No renewal found Free in the US since 1 January 1970, on the registry's reading: registration LP10758 of 1941 by Producers Releasing Corp. Of America was not renewed in the volumes searched. Record.
364 shots over 1:00:09, read from the Internet Archive copy Billy_the_Kid_Wanted_1941 (Billy_the_Kid_Wanted_1941.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Billy the Kid Wanted No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 364 shots judged colour), average shot 9.9s long, a frontal face detected in 21% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1941 (Internet Archive).
191 beats in 108 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 191 of 191 beats annotated, 191 passed the checks, 0 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
0:34Model synopsis: The beat shows a single frame from the film's credits at 34 seconds, listing production roles and names. The transcript contains a single spoken line at 1:00 that is not visually supported by the frame.
“Oh, yeah.” 1:00
1:23Model synopsis: A man in Western attire stands inside a dimly lit room while another person sits nearby; dialogue suggests they are hiding from a sheriff and plan to speak with Billy the Kid. The scene is set indoors with minimal lighting and period-appropriate costumes.
2 people observed.
“I don't know why I heard with you and Billy the Kid. All that's on the go, eat every meal with one foot in the air ready to jump. Why don't …” 1:21 · “Stay right here and rest up” 1:33
Model synopsis: A person on horseback rides along a dirt path in a hilly, grassy landscape. Two other figures on horseback are visible on a rise in the background.
3 people observed.
1:48Model synopsis: A person rides a white horse toward the camera on a dirt path with hills and trees in the background. The scene is outdoors in daylight with no visible buildings or other people.
1 person observed.
1:49Model synopsis: A group of riders on horseback moves through a rocky outdoor setting. Dust is kicked up by the horses' hooves as they ride.
2 people observed.
1:51Model synopsis: A person rides a white horse at speed across an open, flat landscape. The scene is shot in black and white with a static camera and shows motion blur.
1 person observed.
1:53Model synopsis: A group of men on horseback are shown in a rocky outdoor setting; one man is being pulled from his horse while others watch or ride nearby. No dialogue or on-screen text is present in this beat.
4 people observed.
1:55Model synopsis: A person rides a white horse at a gallop on a dirt path. The background is dark and indistinct, suggesting trees or brush.
1 person observed.
1:59Model synopsis: A group of figures on horseback is visible under trees in a wooded area. The scene is shot in black and white with high contrast and appears to be outdoors.
2:04Model synopsis: A lone figure on horseback rides along a dirt road bordered by trees. The scene is shot in black and white with no visible text or dialogue.
1 person observed.
2:10Model synopsis: A group of riders on horseback moves along a dirt road bordered by trees and open land. The scene is shot in black and white with visible film grain and vertical scratches.
4 people observed.
Model synopsis: Two men sit at a table in a dim interior, one wearing a cowboy hat; the scene cuts to a horse running and then to riders on horseback. A man speaks about a sheriff and digestion.
2 people observed.
“Sheriff in the States looking for him. He's right.” 2:15 · “Besides, it's ruining my digestion.” 2:18
2:46Model synopsis: Two men stand on a wooden porch attached to a stone building. One man wears light trousers and a shirt; the other is in dark clothing.
2 people observed.
2:48Model synopsis: A group of riders on horseback moves through a wooded area. The scene is shot in black and white with visible film grain and vertical scratches.
3 people observed.
Model synopsis: Three men stand on a wooden porch; one falls backward after gunshots are heard. The porch is attached to a stone building, and the surrounding area appears wooded.
3 people observed.
“doing your duty. Go on.” 2:52 · “*thud*” 2:59
Model synopsis: Two men are in a wooded outdoor area with horses; one is crouched behind cover while another moves stealthily. Gunshots are heard and a man is seen reacting to being hit, suggesting a confrontation is underway.
4 people observed.
“Oh, that's a buck. That's a buck. Oh, my God.” 3:10 · “for everything. Just can't.” 3:22
Model synopsis: A man in a hat and light pants stands over a seated man near horses; another man in a hat runs away from a dark background. A gunshot is heard at 4:03.
3 people observed.
“Get busy, we're not stopping for lunch. Well, no fool sheriff's gonna stop me from having my lunch.” 3:50 · “- Here.” 3:56
Model synopsis: A man in a hat and dark clothing moves near a stone structure outdoors. He is audible saying 'I'm sorry' and begins to speak again at 4:12.
1 person observed.
“I'm sorry.” 4:08 · “I” 4:12
Model synopsis: A man in a hat and dark coat stands near a wooden structure as riders on horseback approach and then ride away down a dirt path. A gunshot is heard at 4:26, followed by the speaker saying they are going to leave.
5 people observed.
Model synopsis: A man in a cowboy hat and plaid shirt stands near bushes; another man in a hat runs away through a wooded area. A voice shouts to prevent him from escaping.
2 people observed.
4:42Model synopsis: Three riders on horseback move along a dusty trail between large rock formations. The scene is outdoors in a rugged, arid landscape with no visible structures or other people.
3 people observed.
4:47Model synopsis: A man in a cowboy hat and shirt stands outdoors with another man behind him, both near a horse. The background shows hills and trees under daylight conditions.
2 people observed.
4:52Model synopsis: A group of riders on horseback moves across a dusty, rocky landscape. The terrain features large boulders and sparse vegetation.
4:58Model synopsis: Two figures on horseback interact in an open field with hills in the background. One figure appears to be reaching toward or grappling with the other.
2 people observed.
5:03Model synopsis: A group of men on horseback rides along a dirt road lined with trees. No dialogue or on-screen text is visible in this beat.
4 people observed.
5:07Model synopsis: A group of riders on horseback moves along a dirt path, partially obscured by trees. The scene is shot from a high angle in black and white, with no dialogue or on-screen text.
3 people observed.
Model synopsis: Two men on horseback are shown in a wooded outdoor setting, followed by a close-up of one man crouching near a rock. The transcript includes dialogue about being with a gang and being 'shot up.'
2 people observed.
“You're certainly right when you're with a gang like this, they're all shot up.” 5:22 · “associate with only the drift shot up.” 5:26
Model synopsis: A man in Western attire is shown near a horse in a rocky outdoor setting, speaking about isolation and lack of news. He is visible across three frames and audible in the transcript lines during this beat.
1 person observed.
“I bet if I ever get back to civilization again, I could have no chance to stay there.” 5:30 · “I'm tired of going around these sticks.” 5:36
Model synopsis: Two men are in a rocky outdoor setting with a horse and camping gear; one stands while the other sits and tends to a leg wound. They argue about the severity of the injury and the stress of being falsely blamed for crimes.
3 people observed.
“Is that the wound you've been yelling about?” 5:50 · “From listening to you, I thought we're going to have to amputate your leg. I suppose you keep your opinion to yourself if someone asks you …” 5:53
Model synopsis: Two men in Western attire are seated outdoors near rocks and foliage, examining a small object. One man comments on a family resemblance to someone named Fuzzy, and they discuss the object's appearance.
2 people observed.
“You know, you give a fellow a bad name and he comes in mighty handy to hang things up.” 6:23 · “I noticed quite a family resemblance to Fuzzy.” 6:39
Model synopsis: A man in Western attire is shown in a rocky outdoor setting with a horse and a rifle. A loud noise is heard, followed by a line of dialogue mocking others for lacking courage.
1 person observed.
“*Loud noise*” 6:52 · “fellas sound like a couple of magpies and show half as much sand” 6:57
Model synopsis: Three men in cowboy hats stand outdoors near horses, discussing land and farming. One man reads from a paper while another responds with skepticism about farming life.
3 people observed.
“Just what I've been looking for.” 7:23 · “I think Fertile Paradise Valley will soon be the garden spot of the West.” 7:29
8:11Model synopsis: Three men in Western attire stand outdoors near rocks; one speaks about wanting peace to eat without interruption and announces he is leaving. No names are spoken, and no indoor setting or time of day is established.
3 people observed.
“But I want peace and quiet where I can sit down and eat a decent meal without having some sheriff interrupt me before I'm half through.” 8:03 · “And I'm a-going right now.” 8:10
8:20Model synopsis: Two men in cowboy hats stand side by side outdoors. One wears a dark jacket and the other a light shirt; both look off-camera.
2 people observed.
8:21Model synopsis: A shadowy figure is partially visible behind a tree trunk in a dark outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two men in cowboy attire are shown outdoors, one speaking about leaving and suggesting Billy join him to homestead. A third man is seen mounting a horse, indicating departure.
Named: Fuzzy (t:8:32). 3 people observed.
“Is he kidding?” 8:24 · “I hate to see you pulling up, Fuzzy.” 8:32
Model synopsis: Two men in cowboy attire are shown outdoors; one speaks about the demands of farming versus a life of conflict. One man departs on horseback after the conversation.
Named: Billy (t:9:07). 2 people observed.
“I can't see myself wrangling squash and potatoes and...” 8:47 · “Riding herd on a field of alfalfa. You know, Fuzzy, if you've got any idea that you're going to find any time to sit under a fig tree, you'…” 8:51
Model synopsis: Two men in Western attire speak outdoors near trees; one is called 'Puffy' and the other 'Jeff'. They exchange farewells and a conditional invitation to rest under a fig tree if injured.
Named: Puffy (t:9:14), Jeff (t:9:16). 2 people observed.
“Bye, Puffy.” 9:14 · “Same to you, Jeff.” 9:16
Model synopsis: Two men in cowboy hats watch a third man ride away on horseback. One man speaks repeatedly about leaving, while another says 'Adios' as the rider departs.
3 people observed.
“Come on.” 9:26 · “Adios.” 9:36
10:07Model synopsis: A character speaks about missing someone named 'old fuzzy' and trusting him, then repeats 'I'm going to go.' No visual information is available from the provided frame.
1 person observed.
“Funny I guess I'll miss old fuzzy.” 9:48 · “Sure ain't.” 9:52
Model synopsis: A person in a hat stands at a doorway while a child inside a dim room responds to them. The dialogue suggests a visitor is asking to see the head of the household.
2 people observed.
“See who it is, honey. Okay, Mom.” 10:31 · “I'm sorry.” 10:34
Model synopsis: A man on horseback arrives at a wooden house with a porch; inside, a woman speaks of illness and her son cooking, while another man claims to be a good cook and takes over. Later, a confrontation occurs over land and water rights with a company representative, followed by the arrival of a man named Jack Saunders who threatens the household.
Named: Jack Saunders (t:14:55). 5 people observed.
“Well, my dad went away and my mom” 10:47 · “I tried to get up and cook some supper, but I got so dizzy I had to lie down again.” 11:06
Model synopsis: A man on horseback is shown outside a house, followed by a scene inside where one man stands over another seated man. A voice delivers a threat about financial consequences if demands are not met.
3 people observed.
“Now listen.” 15:34 · “And don't fool yourself.” 15:37
15:58Model synopsis: A man in a cowboy hat and vest stands outside a wooden building, speaking to another man visible in a doorway. The second man, wearing a light shirt, listens with his hand near his face.
2 people observed.
Model synopsis: Two men confront each other in a dim interior; one threatens the other with violence over a dispute involving Paradise Valley. The second man responds with a smirk and a challenge, prompting others to intervene and separate them.
2 people observed.
“You're gonna give some friends of mine a square deal or else Paradise Valley's gonna look like its geography's been dislocated.” 16:24 · “Well, I don't know who you are or what you want. Get away from me and leave me alone. Hey, you, I'm a-talking.” 16:29
Model synopsis: A man is kicked in a dimly lit interior while another man in a hat stands nearby; a third man in a suit speaks and then turns away. The transcript includes dialogue about a sheriff, an arrest, and being jailed.
3 people observed.
“To hold up Sheriff arrest that man.” 16:55 · “Why, Sheriff, isn't he, Hoff?” 16:57
17:43Model synopsis: A dark frame with no visible content is shown during a dialogue exchange where one person tells another to shut up and a group demands a fair deal. No people, objects, or place are visible in the frame.
“Yeah, well... I want you to take some of the kids to see. Oh, shut up!” 17:45 · “All we ask is a square deal. We won't stand being robbed any longer. You're not giving orders. You're taking them.” 17:49
Model synopsis: Two men on horseback are seen near a building; a group of men in hats confronts another man outside a store; dialogue indicates a plan to act while attention is diverted. No names are spoken for any person visible or audible.
6 people observed.
“And furthermore, I'm going to crack down on all of you troublemakers.” 17:58 · “Hereafter, you'll pay cash for everything you get in that store. You know I can't do that. That's your worry, not mine. You won't start m…” 18:01
18:32Model synopsis: A group of men in period Western attire are gathered outside a building with a sign reading 'BILLY JUSTICE' during daylight. One man in the center appears to be moving quickly or being pushed through the crowd.
4 people observed.
18:39Model synopsis: Two men on horseback are shown in a black-and-white frame, one facing away and the other in profile, near a wooden building with a sign. A voice instructs them to go around and back.
2 people observed.
“Go on around and back.” 18:36
18:47Model synopsis: A man in a cowboy hat rides a horse past a corrugated metal building with barred windows. Another horse stands nearby, saddled but unoccupied.
1 person observed.
18:55Model synopsis: A man in a hat stands beside a white horse near a brick building; a chair and railing are visible. No names, time of day, or period are established in this beat.
1 person observed.
“I” 18:57
19:06Model synopsis: A man in a cowboy hat and coat stands beside a wooden building with a barred window, holding a bag. He says he is going to go.
1 person observed.
“I'm going to go.” 19:07
Model synopsis: A man in a dark coat stands at a door in a brick-walled exterior, then the scene cuts to an interior with three men around a desk, and finally to a man in a cowboy hat peering through a doorway in a corrugated metal wall. A voice says 'Wait a minute, wait a minute, where did everybody go? Don't touch me, don't touch me. I can get off any floor out of any bar.'
6 people observed.
Model synopsis: A man in a dark coat enters a dimly lit interior and confronts someone off-screen, demanding to see a partner; another man is seen crouching on a rooftop. The transcript includes a line identifying one man as 'Billy the Kid'.
Named: Billy the Kid (t:20:00). 2 people observed.
“Come on in here. Why, why, why, why, why, why, listen now, I want to see a partner of mine. You got him in here, I'm going to see him. Get …” 19:45 · “Listen and see! I pay my taxes, and I'm gonna see my butt! Say, that looks like Billy the Kid.” 20:00
Model synopsis: Two men are shown in separate shots: one behind bars wearing a wide-brimmed hat, and another at a desk writing while wearing a bowler hat. The transcript includes a line about a tumbling wheel and a reference to the prairie.
2 people observed.
“And you tumble to the tum-tum-tumbling wheel” 20:23 · “Amen.” 20:28
Model synopsis: A man in a hat is seen behind bars in two shots, while another man in a hat sits at a desk in a third shot. The transcript contains fragmented, possibly mis-transcribed lines that do not clearly describe the visuals.
2 people observed.
“Where the little doggies I just yell along, and the dog-o-lo-lo-the prairies.” 20:35 · “I say that my favorite part, the cross of the world.” 20:46
21:14Model synopsis: A man in a cowboy hat sits at a desk with papers and a pen. The setting appears to be an interior office with shelves in the background.
1 person observed.
21:20Model synopsis: A person is visible behind bars in a dark setting. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: Two figures run from a building while a third man in a suit and bow tie watches from a doorway. The transcript includes urgent commands to leave and a group exclamation.
3 people observed.
“Get going. I'll catch up with you. Go on.” 21:28 · “Let us get it!” 21:41
21:47Model synopsis: A person in dark clothing exits a brick building doorway while another figure is partially visible inside. A bulletin board with posters and a bench are visible outside the building.
2 people observed.
21:53Model synopsis: A rider on a white horse moves away from the camera on a dirt road, followed by another rider on a dark horse. A wooden building and trees are visible in the background.
2 people observed.
22:00Model synopsis: Three men in Western attire are seen on a wooden platform beside a brick building; one runs, one stands near a horse, and one crouches. No dialogue or on-screen text is present in this beat.
3 people observed.
22:06Model synopsis: Three riders on horseback are visible in an outdoor setting. The scene is shot in black and white with visible film grain and vertical scratches.
3 people observed.
22:11Model synopsis: A group of riders on horseback moves down a dirt road lined with trees and buildings. The scene is shot in black and white with visible film grain and vertical scratches.
3 people observed.
22:18Model synopsis: A group of riders on horseback is visible in an open, grassy field with trees and a rocky outcrop in the background. No dialogue or on-screen text is present in this beat.
22:24Model synopsis: Three riders on horseback move across an open field with mountains in the background. The scene is shot in black and white with visible film grain and vertical scratches.
3 people observed.
Model synopsis: A group of men on horseback rides across an open, dusty terrain. The riders are in motion, with some raising their arms, against a backdrop of distant hills.
4 people observed.
Model synopsis: Three men on horseback are shown outdoors near a wooden fence; one man dismounts and speaks while another remains mounted. The transcript includes fragmented speech about being friendly and a reference to 'the little red rat'.
3 people observed.
“the. And. We can bet down here tonight these folks are nice and friendly. And. And. And.” 22:42 · “I'm going to go.” 22:54
Model synopsis: A man and a woman sit with a boy in a room with curtains and a plant; a man holding a rifle stands near a wall with a shelf. A knock is heard and someone asks who is there.
4 people observed.
“The little red rat...” 23:07 · “*knock knock*” 23:10
23:22Model synopsis: A woman and a child stand indoors in a dimly lit room with patterned wallpaper. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A group of men, including one identified as Billy the Kid, are welcomed into a home by a woman and her son. The scene shifts to tension as the sheriff and men arrive, prompting the group to hide weapons and prepare for confrontation.
Named: Billy the Kid (t:23:38). 7 people observed.
“Hey, what's the big idea? You gonna take a pot shot at us? Oh, I'm sorry. I thought you were some of Matt Brawley's men.” 23:26 · “Come on in, meet my wife.” 23:38
25:01Model synopsis: A woman in a ruffled period dress is seated indoors. No dialogue or action is visible in the single frame.
1 person observed.
Model synopsis: A man in a plaid shirt is shown on the floor in distress while two other men stand and speak in a curtained room. The transcript indicates a warning is being issued to farmers about not aiding Billy the Kid and his partners, and a threat is made about consequences if they continue agitating.
5 people observed.
“Oh! And Idlell, Billy, the kid and his two partners are somewhere in the neighborhood.” 25:03 · “And I'd advise you farmers not to give them any help. Keep your advice till someone asks for it.” 25:07
Model synopsis: A man speaks about being wronged by Matt Drawley, who is depicted in a physical altercation and later seated at a table. Another man in a cowboy shirt is shown listening intently. The dialogue references land disputes and stolen earnings.
Named: Matt Drawley (t:25:39). 4 people observed.
“You take your orders from Broly's Land Company. That'll be on that party, you...” 25:26 · “Matt Drawley brought out a gang of tough gunfighters to bulldoze the homesteaders.” 25:39
Model synopsis: A group of people stands in a room discussing Matt Brawley's actions and the resulting hardship on farmers; one person decides to leave. A second frame shows a dark, indistinct close-up of a hand or arm, suggesting a physical action or transition.
Named: Matt Brawley (t:25:56). 6 people observed.
“You know, I think a first glass gun whipping would do Matt Brawley a lot of good. That's my sentiments precisely.” 25:56 · “I tried to organize all the farmers to band together and make Brawley be fair, but...” 26:02
28:25Model synopsis: A man is confronted at night outside a store; he is told Matt Brawley sent him, but the storekeeper is suspicious. The scene escalates as others arrive, including a sheriff, and a note is left promising payment for stolen goods, referencing Billy the Kid.
4 people observed.
“Matt Brawley sent me over. Come on down and open this store.” 27:12 · “It's a fine time of night to be coming around waking a man up. Come around in the morning.” 27:15
Model synopsis: Two men in cowboy hats speak on a street at night; one invites the other to his office. A group including a man named Mapp is seen in a second shot, suggesting a town setting.
Named: Jack (t:30:15), Mapp (t:30:31). 5 people observed.
“You either bring him in or turn that star over to someone who can.” 30:00 · “Something made you unhappy?” 30:05
Model synopsis: Two men are in a dimly lit room; one seated, one standing, discussing a job involving Billy the Kid. A third man, older and in a patterned shirt, speaks to a boy at a table, mentioning Indians and weapons.
4 people observed.
“You know, I'm surprised that most of this bunch hasn't been hung by now.” 30:37 · “So you and your boys figured to move in on me whether I like it or not, huh? That's right.” 30:50
Model synopsis: A group of men in a room discuss a plan involving a sheriff, while a separate shot shows a man on horseback riding through a town street. One man decides to go alone to speak with someone, believing it is not a trap.
6 people observed.
“Seemed pretty sure that some of us could get the message to him. Yeah trying to make things easy for the half-backed sheriff.” 32:10 · “- You're a loved one. - Why, it's a trap!” 32:21
32:59Model synopsis: Two men in cowboy attire stand beside a brick wall and exchange remarks about the weather. One man is addressed as Sheriff, and both appear relaxed in their posture.
Named: Sheriff (t:32:56). 2 people observed.
“Howdy, Sheriff. Nice weather we're having, ain't it?” 32:56 · “Maybe it is. Who cares?” 32:56
33:05Model synopsis: A group of men on horseback are gathered in front of a wooden building. The scene is outdoors under daylight conditions.
10 people observed.
33:16Model synopsis: A man in a cowboy hat and shirt stands beside a brick wall near a doorway, speaking to someone off-screen. He mentions farmers staying in town, as heard in the transcript.
1 person observed.
Model synopsis: A man on horseback rides away down a street while a group of mounted men gathers nearby; another man sits on a chair against a brick wall. The transcript contains a repeated line stating an intention to leave.
4 people observed.
“I'm going to go.” 33:29 · “I'm going to go.” 33:42
33:49Model synopsis: A man in a cowboy hat and dark shirt walks onto a wooden porch and approaches a door. The porch has chairs and a window with a sign reading 'ASSAY' visible.
1 person observed.
34:07Model synopsis: A man in a dark suit and hat stands in a dimly lit room with a window behind him; dialogue suggests a tense conversation about trust and consequences. No names are spoken that can be assigned to the visible person, and no objects beyond clothing and furniture are clearly identifiable.
1 person observed.
“You wanted to have a talk with me? Yeah, sure. Come on in.” 33:57 · “You know, Broly, if everything isn't on the up and up, you won't be around to enjoy it.” 34:10
Model synopsis: Two men in cowboy hats sit and talk in a dimly lit room; one mentions Jack Saunders and the act of killing. One man states he murdered his best friend.
2 people observed.
“They tell me you're about the fastest man alive with a gun.” 34:21 · “I'd pay a lot to see Jack Saunders planted in Boothill.” 34:32
34:56Model synopsis: A man in a cowboy hat laughs while seated indoors; dialogue suggests a confrontation about money and betrayal. No named characters appear, and the setting is not clearly identifiable beyond being an interior space.
1 person observed.
“shot him from ambush without even giving him a chance.” 34:48 · “It's very sad.” 34:52
35:31Model synopsis: Two men negotiate a plan involving Billy the Kid and Jack; one man sits at a desk while the other leans over it. The dialogue suggests a scheme to use Jack’s death as a pretext for arresting Billy the Kid.
2 people observed.
“I've either got to buy him out” 35:05 · “Or fight his gang.” 35:07
36:04Model synopsis: A person on horseback is visible in a street scene; no names are spoken. The transcript line does not describe the visual content and appears to be from a different context.
1 person observed.
“I'm going to go ahead and get some more information about the next slide.” 35:58
36:21Model synopsis: A storefront exterior displays signs for 'SEEDS TOOLS PLOWS' and barrels outside. No people are visible or audible in this beat.
36:32Model synopsis: A man in a suit and hat stands in front of a brick wall with a notice board. No dialogue or action is visible in the single frame provided.
1 person observed.
36:34Model synopsis: A man in a suit and hat stands in front of a brick wall with a poster board. No dialogue or action occurs in this beat.
1 person observed.
Model synopsis: A man in a hat and coat stands on a street near a building with a 'WANTED' poster, then a group of men on horseback rides past. The transcript contains a refusal and an announcement of departure.
2 people observed.
“No.” 36:37 · “I'm going to go.” 36:37
36:48Model synopsis: A man in a hat peers from a window of a wooden building, holding a pistol. No dialogue or additional context is provided in this beat.
1 person observed.
Model synopsis: A man on horseback is seen outside a building, then a uniformed man stands in a shop interior, and finally a man in a suit is visible behind a counter in a dimly lit room. The transcript includes brief dialogue: an apology, a question, a greeting to 'Jeff', and a query about a fire.
3 people observed.
“I'm sorry.” 36:56 · “What?” 37:00
Model synopsis: Two men in Western attire are shown in a physical altercation inside a dimly lit room with wooden paneling; one man is thrown to the floor while another stands nearby. A spoken line indicates a partnership is being dissolved due to betrayal.
2 people observed.
“Where's the fire?” 37:09 · “We're dissolving partnership. I don't hurt up with no double-crossing murderers. I'll show you where to handle it.” 37:09
Model synopsis: A man named Jeff is addressed and says he is leaving; three men in shirts and hats stand together in a room with shelves and a counter. The setting appears to be an interior shop or saloon with visible merchandise and a stove.
Named: Jeff (t:37:23). 5 people observed.
“Hey, wait a minute. Jeff, what's the matter with you?” 37:23 · “Jeff.” 37:27
Model synopsis: A man in a cowboy hat moves through a dimly lit interior with stairs and furniture; dialogue suggests concern from another person. No names are spoken, and no on-screen text is visible.
2 people observed.
“Oh, now, folks.” 37:55 · “Dad, what's the matter of you? Give us a doubt.” 38:06
Model synopsis: A man in a cowboy hat stands over a fallen figure inside a shop, then confronts another man at a counter before a fight breaks out. Two men are later seen outside a brick building, one speaking to the other.
Named: Jack Saunders (t:38:22). 5 people observed.
“Anytime you want some more of it, just look me up.” 38:18 · “Are you Jack Saunders? Yeah, why? Get out of town as quick as you can. I'll meet you on the road.” 38:22
38:52Model synopsis: A group of men on horseback rides away from the camera down a dirt street in a town. The scene is shot in black and white with visible film grain and no on-screen text or dialogue.
4 people observed.
38:56Model synopsis: Two men stand outside a brick building; one wears a dark coat and hat, the other a suit and wide-brimmed hat. No dialogue or action is visible in the single frame.
2 people observed.
39:07Model synopsis: A man in a hat speaks to another man in a dim interior, saying he will leave and that the other man will get his due later. The setting appears to be a saloon or similar establishment with wooden floors and counters.
2 people observed.
“No, you don't. Leave him alone, Fuddington. He'll get his when the time comes.” 38:57 · “Yeah? Well, I may have a different idea.” 38:57
Model synopsis: Two men speak in a shop interior, one suggesting they move to an office to talk. The setting includes shelves stocked with jars and a counter, visible across two frames.
3 people observed.
“What's the matter?” 39:20 · “We'd better go to your office and talk.” 39:23
Model synopsis: Two men on horseback converse in an outdoor setting while others are present; one man explains he was double-crossed by Billy and spoiled his plan. The transcript reveals a betrayal involving Matt Brawley and Billy the Kid.
5 people observed.
“Well, what's it all about Matt Brawley and Billy the Kid framed a trap for you and” 39:37 · “You and your boys were to be wiped out.” 39:41
Model synopsis: Three men are in a room; one seated man is confronted by two standing men. Dialogue reveals a betrayal involving a partner and Jack Sanders.
3 people observed.
“In your hands, why'd you let him go?” 40:00 · “Because that double-crossing partner of mine took me by surprise.” 40:00
Model synopsis: Two men are in an interior room; one speaks about Jeff's character and a threat from Jack Saunders. The speaker vows to act quickly against Saunders.
Named: Jeff (t:40:14). 2 people observed.
“I never would have thought that of Jeff. He's always been such a square shooter. He never had a shot at such big money before. That makes a…” 40:14 · “Now, it's either you or Jack Saunders.” 40:22
40:48Model synopsis: A group of riders on horseback gallops along a dirt road. Dialogue suggests they are planning a surprise visit.
3 people observed.
“Surprise, huh?” 40:30 · “You said it.” 40:31
41:08Model synopsis: Three men in Western attire walk outdoors on uneven terrain. One man holds a rifle while another gestures with his hand.
3 people observed.
Model synopsis: A group of men in cowboy hats stands outdoors near a log cabin in a rocky area. One man speaks about approaching outlaws cautiously and persuading a former adversary to join him.
4 people observed.
“Doesn't look like they're expecting company. They'll soon find out different.” 41:10 · “We'll get as close as we can before we open up and let them have it.” 41:10
41:41Model synopsis: A person is visible among rocks and brush in an outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
41:46Model synopsis: A man in a wide-brimmed hat and period clothing stands beside a dark horse in an outdoor setting with trees and brush. No dialogue or on-screen text is present in this beat.
1 person observed.
41:48Model synopsis: A log cabin sits in a rocky, arid landscape with sparse vegetation. No people or movement are visible in the single frame provided.
41:49Model synopsis: A wooden building with a window and stone foundation is shown. No people, actions, or spoken dialogue are visible or audible in this beat.
Model synopsis: A wagon is parked near large rocks in a rugged outdoor setting, followed by a group of men walking along a dusty trail. No dialogue or on-screen text is present in these frames.
Model synopsis: A person is seen at a window in a wooden building, then a man runs outdoors with a hat over his head, followed by a man in a cowboy hat standing beside a horse, and finally two men near a log wall, one aiming a pistol. The transcript includes sounds of knocking, thudding, and a bang, along with fragmented speech.
5 people observed.
42:23Model synopsis: A man in a wide-brimmed hat and vest stands outdoors between two horses. The setting appears to be a natural, wooded area with uneven ground.
1 person observed.
Model synopsis: Two men in cowboy hats observe a distant fight from a high vantage point; one speaks about enjoying the spectacle. A separate shot shows a log cabin under attack with smoke rising, and another shows a man aiming a rifle from behind a log wall.
3 people observed.
“How's it look from up here? I don't know when I've enjoyed watching a fight as much as this one.” 42:26 · “Killing each other is the only public service any of them ever did.” 42:34
Model synopsis: A rocky outdoor scene with a mine cart and a figure moving near bushes. No dialogue or on-screen text is present in this beat.
42:52Model synopsis: A single frame shows a rustic building in a hilly, arid landscape with dust rising near it. No people are clearly visible, and no dialogue or on-screen text is present.
Model synopsis: Two men in cowboy hats are shown in a close-up, followed by a distant shot of a small building in a hilly, wooded area, and then a man in a cowboy hat running near a log cabin. The transcript indicates a character named Matt Brawley is mentioned and someone decides to leave.
Named: Matt Brawley (t:42:54). 3 people observed.
“It looks like Matt Brawley's had enough.” 42:54 · “I better join them before they miss me. What am I supposed to do? Wait here until you hear from Jeff.” 42:58
43:19Model synopsis: Two horses stand on a dirt path near brush; one is saddled. The scene is outdoors in daylight with no people visible.
43:30Model synopsis: Two men in hats sit outdoors near a tree and a wooden building, discussing a raid and revenge against Billy the Kid. One man claims he is not doing a favor but getting even, while the other accepts it as such.
2 people observed.
“You sure did me a favor when you ticked me off about this raid.” 43:25 · “I ain't doing nobody a favor. I'm just getting back at Billy the Kid.” 43:28
Model synopsis: A man in a plaid shirt and hat stands outdoors while others ride horses; two men on horseback discuss a plan to ambush Matt's men. The dialogue reveals suspicion of a traitor and intent to retaliate against Billy the Kid.
4 people observed.
“They knew we were coming. Now listen, Brawley, you got someone in your outfit that talks too much.” 44:03 · “You know, if that Billy the Kid thinks he's seen me for the last time, he's crazy.” 44:26
44:52Model synopsis: A person lies on the ground outdoors near trees while another figure stands nearby. No dialogue or on-screen text is present in this beat.
2 people observed.
45:06Model synopsis: A man in a cowboy hat and plaid shirt is shown in a close-up, apologizing twice in the transcript. The setting appears to be outdoors among rocks and brush.
1 person observed.
“I'm sorry.” 44:54 · “I'm sorry.” 45:01
45:27Model synopsis: A group of riders on horseback moves across a dusty open area with hills in the background. No dialogue or on-screen text is present in this beat.
4 people observed.
45:39Model synopsis: Three riders on horseback move across an open, dusty terrain. No dialogue or on-screen text is present in this beat.
3 people observed.
45:48Model synopsis: A man in a cowboy hat rides a horse in an open landscape with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
45:57Model synopsis: Two men stand indoors, one speaking about someone arriving soon to receive a warm welcome. The setting appears to be a dimly lit room with minimal furnishings.
2 people observed.
“Be coming along any minute now get a nice warm welcome waiting for.” 45:55
46:01Model synopsis: A man in a cowboy hat stands in a doorway of a wooden building. The scene is dimly lit and appears to be set at night or in a shadowed interior.
1 person observed.
Model synopsis: Two men in cowboy hats are seen in interior and exterior shots of a building; one peers from a window while another stands in a doorway. A voice speaks about a partner spying on the Saunders outfit and mentions 'Fuzzy' showing intelligence.
5 people observed.
“You know that local partner yours did a good job spying on that saunders outfit. I didn't think he was that smart. Fuzzy shows almost huma…” 46:05 · “I'll take some of these and some of those.” 46:20
46:26Model synopsis: A static shot shows a dark, tree-lined entrance framed by two stone pillars. No people or movement are visible in the single frame provided.
46:31Model synopsis: A person in a wide-brimmed hat and dark coat stands outdoors with trees and hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
46:34Model synopsis: A man in a suit and hat stands indoors while another person in a hat sits nearby. The setting appears to be an interior room with a window showing barrels outside.
2 people observed.
46:38Model synopsis: A group of silhouetted figures on horseback stands in a dusty open area near buildings and trees. The scene is shot in black and white with high contrast and visible film grain.
46:42Model synopsis: A man in a cowboy hat looks out of a window in a wooden building. No dialogue or additional context is provided in this beat.
1 person observed.
46:45Model synopsis: A man in a suit and hat stands indoors while another figure sits in shadow; a voice says 'Let him have it.' The scene is lit with high-contrast studio lighting.
2 people observed.
“Let him have it.” 46:45
46:49Model synopsis: A man on horseback is shown in a dusty street with smoke rising nearby. The scene is outdoors and appears to be in a town setting.
2 people observed.
46:52Model synopsis: A figure on horseback exits a doorway into bright daylight, kicking up dust or smoke. Another figure is visible to the left, partially in shadow.
2 people observed.
46:53Model synopsis: A person in a cowboy hat stands in a doorway with smoke or dust around them. The setting appears to be a wooden building at night or in low light.
1 person observed.
47:02Model synopsis: A man in a cowboy hat stands inside a dimly lit shop with shelves of goods behind him. No names are spoken, and no events beyond his presence are shown or described in the transcript.
1 person observed.
“Let him have it.” 47:01 · “I” 47:01
47:12Model synopsis: A group of riders on horseback are in an open dusty area with buildings and trees in the background; smoke rises from a structure in the distance. No dialogue or on-screen text is present in this beat.
Model synopsis: A man in a suit and hat holds a gun indoors, then is seen outdoors near trees; another man in a sailor-style outfit stands by a brick wall; two men stand on a porch. A gunshot is heard, followed by repeated exclamations of 'Oh, my God.'
4 people observed.
“I'm going to go.” 47:21 · “Oh, my God.” 47:29
47:55Model synopsis: Three men in Western attire stand outside a building marked 'ASSAYER'; one holds a small object. Dialogue references Jack Sanders and a gang, suggesting a plot to corner him.
3 people observed.
“I guess we showed them where to head in. We sure did.” 47:43 · “But you didn't get Jack Sanders.” 47:46
48:08Model synopsis: A single frame shows a dusty, open outdoor area with low buildings and two prone figures. No people are visible standing, and no dialogue or on-screen text is present.
Model synopsis: A group of men on horseback are in a rocky, dusty outdoor setting, discussing being ambushed. They speculate that an unseen person named Matt anticipated their return and set a trap.
Named: Matt (t:48:28). 3 people observed.
“It looks like he helped get you this time” 48:14 · “Matt probably figured you'd come back right away and was waiting for you.” 48:28
48:54Model synopsis: A man in a hat stands in a dimly lit room with windows and furniture while another figure is partially visible; dialogue indicates a pursuit is underway and someone named Fletcher will scout.
2 people observed.
“Got him on the run now. Keep pounding at him. I'll get Fletcher to do some more scouting for him.” 48:49
49:14Model synopsis: A group of men in cowboy hats stand outside a wooden building while one speaks about gangs fighting and farmers organizing. The speaker advises against premature celebration and urges preparation for taking over after the gangs weaken.
4 people observed.
“Those two gangs have locked horns, and I'll see to it if they keep fighting. Okay.” 49:00 · “When they whittle each other down, we can take over without much trouble. Wait a minute, don't start cheering before you've won your fight.…” 49:04
49:30Model synopsis: A man in a cowboy hat leans over a wooden fence next to a white horse in an outdoor setting with hills in the background. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A group of men in cowboy attire discuss a missed meeting and argue over whether to accompany one of them; a white horse stands tethered near a wooden fence in an outdoor setting. No names are spoken, and no on-screen text appears.
4 people observed.
“Something's going wrong.” 49:33 · “Jeff said go for me to meet him at the usual place, but he wasn't there and he never did show up.” 49:35
Model synopsis: Two men in cowboy attire confront each other indoors while a third man is seen outdoors on a dirt path. Dialogue reveals a betrayal involving smoke signals and an impending arrival of Matt Brawley.
Named: Amy (t:50:40), Doctor (t:50:42). 7 people observed.
“There goes one of the finest fellows that ever lived.” 50:04 · “Until I found you sending those smoke signals.” 50:19
51:13Model synopsis: A horse stands on a dirt slope under trees at night. No people or dialogue are visible or audible in this beat.
51:25Model synopsis: A person in a dark hooded garment is visible in a dimly lit interior space. No dialogue or on-screen text is present in this beat.
1 person observed.
51:40Model synopsis: A person in dark clothing and a hat is visible against a log wall in a single frame. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a cowboy hat is shown in a dimly lit stone-walled interior and then outside near a stone building with a smoking chimney. He appears to be moving cautiously and looking upward.
1 person observed.
Model synopsis: A person is seen on a rooftop and then near a stone wall, followed by a shot of a stove inside a building. The transcript contains two short, conflicting statements about leaving.
1 person observed.
“I'm going to go.” 52:18 · “I'm not.” 52:48
Model synopsis: A group of men sit at a table in a wooden room when smoke begins to fill the space; one man reacts to the smoke near a stove. The transcript includes a cough and dialogue about wood in the stove and leaving due to a chimney issue.
5 people observed.
“Hey, what did you put in that stove? Wood!” 53:06 · “Let's get out of here. There must be something wrong with the chimney.” 53:10
53:28Model synopsis: A person in dark clothing stands beside a stone wall and window at 3208s. No dialogue or additional context is provided in this beat.
1 person observed.
53:30Model synopsis: A figure in a hat is partially visible behind a stone wall with smoke rising nearby. No dialogue or on-screen text is present in this beat.
1 person observed.
53:32Model synopsis: Two figures stand in a smoky, dimly lit interior space; one wears a hat and coat, the other a lighter shirt and hat. The scene is obscured by haze and shadow, with no visible text or clear action.
2 people observed.
53:36Model synopsis: A silhouetted figure in a hat stands beside a stone wall and wooden structure, with smoke or dust rising near a window. The scene is static and lit to emphasize the silhouette against a textured background.
1 person observed.
Model synopsis: A group of men in cowboy hats are seen indoors, reacting to something off-screen; one frame shows rain falling against a dark background, another shows a chimney on a roof. A voice addresses someone named Bill, commenting on his predicament.
Named: Bill (t:53:40). 5 people observed.
“- Hi, Bill. - You sort of got yourself in a mess, didn't you? Yeah, but I don't know what you should be showing up for a long time.” 53:40 · “Oh, look!” 53:50
53:56Model synopsis: Five men in cowboy hats and Western attire stand in a line indoors. No dialogue or on-screen text is present in this beat.
5 people observed.
53:59Model synopsis: A silhouetted figure in a hat stands amid smoke near a wooden structure. No dialogue or on-screen text is present in this beat.
1 person observed.
54:02Model synopsis: Three men are engaged in a physical struggle outdoors near a log structure. One man in light clothing is being held by two others in dark clothing.
3 people observed.
54:06Model synopsis: A man in a checkered shirt is seen in a struggle with another person near water. The scene is dark and grainy, suggesting nighttime or low-light conditions.
2 people observed.
54:09Model synopsis: Two men are engaged in a physical struggle outdoors on uneven ground. One man in a dark coat lunges at another man in a light shirt who is turning away.
2 people observed.
54:14Model synopsis: A man in light clothing sits on the ground while two men in dark clothing stand over him, one extending an arm. Dust is kicked up around their feet on a dirt surface.
3 people observed.
54:18Model synopsis: Three men in cowboy hats stand outdoors in a rocky, arid landscape. No dialogue or on-screen text is present in this beat.
3 people observed.
54:20Model synopsis: Two figures are engaged in a physical struggle in an outdoor setting, kicking up dust. One figure appears to be falling or being pushed backward while the other advances.
2 people observed.
Model synopsis: A man in a white shirt and dark pants is seen from behind, kicking up dust in an outdoor setting. Another man in a hat is shown falling backward through water or mud, suggesting a physical altercation.
2 people observed.
“Oh” 54:22
54:31Model synopsis: A person in a hat and dark clothing is visible in a rocky outdoor setting, moving near a large boulder. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a light shirt and dark pants is seen crouching on the ground, then standing among a group of men outdoors. One man is heard ordering others to get a gun and go inside.
3 people observed.
“My hope I” 54:39 · “Hold it, you two.” 54:40
Model synopsis: A group of men in cowboy hats are gathered outdoors near horses; one man holds a rope. Inside, men stand around a table with food and a coffee pot, one holding a rope while another gestures. Dialogue suggests a threat and a shift in control.
4 people observed.
“Remember what I told you if this thing ain't on the level you'll be the first to get it all I did was deliver sauner's message” 54:59 · “Well, you had your fun. Now it's my turn.” 55:20
55:43Model synopsis: A man in a hat speaks to another man while several others on horseback stand behind them in a dusty outdoor setting. The dialogue suggests a confrontation or revelation involving betrayal and a gun.
3 people observed.
“Hello Matt Found out we've been a couple of suckers, but you can bet I'm not be in one now. I” 55:41 · “Oh, all right, hold the gun on this. It'll make you feel the better.” 55:48
56:12Model synopsis: A group of men in hats surrounds a seated woman at a table with a checkered cloth; dialogue suggests tension and a debt owed. No names are spoken that can be attached to visible individuals.
8 people observed.
“Well Matt.” 56:00 · “Here's the pair that's been promoting all the trouble between us.” 56:01
56:34Model synopsis: A group of men in hats gather around a table with a checkered tablecloth in a dimly lit interior. One man speaks the line 'Tram loose' while another says 'That's a good idea.'
5 people observed.
“That's a good idea.” 56:30 · “Tram loose.” 56:32
Model synopsis: A man in a cowboy hat speaks to a group of men in a dimly lit interior; another man in a white shirt and tie gestures while addressing the group. The transcript indicates a challenge or wager is being proposed.
5 people observed.
“All right, boys, nothing's barred.” 56:50 · “The winner goes free and the loser pays for both.” 56:58
57:02Model synopsis: A man in a cowboy hat and shirt is visible in a close-up, with another man partially visible behind him. The scene is dimly lit and appears to be indoors.
2 people observed.
Model synopsis: A man in a cowboy hat is confronted by a group; one man counts to five while threatening hanging. Another man, addressed as 'Bill', is urged not to let both die when one can go free.
Named: Bill (t:57:22). 5 people observed.
“Well, it's either that or you both swing.” 57:04 · “I'll give you till I count to ten.” 57:09
Model synopsis: A confrontation unfolds among several men in a dimly lit interior; one man is pushed or falls, and another holds a gun to someone's chest. Dialogue includes challenges to fight and exclamations of surprise or resignation.
6 people observed.
“Of course I mean it.” 57:25 · “Come on and fight.” 57:26
Model synopsis: A man in a white shirt and neckerchief reacts with surprise and then gestures while holding a gun; another man in a suit and hat is visible nearby. A group of men in hats and period clothing emerge from a dark area into an outdoor setting with trees.
4 people observed.
“Oh, my God.” 58:17 · “Boy, you sure had me fooled for a minute.” 58:23
58:39Model synopsis: A horse-drawn wagon is parked under a wooden shed. The scene is outdoors in daylight, with no people visible.
58:43Model synopsis: A group of men in cowboy hats and period Western clothing stand outdoors at night. One man gestures while speaking, as indicated by the transcript line at 58:42.
5 people observed.
58:46Model synopsis: A man in a hat walks toward a building with horses tied nearby. The scene is outdoors under bright sunlight, with no dialogue or on-screen text visible.
1 person observed.
58:47Model synopsis: A group of men in Western attire stands outdoors at night. One man in a wide-brimmed hat is centered and prominent among others in hats and shirts.
4 people observed.
58:51Model synopsis: A group of men in cowboy attire are gathered; one speaks to someone named Fuzzy, asking him to help with others. No named characters are visually identifiable beyond the spoken reference to Fuzzy.
Named: Fuzzy (t:58:49). 6 people observed.
“Hey, Fuzzy, what are you doing, hiding?” 58:49 · “Come on over here, give me a hand with these hombres.” 58:51
59:17Model synopsis: A group of adults and a boy stand in a room with wooden walls; one man sits on a table while others stand around him. A farewell is exchanged, with references to a fig tree and becoming a cowboy.
Named: Billy (t:59:24), Jody (t:59:30). 6 people observed.
“Now, from the looks of things, you'll be the next sheriff. Don't you ride too hard when you're on my trail.” 59:07 · “Believe me, I'm coming back from sitting in the shade of it.” 59:15
Model synopsis: A man stands beside a white horse near a wooden fence, then a woman and two children are seen waving from a doorway. No dialogue or on-screen text is present in these frames.
4 people observed.
1:00:03Model synopsis: The final beat of the film shows a completely black screen with no visible objects, people, or text. No events or dialogue are recorded in this segment.
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 619 segments kept, 232 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1941 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
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Spooks Run Wild 
Superman 
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