administering the estate. I'm running the ranch.” 21:10
21:33Model synopsis: A person on horseback moves past a wooden gate in an outdoor setting with trees and hills. No dialogue or on-screen text is present in this beat.
1 person observed.
21:37Model synopsis: Two people stand near horses in an outdoor enclosure with wooden fencing and mountains in the background. One person is adjusting a horse's bridle while another stands nearby.
2 people observed.
Model synopsis: Two men in formal attire approach a woman at a horse corral and speak with her; she identifies herself as the boss and they discuss hiring. A horse is visible in the corral, and one man gestures toward it.
3 people observed.
“Sure is beautiful.” 21:48 · “I'm the only boss there is around here. What can I do for you?” 22:17
Model synopsis: A woman in a dark dress and apron speaks with two men near a wooden fence with horses behind it; one man wears a cowboy hat, the other a top hat. The dialogue suggests a discussion about staffing and trust, ending with an order to put people to work.
Named: Lindsay (t:22:57), Frank (t:22:54). 3 people observed.
“I've never kept the house before this one.” 22:51 · “Lindsay, I think we ought to only have men around here we know all about.” 22:57
23:24Model synopsis: Three men in hats stand outdoors near a wooden fence; one speaks about putting things in a bunkhouse. No names are given in the dialogue.
3 people observed.
“Put your things in that bunkhouse and we decide what to do. Thanks, partner.” 23:18 · “Couldn't get the name.” 23:24
Model synopsis: Two men in cowboy hats stand outdoors near a wooden fence; another scene shows a man in a top hat and another man in a dark coat inside a room with a door and window. The transcript includes dialogue comparing something to a rattlesnake.
4 people observed.
“That little of them looks kind of silly.” 23:32 · “Yeah, Jake.” 23:34
Model synopsis: Two men are shown in conversation indoors and outdoors; one recounts taking horses from someone in Colorado and selling them after failing to find the owner. No names are spoken, and no specific time of day or period is established.
2 people observed.
“Committing a downright dishonest act.” 23:50 · “Arlie just took a right nice herd of horses.” 24:00
24:35Model synopsis: A man in a hat and coat is seen moving quickly past a wooden wall in a single frame. No dialogue or additional context is provided in this beat.
1 person observed.
24:38Model synopsis: A group of horses stands in an outdoor enclosure with mountains in the background. No people or dialogue are visible or audible in this beat.
24:41Model synopsis: A person in a hat and coat is visible in a single frame, standing near a wooden structure. No dialogue or additional context is provided in this beat.
1 person observed.
24:43Model synopsis: A close-up of a wooden door with a metal latch is shown. No people, dialogue, or movement is visible in this beat.
Model synopsis: A person in a hat stands inside a wooden structure while a cow is visible nearby; a shouted exclamation is heard. The person raises their arms in the final frame.
1 person observed.
“Whoa!” 24:46
24:53Model synopsis: A man in a hat stands inside a dimly lit wooden room. No dialogue or on-screen text is present in this beat.
1 person observed.
24:57Model synopsis: A man in a dark suit and hat kneels on the floor inside a wooden-walled room, reaching toward the ground. No dialogue or on-screen text is present in this beat.
1 person observed.
25:07Model synopsis: A man in a hat is partially visible behind foliage, speaking the line 'Pardon me.' The setting appears to be outdoors with dense vegetation.
1 person observed.
“Pardon me.” 25:04
25:15Model synopsis: A woman in dark period clothing stands near horses in an outdoor setting with mountains in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
25:18Model synopsis: A person in a dark coat and hat stands with their back to the camera, facing a field with a fence. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men stand outside a building and discuss a third man's shooting skill; one of them demonstrates by shooting at a distant scarecrow. The scene is set outdoors in a rural area with mountains and a fence visible.
3 people observed.
“You got the figure, Ollie, short on brains, but long on shooting.” 25:20 · “He's the best shot in the West.” 25:23
25:33Model synopsis: A man in a fedora and coat is shown in a close-up, adjusting his hat with both hands. No dialogue or environmental context is provided in this beat.
1 person observed.
Model synopsis: Two men in hats observe a distant, open landscape with indistinct figures or animals. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men stand outside near a building and a fence; one speaks to the other, then walks away toward a field. A third man is visible in the distance. The dialogue suggests they are preparing to shoot together.
4 people observed.
“Ah, you little rascal, I didn't think you had it in you.” 25:39 · “Yeah, tell you what we'll do. I'll take the first go, you take the second go and we'll shoot together.” 25:45
25:53Model synopsis: Two men stand outdoors near a wooden structure while a third figure is visible in the distance. No dialogue or on-screen text is present in this beat.
3 people observed.
25:54Model synopsis: A person in a dark coat and hat stands beside a fence in an open field with mountains in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men stand outside a ranch building and discuss the danger posed by armed men, deciding to station them as horse guards in Box Canyon. One man gestures while speaking; the other listens and holds a chain.
2 people observed.
“This ranch is spooky.” 25:56 · “They're a little too handy with those guns they have around here.” 26:01
26:21Model synopsis: Two men in hats stand near a covered object outdoors; one speaks, questioning a sound, and another responds with a comment about a rattlesnake. No names are spoken, and no indoor setting or time of day is established.
2 people observed.
“What's that?” 26:22 · “Sounds like a sissy rattlesnake.” 26:24
Model synopsis: Two men in hats stand near a horse and a covered body while another man looks out a window; dialogue suggests a scarecrow was mistaken for a person and someone is in love and in danger. No named characters are identified in the dialogue or visuals.
4 people observed.
“Hey, you fellas ought to be more careful. You nearly hit me a little while ago. I was a scarecrow. Hey, you quit playing scarecrow and keep …” 26:27 · “I thought you were going to help me to elope. I'm in love.” 26:36
Model synopsis: A woman in a light dress with a dark bow is indoors, while a man in a suit and hat is outdoors near tall grass. Dialogue mentions keeping horses out of Box Canyon and includes a plea for the woman not to cry.
2 people observed.
“Sending you two to keep the horses out of Box Canyon tonight.” 26:47 · “Don't sit and cry.” 27:11
27:51Model synopsis: A woman in a light dress and bow is seated indoors, visible in one frame. The transcript contains fragmented romantic lines and a reference to 'Miss Mary.'
Named: Miss Mary (t:28:04). 1 person observed.
“My love is true.” 27:38 · “And just for you” 27:42
Model synopsis: A man in a hat sits among tall grass while a girl in a bow blouse speaks indoors. The transcript includes fragmented phrases such as 'Come to me, my uncle' and 'And don't be blind'.
2 people observed.
“Farfall.” 28:06 · “I'm” 28:08
Model synopsis: A man in a hat holds a dog beside tall grass while a woman in a bow-tie dress reacts; later, the same woman is seen from behind, brushing her hair in front of a mirror. The transcript includes lines about peace, love, and silver linings, spoken during this interval.
2 people observed.
“All your fears are foolish, friends.” 28:25 · “Is a peace.” 28:29
29:03Model synopsis: A woman sits at a desk in a dimly lit room with curtains and framed pictures behind her. She is visible in one frame and speaks lines that include 'My, my honey dear' and 'He's here.'
1 person observed.
“My, my honey dear” 28:54 · “He's here.” 29:02
29:20Model synopsis: A woman in a light-colored dress is visible indoors, standing near a doorway. No dialogue or on-screen text is present in this beat.
1 person observed.
31:13Model synopsis: A conversation unfolds in a dimly lit interior where characters discuss past relationships, current tensions, and the loss of horses. One character expresses frustration at being bossed and asserts independence, while another references a man named Lonnie and a journey to Kentucky.
Named: Lonnie (t:30:11), Mr. Harley (t:32:16). 4 people observed.
“You must realize, darling, this is a line to write you.” 29:26 · “Enough people around here now trying to do that.” 30:02
33:17Model synopsis: Two figures stand near a wooden signpost reading 'SPANISH PEAKS' and '6 MILES' in a rocky outdoor setting. One figure gestures toward the sign while the other listens; dialogue suggests a dispute over distance and self-deception.
2 people observed.
“About an hour ago, you told me he's only three miles further.” 33:11 · “Hey, that's cheating.” 33:18
Model synopsis: A woman in a dress stands near a wooden structure as chickens gather around a trough; a man is heard speaking to her from inside the trough. The scene is outdoors, with a horse visible in the background of one frame.
Named: Nuon Alonso (t:33:39). 2 people observed.
“Ah! Darling. Darling. Don't be fighting. It's me.” 33:31 · “Nuon Alonso come to rescue you.” 33:39
Model synopsis: A woman in a long dress stands near turkeys while a man in a hat lies in a wooden structure; dialogue reveals tension over sneaking away and a threat from someone named Adams. The setting appears to be an outdoor farm area with wooden buildings.
Named: Juris (t:33:49), Adams (t:33:49), Alonzo Mojo (t:34:04), Lena (t:34:14). 5 people observed.
“First you act like a rabbit, now you're behaving like a water lily. Come out of there this instant. I'll never speak to you again. Oh, I ca…” 33:49 · “But I've got help, darling. And this time when we sneak away, nothing will stop us. Ouch!” 34:00
Model synopsis: Two men in period Western attire converse outdoors while walking; one mentions returning for 'unfinished business' and references a 'she-boss' in trouble. The setting appears to be a rocky, open area with no clear indoor structures.
3 people observed.
“Let up!” 34:19 · “I'm going to die.” 34:21
Model synopsis: Two men on horseback ride through a dusty corral area while two other men in hats observe from the ground; dialogue suggests a captured man is being held because he controls a herd and is considered dangerous. The setting is outdoors with mountains visible, and the conversation references a 'Colonel Lindsay' and killings.
Named: Colonel Lindsay (t:35:15). 6 people observed.
“What are you bringing him in for? You can't drive that herd while he's with them. They follow every move he makes.” 35:02 · “I'll keep him in the corral when we get rid of the hearth.” 35:06
35:26Model synopsis: A close-up of two pairs of legs walking on a dirt surface. No dialogue or identifiable characters are present in this beat.
2 people observed.
35:31Model synopsis: A person stands beside a horse with gear, in an outdoor setting. No names, time of day, or period are established from the frame or transcript.
1 person observed.
“Hey.” 35:31
Model synopsis: Two men in hats stand outdoors near wooden structures; one speaks apologetically while the other reacts. The dialogue suggests a failed attempt to subdue others and a reference to a horse named Spooky.
2 people observed.
“I thought you said you put enough lead into those fellas to hold them down from now on.” 35:36 · “I'm sorry.” 35:41
Model synopsis: Two men in hats are seen near a horse in an outdoor corral; one speaks about using the horse and another mentions a fire spreading to his pants. A third man greets others while standing beside a second man in a cowboy hat.
4 people observed.
“Hey, maybe I can use that horse after all.” 36:02 · “I'm going down to the bunkhouse and trying to become this fire out of my feet, starting to spread to my pants.” 36:08
Model synopsis: Two men in hats converse outdoors near horses; one is addressed as Mr. Adams and they discuss saddle work. The setting appears to be a ranch or corral with wooden structures and distant hills.
Named: Mr. Adams (t:36:35). 4 people observed.
“It don't look sad.” 36:17 · “I slept all right. That's funny. I thought maybe you walked in your sleep.” 36:21
36:42Model synopsis: A horse stands inside a wooden corral. No people or dialogue are visible or audible in this beat.
36:44Model synopsis: A man in a cowboy hat and dark shirt stands beside a wooden fence, holding a coiled rope. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Three men and a girl are seen near a wooden corral; one man holds a rope. Dialogue mentions a boy, a horse named Honey Boy, and a man named Laramie wanting to break the horse to saddle again. A man is addressed as Mr. Lerney.
Named: Mr. Lerney (t:37:02). 5 people observed.
“When that boy comes out of that corral, he better come out of riding.” 36:46 · “What's Honey Boy doing here? He belongs to the herds.” 36:56
Model synopsis: A man and a woman converse near a wooden fence and shed; the woman mentions her father's death and a horse's bad reputation. The man, addressed as Watson, is handed a hackamore.
Named: Watson (t:37:22), Harriot (t:37:06). 2 people observed.
“Yes, Miss Harriot?” 37:06 · “Since my father's death, that horse has developed a bad reputation.” 37:08
37:26Model synopsis: A man in a cowboy hat and dark coat stands beside a wooden fence, holding a rope. The setting appears to be outdoors near a corral or pen.
1 person observed.
37:28Model synopsis: A horse stands in a fenced enclosure next to a wooden building. No people or dialogue are visible or audible in this beat.
Model synopsis: A woman speaks about a man named Laramie who is said to tame horses, while another woman urges someone named Connor to 'be pretty.' A white horse is shown in profile against a bright sky. Two women are visible behind a wooden fence, one leaning forward with concern.
Named: Laramie (t:37:39), Connor (t:37:52). 2 people observed.
“Oh, Laramie never hurt a horse in his life. Why, he can tame anything. Horses...” 37:39 · “Prattled or women?” 37:45
37:59Model synopsis: A person in dark clothing stands beside a light-colored horse in an outdoor setting with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
38:02Model synopsis: A man in a top hat sits on a bed in a dimly lit room while a voice tells someone to stay with their sprouts. No names are spoken, and the setting appears to be a private interior space.
1 person observed.
38:08Model synopsis: A man in a top hat and dark suit holds a small object while seated indoors. The setting appears to be a wooden-paneled room with minimal furnishings.
1 person observed.
Model synopsis: A man in a top hat leans over a bed while another man in a hat hides under furniture. The transcript includes shouted commands to come out and an exclamation of relief.
2 people observed.
“Hey, shoo!” 38:14 · “Shoo!” 38:19
Model synopsis: A man in a top hat and vest stands in a cluttered room while another man hides under a chair; a third man sits nearby. Dialogue suggests a confrontation about sending someone back to Kentucky, with one person refusing to go without another.
3 people observed.
“Well, you can hide in the doggondest places I ever did see.” 38:25 · “I got a right good notion to send you back home to Kentucky.” 38:30
38:50Model synopsis: Two men are seated indoors; one in a top hat reacts with surprise to the other, who wears a striped hat. No names are spoken, and no time of day or period is established.
2 people observed.
“Whew.” 38:44 · “Hey! Hey! Oh! You...” 38:45
Model synopsis: Two men in hats sit and talk in a dim interior room; one speaks about being wrong and love being too sweet, while the other responds. No names are spoken, and no objects beyond furniture and clothing are visible.
2 people observed.
“You know, I've been all wrong about this so far.” 38:58 · “You were wrong long before that.” 39:04
39:15Model synopsis: A man in a hat is visible near a horse in an outdoor setting with distant hills. No dialogue or on-screen text is present in this beat.
1 person observed.
39:18Model synopsis: A woman leans over a wooden railing, looking downward with a focused expression. The background shows an outdoor scene with hills and indistinct structures.
1 person observed.
Model synopsis: A man in a cowboy hat leans forward near a fence while a horse's legs are visible above; a woman looks over a fence in the same setting. A voice says 'Easy, boy!' during this sequence.
2 people observed.
“Easy, boy!” 39:19
39:24Model synopsis: A person in a hat and dark clothing bends over near wooden crates in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
39:27Model synopsis: A single frame shows a person in a light garment with head bowed, against a plain background. No dialogue or additional context is provided in this beat.
1 person observed.
39:29Model synopsis: A man in a dark hat and coat sits on wooden steps. No dialogue or other actions are visible or audible in this beat.
1 person observed.
39:30Model synopsis: A woman in a checkered dress leans on a wooden railing, looking off-camera. The background is out of focus but suggests an outdoor setting with structures.
1 person observed.
Model synopsis: A man in a cowboy hat stands beside a horse while speaking; a woman in a checkered dress leans on a railing and listens. The dialogue suggests mutual dislike of local people and hints at hidden qualities in them.
2 people observed.
“Sit around here.” 39:36 · “Don't like the folks around here.” 39:40
Model synopsis: A man in a cowboy hat stands beside a horse while speaking; a woman looks on from behind a fence. The man then mounts the horse as dialogue continues about getting a saddle on.
2 people observed.
“You know, if I was...” 39:51 · “If I was to tell that girl what a tough spot she's in, she'd...” 39:53
Model synopsis: Two men in period attire discuss a woman's preference for a 'caveman' type, suggesting one grow a beard and find a cave to win her favor. The conversation occurs in a dimly lit interior with wooden walls and simple furnishings.
2 people observed.
“You know what she wants? What? She wants a caveman.” 40:08 · “- What? - You know, one of those fellas with a big black beard. And he lives in a cave and drags women around and around and around by the …” 40:12
40:45Model synopsis: A man in dark clothing and a hat sits on a horse beside a wooden fence. He speaks to someone off-screen, telling them to wait until something feels natural and to come along with him.
1 person observed.
“Now, I'm just going to leave that on for a while, son, and...” 40:41 · “Till it feels natural again.” 40:45
Model synopsis: A man and a woman stand near a horse in an outdoor corral; the man speaks to the woman about the horse's reputation. The woman responds that the horse was not dangerous but knew too much, and the man admits he was eavesdropping while pretending to talk to the horse.
Named: Harriet (t:40:53). 2 people observed.
“is your horse, Miss Harriet. She doesn't deserve that bad reputation you spoke about.” 40:53 · “He's always been dangerous. No, not dangerous.” 40:58
Model synopsis: A woman in a patterned blouse speaks to a man in a dark shirt and hat; he remains nearby despite her telling him to leave. A horse and wooden fence are visible in the background.
2 people observed.
“Well, I know the horse is grateful for your advice.” 41:11 · “Yet I'm quite sure I don't.” 41:15
41:35Model synopsis: A man and a woman are shown in close proximity; the woman has her hand on the man's shoulder. A line of dialogue is spoken during this beat.
2 people observed.
41:44Model synopsis: A woman in a ruffled blouse stands beside a horse in a wooden structure; a voice tells someone to stay out of the situation. No named individuals or clear time period are established.
1 person observed.
“You keep out of this.” 41:45
41:56Model synopsis: Two men are in a close interaction; one is seated and wearing a hat and suspenders, the other is standing and leaning in. The transcript includes fragmented dialogue suggesting a casual or humorous moment.
2 people observed.
“Ha! It tickles.” 41:50 · “Good point.” 41:53
Model synopsis: Three men in hats and period attire are seen conversing indoors; one man is shown in a separate close-up. The dialogue mentions an elopement and a trip to Wyoming.
4 people observed.
“- Hello, caveman. - See? He knew it right away. - Don'tsum's lady, love, craves a caveman. - Ah. - So I've been fixing him up. - Tonight, …” 42:07 · “Elopman.” 42:21
Model synopsis: A man in a cowboy hat speaks about staying to see what happens, possibly for a woman named Miss Harriet, while other men in hats listen or react in an indoor setting. The dialogue suggests a romantic motive, and the scene includes close-ups and medium shots of the characters.
Named: Miss Harriet (t:42:42). 4 people observed.
“I'm not going back tomorrow. Oh, you're not going, huh?” 42:28 · “No, I'm going to stick around a while and see what happens.” 42:33
43:06Model synopsis: A single frame shows a dimly lit bedroom with a bed, a dresser, and a mirror. No people or actions are visible, and no dialogue is present.
Model synopsis: A person is seen in a dimly lit interior with curtains and a table; another person is visible in a close-up, appearing to speak. The transcript includes lines indicating someone is not present.
2 people observed.
“See you here.” 43:09 · “She ain't here.” 43:14
43:39Model synopsis: A man with a beard and hat is visible behind bars. A voice addresses someone named Lenta.
1 person observed.
“Oh, Lenta.” 43:37 · “Lenten darling.” 43:43
43:46Model synopsis: A dog is visible in a dimly lit interior space. No people, dialogue, or on-screen text are present in the frame.
43:49Model synopsis: A dark, low-resolution frame shows a shadowy figure near a building at night. No dialogue or clear objects are visible.
1 person observed.
43:53Model synopsis: A person is lying in bed with their mouth open, appearing to be in distress or asleep. The scene is dimly lit and appears to be indoors.
1 person observed.
43:56Model synopsis: A dog is visible in a dimly lit interior space. No people, dialogue, or on-screen text are present in this beat.
43:57Model synopsis: A person in a dark hat and coat is visible in a dimly lit interior, holding an object above their head. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A dark, low-lit scene shows a person near a wooden building at night; a close-up of a boot stepping onto a surface is visible. No dialogue or named characters are present in the frames.
1 person observed.
Model synopsis: A figure moves near a wooden building at night. The scene is dark and grainy, with a window emitting light.
1 person observed.
Model synopsis: A person is seen in a dark, outdoor setting, then a figure is visible in a bedroom with a lamp, followed by a dark, indistinct scene, and finally a silhouette near a wooden structure. The transcript includes exclamations indicating surprise or alarm.
2 people observed.
“I see you!” 44:15 · “Oh, my God.” 44:17
Model synopsis: Two people are shown in close-up, then three men appear in a dim interior. A line spoken at 44:31 refers to trouble with 'those fellas'.
3 people observed.
44:47Model synopsis: A group of men are seen in a dimly lit interior, with one speaking about getting juice and another calling for help before ordering others to secure a location and search stables. One man is told to enter a space.
Named: Austin (t:44:56). 3 people observed.
“I'll get the cat of juice.” 44:43 · “Help, help, help. Well, get him and put a guard over him.” 44:47
Model synopsis: A man named Andy is found alive and reports that Monroe Adams plans to steal a herd; others react and prepare to act. The scene takes place indoors in a dimly lit room with multiple people present.
Named: Andy (t:45:16). 4 people observed.
“Get out of those blankets till you get drunk. Help! Help! Help! Help!” 44:59 · “Why, it's old Andy.” 45:16
45:51Model synopsis: Two men stand side by side in a dimly lit interior; one wears a light shirt and the other a dark coat and hat. No dialogue or on-screen text is present in this beat.
2 people observed.
45:59Model synopsis: A single frame shows a dark, low-angle shot of a figure lying on the ground in a wooded area. No people are visible or audible, and no text or objects are identifiable beyond the natural setting.
46:08Model synopsis: A group of men stand close together in a dimly lit wooden interior. One man holds a hat in his hand while others appear to be in conversation or confrontation.
3 people observed.
46:11Model synopsis: A man in a dark suit and bow tie is visible with his arms outstretched, holding onto a horizontal wooden beam. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men converse in a dimly lit interior while others stand nearby; one man wears a wide-brimmed hat and light shirt, the other a dark suit. A line mentions 'old Warpink' and his sensitivity to whistles.
4 people observed.
“That's old Warpink. He's mighty sensitive. Kicks every time he hears a whistle. Oh.” 46:15 · “Yeah?” 46:18
Model synopsis: Two men stand in a dimly lit interior space, one in a cowboy hat and shirt, the other in a suit and tie, both looking off-camera. The setting appears to be a rustic wooden structure with other figures partially visible in the background.
4 people observed.
Model synopsis: A group of men in hats and period clothing stand in a dimly lit wooden interior while one speaks about seeking help from Railhead and returning with his men from the hills. No names are visible or clearly assigned to individuals in the frames or transcript.
Named: Andy (t:46:31). 5 people observed.
“You're right.” 46:29 · “Hey, listen, Andy. Think you can get help from Railhead? Haven't got time. My men are up in the hills. If I can find them, I'll be coming …” 46:31
Model synopsis: Three men are in a dimly lit interior space; one is told to give his horse to Andy, and Jackson is instructed to watch a door. One man reacts with surprise after being addressed.
Named: Jackson (t:46:43), Andy (t:46:41). 5 people observed.
“This is lonesome.” 46:40 · “Give Andy your horse.” 46:41
46:53Model synopsis: A person in dark clothing and a hat moves near a wooden structure in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person speaks apologetically and announces departure while others are present in a dim, cluttered interior. One person is instructed to pick someone up, and the speaker repeats their intent to leave.
3 people observed.
“I'm sorry.” 46:57 · “I'm going to go.” 47:02
47:29Model synopsis: Two figures are engaged in a physical struggle inside a wooden structure. The setting appears to be a dimly lit interior with barrels visible in the background.
2 people observed.
Model synopsis: A person is ordered to move and then falls to the ground near a horse; another person is visible holding a weapon. The scene is dimly lit and appears to take place outdoors at night.
3 people observed.
“Get over there.” 47:31 · “I'm” 47:35
Model synopsis: Two frames show a dimly lit wooden interior with a person lying on the ground and a horse standing nearby. No dialogue or on-screen text is present, and no names or time indicators are visible.
1 person observed.
48:00Model synopsis: A dimly lit interior scene shows several figures in close proximity, one appearing to hold a weapon. No dialogue or on-screen text is present in this beat.
2 people observed.
48:02Model synopsis: A group of men in dark clothing and hats are gathered closely together in an outdoor setting. One man is being held or supported by others in the center of the frame.
3 people observed.
Model synopsis: A person is seen near horses in a dimly lit, possibly outdoor or barn-like setting. No dialogue or clear time of day is established.
1 person observed.
Model synopsis: A person is seen in a dim interior, speaking and whistling while another figure raises a hand. No names are spoken, and the setting is not clearly identifiable beyond being dark and enclosed.
2 people observed.
“Come on.” 48:09 · “Come on.” 48:10
48:29Model synopsis: A dimly lit interior space with wooden walls and debris on the floor is shown. No people or actions are visible in the single frame provided.
Model synopsis: A person reacts with alarm in a dimly lit interior while another figure is visible near a horse; no names or clear location are established from the frames or transcript.
3 people observed.
“Oh, my God.” 48:32
Model synopsis: A person lies on straw while others speak nearby; one man is addressed as Lawson and told to stay out. The scene includes three men in conversation and a prone figure on the ground.
Named: Lawson (t:49:03). 4 people observed.
“Come on.” 48:51 · “Get Andy off all right? Yeah.” 48:57
Model synopsis: Two men in hats confront each other while a woman speaks; later, a man and woman stand near a lamp as he holds a hat. Dialogue reveals a plan to steal horses and mentions a character named Adams.
Named: Stevens (t:50:00). 4 people observed.
“I see you found Laramie, all right. Yeah, I found...” 49:11 · “I never stole a horse in my life.” 49:56
Model synopsis: Two men in hats argue indoors while a woman in a white blouse and bow holds a hat; a man in a top hat appears separately. Dialogue indicates a dispute over shares and horses, and instructions to move a woman through a kitchen and open pasture gates.
4 people observed.
“We changed our mind about our share.” 50:22 · “Those men won't give it to you.” 50:28
50:57Model synopsis: A man and a woman face each other closely in a dim interior. The man speaks to the woman, telling her to take orders and not call for help.
2 people observed.
“For once in your life, you're taking orders instead of giving them.” 50:52 · “Don't call for help.” 50:55
51:04Model synopsis: A woman in a white blouse and dark skirt stands in a dimly lit interior room. No dialogue or on-screen text is present in this beat.
1 person observed.
51:07Model synopsis: A man in dark clothing leans against a wall beside a door in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
51:11Model synopsis: A man in a hat and dark coat is seen from behind, standing near a door inside a dimly lit room. No dialogue or on-screen text is present in this beat.
1 person observed.
51:24Model synopsis: Two men in cowboy hats converse outdoors near a fence with horses visible in the background; one gestures while speaking. The dialogue indicates they are coordinating to watch someone at a ranch house and delay them.
2 people observed.
“I've been looking everywhere for you, you know.” 51:13 · “I think there's something going on around here. You do? Yeah. I was thinking the same thing. Now, listen. You get over to the ranch hou…” 51:16
Model synopsis: A man walks among horses in a dusty outdoor area with mountains in the background; another man rides a horse near a wooden fence; a third man in a hat holds a book near horses. A voice says 'Come on.'
3 people observed.
“Come on.” 51:37
Model synopsis: A man in a cowboy hat speaks indoors while another man on horseback is seen outdoors near a fence; a herd of horses is also shown. The transcript includes urgent commands and a character named Adam being addressed.
Named: Adam (t:51:52). 6 people observed.
“Adam!” 51:52 · “I'm going to go.” 51:55
Model synopsis: A man on a porch confronts another man who is approaching; a woman is seen walking nearby. The transcript indicates a threat to shoot if the man comes closer, followed by an order to get out of the way.
Named: Adams (t:52:31). 3 people observed.
“I'm sorry, Mr. Adams, but if you come any closer, I'll be obliged to shoot you.” 52:31 · “Get out of the way, you idiot.” 52:41
Model synopsis: A man fires a rifle while smoke billows; a woman on a porch reacts in alarm; a group of riders approaches on horseback; the woman embraces a man on the ground. No names are spoken that identify individuals in the frames.
4 people observed.
“Oh, my God.” 52:45 · “Oh, my God.” 52:53
Model synopsis: A man and a woman are shown in close proximity outdoors; the transcript includes affectionate terms and a mention of 'charred tobacco'. No named characters or specific location are established from the frames or transcript.
2 people observed.
“Monzo!” 53:07 · “I love you.” 53:09
Model synopsis: Two people on horseback are visible in a desert landscape with mountains; one speaks about being taken along to avoid harm. No names are spoken or visible.
2 people observed.
“You believe I stole those heartless?” 53:24 · “Yes.” 53:24
53:35Model synopsis: A group of riders on horseback moves across a dusty, open landscape with hills in the background. No dialogue or on-screen text is present in this beat.
53:37Model synopsis: A wide shot shows a group of riders on horseback moving across a hazy, open landscape with cliffs in the background. No dialogue or on-screen text is present in this beat.
53:39Model synopsis: A man in a top hat and dark coat is visible in a close-up, surrounded by indistinct figures. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A group of riders on horseback moves through a dusty, hazy outdoor setting. The terrain is uneven and sparsely vegetated, with no buildings or clear structures visible.
1 person observed.
“Yes.” 53:41
Model synopsis: Two men on horseback are seen in a dusty, open landscape, with one appearing to lead a group toward a pass; others are heard shouting commands to ride and stampede. The scene includes close-ups of men in hats and a wider shot of riders moving through dust, suggesting a chase or confrontation.
5 people observed.
“Come on.” 53:47 · “Look, they're headed for the pass.” 53:52
54:15Model synopsis: A group of riders on horseback moves through a smoky or dusty environment. The scene is shot in black and white with low visibility due to atmospheric conditions.
3 people observed.
54:16Model synopsis: A group of horses is visible in an outdoor setting. No people, dialogue, or on-screen text are present in the frame.
54:19Model synopsis: Two figures on horseback are visible in a dusty outdoor setting; one wears a light shirt and wide-brimmed hat, the other a dark coat and hat. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men in hats are shown in outdoor shots, one speaking about traveling and urging to keep ahead. The setting appears to be an open, hazy landscape with no clear structures.
2 people observed.
“We're going to travel us!” 54:22 · “Keep on ahead! Right for your life!” 54:24
54:28Model synopsis: A single blurry frame shows indistinct dark shapes moving against a lighter background. No people, objects, or place can be identified from the visual evidence.
Model synopsis: Two frames show silhouetted figures on horseback moving through a hazy, low-visibility environment. No dialogue or on-screen text is present, and no specific location or time of day can be determined from the visuals.
2 people observed.
Model synopsis: A group of riders on horseback moves through a dusty, hazy outdoor setting as voices urge pursuit. One rider on a white horse is briefly visible, and a close-up shows a figure in a hat.
4 people observed.
“He's trying to ride out. Come on! We'll have him back in!” 54:33 · “Come on.” 54:37
Model synopsis: A person on horseback is seen in a dusty outdoor setting, with multiple horses visible. A close-up shows a person wearing a cowboy hat. The transcript includes fragmented dialogue urging action and an exclamation.
2 people observed.
“Come on.” 54:50 · “I'm going to go.” 54:53
Model synopsis: A person on horseback rides through a dusty, mountainous landscape. The transcript contains a repeated line stating an intent to leave.
1 person observed.
“I'm going to go.” 55:21 · “I'm going to go.” 55:44
Model synopsis: A group of men on horseback are shown in a dusty, open landscape, with some dismounting or interacting near a rocky outcrop. Two lines of dialogue are spoken during this sequence, indicating a brief exchange between characters.
3 people observed.
“Come on.” 56:01 · “I'm not.” 56:06
Model synopsis: A man in formal wear officiates a wedding outdoors as a couple prepares to kiss. The officiant speaks lines that conclude the ceremony, including a prompt for the couple to kiss.
4 people observed.
“Can I now pronounce you four people...” 56:12 · “men and wives.” 56:14
56:30Model synopsis: A man and a woman stand outdoors, smiling at each other. The man speaks, and the woman interrupts him mid-sentence.
2 people observed.
“Oh, you won't be needing this anymore, dear.” 56:26 · “You know, I was just thinking... Don't start that again.” 56:30
56:46Model synopsis: A single frame shows the words 'The END' over a textured background, with a credit line below. The transcript includes dialogue about marriage legality tied to payment and a character saying they will return.
“Come on. Come on, then. It becomes legal the moment I get my fee. The marriage becomes legal directly after I receive my fee.” 56:36 · “I'll be right back.” 56:50
57:08Model synopsis: A single frame from the end of the film shows a cast list with names including Nelson, Alonzo, and Mulhall. The transcript contains only the spoken line 'I'm sorry.' at 57:16.
“I'm sorry.” 57:16
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 738 segments kept, 301 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1936 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement