0:011. Beat 1
Model synopsis: No visual or auditory content is present in this beat. The frame is entirely black.
No renewal found Free in the US since 1 January 1963, on the registry's reading: registration LP4844 of 1934 by Monogram Pictures Corp was not renewed in the volumes searched. Record.
324 shots over 52:19, read from the Internet Archive copy RandyRidesAlone (RandyRideAlone.mp4, 538×360, 29.00 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Randy Rides Alone No renewal found. JSON
Measurements: black-and-white film on its keyframes (3 of 324 shots judged colour), average shot 9.7s long, a frontal face detected in 13% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1934 (Internet Archive).
189 beats in sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:01Model synopsis: No visual or auditory content is present in this beat. The frame is entirely black.
Model synopsis: The beat displays opening credits for a film, including the Lone Star Pictures logo and production credits, followed by a black screen. No people, actions, or dialogue are present in the frames.
1:16Model synopsis: A single frame shows a rocky, brush-covered landscape under bright, even lighting. No people, vehicles, or man-made structures are visible in the shot.
1:38Model synopsis: A person rides a white horse outdoors in a hilly, brushy landscape. The rider is wearing a hat and appears to be urging the horse forward, as indicated by the spoken line 'Come on.'
1 person observed.
“Come on.” 1:30
Model synopsis: A man in a cowboy hat rides a horse toward a building labeled 'HALF WAY HOUSE'. Inside, a bartender leans over a bar while another man sits nearby and a third lies on the floor.
6 people observed.
Model synopsis: A man in a cowboy hat stands in a wooden-paneled room while another man lies on the floor behind a bar. No dialogue or on-screen text is present in this segment.
2 people observed.
2:30Model synopsis: A close-up of a piano with a sheet of paper on its music stand. No people or actions are visible in the frame.
2:47Model synopsis: A man in a cowboy hat and shirt stands near a wooden door inside a building. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a cowboy hat stands at a bar with bottles behind him; another man sits at the bar. A close-up shows an older man with a beard and a cigar in his mouth.
3 people observed.
Model synopsis: A man in a cowboy hat stands in a room with a piano and an open cabinet. A close-up of a bearded man's face is shown, followed by a shot of a piano with a roll inside.
2 people observed.
3:27Model synopsis: A wanted poster for Marvin Black is shown, offering a $1000 reward for his capture, dead or alive. No people are visible or audible in this beat.
Model synopsis: A man in a cowboy hat sits indoors next to a poster. A handwritten note warns the sheriff to lay off or face consequences.
1 person observed.
Model synopsis: A man in a cowboy hat sits indoors at 239s. At 248s and 253s, riders on horseback are seen outdoors under trees. The transcript at 4:05 contains the line 'I'm going to go.'
2 people observed.
“I'm going to go.” 4:05
Model synopsis: Two men in hats converse outdoors while one holds a handwritten note warning to be quiet near where shots were heard. No names are spoken, and the setting appears to be an outdoor location with no clear time of day.
3 people observed.
“so” 4:30
4:50Model synopsis: Two men in cowboy hats are shown in close proximity, one holding an object while the other looks on. The scene is dimly lit and appears to be outdoors or in a rustic interior.
2 people observed.
Model synopsis: A man in a suit and hat confronts another man in a cowboy hat inside a building with shelves and a counter. The man in the suit demands the other raise his hand and step away from a gate, while the cowboy denies involvement in an unspecified act.
Named: Sheriff (t:5:10). 2 people observed.
“Put up your hand.” 4:59 · “Step away from that gate.” 5:04
5:24Model synopsis: Three men in hats stand indoors, one holding a pistol. No dialogue or on-screen text is present in this beat.
3 people observed.
5:33Model synopsis: A hand writes a note suggesting a gang's involvement and the need to question someone. No people are visible or audible in this beat.
5:52Model synopsis: A man in a cowboy hat confronts others in a room while being accused of a crime; a sheriff orders him arrested and others rounded up. No names are spoken, and the setting appears to be an interior space with multiple men present.
4 people observed.
“You're right.” 5:40 · “You're wrong, sheriff.” 5:45
6:11Model synopsis: A man in a suit and hat stands in a room with shelves and a counter; another person is partially visible at a counter. No dialogue or on-screen text is present in this beat.
2 people observed.
6:18Model synopsis: A close-up of an older man with a beard is shown. No dialogue or additional context is provided in this beat.
1 person observed.
6:20Model synopsis: Three men in cowboy hats stand in a line inside a room; one leans against a door frame. No dialogue or on-screen text is present in this beat.
3 people observed.
6:24Model synopsis: A group of men in cowboy hats and period Western attire walk through a wooden interior. No dialogue or on-screen text is visible in the single frame provided.
3 people observed.
6:31Model synopsis: A single interior shot shows a wooden door, a window with a curtain, and a barrel labeled 'COTTON' in a dimly lit room. No people or actions are visible in the frame.
6:37Model synopsis: A static interior shot shows a bar with shelves of bottles and a framed portrait on the wall. No people or actions are visible in this beat.
6:41Model synopsis: A close-up of a man with a beard and intense expression is shown. No dialogue or action is visible or audible in this beat.
1 person observed.
Model synopsis: A woman in a patterned dress stands behind a counter in what appears to be a shop, holding an object and turning away. She speaks the line 'I'm going to go.'
1 person observed.
“I'm going to go.” 6:53
Model synopsis: A woman in a floral dress stands at a wooden door, holding a small object. She speaks the line 'I'm not.' during this beat.
1 person observed.
“I'm not.” 7:21
7:55Model synopsis: A woman in a patterned dress kneels on the floor, leaning over a flat object, while a man in a hat stands nearby and another person's legs are visible above. The setting appears to be an interior space with wood-paneled walls.
3 people observed.
Model synopsis: A woman stands in a doorway while a street scene shows riders on horseback. A person on horseback approaches a building entrance where others are gathered. No names are spoken, and no specific time of day or period is established.
3 people observed.
“I'm going to go.” 8:28 · “I don't know.” 8:37
9:15Model synopsis: A man on horseback speaks to another man standing near a doorway; the dialogue suggests a recent rescue and a planned later meeting. The scene is set outdoors near a building with visible interior shelves.
Named: Matt (t:9:09), Zandre (t:9:11). 3 people observed.
“Fine work, Matt.” 9:09 · “It's a good thing you can hear or we wouldn't have got you, Zandre.” 9:11
9:26Model synopsis: A man on horseback is shown in front of a building with a window display and a poster. The scene is static and appears to be outdoors during the day.
1 person observed.
9:54Model synopsis: A man in a vest and hat stands beside a desk where another man is bent over; dialogue references a sheriff, a gang, and Sally Rogers. The scene is indoors, with a framed portrait on the wall and a desk with objects.
2 people observed.
“Listen, Sheriff, I have...” 9:34 · “You'll have company when we pick up the rest of your gang.” 9:36
10:25Model synopsis: Two men stand close together indoors; one holds a paper while the other looks at it. A line is spoken urging action.
2 people observed.
“Come on.” 10:21
Model synopsis: Two men stand outside a building; one mounts a horse and rides away while another man watches from the doorway. Later, several horses are seen tied under trees in a wooded area.
4 people observed.
“All right.” 10:33 · “I'm going to go.” 10:37
Model synopsis: Two men are seen near a rocky riverbank; one man runs toward a horse. A loud explosion is heard off-screen. The setting appears to be outdoors in a rugged, natural environment.
3 people observed.
“*BOOM*” 11:05
11:40Model synopsis: A man in a suit runs past a tree and a large rock in a wooded area. No dialogue or on-screen text is present in this beat.
1 person observed.
11:52Model synopsis: A man in a hat and vest stands beside a wooden structure in a dim, cluttered interior. He speaks, saying he is going to leave, while another figure is partially visible under a blanket nearby.
2 people observed.
“Come on.” 11:44 · “I'm going to go.” 11:48
12:04Model synopsis: Three men sit at a wooden table in a dimly lit cave-like room; one says 'My deal.' The setting appears to be an interior space with rough stone walls and minimal furnishings.
3 people observed.
“My deal.” 12:04
Model synopsis: A man in a suit stands in a dimly lit interior, holding a gun and speaking to someone off-screen. Another person in uniform enters the scene as the man gestures and says 'All right, Marvin.'
Named: Marvin (t:12:27). 2 people observed.
“I'm going to go.” 12:10 · “Fight!” 12:18
Model synopsis: Two men sit at a table in a rustic interior while a third stands in a doorway; a separate shot shows a man in dark clothing seated near a vanity. The transcript indicates someone is being summoned by 'the boss' and told to gather others.
4 people observed.
“Hey, the boss wants to see us.” 12:33 · “Tommy, come on, wake up.” 12:36
13:07Model synopsis: A group of men in cowboy hats stand around a wooden table in a dimly lit interior; one speaks about getting rid of 'old man Rogers.' No names are assigned to visible individuals.
Named: old man Rogers (t:13:10). 5 people observed.
“You did a fine job of getting rid of old man Rogers, boys.” 13:10
Model synopsis: A man in a cowboy hat stands with hands on hips in a wooden interior. A group of men in cowboy attire gather around a table in the same setting, discussing money and property ownership.
2 people observed.
“Now we'll get his niece to sell us the halfway house.” 13:14 · “And we'll own the whole of Paiute Pass for 20 miles.” 13:17
Model synopsis: A man in a cowboy hat speaks with others in a room; a woman is seen near a doorway. Dialogue reveals a failed search for an item and mentions a girl who outsmarted them.
4 people observed.
“We didn't get it. It wasn't in the safe.” 13:31 · “I should have left you where I found you, Brandon Cabs.” 13:42
14:31Model synopsis: A woman speaks with a seated man in an office; she mentions her uncle and he refers to a suspect in custody. The man invites her to identify the suspect.
Named: Miss Sally (t:14:14). 2 people observed.
“They told me you wanted to see me, Sheriff.” 14:14 · “I already know. Really? Who told you? My... I guess you hear those things.” 14:23
15:08Model synopsis: A man in overalls and a hat stands near a desk while another man in a suit speaks to a woman in a patterned dress; the woman says she is going to leave. The transcript indicates the mute is returning and the sheriff needs to speak with him before he leaves town.
Named: Miss Talley (t:15:08). 3 people observed.
“Matt, the mute's back, Sheriff.” 14:56 · “I'll be back in a minute, Miss Talley.” 15:08
15:25Model synopsis: A woman stands outside a barred cell where a man is visible inside. The setting appears to be a jail interior.
2 people observed.
15:27Model synopsis: A woman in a patterned dress stands facing a barred cell where a figure is seated. The setting appears to be an interior space with a barred enclosure and a chair visible.
2 people observed.
15:29Model synopsis: A man in a cowboy hat and shirt is visible in a close-up, looking down. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A woman in a patterned dress speaks to a man in a cowboy hat inside a room with a jail cell; the man denies being a killer and asks for a chance to prove it. The woman stands near the cell bars while the man is seated nearby.
2 people observed.
“You don't look like a killer.” 15:32 · “I'm not.” 15:37
Model synopsis: A woman is seen behind bars while a man in a cowboy hat speaks. The dialogue suggests the man was sent to see someone, possibly the woman's uncle.
2 people observed.
“Could you?” 15:46 · “You don't think I'd kill the man I was sent to see, do you?” 15:49
Model synopsis: A woman speaks to a man behind jail bars; the man confirms he was Uncle Ed Rogers. The scene is set inside a jail cell with bars visible.
Named: Ed Rogers (t:16:00). 2 people observed.
“Was your Uncle Ed Rogers?” 16:00 · “He was.” 16:00
16:23Model synopsis: A document from the Adams Express Company in Denver, Colorado, is shown. The letterhead and typed text are visible, but no people or actions are depicted.
16:37Model synopsis: A woman behind bars speaks to a man outside the cell; the transcript indicates she considers an investigation concluded. The scene is set in a jail with visible bars and period clothing.
2 people observed.
“Looks like the investigation's over as far as I'm concerned.” 16:36
16:44Model synopsis: A woman in a patterned dress stands near a barred jail cell while a man is visible inside. A wall-mounted telephone is present on the right.
2 people observed.
16:50Model synopsis: A woman in a patterned dress stands at a wooden desk in a room with a portrait on the wall. No dialogue or on-screen text is present in this beat.
1 person observed.
17:03Model synopsis: A person speaks from behind bars while another stands outside the cell; they arrange to meet at a halfway house at sunrise. The scene is set in a jail with visible bars and dim lighting.
2 people observed.
“No, it's just beginning.” 16:58 · “Meet me at the halfway house at Sunrise.” 17:00
17:12Model synopsis: A woman in a long dress stands inside a room with brick walls and a wooden door, reaching toward the doorframe. A chair is visible to her right.
1 person observed.
17:34Model synopsis: Three men and a woman stand outside a wooden building; one man speaks to the woman, who responds that she does not recognize someone. A line confirms a prisoner has escaped.
Named: Miss Sally (t:17:19). 4 people observed.
“You may be right, Matt.” 17:17 · “Well, Miss Sally?” 17:19
18:00Model synopsis: A man in a hat and coat stands indoors, extending his hand toward a woman whose back is to the camera. No dialogue or on-screen text is present in this beat.
2 people observed.
18:12Model synopsis: A handwritten note is shown on screen, expressing sympathy and offering help. No people, dialogue, or setting details are visible in the provided frame.
18:21Model synopsis: A man in a hat and coat stands close to a woman in a patterned dress; he holds a paper and looks at her while she looks down. The setting appears to be an interior doorway or entryway.
2 people observed.
18:34Model synopsis: No visual or spoken content is provided for this beat; only a handwritten note is shown. The note discusses a business proposition regarding the Half-Way House.
18:48Model synopsis: A man in a hat and coat speaks to a woman in a patterned dress in a doorway; she responds that the halfway house is not for sale. The man says he will try to carry on.
2 people observed.
“No, the halfway house is not for sale. I appreciate your offer, but...” 18:43 · “Well, I'm gonna try and carry on.” 18:47
19:00Model synopsis: A handwritten note is shown on screen, asking if help can be given and offering use of a car. No people, objects, or locations are visible in the frame.
19:16Model synopsis: A man in a hat and coat stands beside a woman in a patterned dress; he holds papers while she looks at him. He says he is going, after she thanks him and he reassures her there is no need to worry.
2 people observed.
“There's no need to worry about that. They took it all.” 19:08 · “Thanks. Just the same.” 19:17
Model synopsis: A person on horseback moves across an outdoor landscape with trees and rocks; another figure stands in the distance. A voice says 'Come on.'
3 people observed.
“Come on.” 19:46
Model synopsis: A man on horseback is shown in several shots, sometimes alone, sometimes with another rider; a loud noise occurs at 20:00. The riders appear to be in a wooded or brushy outdoor area.
2 people observed.
“Let out.” 19:51 · “And we'll meet in the morning by Pinnacle Rock.” 19:54
20:28Model synopsis: A single dark frame shows an indistinct outdoor scene at night with no visible people or objects. No dialogue or on-screen text is present.
20:48Model synopsis: A wrecked wooden wagon lies overturned on dusty ground, surrounded by sparse vegetation. No people or movement are visible in the single frame.
20:51Model synopsis: A person rides a horse through a wooded area. The scene is shot in black and white with no visible text or dialogue.
1 person observed.
20:59Model synopsis: A lone rider on horseback moves across a rocky, open landscape under a dark sky. No dialogue or on-screen text is present in this beat.
1 person observed.
21:10Model synopsis: A person is seen near a white horse in an outdoor setting with a fence. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a cowboy hat and shirt is seen from behind walking toward a doorway, then turns to face shelves of bottles in what appears to be a store. He speaks about leaving and locking the door.
1 person observed.
“I'm going to go.” 21:18 · “Lock the door.” 21:26
Model synopsis: A man and a woman converse in a bar, discussing the consequences of helping him escape and the sheriff's proximity. The man states he was ordered to work alone, and they consider their next steps.
2 people observed.
“I owe you a lot.” 21:57 · “But don't you realize that in helping me get away, you made yourself a party to a crime?” 21:58
22:32Model synopsis: A man in a cowboy hat holds reins beside a horse; dialogue suggests a search for a missing person and a plan to question the Rogers girl. No names are spoken that can be assigned to visible individuals.
1 person observed.
“Well, I found where he kept last night, but no trace of him.” 22:26 · “You know, I've been thinking.” 22:29
Model synopsis: A character identifies a horse in an outdoor setting, then two men on horseback are shown, followed by an indoor scene with a woman and a man near shelves. No names are spoken or visible.
4 people observed.
23:07Model synopsis: A woman in a dress and a man in a cowboy hat stand inside a room; the woman urges the man to hide, saying someone named Frichella must have seen his horse. The man, called Muir, reassures her he won’t be found.
Named: Muir (t:23:04). 2 people observed.
“It's Frichella. He must have seen your horse. Quick, hide! Well, what about you?” 22:59 · “You can't be found, Muir. Don't worry, he won't find me.” 23:04
23:18Model synopsis: A man in a cowboy hat stands with his back to the camera, looking out a window. The scene is dimly lit and appears to be indoors.
1 person observed.
23:28Model synopsis: Three men walk along a wooden fence in an outdoor setting. One man in a dark hat and coat walks ahead, while two others follow behind.
3 people observed.
Model synopsis: A woman walks through a room while two men in hats enter and search; one man stands in a room with furniture and a window. The transcript indicates someone is leaving and others are searching for someone inside.
3 people observed.
“I'm going to go.” 23:37 · “He's in here somewhere.” 23:56
Model synopsis: A man in dark clothing crouches behind a low wall, then climbs over it and stands on the other side. The setting appears to be outdoors with hills in the background.
1 person observed.
Model synopsis: A man in a hat and coat walks through an interior room with tables and chairs, then two men are seen in a doorway, and finally a group of silhouetted figures on horseback are shown outdoors. One person speaks the line 'I'm going to go.'
4 people observed.
“I'm going to go.” 24:19
24:38Model synopsis: A woman in a long dress stands at a bar counter, reaching toward bottles on a shelf. The scene is dimly lit and appears to be indoors.
1 person observed.
24:44Model synopsis: A woman in a patterned dress stands at a window, pulling a curtain. The room contains a chair and a sign on the wall, with no visible time of day or named individuals.
1 person observed.
24:51Model synopsis: A lone rider on horseback moves across an open, dusty landscape with sparse trees. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person rides a horse through a rocky, arid landscape and then across a shallow river. The transcript contains a single line of dialogue: 'I'm sorry.'
1 person observed.
“I'm sorry.” 25:05
25:39Model synopsis: Three riders on horseback cross a shallow river. The scene is outdoors, with trees visible on the bank.
3 people observed.
Model synopsis: A person rides a horse through water, followed by a group of riders crossing a wooden bridge, then a figure is seen struggling in dark water. The transcript contains a repeated line about leaving.
3 people observed.
“I'm going to go.” 25:54 · “I'm going to go.” 26:07
Model synopsis: Two men on horseback are shown in a series of medium shots; one speaks of leaving while another urges action. No named characters or specific location are established in the frames or transcript.
4 people observed.
“I'm going to go.” 26:25 · “I'm sorry.” 26:27
26:46Model synopsis: The frame shows dark, churning water with white foam, suggesting a body of water in motion. No people, objects, or on-screen text are visible, and no dialogue or events are recorded in this beat.
26:49Model synopsis: A person lies motionless on rocks at the base of a waterfall. No dialogue or on-screen text is present in this beat.
1 person observed.
26:50Model synopsis: A single frame shows a bright, overexposed vertical surface with dark edges, possibly a curtain or wall, against a dark background. No people, objects, or text are identifiable, and no events occur.
26:51Model synopsis: A person in dark clothing and a light head covering is visible in a dim, leafy outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person in a hat is visible in a dark, rocky environment across three frames. No spoken names or clear events are established in the transcript or visuals for this beat.
1 person observed.
27:24Model synopsis: A person is visible in a dark, confined space, leaning against a rough surface. No dialogue, time of day, or named individuals are present in this beat.
1 person observed.
Model synopsis: Two men in cowboy attire confront a third man near a wooden structure; one says they will handle him and another offers to take him inside to see the boss. No names are spoken, and the setting appears to be a rustic outdoor or semi-outdoor location.
3 people observed.
“There's a fella hadn't been here. You know him? Never seen him before.” 27:35 · “We'll take care of him.” 27:38
Model synopsis: Two men in Western attire are shown in a rocky outdoor setting and then inside a wooden structure with a table. One man asks how the other got in, and the other replies he fell in.
2 people observed.
“I'm going to go.” 28:03 · “Hey, boss!” 28:22
29:08Model synopsis: Two men in Western attire converse in a dim interior; one is being detained by the other’s group despite claiming to ride alone. The group plans to monitor him closely, considering using him or abandoning him in a tunnel if he proves untrustworthy.
2 people observed.
“When I found that tunnel, you didn't expect me to stay out there with a posse on my heels, did you?” 28:37 · “ride alone” 28:45
29:54Model synopsis: Two men stand near a wooden post while another man wipes his face with a cloth; a hat rests in the foreground. No names or time of day are established, and the setting appears to be an outdoor or rustic interior space.
4 people observed.
“That's all right.” 29:50
Model synopsis: Two men in cowboy attire speak in a dimly lit interior; one calls for 'Slim' after discussing coercing a girl to sell. A second frame shows a man in a hat seated beside a bed with a blanket, holding an object.
Named: Slim (t:30:20). 3 people observed.
“When are we gonna get the halfway house?” 30:03 · “The girl won't sell out.” 30:08
30:44Model synopsis: Three men in cowboy hats are shown in an interior setting; one is being directed by another while a third stands nearby. The transcript indicates plans to bring someone named Sally Rogers to the location and to move another person out before she arrives.
3 people observed.
“Take this to Sally Rogers.” 30:36 · “Get her. Bring her here.” 30:38
31:05Model synopsis: A man in a cowboy hat and shirt holds a hat and a paper in a dim interior. Another person is partially visible beside him. The transcript includes a line about needing a hat.
2 people observed.
31:13Model synopsis: A still frame shows a man in a cowboy hat with text reading 'Dead or Alive' and 'MARVIN BLACK' below. No spoken lines are provided for this beat.
Named: MARVIN BLACK (frame:1). 1 person observed.
31:35Model synopsis: Two men in cowboy hats are in a wooden interior, one holding cards; one invites the other outside. No names are spoken, and no time of day or period is established.
3 people observed.
“What are those for?” 31:14 · “That's the way I get my target practice.” 31:18
31:59Model synopsis: Two men in cowboy hats stand facing each other outdoors near rocks. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Two men in cowboy hats stand in a dimly lit interior; one raises a pistol as a gunshot is heard. The scene is from a 1930s Western film and shows no on-screen text or named characters.
2 people observed.
“*BANG*” 32:08
Model synopsis: Two men in cowboy hats stand in a dim interior, one holding a pistol; a wanted poster for Marvin Black is shown. A lizard is visible on the ground, and dialogue suggests a dispute over the power of a .45-caliber gun.
2 people observed.
“Watch him jump.” 32:14 · “Look out, partner!” 32:17
32:32Model synopsis: Two silhouetted figures walk through a rocky, shadowed terrain. No dialogue or on-screen text is present in this beat.
2 people observed.
32:47Model synopsis: Two men in cowboy hats and Western attire stand facing each other in a dimly lit interior. One speaks about dynamite placed around a terminal entrance and a plunger that can detonate it, warning the other to be careful with his .45 pistol.
2 people observed.
“We got dynamite planet all over this place.” 32:36 · “Press the plunger in his room.” 32:47
33:03Model synopsis: A figure stands in a rocky, shadowed outdoor setting with another figure partially visible behind. No dialogue or on-screen text is present in the frames.
2 people observed.
33:07Model synopsis: Two men in hats walk away from the camera through a doorway into a dim interior. No dialogue or on-screen text is present in this beat.
2 people observed.
33:21Model synopsis: Two men in cowboy hats and a woman in a dress stand outside a building entrance; one man hands the woman a note. The transcript indicates they are discussing closure until after services for the woman’s uncle.
Named: my uncle (t:33:19). 3 people observed.
“We're not open.” 33:17 · “will be closed until after the services from my uncle.” 33:19
33:35Model synopsis: A handwritten note is held in view, signed 'Matt the Mute'. No people, places, or actions are visible beyond the note and fingers holding it.
33:54Model synopsis: A person refuses to go with someone else, who insists they will. The scene is set in a dark, rocky outdoor environment with no visible structures or daylight cues.
2 people observed.
“I'm not going with you.” 33:44 · “Yes, you will.” 33:45
34:15Model synopsis: Two men in cowboy attire stand facing each other near a wooden structure; one wears a light hat and vest, the other a dark hat and coat. Dialogue suggests anticipation of the arrival of the Rogers girls.
2 people observed.
“The boys are coming in with the Rogers girls.” 34:15 · “Fine.” 34:17
Model synopsis: A woman is confronted by several men in a dim interior; one man grabs her as others look on. She denies knowing about money, and is ordered locked up to 'refresh her memory.'
5 people observed.
“Where's the money?” 34:44 · “I don't know. Oh, you don't know, huh?” 34:46
35:12Model synopsis: Three figures, two men in cowboy hats and a woman in a long dress, are seen from behind in a dim interior. One man gestures toward a doorway while the other stands beside the woman.
3 people observed.
35:29Model synopsis: Two men in cowboy hats stand in a dim, wooden interior and speak. One warns the other to stay away because the boss is touchy.
2 people observed.
“You better stay away from there if you know what's good for you.” 35:25 · “The boss is kind of touchy about something.” 35:28
35:40Model synopsis: The frame is almost entirely black, with no discernible objects, people, or setting. No events or dialogue are visible or audible in this beat.
35:58Model synopsis: A man in a cowboy hat stands beside a table in a dimly lit room with at least one person lying on the floor. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A person wearing a cowboy hat is visible in dim lighting across three frames. The transcript contains two spoken words: 'Abby' and 'Alley'.
1 person observed.
36:24Model synopsis: A woman in a dark dress is visible in a close-up, leaning forward with her hand near her face. The background is completely black, and no other objects or people are visible.
1 person observed.
36:26Model synopsis: A person in a hat is visible in a dimly lit interior. No dialogue or on-screen text is present.
1 person observed.
36:30Model synopsis: A woman with curly hair and a puffed-sleeve dress is visible in a dimly lit close-up. No actions, objects, or dialogue are discernible in this single frame.
1 person observed.
36:40Model synopsis: A man in a cowboy hat is visible in a dimly lit wooden interior. Dialogue indicates a tense exchange about trust and seeking help.
1 person observed.
“You're going to tell me.” 36:36 · “No, I'm not.” 36:37
Model synopsis: A man in a cowboy hat searches a compartment near a bar while another person lies on the floor. Spoken lines indicate urgency and instructions to remain silent if questioned.
2 people observed.
“You'd better move this first.” 36:52 · “Where is it?” 36:54
37:36Model synopsis: A person in a cowboy hat is visible in a dimly lit, rocky environment. The transcript contains the spoken line 'Come on.'
1 person observed.
“Come on.” 37:33
Model synopsis: A man in a cowboy hat is shown in profile and from behind near a rocky wall, followed by a shot of a person with white hair sitting and covering their face. The only audible sound is wind.
2 people observed.
“*Sounds of the wind*” 38:11
Model synopsis: A man in a cowboy hat stands over a prone figure in a dark, rocky setting. The second frame shows a close-up of a rocky, shadowed ground.
2 people observed.
39:14Model synopsis: A person in a cowboy hat stands near horses tied to a rope in a wooded outdoor area. No names, times, or events are established beyond the visual and the single utterance.
1 person observed.
“Uh...” 39:20
39:46Model synopsis: A man in a coat and hat is seen from behind, leaning against a wooden door or wall. No dialogue or other characters are visible in this single frame.
1 person observed.
40:15Model synopsis: A handwritten note is shown, reading a conditional offer to help someone in exchange for information about money. No people, places, or actions are visible in the frame.
40:27Model synopsis: A woman in a light blouse with puffed sleeves speaks with a distressed expression. She denies knowing where money is and rejects help, calling the other person like the rest.
1 person observed.
“No.” 40:22 · “I don't believe you.” 40:23
40:41Model synopsis: Two men stand in a dimly lit interior space with stone walls; one holds a weapon while the other stands near a table. A woman is being ordered to stand and mount a horse, though she is not visible in the frame.
2 people observed.
“Bring her out here.” 40:39 · “We'll make her talk.” 40:40
40:53Model synopsis: A man in a cowboy hat stands in a doorway addressing a woman in a dress; he commands her to get up and go on. The scene is set in a dimly lit wooden interior, likely a cabin or saloon.
2 people observed.
“Hey, you!” 40:50 · “Get up!” 40:51
40:59Model synopsis: A man in a hat gestures toward a woman while another man stands nearby in a dimly lit interior. No dialogue or on-screen text is present in this beat.
3 people observed.
41:06Model synopsis: A man and a woman stand facing each other in a dimly lit interior. The man speaks angrily about being fooled and demands money.
Named: Marvin Black (t:41:07). 2 people observed.
“Oh, I've had enough of this.” 41:04 · “Where's the money?” 41:06
41:19Model synopsis: A man in a cowboy hat stands at a bar counter in a dimly lit interior. He is visible in one frame and speaks the line 'Come on.'
1 person observed.
“Come on.” 41:21
41:46Model synopsis: A man in a cowboy hat kneels on the ground, handling an object. He is audible saying 'Come on.'
1 person observed.
“Come on.” 41:52
42:05Model synopsis: A person in a dark coat and hat leans over a chair in a dimly lit interior space. The scene includes a patterned wall panel and a partially visible poster.
1 person observed.
42:09Model synopsis: A handwritten note is shown, signed 'Matt the Mute', requesting an urgent meeting. No people, locations, or spoken dialogue are visible or audible in this beat.
42:21Model synopsis: A man in a cowboy hat reads a paper indoors. He speaks briefly, then says he is leaving and urges someone to come along.
1 person observed.
“I'm sorry.” 42:12 · “Matthew!” 42:24
Model synopsis: A man on horseback is pursued and dismounted; others approach him as he stands near a building. A gunshot is heard and dialogue indicates a priest is involved and someone is being cornered.
4 people observed.
“BANG!” 42:47 · “Hey, Sheriff! The priest has got waiters out here!” 42:48
Model synopsis: A group of riders on horseback moves through a dusty, tree-lined outdoor area, followed by a lone rider. The transcript contains brief exclamations and a repeated statement about leaving.
2 people observed.
“Oh.” 43:13 · “I'm going to go.” 43:15
Model synopsis: A man on horseback is seen outdoors near brush, followed by a group of men in hats gathered around a table indoors. One man is being questioned about the location of something, and another insists a woman knows.
6 people observed.
“Come on.” 43:56 · “Come on quit stolen” 44:06
Model synopsis: A person on horseback is seen moving through a wooded, rocky landscape across three frames. The transcript contains a repeated line stating an intention to leave.
2 people observed.
“I'm going to go.” 44:19 · “I'm going to go.” 44:27
44:36Model synopsis: A lone figure stands on a rocky riverbank beside a rushing waterfall. The scene is shot in black and white with high contrast lighting.
1 person observed.
Model synopsis: A group of riders on horseback moves through a dusty, wooded area near a waterfall. One man in a cowboy hat is shown in a close-up, looking over his shoulder.
2 people observed.
“I'm sorry.” 44:40
45:03Model synopsis: A dimly lit outdoor scene shows two figures in hats moving through brush. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: Three men in hats and period Western clothing move cautiously through a dim, enclosed space. One man speaks, warning that they may be walking into a trap.
3 people observed.
45:15Model synopsis: A man in a cowboy hat confronts others around a table in a dim interior. A voice gives someone one more chance to speak.
6 people observed.
45:19Model synopsis: A man in a cowboy hat and dark shirt stands in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A group of men in cowboy hats confront a man in a suit over money; a woman looks on. The dialogue confirms the money was found, but its location is questioned.
5 people observed.
“Where have you been? Looking for the money that you couldn't get.” 45:23 · “And I found it.” 45:27
Model synopsis: Two men in cowboy hats face each other in a dim interior; a wider shot shows a group of men in hats gathered around a table in the same space. The transcript mentions a compartment in front of a bar at a halfway house and a line about belief.
7 people observed.
“In the compartment in front of the bar at the halfway house.” 45:35 · “And I believed in you.” 45:38
45:47Model synopsis: A single frame shows a rocky, shadowed cave interior. No people, objects, or text are visible, and no dialogue occurs.
Model synopsis: Two men in cowboy hats are shown in close-up, followed by a dark rock face, then a wider shot of several men in hats around a table with a woman, and finally a blurry close-up of a man's face. The transcript includes shouted names and a reference to 'the sheriff'.
6 people observed.
“Mike!” 45:51 · “Marvin! The sheriff!” 45:53
Model synopsis: A man in a cowboy hat is shown in a rocky outdoor setting, then running through a wooded area, entering a wooden structure, and finally leaning against a rock wall. Gunshot sounds are heard, followed by the line 'I'll go.'
1 person observed.
“*gunshot*” 46:01 · “BANG!” 46:03
46:28Model synopsis: A person in a cowboy hat and vest walks away from the camera in a dimly lit interior space with rustic furnishings. The person says they are going to leave.
1 person observed.
“I'm going to go.” 46:25
Model synopsis: A person in a hat moves through a rocky outdoor setting while gunshots are heard. The transcript includes spoken words and sound effects timed to the frames.
1 person observed.
“I'm going to go.” 46:37 · “*gunshot*” 46:39
47:04Model synopsis: A rocky, arid landscape with sparse vegetation is shown in a single frame. No people, objects, or text are visible, and no events are described in the transcript.
Model synopsis: A man in a hat takes cover behind rocks while gunshots are heard. The scene is set in a rocky, open landscape with no buildings or other structures visible.
1 person observed.
47:34Model synopsis: A person is visible atop a rocky outcrop in a natural, outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
47:42Model synopsis: Two men in hats are on a rocky outcrop; one crouches on top, the other stands below. The scene is outdoors with no visible structures or time indicators.
2 people observed.
47:43Model synopsis: A man in a cowboy hat and plaid shirt is visible behind wooden bars, with foliage in the background. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A person is seen climbing a tree in a wooded area. The transcript contains an apology, but no names or specific events are mentioned.
1 person observed.
“I'm sorry.” 47:43
47:50Model synopsis: A single frame shows a large leafy tree against a bright sky. No people, objects, or text are visible, and no events occur.
Model synopsis: A person in a plaid shirt is seen from behind near a rocky area, then a wider shot shows horses and riders near trees and rocks. A transcript line states the person is going to leave.
1 person observed.
“I'm going to go.” 47:56
Model synopsis: A person on horseback is seen in a wooded area, followed by a shot of someone climbing rocks, then a horse-drawn wagon in the same setting. One speaker says they are going to leave, and another says 'Look.'
5 people observed.
“I” 48:04 · “I'm going to go.” 48:06
Model synopsis: A group of men in a dim interior confront a woman at a table while discussing a truck that has escaped with money. The scene ends with an order to take someone out, as men in hats and vests stand around her.
Named: Miss Callaghan (t:48:23). 5 people observed.
“Miss Callaghan, are you all right? Yes.” 48:23 · “The truck's got away.” 48:25
48:39Model synopsis: A person rides a horse across a wooded outdoor area. The scene is shot in black and white with no visible text or dialogue.
1 person observed.
Model synopsis: A person on horseback moves through a rocky, wooded area near a waterfall. The transcript includes repeated statements about leaving.
1 person observed.
“I'm going to go.” 48:42 · “I” 48:56
49:20Model synopsis: A person rides a horse through a dark, blurry outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
49:26Model synopsis: A group of riders on horseback moves across an outdoor setting with trees and uneven ground. No dialogue or on-screen text is present in this beat.
49:34Model synopsis: A lone rider on horseback moves across a rugged, brush-covered slope. The scene is shot in black and white with no visible structures or other people.
1 person observed.
49:39Model synopsis: A person in a cowboy hat rides a horse across an indistinct outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A lone rider on horseback moves across open terrain, followed by a group of riders in pursuit. The transcript includes a line indicating intent to leave.
2 people observed.
“I'm going to go.” 49:42
Model synopsis: A person lies on sandy ground while another approaches a building labeled 'HALF WAY HOUSE' with a horse. The transcript includes the lines 'I'm going to go.' and 'Come on.'
2 people observed.
“I'm going to go.” 49:57 · “Come on.” 50:05
50:14Model synopsis: A man in a hat and suit stands at a bar counter in a dimly lit interior. No dialogue or on-screen text is present in this beat.
1 person observed.
50:22Model synopsis: A man in a hat is visible outdoors in a snowy or dusty landscape. No events, dialogue, or on-screen text are present in the single frame.
1 person observed.
50:43
51:12
51:45
52:15Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 370 segments kept, 418 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1934 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement