Public Reel

Randy Rides Alone (1934)

No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4844 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Frame from the Internet Archive copy RandyRidesAlone
Copy
RandyRidesAlone on the Internet Archive; released 1934
Read
324 shots over 52:19 · 189 beats in 99 sequences · 370 transcript lines · JSON
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Randy Rides Alone No renewal found
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Lands on the beat covering that second.
99 sequences; each is also a heading below.
How this page was made

324 shots over 52:19, read from the Internet Archive copy RandyRidesAlone (RandyRideAlone.mp4, 538×360, 29.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Randy Rides Alone No renewal found. JSON

Measurements: black-and-white film on its keyframes (3 of 324 shots judged colour), average shot 9.7s long, a frontal face detected in 13% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1934 (Internet Archive).

189 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Sequence 2 from 0:02

Frame at 0:03, shot 10:03Frame at 0:26, shot 20:26Frame at 0:50, shot 30:50
3 of 3 shots sampled

2. Beat 2

0:02–0:51 Not yet checked

Model synopsis: The beat displays opening credits for a film, including the Lone Star Pictures logo and production credits, followed by a black screen. No people, actions, or dialogue are present in the frames.

Evidence, details and a link to share

Sequence 3 from 0:51

Sequence 4 from 1:28

Frame at 1:38, shot 81:38
1 of 1 shots sampled

5. Field

1:28–1:47 Not yet checked

Model synopsis: A person rides a white horse outdoors in a hilly, brushy landscape. The rider is wearing a hat and appears to be urging the horse forward, as indicated by the spoken line 'Come on.'

  • A person rides a white horse through a brushy field. [frame:1]

1 person observed.

“Come on.” 1:30

Evidence, details and a link to share

Sequence 5 from 1:47

Frame at 1:49, shot 91:49Frame at 1:53, shot 101:53Frame at 1:58, shot 111:58Frame at 2:02, shot 122:02
4 of 4 shots sampled

6. Bar

1:47–2:03 Not yet checked

Model synopsis: A man in a cowboy hat rides a horse toward a building labeled 'HALF WAY HOUSE'. Inside, a bartender leans over a bar while another man sits nearby and a third lies on the floor.

  • A man on horseback approaches a building. [frame:1]
  • A man walks toward the entrance of a building labeled 'HALF WAY HOUSE'. [frame:2]
  • A man stands near the door of the building, looking to his right. [frame:3]
  • 1 more under Evidence and details.

6 people observed.

Evidence, details and a link to share

Frame at 2:08, shot 132:08Frame at 2:15, shot 142:15
2 of 2 shots sampled

7. Bar

2:03–2:16 Not yet checked

Model synopsis: A man in a cowboy hat stands in a wooden-paneled room while another man lies on the floor behind a bar. No dialogue or on-screen text is present in this segment.

  • A man lies motionless on the floor behind a bar. [frame:1]
  • A man in a cowboy hat stands facing forward in a wooden-paneled room. [frame:2]

2 people observed.

Evidence, details and a link to share

Sequence 6 from 2:16

Sequence 7 from 2:45

Sequence 8 from 2:50

Frame at 2:52, shot 172:52Frame at 3:02, shot 183:02
2 of 2 shots sampled

10. Bar

2:50–3:10 Not yet checked

Model synopsis: A man in a cowboy hat stands at a bar with bottles behind him; another man sits at the bar. A close-up shows an older man with a beard and a cigar in his mouth.

3 people observed.

Evidence, details and a link to share

Sequence 9 from 3:21

Frame at 3:27, shot 223:27
1 of 1 shots sampled

12. Other

3:21–3:32 Not yet checked

Model synopsis: A wanted poster for Marvin Black is shown, offering a $1000 reward for his capture, dead or alive. No people are visible or audible in this beat.

Evidence, details and a link to share

Sequence 10 from 3:32

Frame at 3:38, shot 233:38Frame at 3:48, shot 243:48
2 of 2 shots sampled

13. Private office

3:32–3:51 Not yet checked

Model synopsis: A man in a cowboy hat sits indoors next to a poster. A handwritten note warns the sheriff to lay off or face consequences.

  • A handwritten note is shown warning the sheriff to lay off or face consequences. [frame:2]

1 person observed.

Evidence, details and a link to share

Frame at 3:58, shot 253:58Frame at 4:08, shot 264:08Frame at 4:12, shot 274:12
3 of 3 shots sampled

14. Private office

3:51–4:14 Not yet checked

Model synopsis: A man in a cowboy hat sits indoors at 239s. At 248s and 253s, riders on horseback are seen outdoors under trees. The transcript at 4:05 contains the line 'I'm going to go.'

  • riders on horseback are visible under trees [frame:2]
  • riders on horseback remain visible under trees [frame:3]

2 people observed.

“I'm going to go.” 4:05

Evidence, details and a link to share

Sequence 11 from 4:14

Frame at 4:24, shot 284:24Frame at 4:39, shot 294:39
2 of 2 shots sampled

15. Other

4:14–4:43 Not yet checked

Model synopsis: Two men in hats converse outdoors while one holds a handwritten note warning to be quiet near where shots were heard. No names are spoken, and the setting appears to be an outdoor location with no clear time of day.

  • A man holds up a handwritten note that says 'Better be quiet. This is where I heard the shots.' [frame:2]
  • Three men stand close together outdoors, appearing to converse. [frame:1]

3 people observed.

“so” 4:30

Evidence, details and a link to share

Sequence 12 from 4:43

Frame at 4:50, shot 304:50
1 of 1 shots sampled

16. Other

4:43–4:57 Not yet checked

Model synopsis: Two men in cowboy hats are shown in close proximity, one holding an object while the other looks on. The scene is dimly lit and appears to be outdoors or in a rustic interior.

2 people observed.

Evidence, details and a link to share

Frame at 4:59, shot 314:59Frame at 5:01, shot 325:01Frame at 5:06, shot 335:06Frame at 5:15, shot 345:15
4 of 4 shots sampled

17. Shop

4:57–5:20 Not yet checked

Model synopsis: A man in a suit and hat confronts another man in a cowboy hat inside a building with shelves and a counter. The man in the suit demands the other raise his hand and step away from a gate, while the cowboy denies involvement in an unspecified act.

  • A man in a suit points a gun at another man. [frame:1]
  • The cowboy turns and raises his hands. [frame:2]
  • The sheriff walks toward a counter while the cowboy stands near shelves. [frame:3]
  • 1 more under Evidence and details.

Named: Sheriff (t:5:10). 2 people observed.

“Put up your hand.” 4:59 · “Step away from that gate.” 5:04

Evidence, details and a link to share

Sequence 13 from 5:28

Frame at 5:33, shot 365:33
1 of 1 shots sampled

19. Other

5:28–5:39 Not yet checked

Model synopsis: A hand writes a note suggesting a gang's involvement and the need to question someone. No people are visible or audible in this beat.

  • A hand writes a note on paper. [frame:1]

Evidence, details and a link to share

Sequence 14 from 5:39

Frame at 5:52, shot 375:52
1 of 1 shots sampled

20. Other

5:39–6:05 Not yet checked

Model synopsis: A man in a cowboy hat confronts others in a room while being accused of a crime; a sheriff orders him arrested and others rounded up. No names are spoken, and the setting appears to be an interior space with multiple men present.

  • A man in a cowboy hat is confronted by others. [frame:1]

4 people observed.

“You're right.” 5:40 · “You're wrong, sheriff.” 5:45

Evidence, details and a link to share

Sequence 15 from 6:05

Frame at 6:11, shot 386:11
1 of 1 shots sampled

21. Shop

6:05–6:16 Not yet checked

Model synopsis: A man in a suit and hat stands in a room with shelves and a counter; another person is partially visible at a counter. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 16 from 6:16

Sequence 17 from 6:18

Frame at 6:24, shot 416:24
1 of 1 shots sampled

24. Other

6:21–6:26 Not yet checked

Model synopsis: A group of men in cowboy hats and period Western attire walk through a wooden interior. No dialogue or on-screen text is visible in the single frame provided.

3 people observed.

Evidence, details and a link to share

Sequence 18 from 6:26

Sequence 19 from 6:37

Frame at 6:37, shot 436:37
1 of 1 shots sampled

26. Bar

6:37–6:38 Not yet checked

Model synopsis: A static interior shot shows a bar with shelves of bottles and a framed portrait on the wall. No people or actions are visible in this beat.

Evidence, details and a link to share

Sequence 20 from 6:38

Frame at 6:41, shot 446:41
1 of 1 shots sampled

27. Other

6:38–6:43 Not yet checked

Model synopsis: A close-up of a man with a beard and intense expression is shown. No dialogue or action is visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 21 from 6:43

Frame at 6:52, shot 456:52Frame at 7:07, shot 467:07
2 of 2 shots sampled

28. Shop

6:43–7:13 Not yet checked

Model synopsis: A woman in a patterned dress stands behind a counter in what appears to be a shop, holding an object and turning away. She speaks the line 'I'm going to go.'

  • A woman stands behind a counter holding an object. [frame:1]
  • The woman turns away from the counter. [frame:2]

1 person observed.

“I'm going to go.” 6:53

Evidence, details and a link to share

Frame at 7:20, shot 477:20Frame at 7:30, shot 487:30
2 of 2 shots sampled

29. Private office

7:13–7:33 Not yet checked

Model synopsis: A woman in a floral dress stands at a wooden door, holding a small object. She speaks the line 'I'm not.' during this beat.

  • A woman stands at a wooden door, holding a small object in her right hand. [frame:1]
  • The woman turns slightly, still facing the door, holding the object. [frame:2]

1 person observed.

“I'm not.” 7:21

Evidence, details and a link to share

Sequence 22 from 7:33

Frame at 7:55, shot 497:55
1 of 1 shots sampled

30. Other

7:33–8:17 Not yet checked

Model synopsis: A woman in a patterned dress kneels on the floor, leaning over a flat object, while a man in a hat stands nearby and another person's legs are visible above. The setting appears to be an interior space with wood-paneled walls.

3 people observed.

Evidence, details and a link to share

Sequence 23 from 8:17

Frame at 8:23, shot 508:23Frame at 8:40, shot 518:40Frame at 9:00, shot 529:00
3 of 3 shots sampled

31. Street

8:17–9:08 Not yet checked

Model synopsis: A woman stands in a doorway while a street scene shows riders on horseback. A person on horseback approaches a building entrance where others are gathered. No names are spoken, and no specific time of day or period is established.

  • A woman stands in a doorway. [frame:1]
  • A street scene with riders on horseback is shown. [frame:2]
  • A person on horseback approaches a building entrance where others are gathered. [frame:3]

3 people observed.

“I'm going to go.” 8:28 · “I don't know.” 8:37

Evidence, details and a link to share

Frame at 9:15, shot 539:15
1 of 1 shots sampled

32. Sidewalk

9:08–9:22 Not yet checked

Model synopsis: A man on horseback speaks to another man standing near a doorway; the dialogue suggests a recent rescue and a planned later meeting. The scene is set outdoors near a building with visible interior shelves.

  • A man on horseback is visible near a doorway. [frame:1]

Named: Matt (t:9:09), Zandre (t:9:11). 3 people observed.

“Fine work, Matt.” 9:09 · “It's a good thing you can hear or we wouldn't have got you, Zandre.” 9:11

Evidence, details and a link to share

Frame at 9:26, shot 549:26
1 of 1 shots sampled

33. Street

9:22–9:30 Not yet checked

Model synopsis: A man on horseback is shown in front of a building with a window display and a poster. The scene is static and appears to be outdoors during the day.

1 person observed.

Evidence, details and a link to share

Sequence 24 from 9:30

Frame at 9:54, shot 559:54
1 of 1 shots sampled

34. Private office

9:30–10:18 Not yet checked

Model synopsis: A man in a vest and hat stands beside a desk where another man is bent over; dialogue references a sheriff, a gang, and Sally Rogers. The scene is indoors, with a framed portrait on the wall and a desk with objects.

  • A man in a vest stands beside a desk where another man is bent over. [frame:1]

2 people observed.

“Listen, Sheriff, I have...” 9:34 · “You'll have company when we pick up the rest of your gang.” 9:36

Evidence, details and a link to share

Sequence 25 from 10:18

Frame at 10:25, shot 5610:25
1 of 1 shots sampled

35. Private office

10:18–10:33 Not yet checked

Model synopsis: Two men stand close together indoors; one holds a paper while the other looks at it. A line is spoken urging action.

  • Two men stand together indoors, one holding a paper and the other looking at it. [frame:1]

2 people observed.

“Come on.” 10:21

Evidence, details and a link to share

Frame at 10:34, shot 5710:34Frame at 10:45, shot 5810:45Frame at 10:59, shot 5910:59
3 of 3 shots sampled

36. Street

10:33–11:04 Not yet checked

Model synopsis: Two men stand outside a building; one mounts a horse and rides away while another man watches from the doorway. Later, several horses are seen tied under trees in a wooded area.

  • A man mounts a horse and rides away from a drug store. [frame:2]
  • Several horses are tied under trees in a wooded area. [frame:3]

4 people observed.

“All right.” 10:33 · “I'm going to go.” 10:37

Evidence, details and a link to share

Sequence 26 from 11:04

Frame at 11:14, shot 6011:14Frame at 11:27, shot 6111:27Frame at 11:35, shot 6211:35
3 of 3 shots sampled

37. Riverbank

11:04–11:37 Not yet checked

Model synopsis: Two men are seen near a rocky riverbank; one man runs toward a horse. A loud explosion is heard off-screen. The setting appears to be outdoors in a rugged, natural environment.

  • Two men stand near a rocky riverbank. [frame:1]
  • One man bends over near rocks. [frame:2]
  • A man runs toward a horse in a rocky area. [frame:3]

3 people observed.

“*BOOM*” 11:05

Evidence, details and a link to share

Frame at 11:40, shot 6311:40
1 of 1 shots sampled

38. Forest

11:37–11:42 Not yet checked

Model synopsis: A man in a suit runs past a tree and a large rock in a wooded area. No dialogue or on-screen text is present in this beat.

  • A man runs past a tree and a large rock. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 27 from 11:42

Frame at 12:04, shot 6512:04
1 of 1 shots sampled

40. Other

12:02–12:07 Not yet checked

Model synopsis: Three men sit at a wooden table in a dimly lit cave-like room; one says 'My deal.' The setting appears to be an interior space with rough stone walls and minimal furnishings.

3 people observed.

“My deal.” 12:04

Evidence, details and a link to share

Sequence 28 from 12:07

Frame at 12:12, shot 6612:12Frame at 12:26, shot 6712:26
2 of 2 shots sampled

41. Private office

12:07–12:33 Not yet checked

Model synopsis: A man in a suit stands in a dimly lit interior, holding a gun and speaking to someone off-screen. Another person in uniform enters the scene as the man gestures and says 'All right, Marvin.'

  • A man in a suit holds a gun and looks down at a table. [frame:1]
  • The man gestures toward another person entering the room. [frame:2]

Named: Marvin (t:12:27). 2 people observed.

“I'm going to go.” 12:10 · “Fight!” 12:18

Evidence, details and a link to share

Frame at 13:17, shot 7113:17Frame at 13:25, shot 7213:25
2 of 2 shots sampled

44. Private office

13:13–13:31 Not yet checked

Model synopsis: A man in a cowboy hat stands with hands on hips in a wooden interior. A group of men in cowboy attire gather around a table in the same setting, discussing money and property ownership.

  • A man in a cowboy hat stands with hands on hips. [frame:1]
  • A group of men in cowboy attire gather around a table. [frame:2]

2 people observed.

“Now we'll get his niece to sell us the halfway house.” 13:14 · “And we'll own the whole of Paiute Pass for 20 miles.” 13:17

Evidence, details and a link to share

Frame at 13:32, shot 7313:32Frame at 13:47, shot 7413:47Frame at 14:05, shot 7514:05
3 of 3 shots sampled

45. Private office

13:31–14:08 Not yet checked

Model synopsis: A man in a cowboy hat speaks with others in a room; a woman is seen near a doorway. Dialogue reveals a failed search for an item and mentions a girl who outsmarted them.

  • Three men stand in a room, one adjusting his belt. [frame:2]
  • A man and a woman are seen near a doorway. [frame:3]

4 people observed.

“We didn't get it. It wasn't in the safe.” 13:31 · “I should have left you where I found you, Brandon Cabs.” 13:42

Evidence, details and a link to share

Sequence 29 from 14:08

Frame at 14:31, shot 7614:31
1 of 1 shots sampled

46. Private office

14:08–14:53 Not yet checked

Model synopsis: A woman speaks with a seated man in an office; she mentions her uncle and he refers to a suspect in custody. The man invites her to identify the suspect.

  • The sheriff sits at his desk while Miss Sally stands before him. [frame:1]

Named: Miss Sally (t:14:14). 2 people observed.

“They told me you wanted to see me, Sheriff.” 14:14 · “I already know. Really? Who told you? My... I guess you hear those things.” 14:23

Evidence, details and a link to share

Frame at 15:08, shot 7715:08
1 of 1 shots sampled

47. Private office

14:53–15:22 Not yet checked

Model synopsis: A man in overalls and a hat stands near a desk while another man in a suit speaks to a woman in a patterned dress; the woman says she is going to leave. The transcript indicates the mute is returning and the sheriff needs to speak with him before he leaves town.

  • A man in overalls and a hat stands near a desk while another man in a suit speaks to a woman in a patterned dress. [frame:1]

Named: Miss Talley (t:15:08). 3 people observed.

“Matt, the mute's back, Sheriff.” 14:56 · “I'll be back in a minute, Miss Talley.” 15:08

Evidence, details and a link to share

Sequence 30 from 15:22

Frame at 15:25, shot 7815:25
1 of 1 shots sampled

48. Jail

15:22–15:27 Not yet checked

Model synopsis: A woman stands outside a barred cell where a man is visible inside. The setting appears to be a jail interior.

2 people observed.

Evidence, details and a link to share

Frame at 15:27, shot 7915:27
1 of 1 shots sampled

49. Jail

15:27–15:28 Not yet checked

Model synopsis: A woman in a patterned dress stands facing a barred cell where a figure is seated. The setting appears to be an interior space with a barred enclosure and a chair visible.

2 people observed.

Evidence, details and a link to share

Sequence 31 from 15:28

Frame at 15:46, shot 8415:46Frame at 15:49, shot 8515:49Frame at 15:53, shot 8615:53
3 of 3 shots sampled

52. Jail

15:45–15:54 Not yet checked

Model synopsis: A woman is seen behind bars while a man in a cowboy hat speaks. The dialogue suggests the man was sent to see someone, possibly the woman's uncle.

  • Woman is visible behind bars. [frame:1]
  • Man in cowboy hat is visible, looking toward camera. [frame:2]
  • Woman behind bars is visible again. [frame:3]

2 people observed.

“Could you?” 15:46 · “You don't think I'd kill the man I was sent to see, do you?” 15:49

Evidence, details and a link to share

Sequence 32 from 16:14

Sequence 33 from 16:32

Frame at 16:44, shot 9116:44
1 of 1 shots sampled

56. Jail

16:42–16:45 Not yet checked

Model synopsis: A woman in a patterned dress stands near a barred jail cell while a man is visible inside. A wall-mounted telephone is present on the right.

2 people observed.

Evidence, details and a link to share

Sequence 34 from 16:45

Sequence 35 from 16:56

Sequence 36 from 17:10

Frame at 17:12, shot 9417:12
1 of 1 shots sampled

59. Other

17:10–17:14 Not yet checked

Model synopsis: A woman in a long dress stands inside a room with brick walls and a wooden door, reaching toward the doorframe. A chair is visible to her right.

1 person observed.

Evidence, details and a link to share

Sequence 37 from 17:14

Frame at 18:00, shot 9618:00
1 of 1 shots sampled

61. Private office

17:53–18:06 Not yet checked

Model synopsis: A man in a hat and coat stands indoors, extending his hand toward a woman whose back is to the camera. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 38 from 18:06

Frame at 18:12, shot 9718:12
1 of 1 shots sampled

62. Beat 62

18:06–18:17 Not yet checked

Model synopsis: A handwritten note is shown on screen, expressing sympathy and offering help. No people, dialogue, or setting details are visible in the provided frame.

  • A handwritten note is displayed on screen. [frame:1]

Evidence, details and a link to share

Sequence 39 from 18:17

Frame at 18:21, shot 9818:21
1 of 1 shots sampled

63. Private office

18:17–18:26 Not yet checked

Model synopsis: A man in a hat and coat stands close to a woman in a patterned dress; he holds a paper and looks at her while she looks down. The setting appears to be an interior doorway or entryway.

2 people observed.

Evidence, details and a link to share

Sequence 40 from 18:26

Frame at 18:34, shot 9918:34
1 of 1 shots sampled

64. Beat 64

18:26–18:42 Not yet checked

Model synopsis: No visual or spoken content is provided for this beat; only a handwritten note is shown. The note discusses a business proposition regarding the Half-Way House.

Evidence, details and a link to share

Sequence 41 from 18:42

Sequence 42 from 18:55

Frame at 19:00, shot 10119:00
1 of 1 shots sampled

66. Beat 66

18:55–19:06 Not yet checked

Model synopsis: A handwritten note is shown on screen, asking if help can be given and offering use of a car. No people, objects, or locations are visible in the frame.

Evidence, details and a link to share

Sequence 43 from 19:06

Frame at 19:16, shot 10219:16
1 of 1 shots sampled

67. Private office

19:06–19:25 Not yet checked

Model synopsis: A man in a hat and coat stands beside a woman in a patterned dress; he holds papers while she looks at him. He says he is going, after she thanks him and he reassures her there is no need to worry.

  • The man holds papers and speaks to the woman. [frame:1]

2 people observed.

“There's no need to worry about that. They took it all.” 19:08 · “Thanks. Just the same.” 19:17

Evidence, details and a link to share

Sequence 44 from 19:25

Frame at 19:30, shot 10319:30Frame at 19:41, shot 10419:41
2 of 2 shots sampled

68. Field

19:25–19:47 Not yet checked

Model synopsis: A person on horseback moves across an outdoor landscape with trees and rocks; another figure stands in the distance. A voice says 'Come on.'

  • A person rides a horse across a field with trees and rocks. [frame:1]
  • The horse and rider move toward the right; a standing figure remains in the background. [frame:2]

3 people observed.

“Come on.” 19:46

Evidence, details and a link to share

Frame at 19:50, shot 10519:50Frame at 19:56, shot 10619:56Frame at 20:02, shot 10720:02Frame at 20:07, shot 10820:07
4 of 4 shots sampled

69. Forest

19:47–20:09 Not yet checked

Model synopsis: A man on horseback is shown in several shots, sometimes alone, sometimes with another rider; a loud noise occurs at 20:00. The riders appear to be in a wooded or brushy outdoor area.

  • A man on horseback is shown in a medium shot. [frame:1]
  • Two men on horseback are shown riding side by side through brush. [frame:2]
  • The first man on horseback is shown again, holding reins. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Let out.” 19:51 · “And we'll meet in the morning by Pinnacle Rock.” 19:54

Evidence, details and a link to share

Sequence 45 from 20:09

Frame at 20:28, shot 10920:28
1 of 1 shots sampled

70. Other

20:09–20:46 Not yet checked

Model synopsis: A single dark frame shows an indistinct outdoor scene at night with no visible people or objects. No dialogue or on-screen text is present.

Evidence, details and a link to share

Frame at 20:51, shot 11120:51
1 of 1 shots sampled

72. Forest

20:50–20:52 Not yet checked

Model synopsis: A person rides a horse through a wooded area. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 20:59, shot 11220:59
1 of 1 shots sampled

73. Rocky terrain

20:52–21:05 Not yet checked

Model synopsis: A lone rider on horseback moves across a rocky, open landscape under a dark sky. No dialogue or on-screen text is present in this beat.

  • A rider on horseback moves across rocky terrain. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 21:10, shot 11321:10
1 of 1 shots sampled

74. Field

21:05–21:16 Not yet checked

Model synopsis: A person is seen near a white horse in an outdoor setting with a fence. No dialogue or on-screen text is present in this beat.

  • A person stands next to a white horse near a fence. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 46 from 21:16

Frame at 21:17, shot 11421:17Frame at 21:30, shot 11521:30
2 of 2 shots sampled

75. Shop

21:16–21:42 Not yet checked

Model synopsis: A man in a cowboy hat and shirt is seen from behind walking toward a doorway, then turns to face shelves of bottles in what appears to be a store. He speaks about leaving and locking the door.

  • A man walks toward a doorway with his back to the camera. [frame:1]
  • The man turns to face shelves stocked with bottles. [frame:2]

1 person observed.

“I'm going to go.” 21:18 · “Lock the door.” 21:26

Evidence, details and a link to share

Sequence 47 from 22:20

Frame at 22:32, shot 12022:32
1 of 1 shots sampled

77. Other

22:20–22:44 Not yet checked

Model synopsis: A man in a cowboy hat holds reins beside a horse; dialogue suggests a search for a missing person and a plan to question the Rogers girl. No names are spoken that can be assigned to visible individuals.

  • A man is seen holding horse reins beside a horse. [frame:1]

1 person observed.

“Well, I found where he kept last night, but no trace of him.” 22:26 · “You know, I've been thinking.” 22:29

Evidence, details and a link to share

Frame at 23:07, shot 12423:07
1 of 1 shots sampled

79. Private office

22:58–23:15 Not yet checked

Model synopsis: A woman in a dress and a man in a cowboy hat stand inside a room; the woman urges the man to hide, saying someone named Frichella must have seen his horse. The man, called Muir, reassures her he won’t be found.

  • A woman gestures urgently toward a man in a cowboy hat, telling him to hide. [frame:1]

Named: Muir (t:23:04). 2 people observed.

“It's Frichella. He must have seen your horse. Quick, hide! Well, what about you?” 22:59 · “You can't be found, Muir. Don't worry, he won't find me.” 23:04

Evidence, details and a link to share

Sequence 48 from 23:15

Frame at 23:18, shot 12523:18
1 of 1 shots sampled

80. Private office

23:15–23:20 Not yet checked

Model synopsis: A man in a cowboy hat stands with his back to the camera, looking out a window. The scene is dimly lit and appears to be indoors.

  • A man in a cowboy hat stands at a window, looking out. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 49 from 23:20

Frame at 23:28, shot 12623:28
1 of 1 shots sampled

81. Field

23:20–23:36 Not yet checked

Model synopsis: Three men walk along a wooden fence in an outdoor setting. One man in a dark hat and coat walks ahead, while two others follow behind.

  • Three men walk along a wooden fence in a field. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 50 from 23:36

Frame at 23:40, shot 12723:40Frame at 23:45, shot 12823:45Frame at 23:54, shot 12923:54
3 of 3 shots sampled

82. Private office

23:36–24:01 Not yet checked

Model synopsis: A woman walks through a room while two men in hats enter and search; one man stands in a room with furniture and a window. The transcript indicates someone is leaving and others are searching for someone inside.

  • A woman walks through a room. [frame:1]
  • Two men in hats enter a doorway and appear to search. [frame:2]
  • A man in a hat stands in a furnished room with a window. [frame:3]

3 people observed.

“I'm going to go.” 23:37 · “He's in here somewhere.” 23:56

Evidence, details and a link to share

Frame at 24:03, shot 13024:03Frame at 24:07, shot 13224:07Frame at 24:10, shot 13324:10Frame at 24:17, shot 13524:17
4 of 6 shots sampled

83. Field

24:01–24:19 Not yet checked

Model synopsis: A man in dark clothing crouches behind a low wall, then climbs over it and stands on the other side. The setting appears to be outdoors with hills in the background.

  • man crouches behind a low wall [frame:1]
  • man climbs over the wall [frame:2]
  • man stands on top of the wall, hills visible behind [frame:3]
  • 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Frame at 24:20, shot 13624:20Frame at 24:22, shot 13724:22Frame at 24:29, shot 13824:29
3 of 3 shots sampled

84. Restaurant

24:19–24:35 Not yet checked

Model synopsis: A man in a hat and coat walks through an interior room with tables and chairs, then two men are seen in a doorway, and finally a group of silhouetted figures on horseback are shown outdoors. One person speaks the line 'I'm going to go.'

  • A man walks through a room with tables and chairs. [frame:1]
  • Two men stand in a doorway. [frame:2]
  • Figures on horseback are shown outdoors in silhouette. [frame:3]

4 people observed.

“I'm going to go.” 24:19

Evidence, details and a link to share

Sequence 51 from 24:35

Frame at 24:38, shot 13924:38
1 of 1 shots sampled

85. Bar

24:35–24:41 Not yet checked

Model synopsis: A woman in a long dress stands at a bar counter, reaching toward bottles on a shelf. The scene is dimly lit and appears to be indoors.

1 person observed.

Evidence, details and a link to share

Frame at 24:44, shot 14024:44
1 of 1 shots sampled

86. Living room

24:41–24:48 Not yet checked

Model synopsis: A woman in a patterned dress stands at a window, pulling a curtain. The room contains a chair and a sign on the wall, with no visible time of day or named individuals.

1 person observed.

Evidence, details and a link to share

Sequence 52 from 24:48

Frame at 24:51, shot 14124:51
1 of 1 shots sampled

87. Field

24:48–24:55 Not yet checked

Model synopsis: A lone rider on horseback moves across an open, dusty landscape with sparse trees. No dialogue or on-screen text is present in this beat.

  • A rider on horseback moves across a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 25:01, shot 14225:01Frame at 25:11, shot 14325:11Frame at 25:21, shot 14425:21
3 of 3 shots sampled

88. Desert

24:55–25:28 Not yet checked

Model synopsis: A person rides a horse through a rocky, arid landscape and then across a shallow river. The transcript contains a single line of dialogue: 'I'm sorry.'

  • A person rides a horse through a rocky, arid landscape. [frame:1]
  • The rider continues through a more vegetated area with trees. [frame:2]
  • The rider crosses a shallow river on horseback. [frame:3]

1 person observed.

“I'm sorry.” 25:05

Evidence, details and a link to share

Frame at 25:39, shot 14525:39
1 of 1 shots sampled

89. River

25:28–25:50 Not yet checked

Model synopsis: Three riders on horseback cross a shallow river. The scene is outdoors, with trees visible on the bank.

  • Three people ride horses through a river, splashing water. [frame:1]

3 people observed.

Evidence, details and a link to share

Frame at 25:52, shot 14625:52Frame at 25:57, shot 14725:57Frame at 26:06, shot 14826:06Frame at 26:18, shot 14926:18
4 of 4 shots sampled

90. River

25:50–26:24 Not yet checked

Model synopsis: A person rides a horse through water, followed by a group of riders crossing a wooden bridge, then a figure is seen struggling in dark water. The transcript contains a repeated line about leaving.

  • A person rides a horse through water. [frame:1]
  • A group of riders gallops across a river. [frame:2]
  • Riders cross a wooden bridge over water. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 25:54 · “I'm going to go.” 26:07

Evidence, details and a link to share

Frame at 26:24, shot 15026:24Frame at 26:28, shot 15226:28Frame at 26:32, shot 15426:32Frame at 26:39, shot 15626:39
4 of 7 shots sampled

91. Other

26:24–26:44 Not yet checked

Model synopsis: Two men on horseback are shown in a series of medium shots; one speaks of leaving while another urges action. No named characters or specific location are established in the frames or transcript.

  • Two men sit on horseback facing forward. [frame:1]
  • A third man on horseback appears to the left. [frame:2]
  • The two central riders remain in frame against a plain background. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“I'm going to go.” 26:25 · “I'm sorry.” 26:27

Evidence, details and a link to share

Sequence 53 from 26:44

Frame at 26:46, shot 15726:46
1 of 1 shots sampled

92. Body of water

26:44–26:48 Not yet checked

Model synopsis: The frame shows dark, churning water with white foam, suggesting a body of water in motion. No people, objects, or on-screen text are visible, and no dialogue or events are recorded in this beat.

Evidence, details and a link to share

Sequence 54 from 26:48

Frame at 26:49, shot 15826:49
1 of 1 shots sampled

93. Waterfall

26:48–26:49 Not yet checked

Model synopsis: A person lies motionless on rocks at the base of a waterfall. No dialogue or on-screen text is present in this beat.

  • A person lies motionless on rocks at the base of a waterfall. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 26:50, shot 15926:50
1 of 1 shots sampled

94. Other

26:49–26:50 Not yet checked

Model synopsis: A single frame shows a bright, overexposed vertical surface with dark edges, possibly a curtain or wall, against a dark background. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Frame at 26:51, shot 16026:51
1 of 1 shots sampled

95. Forest

26:50–26:53 Not yet checked

Model synopsis: A person in dark clothing and a light head covering is visible in a dim, leafy outdoor setting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 27:00, shot 16127:00Frame at 27:09, shot 16227:09Frame at 27:12, shot 16327:12
3 of 3 shots sampled

96. Mountain

26:53–27:14 Not yet checked

Model synopsis: A person in a hat is visible in a dark, rocky environment across three frames. No spoken names or clear events are established in the transcript or visuals for this beat.

1 person observed.

Evidence, details and a link to share

Frame at 27:24, shot 16427:24
1 of 1 shots sampled

97. Cave

27:14–27:34 Not yet checked

Model synopsis: A person is visible in a dark, confined space, leaning against a rough surface. No dialogue, time of day, or named individuals are present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 55 from 27:34

Frame at 27:38, shot 16527:38Frame at 27:53, shot 16627:53
2 of 2 shots sampled

98. Other

27:34–28:03 Not yet checked

Model synopsis: Two men in cowboy attire confront a third man near a wooden structure; one says they will handle him and another offers to take him inside to see the boss. No names are spoken, and the setting appears to be a rustic outdoor or semi-outdoor location.

  • Three men stand near a wooden structure, two facing each other. [frame:1]
  • Two men face each other closely, one holding a small object. [frame:2]

3 people observed.

“There's a fella hadn't been here. You know him? Never seen him before.” 27:35 · “We'll take care of him.” 27:38

Evidence, details and a link to share

Frame at 28:06, shot 16728:06Frame at 28:13, shot 16828:13Frame at 28:25, shot 16928:25
3 of 3 shots sampled

99. Other

28:03–28:32 Not yet checked

Model synopsis: Two men in Western attire are shown in a rocky outdoor setting and then inside a wooden structure with a table. One man asks how the other got in, and the other replies he fell in.

  • Two men are walking through a rocky outdoor area. [frame:1]
  • The men approach a wooden structure with a doorway. [frame:2]
  • The two men stand facing each other inside the structure near a table with objects on it. [frame:3]

2 people observed.

“I'm going to go.” 28:03 · “Hey, boss!” 28:22

Evidence, details and a link to share

Frame at 29:08, shot 17029:08
1 of 1 shots sampled

100. Other

28:32–29:45 Not yet checked

Model synopsis: Two men in Western attire converse in a dim interior; one is being detained by the other’s group despite claiming to ride alone. The group plans to monitor him closely, considering using him or abandoning him in a tunnel if he proves untrustworthy.

2 people observed.

“When I found that tunnel, you didn't expect me to stay out there with a posse on my heels, did you?” 28:37 · “ride alone” 28:45

Evidence, details and a link to share

Frame at 29:54, shot 17129:54
1 of 1 shots sampled

101. Other

29:45–30:02 Not yet checked

Model synopsis: Two men stand near a wooden post while another man wipes his face with a cloth; a hat rests in the foreground. No names or time of day are established, and the setting appears to be an outdoor or rustic interior space.

  • A man wipes his face with a cloth while others stand nearby. [frame:1]

4 people observed.

“That's all right.” 29:50

Evidence, details and a link to share

Frame at 30:09, shot 17230:09Frame at 30:23, shot 17330:23
2 of 2 shots sampled

102. Private office

30:02–30:29 Not yet checked

Model synopsis: Two men in cowboy attire speak in a dimly lit interior; one calls for 'Slim' after discussing coercing a girl to sell. A second frame shows a man in a hat seated beside a bed with a blanket, holding an object.

  • A man in a hat sits beside a bed, holding an object. [frame:2]

Named: Slim (t:30:20). 3 people observed.

“When are we gonna get the halfway house?” 30:03 · “The girl won't sell out.” 30:08

Evidence, details and a link to share

Frame at 30:44, shot 17430:44
1 of 1 shots sampled

103. Other

30:29–30:59 Not yet checked

Model synopsis: Three men in cowboy hats are shown in an interior setting; one is being directed by another while a third stands nearby. The transcript indicates plans to bring someone named Sally Rogers to the location and to move another person out before she arrives.

  • A man in a dark coat points at another man who is turning away. [frame:1]

3 people observed.

“Take this to Sally Rogers.” 30:36 · “Get her. Bring her here.” 30:38

Evidence, details and a link to share

Frame at 31:05, shot 17531:05
1 of 1 shots sampled

104. Other

30:59–31:11 Not yet checked

Model synopsis: A man in a cowboy hat and shirt holds a hat and a paper in a dim interior. Another person is partially visible beside him. The transcript includes a line about needing a hat.

  • A man holds a hat and a paper while standing in a dim interior. [frame:1]
  • Another person stands beside him, partially visible. [frame:1]

2 people observed.

“You'll be needing a hat, more than mine. Thanks.” 31:06

Evidence, details and a link to share

Sequence 56 from 31:11

Frame at 31:13, shot 17631:13
1 of 1 shots sampled

105. Other

31:11–31:14 Not yet checked

Model synopsis: A still frame shows a man in a cowboy hat with text reading 'Dead or Alive' and 'MARVIN BLACK' below. No spoken lines are provided for this beat.

Named: MARVIN BLACK (frame:1). 1 person observed.

Evidence, details and a link to share

Sequence 57 from 31:14

Sequence 58 from 31:56

Frame at 31:59, shot 17831:59
1 of 1 shots sampled

107. Field

31:56–32:02 Not yet checked

Model synopsis: Two men in cowboy hats stand facing each other outdoors near rocks. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 32:05, shot 17932:05Frame at 32:09, shot 18032:09
2 of 2 shots sampled

108. Other

32:02–32:10 Not yet checked

Model synopsis: Two men in cowboy hats stand in a dimly lit interior; one raises a pistol as a gunshot is heard. The scene is from a 1930s Western film and shows no on-screen text or named characters.

  • A man raises a pistol. [frame:2]

2 people observed.

“*BANG*” 32:08

Evidence, details and a link to share

Frame at 32:11, shot 18132:11Frame at 32:13, shot 18232:13Frame at 32:16, shot 18332:16Frame at 32:23, shot 18432:23
4 of 4 shots sampled

109. Other

32:10–32:29 Not yet checked

Model synopsis: Two men in cowboy hats stand in a dim interior, one holding a pistol; a wanted poster for Marvin Black is shown. A lizard is visible on the ground, and dialogue suggests a dispute over the power of a .45-caliber gun.

  • A wanted poster for Marvin Black is displayed. [frame:1]
  • Two men stand facing each other, one holding a pistol. [frame:2]
  • A lizard is visible on the ground. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Watch him jump.” 32:14 · “Look out, partner!” 32:17

Evidence, details and a link to share

Sequence 59 from 32:29

Frame at 32:32, shot 18532:32
1 of 1 shots sampled

110. Rocky terrain

32:29–32:34 Not yet checked

Model synopsis: Two silhouetted figures walk through a rocky, shadowed terrain. No dialogue or on-screen text is present in this beat.

  • Two figures walk through rocky terrain. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 60 from 32:34

Frame at 32:47, shot 18632:47
1 of 1 shots sampled

111. Private office

32:34–33:00 Not yet checked

Model synopsis: Two men in cowboy hats and Western attire stand facing each other in a dimly lit interior. One speaks about dynamite placed around a terminal entrance and a plunger that can detonate it, warning the other to be careful with his .45 pistol.

  • Two men in cowboy attire stand facing each other in conversation. [frame:1]

2 people observed.

“We got dynamite planet all over this place.” 32:36 · “Press the plunger in his room.” 32:47

Evidence, details and a link to share

Sequence 61 from 33:00

Frame at 33:03, shot 18733:03
1 of 1 shots sampled

112. Rocky terrain

33:00–33:05 Not yet checked

Model synopsis: A figure stands in a rocky, shadowed outdoor setting with another figure partially visible behind. No dialogue or on-screen text is present in the frames.

2 people observed.

Evidence, details and a link to share

Sequence 62 from 33:05

Frame at 33:07, shot 18833:07
1 of 1 shots sampled

113. Interior hallway or room

33:05–33:09 Not yet checked

Model synopsis: Two men in hats walk away from the camera through a doorway into a dim interior. No dialogue or on-screen text is present in this beat.

  • Two men walk away from the camera through a doorway. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 63 from 33:09

Frame at 33:21, shot 18933:21
1 of 1 shots sampled

114. Shop

33:09–33:32 Not yet checked

Model synopsis: Two men in cowboy hats and a woman in a dress stand outside a building entrance; one man hands the woman a note. The transcript indicates they are discussing closure until after services for the woman’s uncle.

  • Two men and a woman stand outside a building; one man hands a note to the woman. [frame:1]

Named: my uncle (t:33:19). 3 people observed.

“We're not open.” 33:17 · “will be closed until after the services from my uncle.” 33:19

Evidence, details and a link to share

Sequence 64 from 33:32

Sequence 65 from 33:38

Sequence 66 from 34:09

Frame at 34:15, shot 19234:15
1 of 1 shots sampled

117. Other

34:09–34:20 Not yet checked

Model synopsis: Two men in cowboy attire stand facing each other near a wooden structure; one wears a light hat and vest, the other a dark hat and coat. Dialogue suggests anticipation of the arrival of the Rogers girls.

  • Two men in cowboy attire stand facing each other near a wooden structure. [frame:1]

2 people observed.

“The boys are coming in with the Rogers girls.” 34:15 · “Fine.” 34:17

Evidence, details and a link to share

Frame at 34:35, shot 19334:35Frame at 34:58, shot 19434:58
2 of 2 shots sampled

118. Private office

34:20–35:06 Not yet checked

Model synopsis: A woman is confronted by several men in a dim interior; one man grabs her as others look on. She denies knowing about money, and is ordered locked up to 'refresh her memory.'

  • A woman stands surrounded by four men in a room. [frame:1]
  • A man grabs the woman's arm while speaking to her. [frame:2]

5 people observed.

“Where's the money?” 34:44 · “I don't know. Oh, you don't know, huh?” 34:46

Evidence, details and a link to share

Frame at 35:12, shot 19535:12
1 of 1 shots sampled

119. Private office

35:06–35:18 Not yet checked

Model synopsis: Three figures, two men in cowboy hats and a woman in a long dress, are seen from behind in a dim interior. One man gestures toward a doorway while the other stands beside the woman.

  • A man in a cowboy hat gestures toward a doorway while standing beside a woman and another man. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 67 from 35:18

Sequence 68 from 35:40

Sequence 69 from 35:41

Frame at 35:58, shot 19835:58
1 of 1 shots sampled

122. Other

35:41–36:16 Not yet checked

Model synopsis: A man in a cowboy hat stands beside a table in a dimly lit room with at least one person lying on the floor. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 36:17, shot 19936:17Frame at 36:18, shot 20036:18Frame at 36:21, shot 20136:21
3 of 3 shots sampled

123. Other

36:16–36:22 Not yet checked

Model synopsis: A person wearing a cowboy hat is visible in dim lighting across three frames. The transcript contains two spoken words: 'Abby' and 'Alley'.

  • A person in a cowboy hat is visible in shadow. [frame:1]
  • A close-up of a hat with a band, possibly the same person. [frame:2]
  • The person in the cowboy hat is again visible, same framing as frame 1. [frame:3]

1 person observed.

“Abby.” 36:17 · “Alley.” 36:21

Evidence, details and a link to share

Sequence 70 from 36:22

Frame at 36:24, shot 20236:24
1 of 1 shots sampled

124. Other

36:22–36:25 Not yet checked

Model synopsis: A woman in a dark dress is visible in a close-up, leaning forward with her hand near her face. The background is completely black, and no other objects or people are visible.

1 person observed.

Evidence, details and a link to share

Sequence 71 from 36:25

Sequence 72 from 36:27

Frame at 36:30, shot 20436:30
1 of 1 shots sampled

126. Other

36:27–36:32 Not yet checked

Model synopsis: A woman with curly hair and a puffed-sleeve dress is visible in a dimly lit close-up. No actions, objects, or dialogue are discernible in this single frame.

1 person observed.

Evidence, details and a link to share

Sequence 73 from 36:32

Frame at 36:49, shot 20636:49Frame at 36:55, shot 20736:55Frame at 37:00, shot 20837:00
3 of 3 shots sampled

128. Bar

36:47–37:01 Not yet checked

Model synopsis: A man in a cowboy hat searches a compartment near a bar while another person lies on the floor. Spoken lines indicate urgency and instructions to remain silent if questioned.

  • A person lies motionless on the floor with a pillow under their head. [frame:1]
  • A man in a cowboy hat reaches into a compartment near a wooden bar. [frame:2]
  • The man continues searching the compartment, looking down intently. [frame:3]

2 people observed.

“You'd better move this first.” 36:52 · “Where is it?” 36:54

Evidence, details and a link to share

Sequence 74 from 37:01

Frame at 37:36, shot 20937:36
1 of 1 shots sampled

129. Cave

37:01–38:10 Not yet checked

Model synopsis: A person in a cowboy hat is visible in a dimly lit, rocky environment. The transcript contains the spoken line 'Come on.'

  • A person in a cowboy hat crouches in a cave. [frame:1]

1 person observed.

“Come on.” 37:33

Evidence, details and a link to share

Frame at 38:13, shot 21038:13Frame at 38:18, shot 21138:18Frame at 38:35, shot 21238:35
3 of 3 shots sampled

130. Other

38:10–38:49 Not yet checked

Model synopsis: A man in a cowboy hat is shown in profile and from behind near a rocky wall, followed by a shot of a person with white hair sitting and covering their face. The only audible sound is wind.

  • A man in a cowboy hat stands near a rocky wall. [frame:1]
  • The man in the cowboy hat turns away from the camera. [frame:2]
  • A person with white hair sits and covers their face with their hands. [frame:3]

2 people observed.

“*Sounds of the wind*” 38:11

Evidence, details and a link to share

Sequence 75 from 39:06

Frame at 39:14, shot 21539:14
1 of 1 shots sampled

132. Wooded area

39:06–39:21 Not yet checked

Model synopsis: A person in a cowboy hat stands near horses tied to a rope in a wooded outdoor area. No names, times, or events are established beyond the visual and the single utterance.

  • A person in a cowboy hat stands near horses. [frame:1]

1 person observed.

“Uh...” 39:20

Evidence, details and a link to share

Sequence 76 from 39:21

Frame at 39:46, shot 21639:46
1 of 1 shots sampled

133. Wooden interior

39:21–40:11 Not yet checked

Model synopsis: A man in a coat and hat is seen from behind, leaning against a wooden door or wall. No dialogue or other characters are visible in this single frame.

  • A man in a coat and hat leans against a wooden structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 77 from 40:11

Frame at 40:15, shot 21740:15
1 of 1 shots sampled

134. Beat 134

40:11–40:20 Not yet checked

Model synopsis: A handwritten note is shown, reading a conditional offer to help someone in exchange for information about money. No people, places, or actions are visible in the frame.

Evidence, details and a link to share

Sequence 78 from 40:20

Sequence 79 from 40:33

Sequence 80 from 40:49

Frame at 40:53, shot 22040:53
1 of 1 shots sampled

137. Other

40:49–40:57 Not yet checked

Model synopsis: A man in a cowboy hat stands in a doorway addressing a woman in a dress; he commands her to get up and go on. The scene is set in a dimly lit wooden interior, likely a cabin or saloon.

  • A woman and a man stand facing each other in a doorway. [frame:1]

2 people observed.

“Hey, you!” 40:50 · “Get up!” 40:51

Evidence, details and a link to share

Sequence 81 from 41:10

Frame at 41:19, shot 22341:19
1 of 1 shots sampled

140. Bar

41:10–41:28 Not yet checked

Model synopsis: A man in a cowboy hat stands at a bar counter in a dimly lit interior. He is visible in one frame and speaks the line 'Come on.'

  • A man stands at a bar counter. [frame:1]

1 person observed.

“Come on.” 41:21

Evidence, details and a link to share

Sequence 82 from 42:03

Frame at 42:05, shot 22542:05
1 of 1 shots sampled

142. Other

42:03–42:07 Not yet checked

Model synopsis: A person in a dark coat and hat leans over a chair in a dimly lit interior space. The scene includes a patterned wall panel and a partially visible poster.

1 person observed.

Evidence, details and a link to share

Sequence 83 from 42:07

Frame at 42:09, shot 22642:09
1 of 1 shots sampled

143. Beat 143

42:07–42:11 Not yet checked

Model synopsis: A handwritten note is shown, signed 'Matt the Mute', requesting an urgent meeting. No people, locations, or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 84 from 42:11

Sequence 85 from 42:31

Frame at 42:32, shot 22842:32Frame at 42:46, shot 22942:46Frame at 42:58, shot 23042:58Frame at 43:03, shot 23143:03
4 of 4 shots sampled

145. Street

42:31–43:07 Not yet checked

Model synopsis: A man on horseback is pursued and dismounted; others approach him as he stands near a building. A gunshot is heard and dialogue indicates a priest is involved and someone is being cornered.

  • A man rides a horse down a street. [frame:1]
  • The rider is dismounted and falls from the horse. [frame:2]
  • The dismounted man stands holding a rifle. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“BANG!” 42:47 · “Hey, Sheriff! The priest has got waiters out here!” 42:48

Evidence, details and a link to share

Frame at 43:12, shot 23243:12Frame at 43:20, shot 23343:20Frame at 43:35, shot 23543:35Frame at 43:43, shot 23643:43
4 of 5 shots sampled

146. Road

43:07–43:47 Not yet checked

Model synopsis: A group of riders on horseback moves through a dusty, tree-lined outdoor area, followed by a lone rider. The transcript contains brief exclamations and a repeated statement about leaving.

  • A group of riders on horseback moves along a dusty road. [frame:1]
  • A lone rider is seen in the distance on a dusty path. [frame:2]
  • A single rider on horseback gallops across the frame. [frame:3]
  • 1 more under Evidence and details.

2 people observed.

“Oh.” 43:13 · “I'm going to go.” 43:15

Evidence, details and a link to share

Frame at 43:57, shot 23743:57Frame at 44:10, shot 23844:10
2 of 2 shots sampled

147. Other

43:47–44:13 Not yet checked

Model synopsis: A man on horseback is seen outdoors near brush, followed by a group of men in hats gathered around a table indoors. One man is being questioned about the location of something, and another insists a woman knows.

  • A man on horseback is visible outdoors. [frame:1]
  • Several men and a woman are gathered around a table indoors. [frame:2]

6 people observed.

“Come on.” 43:56 · “Come on quit stolen” 44:06

Evidence, details and a link to share

Frame at 44:17, shot 23944:17Frame at 44:23, shot 24044:23Frame at 44:30, shot 24144:30
3 of 3 shots sampled

148. Forest

44:13–44:35 Not yet checked

Model synopsis: A person on horseback is seen moving through a wooded, rocky landscape across three frames. The transcript contains a repeated line stating an intention to leave.

  • A person on horseback is visible moving through a wooded area. [frame:1]
  • A close-up of rocky ground and vegetation is shown. [frame:2]
  • Multiple people on horseback are visible moving through the wooded area. [frame:3]

2 people observed.

“I'm going to go.” 44:19 · “I'm going to go.” 44:27

Evidence, details and a link to share

Frame at 44:36, shot 24244:36
1 of 1 shots sampled

149. Riverbank

44:35–44:37 Not yet checked

Model synopsis: A lone figure stands on a rocky riverbank beside a rushing waterfall. The scene is shot in black and white with high contrast lighting.

  • A person stands on a rocky bank beside a waterfall. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 44:39, shot 24344:39Frame at 44:43, shot 24444:43Frame at 44:54, shot 24644:54Frame at 45:01, shot 24745:01
4 of 5 shots sampled

150. Forest

44:37–45:02 Not yet checked

Model synopsis: A group of riders on horseback moves through a dusty, wooded area near a waterfall. One man in a cowboy hat is shown in a close-up, looking over his shoulder.

  • Riders on horseback move through a wooded area. [frame:1]
  • A man in a cowboy hat looks over his shoulder. [frame:4]
  • A rider is seen near a waterfall and rocky terrain. [frame:2]
  • 1 more under Evidence and details.

2 people observed.

“I'm sorry.” 44:40

Evidence, details and a link to share

Frame at 45:03, shot 24845:03
1 of 1 shots sampled

151. Field

45:02–45:04 Not yet checked

Model synopsis: A dimly lit outdoor scene shows two figures in hats moving through brush. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 45:06, shot 24945:06Frame at 45:11, shot 25045:11
2 of 2 shots sampled

152. Other

45:04–45:13 Not yet checked

Model synopsis: Three men in hats and period Western clothing move cautiously through a dim, enclosed space. One man speaks, warning that they may be walking into a trap.

  • Three men in hats move cautiously through a dim interior space. [frame:1]
  • The men continue moving forward, one bending slightly as if navigating a low passage. [frame:2]

3 people observed.

“Careful. We may be walking into a trap.” 45:05

Evidence, details and a link to share

Sequence 86 from 45:13

Sequence 87 from 45:17

Frame at 45:19, shot 25245:19
1 of 1 shots sampled

154. Other

45:17–45:22 Not yet checked

Model synopsis: A man in a cowboy hat and dark shirt stands in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 45:23, shot 25345:23Frame at 45:26, shot 25445:26Frame at 45:32, shot 25645:32Frame at 45:33, shot 25745:33
4 of 5 shots sampled

155. Other

45:22–45:34 Not yet checked

Model synopsis: A group of men in cowboy hats confront a man in a suit over money; a woman looks on. The dialogue confirms the money was found, but its location is questioned.

  • A group of men confront a man in a suit at a table. [frame:1]
  • A man in a cowboy hat smiles at the man in the suit. [frame:2]
  • The man in the cowboy hat continues to speak to the man in the suit. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“Where have you been? Looking for the money that you couldn't get.” 45:23 · “And I found it.” 45:27

Evidence, details and a link to share

Frame at 45:37, shot 25845:37Frame at 45:42, shot 25945:42
2 of 2 shots sampled

156. Bar

45:34–45:44 Not yet checked

Model synopsis: Two men in cowboy hats face each other in a dim interior; a wider shot shows a group of men in hats gathered around a table in the same space. The transcript mentions a compartment in front of a bar at a halfway house and a line about belief.

  • Two men in cowboy hats face each other in a dim interior. [frame:1]
  • A group of men in cowboy hats and one in a suit stand around a table. [frame:2]

7 people observed.

“In the compartment in front of the bar at the halfway house.” 45:35 · “And I believed in you.” 45:38

Evidence, details and a link to share

Sequence 88 from 45:44

Frame at 45:51, shot 26145:51Frame at 45:53, shot 26245:53Frame at 45:56, shot 26345:56Frame at 45:59, shot 26445:59
4 of 4 shots sampled

158. Other

45:50–46:00 Not yet checked

Model synopsis: Two men in cowboy hats are shown in close-up, followed by a dark rock face, then a wider shot of several men in hats around a table with a woman, and finally a blurry close-up of a man's face. The transcript includes shouted names and a reference to 'the sheriff'.

  • Several men and a woman are gathered around a table in a rocky interior [frame:3]

6 people observed.

“Mike!” 45:51 · “Marvin! The sheriff!” 45:53

Evidence, details and a link to share

Frame at 46:02, shot 26546:02Frame at 46:05, shot 26646:05Frame at 46:13, shot 26746:13Frame at 46:21, shot 26846:21
4 of 4 shots sampled

159. Forest

46:00–46:22 Not yet checked

Model synopsis: A man in a cowboy hat is shown in a rocky outdoor setting, then running through a wooded area, entering a wooden structure, and finally leaning against a rock wall. Gunshot sounds are heard, followed by the line 'I'll go.'

  • The man in the cowboy hat is visible in a close-up. [frame:1]
  • The man runs through a wooded area with trees and rocks. [frame:2]
  • The man enters a wooden structure with barrels nearby. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“*gunshot*” 46:01 · “BANG!” 46:03

Evidence, details and a link to share

Frame at 46:28, shot 26946:28
1 of 1 shots sampled

160. Other

46:22–46:35 Not yet checked

Model synopsis: A person in a cowboy hat and vest walks away from the camera in a dimly lit interior space with rustic furnishings. The person says they are going to leave.

  • A person walks away from the camera toward a rough stone wall. [frame:1]

1 person observed.

“I'm going to go.” 46:25

Evidence, details and a link to share

Frame at 46:36, shot 27046:36Frame at 46:38, shot 27146:38Frame at 46:50, shot 27346:50Frame at 47:00, shot 27447:00
4 of 5 shots sampled

161. Rocky terrain

46:35–47:02 Not yet checked

Model synopsis: A person in a hat moves through a rocky outdoor setting while gunshots are heard. The transcript includes spoken words and sound effects timed to the frames.

  • A person in a hat walks near a rock wall. [frame:1]
  • A chaotic scene with multiple figures and dust or smoke. [frame:2]
  • A wide shot of rocky, barren landscape with sparse shrubs. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“I'm going to go.” 46:37 · “*gunshot*” 46:39

Evidence, details and a link to share

Frame at 47:08, shot 27647:08Frame at 47:11, shot 27747:11Frame at 47:15, shot 27847:15Frame at 47:21, shot 27947:21
4 of 4 shots sampled

163. Field

47:07–47:27 Not yet checked

Model synopsis: A man in a hat takes cover behind rocks while gunshots are heard. The scene is set in a rocky, open landscape with no buildings or other structures visible.

  • A man ducks behind a rock [frame:1]
  • The man remains crouched behind the rock [frame:3]
  • Wide shot shows rocky terrain with multiple figures in the distance [frame:4]

1 person observed.

“BANG!” 47:07 · “*Bang*” 47:09

Evidence, details and a link to share

Frame at 47:34, shot 28047:34
1 of 1 shots sampled

164. Rocky outcrop

47:27–47:41 Not yet checked

Model synopsis: A person is visible atop a rocky outcrop in a natural, outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person stands on a rocky outcrop. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 47:42, shot 28147:42
1 of 1 shots sampled

165. Rocky outcrop

47:41–47:42 Not yet checked

Model synopsis: Two men in hats are on a rocky outcrop; one crouches on top, the other stands below. The scene is outdoors with no visible structures or time indicators.

2 people observed.

Evidence, details and a link to share

Sequence 89 from 47:42

Frame at 47:43, shot 28247:43
1 of 1 shots sampled

166. Forest

47:42–47:43 Not yet checked

Model synopsis: A man in a cowboy hat and plaid shirt is visible behind wooden bars, with foliage in the background. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 90 from 47:43

Frame at 47:44, shot 28347:44Frame at 47:47, shot 28447:47
2 of 2 shots sampled

167. Forest

47:43–47:49 Not yet checked

Model synopsis: A person is seen climbing a tree in a wooded area. The transcript contains an apology, but no names or specific events are mentioned.

  • A person climbs a tree. [frame:1]
  • The person continues climbing higher in the tree. [frame:2]

1 person observed.

“I'm sorry.” 47:43

Evidence, details and a link to share

Frame at 47:54, shot 28647:54Frame at 47:57, shot 28747:57Frame at 48:00, shot 28848:00
3 of 3 shots sampled

169. Field

47:51–48:02 Not yet checked

Model synopsis: A person in a plaid shirt is seen from behind near a rocky area, then a wider shot shows horses and riders near trees and rocks. A transcript line states the person is going to leave.

  • A person in a plaid shirt is visible from behind near rocks. [frame:1]
  • Horses and riders are visible near trees and rocks. [frame:3]

1 person observed.

“I'm going to go.” 47:56

Evidence, details and a link to share

Frame at 48:04, shot 28948:04Frame at 48:09, shot 29048:09Frame at 48:16, shot 29148:16
3 of 3 shots sampled

170. Forest

48:02–48:20 Not yet checked

Model synopsis: A person on horseback is seen in a wooded area, followed by a shot of someone climbing rocks, then a horse-drawn wagon in the same setting. One speaker says they are going to leave, and another says 'Look.'

  • A person rides a horse through a forested area. [frame:1]
  • A person climbs over rocks in a wooded area. [frame:2]
  • A horse-drawn wagon is seen moving through trees. [frame:3]

5 people observed.

“I” 48:04 · “I'm going to go.” 48:06

Evidence, details and a link to share

Sequence 91 from 48:37

Frame at 48:39, shot 29448:39
1 of 1 shots sampled

172. Forest

48:37–48:42 Not yet checked

Model synopsis: A person rides a horse across a wooded outdoor area. The scene is shot in black and white with no visible text or dialogue.

  • A person rides a horse through a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 48:46, shot 29548:46Frame at 48:54, shot 29648:54Frame at 49:08, shot 29749:08
3 of 3 shots sampled

173. Forest

48:42–49:18 Not yet checked

Model synopsis: A person on horseback moves through a rocky, wooded area near a waterfall. The transcript includes repeated statements about leaving.

  • A person on horseback is seen moving through a rocky, wooded area. [frame:1]
  • The rider continues moving through the terrain. [frame:2]
  • The rider is seen near trees and rocks, continuing their journey. [frame:3]

1 person observed.

“I'm going to go.” 48:42 · “I” 48:56

Evidence, details and a link to share

Frame at 49:20, shot 29849:20
1 of 1 shots sampled

174. Forest

49:18–49:23 Not yet checked

Model synopsis: A person rides a horse through a dark, blurry outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person rides a horse through a dark, blurry outdoor setting. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:26, shot 29949:26
1 of 1 shots sampled

175. Field

49:23–49:30 Not yet checked

Model synopsis: A group of riders on horseback moves across an outdoor setting with trees and uneven ground. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Frame at 49:34, shot 30049:34
1 of 1 shots sampled

176. Field

49:30–49:38 Not yet checked

Model synopsis: A lone rider on horseback moves across a rugged, brush-covered slope. The scene is shot in black and white with no visible structures or other people.

  • A person rides a horse across a sloped, brushy terrain. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:39, shot 30149:39
1 of 1 shots sampled

177. Other

49:38–49:40 Not yet checked

Model synopsis: A person in a cowboy hat rides a horse across an indistinct outdoor setting. No dialogue or on-screen text is present in this beat.

  • A person rides a horse. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 49:40, shot 30249:40Frame at 49:43, shot 30349:43Frame at 49:49, shot 30449:49Frame at 49:54, shot 30549:54
4 of 4 shots sampled

178. Field

49:40–49:55 Not yet checked

Model synopsis: A lone rider on horseback moves across open terrain, followed by a group of riders in pursuit. The transcript includes a line indicating intent to leave.

  • A person rides a horse across open ground. [frame:1]
  • A group of riders follows the lone rider. [frame:3]
  • The rider continues moving forward on horseback. [frame:2]
  • 1 more under Evidence and details.

2 people observed.

“I'm going to go.” 49:42

Evidence, details and a link to share

Frame at 49:59, shot 30649:59Frame at 50:05, shot 30750:05Frame at 50:07, shot 30850:07
3 of 3 shots sampled

179. Other

49:55–50:09 Not yet checked

Model synopsis: A person lies on sandy ground while another approaches a building labeled 'HALF WAY HOUSE' with a horse. The transcript includes the lines 'I'm going to go.' and 'Come on.'

  • A person is lying on the ground in a sandy area. [frame:2]
  • A person stands near a horse and a building labeled 'HALF WAY HOUSE'. [frame:3]

2 people observed.

“I'm going to go.” 49:57 · “Come on.” 50:05

Evidence, details and a link to share

Sequence 92 from 50:09

Frame at 50:14, shot 30950:14
1 of 1 shots sampled

180. Bar

50:09–50:19 Not yet checked

Model synopsis: A man in a hat and suit stands at a bar counter in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 93 from 50:19

Frame at 50:22, shot 31050:22
1 of 1 shots sampled

181. Field

50:19–50:25 Not yet checked

Model synopsis: A man in a hat is visible outdoors in a snowy or dusty landscape. No events, dialogue, or on-screen text are present in the single frame.

1 person observed.

Evidence, details and a link to share

Sequence 94 from 50:41

Sequence 95 from 50:44

Sequence 96 from 50:59

Sequence 97 from 52:05

Sequence 98 from 52:14

Sequence 99 from 52:15

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 370 segments kept, 418 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 0:56 No.
  2. 1:30 Come on.
  3. 4:05 I'm going to go.
  4. 4:30 so
  5. 4:59 Put up your hand.
  6. 5:04 Step away from that gate.
  7. 5:10 I'm afraid you got me wrong, Sheriff. I didn't do any of it. It looks like we've got you right.
  8. 5:17 Reloaded, eh?
  9. 5:40 You're right.
  10. 5:41 He didn't do this alone.
  11. 5:44 Where's the rest of your gang?
  12. 5:45 You're wrong, sheriff.
  13. 5:47 I didn't do this.
  14. 5:48 I came here to see Ed Rogers.
  15. 5:50 Yes.
  16. 5:53 You saw him, all right.
  17. 5:54 Before he saw you, I... Shut up!
  18. 5:57 Save your breath. You're going to need it.
  19. 5:59 This looks like a job for the coroner.
  20. 6:01 We'll lock this one up.
350 more segments
  1. 6:02 And round up the others.
  2. 6:04 All right.
  3. 6:53 I'm going to go.
  4. 7:21 I'm not.
  5. 8:28 I'm going to go.
  6. 8:37 I don't know.
  7. 9:09 Fine work, Matt.
  8. 9:11 It's a good thing you can hear or we wouldn't have got you, Zandre.
  9. 9:15 I want to see you later.
  10. 9:17 Come on.
  11. 9:18 I'm going to go.
  12. 9:34 Listen, Sheriff, I have...
  13. 9:36 You'll have company when we pick up the rest of your gang.
  14. 9:47 See if you can find Sally Rogers.
  15. 9:49 Someone's got to break the news to her.
  16. 9:54 Come on.
  17. 10:21 Come on.
  18. 10:33 All right.
  19. 10:37 I'm going to go.
  20. 10:48 I'm sorry.
  21. 11:05 *BOOM*
  22. 11:44 Come on.
  23. 11:48 I'm going to go.
  24. 12:04 My deal.
  25. 12:10 I'm going to go.
  26. 12:18 Fight!
  27. 12:26 Round up the bullet.
  28. 12:27 All right, Marvin.
  29. 12:33 Hey, the boss wants to see us.
  30. 12:36 Tommy, come on, wake up.
  31. 12:41 Get the rest of the bunch.
  32. 12:45 I know.
  33. 13:10 You did a fine job of getting rid of old man Rogers, boys.
  34. 13:14 Now we'll get his niece to sell us the halfway house.
  35. 13:17 And we'll own the whole of Paiute Pass for 20 miles.
  36. 13:21 Yeah?
  37. 13:22 And we'll buy it with our own money too.
  38. 13:25 Where's the 30,000?
  39. 13:29 Well, where's the money?
  40. 13:31 We didn't get it. It wasn't in the safe.
  41. 13:35 What do you mean you didn't get it?
  42. 13:37 I'm telling you, we couldn't find it.
  43. 13:39 And you call yourselves bad men.
  44. 13:42 I should have left you where I found you, Brandon Cabs.
  45. 13:45 And Rogers' niece, where was she?
  46. 13:46 She wasn't there. Oh, that's it.
  47. 13:49 So the girl outsmarted you, eh?
  48. 13:51 Well, she knows where it is.
  49. 13:53 Well, that's more than we do, and we tore the joint apart. Yeah?
  50. 13:57 And she was just one jump ahead of you.
  51. 14:00 I'm going to go.
  52. 14:03 I'm going to go.
  53. 14:14 They told me you wanted to see me, Sheriff. - Yes, Miss Sally, I... - Yes, sir. Yes. If it's about my uncle...
  54. 14:23 I already know. Really? Who told you? My... I guess you hear those things.
  55. 14:36 I'm sorry.
  56. 14:39 mighty, sir. And if it's any satisfaction to you, we got one of them in custody.
  57. 14:45 I'd like you to take a look at him. Maybe you've seen him before. He's in there.
  58. 14:56 Matt, the mute's back, Sheriff.
  59. 14:58 You said you wanted to talk to him about them stuff he heard.
  60. 15:01 You better get to him quick.
  61. 15:03 He's getting ready to leave town again.
  62. 15:08 I'll be back in a minute, Miss Talley.
  63. 15:10 Sit down.
  64. 15:11 I'm going to go.
  65. 15:32 You don't look like a killer.
  66. 15:37 I'm not.
  67. 15:39 Give me a chance, I can prove it.
  68. 15:46 Could you?
  69. 15:49 You don't think I'd kill the man I was sent to see, do you?
  70. 15:53 Were you sent to see my uncle?
  71. 16:00 Was your Uncle Ed Rogers? He was.
  72. 16:36 Looks like the investigation's over as far as I'm concerned.
  73. 16:58 No, it's just beginning.
  74. 17:00 Meet me at the halfway house at Sunrise.
  75. 17:17 You may be right, Matt.
  76. 17:19 Well, Miss Sally?
  77. 17:21 Did you recognize him?
  78. 17:22 Okay.
  79. 17:24 I talked with him but...
  80. 17:26 You see, I don't think I ever saw him before.
  81. 17:37 - The prisoner got away. - He did.
  82. 18:43 No, the halfway house is not for sale. I appreciate your offer, but...
  83. 18:47 Well, I'm gonna try and carry on.
  84. 19:08 There's no need to worry about that. They took it all.
  85. 19:17 Thanks. Just the same.
  86. 19:19 I'm going to go.
  87. 19:46 Come on.
  88. 19:51 Let out.
  89. 19:54 And we'll meet in the morning by Pinnacle Rock.
  90. 20:00 *Loud noise*
  91. 21:18 I'm going to go.
  92. 21:26 Lock the door.
  93. 21:45 How was the phrase he wouldn't get here? So was I. And if I'm not mistaken, the sheriff isn't very far behind.
  94. 21:50 We have to work back. The gang didn't get what they were after, and they'll be back.
  95. 21:54 Yes, and that isn't all you have to worry about.
  96. 21:57 I owe you a lot.
  97. 21:58 But don't you realize that in helping me get away, you made yourself a party to a crime?
  98. 22:03 Why, I never thought of that.
  99. 22:07 Well, why didn't you show the sheriff that letter?
  100. 22:09 That would have cleared you.
  101. 22:11 Yes, and spoiled everything before I got started.
  102. 22:13 No, my orders were to work alone.
  103. 22:16 But what are we going to do?
  104. 22:18 Well, I'd like to hear what happens.
  105. 22:26 Well, I found where he kept last night, but no trace of him.
  106. 22:29 You know, I've been thinking.
  107. 22:31 The Rogers girl is the only one who has seen the prisoner.
  108. 22:34 I think we'll talk to her.
  109. 22:47 I was right. There's his horse.
  110. 22:59 It's Frichella. He must have seen your horse. Quick, hide! Well, what about you?
  111. 23:04 You can't be found, Muir. Don't worry, he won't find me.
  112. 23:37 I'm going to go.
  113. 23:56 He's in here somewhere.
  114. 23:58 Search the place.
  115. 24:00 I'm going to go.
  116. 24:19 I'm going to go.
  117. 25:05 I'm sorry.
  118. 25:54 I'm going to go.
  119. 26:07 I'm going to go.
  120. 26:25 I'm going to go.
  121. 26:27 I'm sorry.
  122. 26:31 I'm going to go.
  123. 26:34 Get him, sir.
  124. 26:38 I wonder.
  125. 27:04 so
  126. 27:35 There's a fella hadn't been here. You know him? Never seen him before.
  127. 27:38 We'll take care of him.
  128. 27:41 I'm going to go ahead and get the water.
  129. 27:53 This is a fine way to welcome a man.
  130. 27:55 There ain't no one welcome here.
  131. 27:59 I'll just take you inside and let the boss look you over.
  132. 28:02 Come on.
  133. 28:03 I'm going to go.
  134. 28:22 Hey, boss!
  135. 28:23 Come here a minute.
  136. 28:26 What if...
  137. 28:31 How did you get in here? I fell in.
  138. 28:35 I wear the waterfall.
  139. 28:37 When I found that tunnel, you didn't expect me to stay out there with a posse on my heels, did you?
  140. 28:41 Doctor in the law, eh?
  141. 28:43 Who do you work with?
  142. 28:44 Nobody.
  143. 28:45 ride alone
  144. 28:47 When the coast is clear, I'd like to be on my way.
  145. 28:50 Oh, no, you don't.
  146. 28:51 You're riding with us.
  147. 28:53 We're taking no chances of anyone tipping off this hideout.
  148. 28:56 Well, that suits me.
  149. 28:59 Give him back his gun.
  150. 29:03 One of you boys fixed him up with a dry shirt.
  151. 29:16 I'll fix you up.
  152. 29:22 Look here, boss.
  153. 29:24 You're making a mistake turning him loose. Oh, I know what I'm doing.
  154. 29:27 He's the fellow the sheriff picked up for the job you pulled at the halfway house.
  155. 29:30 Oh, he's wanted all right.
  156. 29:32 Only I don't trust him too much.
  157. 29:34 Just keep your eye on him.
  158. 29:36 Don't let him get out of here.
  159. 29:38 We might be able to use it.
  160. 29:39 And if we can't?
  161. 29:41 We can always leave them in the tunnel.
  162. 29:50 That's all right.
  163. 30:03 When are we gonna get the halfway house?
  164. 30:05 There's gold passing through there every day now.
  165. 30:08 The girl won't sell out.
  166. 30:10 There's ways of making her sell.
  167. 30:12 Maybe you're right.
  168. 30:15 I've got an idea.
  169. 30:16 Get a couple of the boys.
  170. 30:18 Two she hasn't seen before.
  171. 30:20 Hey, Slim!
  172. 30:36 Take this to Sally Rogers.
  173. 30:38 Get her. Bring her here.
  174. 30:40 Make sure she doesn't see where she's going.
  175. 30:51 It might not be a bad idea to get him out of here before the girl arrives.
  176. 30:56 Yeah, that's right.
  177. 31:06 You'll be needing a hat, more than mine. Thanks.
  178. 31:14 What are those for?
  179. 31:16 The sheriff's been mighty active lately.
  180. 31:18 That's the way I get my target practice.
  181. 31:20 Fixing them up.
  182. 31:21 Oh.
  183. 31:23 I think I got one of your cards.
  184. 31:28 Yeah, that's one of them.
  185. 31:30 I park him and the boss signs him.
  186. 31:32 Come on outside, I'll show you.
  187. 32:08 *BANG*
  188. 32:14 Watch him jump.
  189. 32:17 Look out, partner!
  190. 32:19 You might have blown off the whole mountainside.
  191. 32:21 Not with a .45. Oh, no? Come here, I'll show you.
  192. 32:36 We got dynamite planet all over this place.
  193. 32:42 so we can blow off the whole terminal entrance.
  194. 32:45 If we ever get in a corner,
  195. 32:46 All the boss has to do is...
  196. 32:47 Press the plunger in his room.
  197. 32:50 And we're not through yet.
  198. 32:52 We're putting more of it right over there.
  199. 32:54 So be kind of careful where you sling that .45.
  200. 32:57 Well, I guess that's a good idea.
  201. 33:09 I
  202. 33:17 We're not open.
  203. 33:19 will be closed until after the services from my uncle.
  204. 33:21 Yeah, we heard.
  205. 33:23 Too bad that...
  206. 33:24 We were asked to give you this note.
  207. 33:44 I'm not going with you.
  208. 33:45 Yes, you will.
  209. 34:15 The boys are coming in with the Rogers girls.
  210. 34:17 Fine.
  211. 34:18 Now we'll get somewhere.
  212. 34:20 Yeah.
  213. 34:30 Where?
  214. 34:31 Right now!
  215. 34:32 - Why, you said it. - Never mind about Matt.
  216. 34:35 Now you answer my questions and I'll say that you both go free.
  217. 34:39 The boys called on you the other day.
  218. 34:42 They didn't get what they were sent for.
  219. 34:44 Where's the money?
  220. 34:46 I don't know. Oh, you don't know, huh?
  221. 34:48 No.
  222. 34:50 Perhaps if I give you time to think it over, you might be able to remember.
  223. 34:53 Oh, I don't know what you're talking about.
  224. 34:55 Let me go.
  225. 34:58 Lock her up.
  226. 35:01 We'll give her a chance to refresh her memory.
  227. 35:25 You better stay away from there if you know what's good for you.
  228. 35:28 The boss is kind of touchy about something.
  229. 35:32 Oh.
  230. 35:35 I see.
  231. 36:17 - Abby.
  232. 36:21 Alley.
  233. 36:33 Quiet.
  234. 36:35 With you.
  235. 36:36 You're going to tell me.
  236. 36:37 No, I'm not.
  237. 36:38 You've got to trust me.
  238. 36:40 I'm going for help to get you out of here.
  239. 36:42 No.
  240. 36:43 I do trust you.
  241. 36:50 This is written with a sound box.
  242. 36:52 You'd better move this first.
  243. 36:54 Where is it?
  244. 36:55 in a compartment in front of the bar.
  245. 36:57 Now, don't worry. No matter who questions you,
  246. 37:00 Don't talk.
  247. 37:33 Come on.
  248. 38:11 *Sounds of the wind*
  249. 39:20 Uh...
  250. 40:22 No.
  251. 40:23 I don't believe you.
  252. 40:24 You're just like the rest of them.
  253. 40:26 I don't want your help, and I don't know where the money is.
  254. 40:39 Bring her out here.
  255. 40:40 We'll make her talk.
  256. 40:42 Come on, get up.
  257. 40:44 Get up on her.
  258. 40:50 Hey, you!
  259. 40:51 Get up!
  260. 40:53 Go on.
  261. 41:04 Oh, I've had enough of this.
  262. 41:06 Where's the money?
  263. 41:07 No one ever makes a fool out of Marvin Black.
  264. 41:21 Come on.
  265. 41:52 Come on.
  266. 42:12 I'm sorry.
  267. 42:24 Matthew!
  268. 42:29 I'm going to go.
  269. 42:30 Come on.
  270. 42:47 BANG!
  271. 42:48 Hey, Sheriff! The priest has got waiters out here!
  272. 42:55 I'm
  273. 42:59 That's him? Well, he won't get away this time.
  274. 43:04 Come and get me!
  275. 43:13 Oh.
  276. 43:15 I'm going to go.
  277. 43:25 I'm going to go.
  278. 43:33 Come on.
  279. 43:46 Oh.
  280. 43:56 Come on.
  281. 44:06 Come on quit stolen
  282. 44:08 Where is it?
  283. 44:09 I don't know, I tell you.
  284. 44:11 Sure she knows.
  285. 44:19 I'm going to go.
  286. 44:27 I'm going to go.
  287. 44:40 I'm sorry.
  288. 45:05 Careful. We may be walking into a trap.
  289. 45:13 Give you just one more chance to tell me.
  290. 45:23 Where have you been? Looking for the money that you couldn't get.
  291. 45:27 And I found it.
  292. 45:28 Yeah?
  293. 45:30 Well, where is it?
  294. 45:35 In the compartment in front of the bar at the halfway house.
  295. 45:38 And I believed in you.
  296. 45:40 So it is there, eh?
  297. 45:51 Mike!
  298. 45:53 Marvin! The sheriff!
  299. 45:55 and
  300. 46:01 *gunshot*
  301. 46:03 BANG!
  302. 46:04 *BANG*
  303. 46:09 I'll go.
  304. 46:25 I'm going to go.
  305. 46:37 I'm going to go.
  306. 46:39 *gunshot*
  307. 46:41 *BANG*
  308. 46:43 I
  309. 46:47 *gunshot*
  310. 46:49 *gunshot*
  311. 46:51 *Bang*
  312. 46:57 *Bang*
  313. 47:07 BANG!
  314. 47:09 *Bang*
  315. 47:13 *Bang*
  316. 47:16 *gunshot*
  317. 47:43 I'm sorry.
  318. 47:56 I'm going to go.
  319. 48:04 I
  320. 48:06 I'm going to go.
  321. 48:15 Look.
  322. 48:23 Miss Callaghan, are you all right? Yes.
  323. 48:25 The truck's got away.
  324. 48:26 They know where the money is.
  325. 48:28 and they've gone together.
  326. 48:29 Put the cunt on him, boys.
  327. 48:31 And we'll get the others before they get to the halfway house.
  328. 48:34 Take him out.
  329. 48:42 I'm going to go.
  330. 48:56 I
  331. 48:59 I'm going to go.
  332. 49:42 I'm going to go.
  333. 49:57 I'm going to go.
  334. 50:05 Come on.
  335. 50:34 Oh, you two tried to get away, young fellow.
  336. 50:37 Where's Black?
  337. 50:40 In the halfway house.
  338. 50:49 I'm going to go.
  339. 51:03 Well, that's the end of Matt the Mute.
  340. 51:05 And Marvin Black.
  341. 51:07 They're one and the same person.
  342. 51:09 I guess that ends my investigation too.
  343. 51:13 A select flight.
  344. 51:16 Oh, yes, and...
  345. 51:17 Your money is in those saddlebags.
  346. 51:37 I reckon this cleared you, son.
  347. 51:40 I'm not.
  348. 51:44 I hope you'll forgive me for doubting you. Oh, that's all right. I suppose you'll be riding along.
  349. 51:51 Yes.
  350. 51:52 But not alone.

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