Field
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks flagged: visible event not seen. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 18:45 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 31 · shots 171–172. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- field (field, exterior) evidence: frame:1
- People
- man wearing a cowboy hat and dark coat, on horseback visible, audible
- man wearing a cowboy hat and lighter coat, on horseback visible, audible
- Adam (named at t:18:54): man wearing a hat and suit jacket, on horseback visible, audible
- Seen happening
- A wide shot shows a vast field with a distant herd of cattle. [frame:1]
- Three men on horseback are shown in conversation. [frame:2]
- Also said
- “Oh, not me. Adam said he'd shoot me on side if he caught me around the ranch again. Well, maybe we'd better hide you out and we'd look things over.” 18:54 · “Come on.” 19:00
- Seen
- horses [frame:2], cowboy hats [frame:2], cattle herd [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense and cautious; themes: cowboy camaraderie, threat of violence, ranch conflict; style notes: wide landscape shot followed by medium group shot; high-contrast black-and-white; Western genre framing
Three men on horseback are seen in a wide, open landscape; one refuses to approach a ranch due to a threat from someone named Adam. The group decides to hide him while they scout the area.
“There's the big herd over there.” 18:45 · “About 600 or 700 of them. Why'd even elope with an Eskimo for a herd like that? Well, come on. Let's ride in.” 18:47 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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