Beat 220
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 56:35 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 93 · shots 559–559. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Seen happening
- The film's end title card is displayed. [frame:1]
- Seen
- end title card
- On screen
- The END A FAVORITE FILM Release
- Interpretation
- Model opinion, not evidence: mood: conclusive; themes: closure, legal formalities; style notes: static title card with high-contrast typography over abstract texture; typical of 1930s film endings
A single frame shows the words 'The END' over a textured background, with a credit line below. The transcript includes dialogue about marriage legality tied to payment and a character saying they will return.
“Come on. Come on, then. It becomes legal the moment I get my fee. The marriage becomes legal directly after I receive my fee.” 56:36 · “I'll be right back.” 56:50 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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