Field
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 37:29 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 61 · shots 301–306. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- field (field, exterior) evidence: frame:2, frame:4
- People
- Laramie (named at t:37:39): woman with dark curled hair, wearing a light-colored dress with a dark bow at the neck, visible from chest up visible, audible
- Connor (named at t:37:52): woman with dark hair under a hat, wearing dark clothing, visible from chest up visible, audible
- Seen happening
- A white horse is shown in profile against a bright sky. [frame:1]
- Two women are visible behind a wooden fence, one pointing. [frame:3]
- A woman leans on a fence with a concerned expression. [frame:4]
- Also said
- “Come on, Connor. Be pretty.” 37:52 · “Yes.” 37:56
- Seen
- white horse, wooden fence, hat
- Interpretation
- Model opinion, not evidence: mood: tense and concerned; themes: human-animal interaction, female concern, rural setting; style notes: black-and-white, medium shots, natural lighting, outdoor framing
A woman speaks about a man named Laramie who is said to tame horses, while another woman urges someone named Connor to 'be pretty.' A white horse is shown in profile against a bright sky. Two women are visible behind a wooden fence, one leaning forward with concern.
“Oh, Laramie never hurt a horse in his life. Why, he can tame anything. Horses...” 37:39 · “Prattled or women?” 37:45 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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