Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Not yet checked. The automatic checks have not run on this beat. Not human-reviewed. Observations and transcript may still be wrong.
Play from 13:05 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 9 · shots 36–36. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man in fedora and suit, holding hat, medium build visible
- man in white shirt, bow tie, glasses, light pants, thin build visible
- Burley Sullivan (named at t:13:18): man in patterned vest, dark hair, medium build visible, audible
- Also said
- “No, you don't. Now I got him. Now I got him. Go on. Get the press. Get the press. I'll lay him out as flat as a piece of linoleum. Get him over here in the sunlight where the boys can photograph the body. Now, wait a minute. Wait a minute before you make any more mistakes. Wait a minute.” 13:34
- Seen
- fedora hat, bow tie, patterned vest, doorway
- Interpretation
- Model opinion, not evidence: mood: tense and confrontational; themes: identity dispute, media sensationalism, physical intimidation; style notes: medium shot, static framing, high-contrast black-and-white lighting typical of 1930s studio films
Three men are in a doorway; one identifies himself as Burley Sullivan while another reacts aggressively, demanding the press be called. The setting appears to be an interior room with a doorway, and the interaction is tense.
“I'm Burley Sullivan.” 13:18 · “It's a lie.” 13:19 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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