Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 14:08 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 29 · shots 76–76. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man, middle-aged, wearing suit and tie, seated at desk visible, audible
- Miss Sally (named at t:14:14): woman, young adult, wearing patterned dress, standing, holding hat visible, audible
- Seen happening
- The sheriff sits at his desk while Miss Sally stands before him. [frame:1]
- Also said
- “I'm sorry.” 14:36 · “I'd like you to take a look at him. Maybe you've seen him before. He's in there.” 14:45
- Seen
- desk [frame:1], hat [frame:1], portrait on wall [frame:1], bookshelves [frame:1]
- Interpretation
- Model opinion, not evidence: mood: serious, formal; themes: authority, investigation, personal loss; style notes: medium shot, static framing, high-contrast lighting typical of 1930s studio films
A woman speaks with a seated man in an office; she mentions her uncle and he refers to a suspect in custody. The man invites her to identify the suspect.
“They told me you wanted to see me, Sheriff.” 14:14 · “I already know. Really? Who told you? My... I guess you hear those things.” 14:23 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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