Algiers (1938)

Model synopsis: The beat shows a static credit title card from the 1938 film ALGIERS, listing production roles and names. No characters, actions, or dialogue occur in this segment.

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a desk while another man in a hat stands nearby; a uniformed officer is visible in the background. The scene shifts to show the man at the desk handling papers, then the man in the hat walking away as the officer watches.

• A man in a suit sits at a desk while another man in a hat stands nearby. [frame:1]
• The man at the desk handles papers. [frame:2]
• The man in the hat turns and walks away from the desk. [frame:3]
• 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Model synopsis: A map labeled 'ALGER' and 'CASBAH' is shown. No people, dialogue, or actions are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: The sequence shows a dimly lit, narrow alleyway or passage with rough walls and an arched entry, leading to a crowded street scene with many people. No dialogue or on-screen text is present, and no individuals are named or identifiable from the frames.

Evidence, details and a link to share

Model synopsis: Two men in traditional attire are shown in conversation in a dimly lit interior space. A woman in light clothing stands near a seated man who holds papers, also in an interior setting.

4 people observed.

Evidence, details and a link to share

Model synopsis: Four frames show a close-up of a person's shoulder and neck, followed by three high-angle shots of a dense, white-walled urban environment with flat roofs and narrow passages. No people, dialogue, or on-screen text are visible in these frames.

Evidence, details and a link to share

Model synopsis: The beat shows aerial views of a densely built city and a map labeled 'CASBAH', with a voice stating 'إبي لمoko is at home.' No people are visible or named in the frames or transcript.

“إبي لمoko is at home.” 5:25

Evidence, details and a link to share

Model synopsis: Three men stand in an interior room with a large window; one man faces away from the camera while the other two face him. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and hat stands in a dimly lit interior, then turns to face two other men in suits. The setting appears to be a room with a window and plain walls.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a light coat and dark hat sits in a chair, holding a cane, in a dimly lit interior. The setting appears to be a room with paneled walls, and no other people or actions are visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a desk in a dimly lit room; another man in a hat walks through a doorway into a brighter area where a man in a fez gestures. A man in a hat and coat bends over a cane while two others stand nearby. No dialogue is present in this beat.

6 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and fez gestures while speaking in a dimly lit room; another man sits with a hat in his hands as two others stand behind him. No dialogue is provided for this segment.

• man in fez gestures with hands while speaking [frame:1]
• man in suit sits holding hat, two men stand behind him [frame:2]
• man in fez leans forward, continuing to gesture [frame:3]

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit sits while two others stand in a dimly lit room; another man in a fez approaches the camera; a third scene shows a man in a hat entering an office with desks and windows. No dialogue or on-screen text is present in these frames.

6 people observed.

Evidence, details and a link to share

Model synopsis: A man is visible in a dimly lit interior, holding an object near his mouth. No dialogue or on-screen text is present in this beat.

• A man holds an object near his mouth. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are visible in a dimly lit interior; one holds a small object while the other looks on. A second frame shows two different men, one holding a camera-like device, in the same interior setting.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men are visible in dimly lit interior shots; one appears to be speaking while the other listens or reacts. No names, dialogue, or specific objects are identifiable from the frames or transcript.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit examines a small object while another man watches. In a separate shot, a man in a fez drinks from a glass. The scene shifts to a wider view of a dimly lit room with several men, one seated at a table with bottles and glasses.

6 people observed.

Evidence, details and a link to share

Model synopsis: A group of men are shown in a dimly lit interior, interacting around a table with bottles and glasses. One man in a cap appears to be speaking or listening intently while another man gestures toward him.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men are shown in close interaction in a dimly lit interior space; one holds a small object. A third man in a hat stands near a seated older man in a separate shot, suggesting a separate group within the same room.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a cap speaks and reacts while another man listens intently. The setting is dimly lit and appears to be an interior space with indistinct background objects.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows several figures moving through a shadowed space with architectural columns and arches. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two frames from a 1938 film show a dimly lit interior with multiple figures; one frame shows a man in profile looking up, another shows a woman in a doorway and others in an arched passageway. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A child in a light dress sits on stone steps while an adult stands nearby. The scene is dimly lit and appears to be outdoors at night or in a shadowed area.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in dark robes and head coverings are visible in a dimly lit interior; one holds a microphone. No spoken dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two frames from a dimly lit interior show a group of men in a crowded room, followed by a close-up of a man holding a gun to another man's chest. No dialogue or on-screen text is present in this beat.

• A group of men stand in a dimly lit bar with tables and a counter. [frame:1]
• A man holds a gun to another man's chest in a close-up shot. [frame:2]

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in fedoras and suits stand close, one holding a small object; other men in hats are visible behind them. The scene is dimly lit with high contrast, suggesting an interior setting.

4 people observed.

Evidence, details and a link to share

Model synopsis: A person walks down a dimly lit stone staircase while another person stands in a shadowed doorway. The scene is shot in high-contrast black and white with strong diagonal shadows.

• A person walks down a stone staircase in silhouette. [frame:1]
• A person stands in a doorway with arms crossed, partially lit by diagonal shadows. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a person seated near a lamp, with a bed visible in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman sits on a bed in a dimly lit room, illuminated by a single candle. The scene is static and confined to this interior space.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a striped shirt and cap speaks while holding an object; a woman in a light blouse sits beside a lit candle on a bed. The scene is dimly lit, with no visible windows or clocks to establish time of day.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two figures are seen in a dimly lit interior, one facing the other in what appears to be a conversation or confrontation. No dialogue or identifying names are present in the supplied frames or transcript.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dark, cluttered interior is shown with a silhouetted figure standing in the center. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in hats and coats are seen in a dimly lit, possibly outdoor or semi-outdoor setting with stairs and barred structures. No dialogue or on-screen text is present in the frames.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of figures in dark coats and hats moves up a narrow, dimly lit staircase. The scene is shot in high-contrast black and white with dramatic shadows.

3 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit stone staircase leads up to a large arched doorway; a figure lies motionless on the steps. The scene is dark and shadowy, with no visible movement or dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit stone staircase in a narrow alleyway is shown, with a figure lying motionless at the base. The scene is static and shadowed, with no visible movement or dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A figure in dark clothing moves through a dimly lit interior space, approaching a doorway. The scene is shot in low-key lighting with deep shadows, showing a person partially visible near a vertical structure.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men stand in a dimly lit interior space, some in hats and coats, while another man in a light shirt is seen in a doorway. No dialogue is present in this segment.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman and several men are in a dimly lit interior room with jewelry on a table. The group gathers around the table, and one man leans over it while others stand nearby.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two men in dark suits are shown in a dimly lit interior, one facing the other in profile. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men in hats are seen in a dimly lit interior, one aiming a gun while another stands nearby. A second shot shows two men in dark clothing standing in profile, followed by a scene of two men struggling near a doorway, and finally a group of men in hats gathered near a door.

• A man in a fedora aims a gun while another man stands nearby. [frame:1]
• Two men in dark clothing stand in profile, looking off-camera. [frame:2]
• Two men struggle near a doorway, one bending over. [frame:3]
• 1 more under Evidence and details.

8 people observed.

Evidence, details and a link to share

Model synopsis: A man in a robe is visible in a dimly lit interior space, bending over near a wall with framed pictures. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of people are gathered in a dimly lit interior space; one woman speaks to a man in profile. The setting appears to be a private room or office, with no visible signage or time indicators.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform is shown in close-up, then a wider shot reveals him standing with several other people in a dimly lit interior. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up, facing each other in a dimly lit interior. The man's expression shifts from serious to smiling while the woman looks at him with a concerned or questioning expression.

• man looks at woman with a serious expression [frame:1]
• woman looks at man with a concerned expression [frame:2]
• woman continues to look at man, mouth slightly open as if speaking or reacting [frame:3]
• 1 more under Evidence and details.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman with dark curly hair and earrings is shown in close-up, facing a man whose back is to the camera; her hand is near her head. The scene is dimly lit with high contrast, suggesting an interior setting.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows three men in dark suits standing around a table with a glowing lamp and scientific instruments. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two people are seated in a dimly lit interior, with one person holding a small object. Other figures are visible in the background, suggesting a crowded space.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman with dark hair and a patterned dress is shown in profile, facing a man whose back is to the camera. The lighting is dim and focused on her face, suggesting an interior setting.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman face each other in close-up shots in a dimly lit interior. The woman gestures with her hands while speaking to the man, who listens and responds with a slight smile.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows three figures standing in a hallway or room; one is seen from behind, another in profile, and a third partially visible. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Three men in dark coats stand in a dimly lit interior with a lamp and scales on a table. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure moves through a dark, narrow alleyway at night, with a view of a densely packed cityscape visible in the background. The scene is shot in high-contrast black and white, emphasizing shadows and architectural forms.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing is seen in a narrow, dimly lit stone stairwell, looking upward. Later, he peers through a wooden slat with a startled expression. No dialogue or on-screen text is present.

• man stands in a stone stairwell looking up [frame:1]
• man peers through a wooden slat with wide eyes [frame:4]

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in hats moves through a dimly lit alleyway at night; one man is silhouetted against a window. The scene is shot from a low angle through a foreground obstruction, suggesting concealment or observation.

• A group of men is seen in the distance through a dark foreground obstruction. [frame:1]
• Men in hats stand and move in a narrow alleyway, one holding a gun. [frame:2]
• A man in a fedora is silhouetted against a window. [frame:3]
• 1 more under Evidence and details.

5 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored dress and pearl necklace is seen from behind, facing a man in a dark suit and hat in a crowded interior. The scene is dimly lit and appears to be a social gathering with other figures in the background.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior space; another man enters and stands between them. The transcript contains a single line spoken off-screen or by one of the characters.

3 people observed.

“A very profound observation.” 20:00

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a person crouched near a wooden structure with branches. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible behind a dark, angular structure in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a person in shadow near a wooden gate or barrier. No dialogue or clear identifying features are present in this single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: Three people sit and talk in a dimly lit room; one man wears a fez and a white coat, and a woman in a dark dress speaks to another woman. The transcript reveals they are discussing a man the police have failed to catch, with one speaker identifying as a police officer.

4 people observed.

“The police have been trying to catch him for two years.” 20:10 · “As one of them, I consider that a triumph of understatement.” 20:10

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands in a dimly lit interior space, holding an object. The scene is dark with minimal visible detail beyond the figure and a wall with indistinct items.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a white coat stands behind two seated women in a dimly lit interior. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks to another person in a dimly lit room with framed pictures on the wall; he gestures with his hands while speaking. Another man in a light suit and fez appears in a close-up, reacting to the conversation.

• Man in dark suit speaks and gestures toward another person. [frame:1]
• Man in light suit and fez reacts with facial expression. [frame:2]
• Man in dark suit continues speaking with open hand gestures. [frame:3]

3 people observed.

“Fix it up. Permit me to hope that it's nothing serious. Thanks. A flea bite.” 20:52

Evidence, details and a link to share

Model synopsis: A woman with dark wavy hair, wearing a pearl necklace and earrings, is shown in a close-up. The setting is dimly lit and indistinct, with no visible objects or text.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man is shown in a close-up shot with a serious expression. No dialogue or additional context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a hand gripping a jeweled bracelet on a wrist. No dialogue or location context is provided in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A close-up shot focuses on a person's eyes. No dialogue or environmental context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a double strand of pearls on a dark garment, followed by an extreme close-up of a man's intense eyes. No dialogue or location is established in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A close-up of a woman's smiling mouth is shown. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up of a man's face is shown in dim lighting. No dialogue or other actions are visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman with dark hair and pearl jewelry is shown in a close-up. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks while another man in a light suit and fez smiles; a wider shot shows multiple men in a dim room with one seated and others standing. The transcript includes dialogue about chasing a fox and using brains, and a request for a cigarette.

• A man in a dark suit speaks with a serious expression. [frame:1]
• A man in a light suit and fez smiles slightly. [frame:2]
• Several men are gathered in a room; one seated, others standing, one holding a cigarette. [frame:3]

5 people observed.

“you're chasing the fox oh such a silly business i prefer to use my brains” 21:30 · “well your friends did a little better than usual tonight at least they found me that's pretty good for them” 21:30

Evidence, details and a link to share

Model synopsis: A woman in pearls speaks while a hand holds a gun in a dark room. She mentions being surrounded and expresses pity for an old man, stating she won't be caught by their methods.

• A hand holds a gun in a dark space. [frame:1]
• A woman in pearls looks up and speaks. [frame:2]
• The woman smiles while speaking. [frame:3]

2 people observed.

“let me help you” 21:56 · “So, they surrounded the house. Yes. They thought I was at Grand Père's.” 22:00

Evidence, details and a link to share

Model synopsis: Three people are in a dimly lit interior, engaged in a tense verbal confrontation. One man, wearing a fez, speaks directly to another man while a woman looks on; the dialogue references capturing 'Papé' and others and being forgotten once imprisoned.

Named: Papé (t:22:24). 3 people observed.

“For once we agree, the inspector and I. I am the one who will get you, Papé.” 22:24 · “I can hardly wait for the day. - And not only you, but the others. Pierrot, Carlos, Grandpere, all of you. - And then what will you do? …” 22:30

Evidence, details and a link to share

Model synopsis: A man in dark clothing stands over a seated person holding a gun; dialogue indicates a confrontation about arrest. The setting is dimly lit and appears to be an interior space with equipment in the background.

• A man stands over a seated person holding a gun. [frame:1]

2 people observed.

“He's funny, my friends, Lee-Man. He looks normal, doesn't he? But he has delusions of grandeur. He thinks he can arrest me.” 22:54 · “That's exactly what I'm going to do, Pepe.” 22:54

Evidence, details and a link to share

Model synopsis: Two men face each other in a dimly lit interior, exchanging dialogue about appearance and honesty. One man laughs while the other speaks with a serious expression.

• One man laughs while facing the other. [frame:1]
• The second man speaks with an expressive face. [frame:1]

2 people observed.

“How you make me laugh.” 23:10 · “No, but I'm humbly waiting for you to tell me. Your face. It's a perfect face for your job. To look that false is almost the equivalent of b…” 23:13

Evidence, details and a link to share

Model synopsis: A man in a dark coat prepares to leave a dimly lit interior while another man calls out to someone named Pepe. The scene includes at least three visible individuals and one partially visible person seated.

• A man in a dark coat turns toward a doorway, appearing to prepare to leave. [frame:1]

Named: Pepe (t:23:43). 5 people observed.

“You'll excuse me. I'm afraid I have to go. He's next.” 23:31 · “Come on, Pepe.” 23:43

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior, discussing someone's arrest and burial; the man mentions marking the date on his room's wall. The woman suggests they leave.

2 people observed.

“- It's a shame, isn't it? - What?” 23:50 · “A waste of talent, an unusual intelligence. One hates to see him buried so young. Buried? It's the same thing. What makes you so sure? I…” 23:52

Evidence, details and a link to share

Model synopsis: A man in a suit and hat stands in an office while another man sits at a desk; a third man in uniform is visible in the background. The transcript indicates a discussion about a wounded man named Pepe Limoco and instructions to wire a report to Paris.

• A man in a suit and hat stands in an office while another man sits at a desk. [frame:1]
• A man with a mustache speaks while seated at a desk. [frame:2]
• A man in a suit and hat walks past another man in a light jacket and cap. [frame:3]

4 people observed.

“narrowly missed capturing Pepe Limoco. He was evidently wounded while escaping. In fact, his injuries may prove fatal.” 24:22 · “Why don't you just declare him dead and be done with it?” 24:22

Evidence, details and a link to share

Model synopsis: Four men in suits are in a room with large windows and a desk; one speaks about waiting for Pepe to die of old age rather than entering the Caspar. The dialogue suggests a strategic discussion about arresting Pepe, with one man sarcastically praising another's intelligence.

• Four men stand or sit in a room with large windows and a desk, engaged in discussion. [frame:1]

4 people observed.

“What does he mean by saying he has the situation well in hand? He means he's going to sit here and write letters to Paris while he waits f…” 24:52 · “That's better than going into the Caspar looking for him.” 24:52

Evidence, details and a link to share

Model synopsis: Two men discuss a plan to lure Pepe into town by using a letter from Pierre's mother, intending to arrest Pierre secretly. One man, in a suit, speaks while the other, in a cap and jacket, reacts with expressions of surprise and amusement.

• The man in the cap reacts with a smile and gestures. [frame:2]
• The man in the cap looks surprised and speaks. [frame:3]
• The man in the suit continues speaking, looking serious. [frame:4]

2 people observed.

“Huh? Oh. Pepe's too clever to fall into a trap. But some of his friends are not so clever.” 25:22 · “And he'll come down into the town to find him. You overlook just one little point. How do you get Piero to come down?” 25:35

Evidence, details and a link to share

Model synopsis: A man in a fez and light jacket speaks with a seated man in a suit across a desk in an office; the transcript reveals a negotiation about a reward and trust concerning someone named Pepe. A second man in a suit is visible in the background, and the speaker identifies himself as an informer.

• A man in a fez smiles broadly at the camera. [frame:1]
• The man in the fez leans over a desk toward a seated man in a suit, gesturing with his hand. [frame:2]
• The man in the fez leans forward with a knowing expression. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“for Piero. Have you agreed? Agreed.” 26:05 · “And as to the price, you know the reward's been posted.” 26:05

Evidence, details and a link to share

Model synopsis: Two men converse in an interior space; one wears a hat and coat, the other a suit. One man is named Regis in the dialogue, and the conversation involves selling friends at bargain prices.

• A man in a hat and coat smiles while looking upward. [frame:1]
• Two men stand facing each other in an office, one smiling, the other serious. [frame:2]

Named: Regis (t:26:32). 2 people observed.

“Not a hypocrite.” 26:29 · “What are you laughing at? It amuses me to see you sell your friends at bargain prices. You have a flair for business, Regis.” 26:32

Evidence, details and a link to share

Model synopsis: A man in a light coat and hat speaks while seated, then stands and talks with another man in a dark suit. The transcript indicates a discussion about jealousy, which the speaker claims to ignore.

• A man in a light coat and hat is seated and speaking. [frame:1]
• The same man stands and talks with another man in a dark suit. [frame:2]

2 people observed.

“He says that because he's jealous. It doesn't upset me. I ignore him.” 26:42

Evidence, details and a link to share

Model synopsis: A group of people is gathered in what appears to be a public outdoor space with arches and columns; one man sits on the ground while others stand or sit nearby. Dialogue references characters named Tanya, Inspector, and Carlos, and includes remarks about domestic violence and gender roles.

• A group of men are gathered in a town square, some standing, some seated on the ground. [frame:1]

Named: Tanya (t:27:14), Inspector (t:27:14), Carlos (t:27:14). 9 people observed.

“Double him, girl. He'll never make it.” 27:08 · “Good morning, Tanya. Good morning, Inspector. And how is Carlos?” 27:14

Evidence, details and a link to share

Model synopsis: A group of people are gathered in a decorated interior space; greetings are exchanged between characters named Freddy and Pepe. A woman enters through a doorway while others stand or sit nearby.

• A woman enters through a doorway. [frame:3]
• A man in a dark suit looks upward while standing. [frame:4]

Named: Freddy (t:27:33), Pepe (t:27:33). 8 people observed.

“Morning, Freddy.” 27:33 · “Good morning, Pepe.” 27:33

Evidence, details and a link to share

Model synopsis: A woman leans from a window while men converse below; dialogue warns Pepe about women. The setting appears to be an outdoor street or courtyard with figures in period attire.

• A woman is seen leaning from a window. [frame:1]
• Men are gathered below, one seated, one bending over him. [frame:2]

Named: Pepe (t:27:39). 6 people observed.

“Good morning, Pepe.” 27:39 · “Good morning. Better watch out, Pepe. Women will be the death of you. It's a happy death. Just warning you. Don't worry, I'll keep my head. …” 27:40

Evidence, details and a link to share

Model synopsis: A man in a suit speaks with another man in a light coat and hat, while a veiled woman stands nearby; a seated woman is visible in the background. The dialogue references an unpleasant experience, women, and jewelry.

• A veiled woman stands between two men in a shop interior. [frame:1]

4 people observed.

“Why not? Good morning, Professor. Morning. Nothing unpleasant? Yes, we had one rather unpleasant experience.” 28:10 · “Yeah? With you. She didn't think so. What makes you so sure? What did she say?” 28:10

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks to others in a crowded indoor setting with a counter displaying items; dialogue references perfume, jewels, and the Casbah. No named individuals appear, and the scene is lit with studio lighting.

• A man in a dark suit gestures while speaking to others near a counter. [frame:1]

4 people observed.

“She didn't buy that perfume in Algiers.” 28:40 · “So all you noticed were the jewels and perfume.” 28:40

Evidence, details and a link to share

Model synopsis: Two men converse in a crowded outdoor market; one holds a small object while the other reacts. The dialogue suggests a discussion about a woman and a potential prison sentence.

• Two men stand close, one holding an object while the other leans in to listen. [frame:1]

3 people observed.

“She asked quite a few questions about you. Yeah? What did you tell her? What could I tell her? Why?” 29:02 · “You think she might be afraid of my past? No, but she might be a little appalled at your future. I told her you might get off for 20 years…” 29:10

Evidence, details and a link to share

Model synopsis: A man and a woman greet each other in a stone-walled interior; another man stands nearby. The dialogue suggests they are deciding to go to a place called Shani's.

• A man in a suit greets a woman in a light dress; another man in a hat stands nearby. [frame:1]

Named: Pepe (t:29:35). 3 people observed.

“Morning, Pepe.” 29:35 · “Hello, Aisha.” 29:35

Evidence, details and a link to share

Model synopsis: A man and a woman stand close, facing each other in a dimly lit interior. The woman refuses to hand over a letter unless it is given to Piero, and the man mocks the situation as a vulgar but fast game.

2 people observed.

“What do you want? Oh, I have a letter from Pierrot. - Well, give it to me. - Oh, no, no, no.” 29:44 · “I can't. I swore by the bones of my ancestors to give it only to Piero.” 29:51

Evidence, details and a link to share

Model synopsis: Two men sit at a table playing cards while a third man stands behind them; one seated man speaks about youthful ambitions and destiny. The setting is dimly lit with slatted shadows, suggesting an interior space at night or under artificial light.

• Hands are shown holding and arranging playing cards. [frame:3]

3 people observed.

“pursuits with such mediocre companions. By youth, I intended to become a statesman or a philosopher. But a man's destiny is written in the s…” 30:25

Evidence, details and a link to share

Model synopsis: A close-up of a hand gripping a dark object, possibly a weapon or tool, in a dimly lit setting. No dialogue or identifiable location is present in the frames or transcript.

Evidence, details and a link to share

Model synopsis: Three men are seated at a table in a dimly lit interior; one man in a cap gestures while another listens intently. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Three men are seated at a table in a dimly lit interior, handling cards; one man stands behind them. A voice speaks of fate controlling the cards and warns of a knife between ribs.

• Three men are seated at a table handling cards; one man stands behind them. [frame:1]
• The standing man leans forward over the seated men at the card table. [frame:2]

4 people observed.

“But fate controls the cards. Who? Fate.” 30:55 · “If fate goes on controlling the cards, he might find a knife between his ribs.” 31:02

Evidence, details and a link to share

Model synopsis: A pair of hands holds and fans a set of playing cards in a dimly lit interior. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a hand gripping a dark, curved object, possibly a weapon or tool, in a dimly lit interior. No people are identifiable, no dialogue is present, and no location context is visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: Three men are seated around a table in a dim interior; one speaks poetry while another interrupts him. A close-up shows a man in a suit looking intently forward.

4 people observed.

“The moving finger writes.” 31:16 · “And having writ, moves on. Stop that nonsense.” 31:20

Evidence, details and a link to share

Model synopsis: A person in light clothing stands in a dimly lit interior space near a window with bars. The scene is dark, with strong contrast between the lit figure and the shadowed surroundings.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men are gathered around a table in a dimly lit room, engaged in a tense card game. One man is told to leave the club, and another complains about smells and personal space.

• Men are seated around a table playing cards. [frame:1]
• A man with glasses holds cards and speaks to another man. [frame:2]
• The group continues the card game with tense expressions. [frame:3]

5 people observed.

“You smell something? I've been wondering. Onions. Cheese. A mixture of cheese and onions. I don't like it. Would it be too much to ask…” 31:42 · “You seem nervous. My dear fellow, consider yourself blackballed by this club. Huh? He means get out.” 31:55

Evidence, details and a link to share

Model synopsis: A man in a suit reads a document while another person stands nearby; later, three men are seated at a table, one holding a cup, and another man stands holding a paper. The setting appears to be an interior space with dim lighting and wooden architecture.

• A man in a suit reads a document while a woman stands nearby. [frame:1]
• Three men sit at a table; one holds a cup, another looks on. [frame:2]
• A man stands holding a paper, looking at it. [frame:3]

5 people observed.

“What are you hanging around for? This is business.” 32:09 · “Read this. Bad news?” 32:15

Evidence, details and a link to share

Model synopsis: A man named Pepe speaks to another man about not liking his association with someone named Regis, using a clock metaphor. The scene takes place indoors with several men present, one of whom is seated and handling cards.

• A man seated at a table handles cards while others stand around him. [frame:1]
• A man identified as Pepe looks off-screen with a serious expression. [frame:2]

Named: Pepe (t:32:33). 5 people observed.

“I would like it better if you didn't hang around so much with Regis. Why?” 32:27 · “Did you ever see a clock that pointed to two and struck four? Well, it is really quarter past twelve. Well, your friend Regis is like that…” 32:33

Evidence, details and a link to share

Model synopsis: Two men stand facing each other in a dimly lit interior space; one speaks about a woman's letter and her planned arrival. No names are spoken or visible, and no objects beyond clothing and architecture are identifiable.

• Two men stand facing each other in a dim interior. [frame:1]

2 people observed.

“I'll do as I please.” 32:55 · “Oh, so. You'll do as you please. It's a good thing I like you. Now get out. Nice gift. What did she write you in her last letter? She had a …” 32:57

Evidence, details and a link to share

Model synopsis: Two men examine handwritten letters, comparing handwriting and spelling to verify their origin. One man, identified as Regis, offers to accompany the other to a location in Algiers.

• Two men compare handwritten letters for matching features. [frame:1]

Named: Regis (t:34:11). 2 people observed.

“Well, in that case, it isn't so strange. And yet it's odd that she should arrive in Algiers like that without letting you know.” 33:27 · “Like a pair of Siamese twins. Then we'll see if they're both from the same mama.” 33:41

Evidence, details and a link to share

Model synopsis: A woman speaks with another in a dimly lit room while a third stands nearby; the dialogue references a man named André and a forthcoming meeting on a terrace. The setting appears to be an interior space with window blinds and furniture, suggesting a private residence or hotel room.

• A woman sits at a table while another stands nearby and a man is seated in the background. [frame:1]
• A woman in a white blouse speaks while another woman stands beside her, holding an object. [frame:2]

Named: Marie (t:34:50), André (t:34:46). 5 people observed.

“You ready, Gabby? Andre just phoned. They're waiting on the terrace.” 34:46 · “I'll start for five minutes, André Faun. Well, don't you like having him so attentive? Love it. I've just been sitting here thinking that I'…” 34:50

Evidence, details and a link to share

Model synopsis: Two women are shown in alternating close-ups in an interior setting with curtains and soft lighting. No dialogue or action is visible or audible in the provided frames.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman is visible in a medium close-up, speaking in what appears to be a retail setting. The transcript references a 'bargain basement' and items like handkerchiefs and gloves, suggesting a shop environment.

1 person observed.

“In the Banton bargain basement, the two of us behind the counter, handkerchief, gloves, hose ring. And don't you forget it.” 35:20 · “I won't.” 35:31

Evidence, details and a link to share

Model synopsis: A woman and a man in a fez walk through a crowded outdoor space while dialogue reveals a discussion about marriage, an inspector, and a criminal named Pepe Lamoco. The setting appears to be a public market or bazaar with seated patrons and stalls.

• A woman and a man in a fez walk through a crowded outdoor space. [frame:1]

Named: Inspector (t:35:43), fiance (t:35:50), Pepe Lamoco (t:35:50). 7 people observed.

“After all, you don't marry for fun. I didn't.” 35:37 · “No, Inspector. So you have already been. I took the liberty of presenting myself.” 35:43

Evidence, details and a link to share

Model synopsis: A group of men and one woman are seated at a table in a dimly lit interior space, with one man in a fez and suit speaking or reacting. Another man in a suit is seen listening intently while holding a glass.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two women and a man are shown in conversation, discussing a third person who is not present. The dialogue references pearls and a potential meeting, with one woman expressing enthusiasm.

• A woman in a white jacket holds up a small object while speaking. [frame:1]
• The same woman continues speaking, looking slightly to her right. [frame:2]
• A second woman in a striped suit looks toward the first woman. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Have you seen him sing? Uh-huh. This morning.” 36:20 · “Did he say anything about me? Well, in a way. Oh, I know. My pearls.” 36:20

Evidence, details and a link to share

Model synopsis: A group of people are seated at a table in an outdoor setting, conversing. One man adjusts his tie while a woman gestures with a ringed hand, and another man smiles at the table.

• Group seated at table in outdoor restaurant setting [frame:1]
• Man adjusts his tie while seated [frame:2]
• Woman gestures with ringed hand while speaking [frame:3]
• 1 more under Evidence and details.

Named: Maxime (t:36:48). 5 people observed.

“How's that Andre? An adventure? Well that's what we're here for.” 36:48 · “Once is enough for me. I don't like natives.” 36:48

Evidence, details and a link to share

Model synopsis: A woman stands in a dimly lit room with ornate furniture and a large mirror; she is asked what she is doing and replies 'Nothing.' The scene is from the 1938 film ALGIERS.

• A woman stands in a room with a large mirror and ornate furniture. [frame:1]

1 person observed.

“Tonight, Inspector, if it's convenient? Mm-hmm. Happy!” 37:04 · “Eh?” 37:09

Evidence, details and a link to share

Model synopsis: A man and a woman stand on a balcony overlooking a coastal city and the sea, discussing a ship in the distance. The woman questions the man's gaze, and he identifies the object as a ship, noting it makes looking at boats easy.

Named: Pepe (t:37:29). 2 people observed.

“What are you looking at like that? France. You can't see France.” 37:23 · “Well, there is no harm in trying. Pepe, what are you looking at like that? A ship. Doesn't it make it easy to look at boat?” 37:29

Evidence, details and a link to share

Model synopsis: A man and a woman are in a room with a view of a city; the man speaks while the woman stands nearby. The transcript shows them arguing about emotions and being ignored.

• man and woman stand facing each other in a room [frame:1]
• man looks down at object in his hands while woman stands behind him [frame:2]

2 people observed.

“headache to ask so many questions? No. Why, have you got a headache? Oh, no, I'm thinking.” 37:40 · “Well, that's sure to give you a headache. I don't think with my head, but with my heart.” 37:48

Evidence, details and a link to share

Model synopsis: A woman with dark hair and a necklace is visible in a dimly lit interior. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man lies on a bed while a woman stands beside him in a dimly lit room; she speaks to him about dreaming and living in the Casbah. The scene is shot in close-up and medium shots with low-key lighting.

• The woman stands beside the man on the bed and speaks to him. [frame:1]
• The woman looks down, her expression serious. [frame:2]
• The man looks up, startled or surprised, as the woman leans toward him. [frame:3]

2 people observed.

“You are dreaming about something with your eyes wide open.” 38:16 · “I wish you'd dream about me. Look, you've always lived in the Casbah.” 38:23

Evidence, details and a link to share

Model synopsis: A woman and a man are in a dimly lit interior space, speaking to each other. The woman is seated and appears to be listening or responding, while the man is reclining and speaking.

• The woman is seated and looking toward the man. [frame:1]
• The man is reclining and speaking. [frame:2]
• The woman leans forward slightly, appearing engaged in conversation. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“The cuspid's big enough. Not for me. It's like being in a grave. Perfectly.” 38:33 · “You understand much more of it. If you want to go away, I'll go with you.” 38:38

Evidence, details and a link to share

Model synopsis: A woman and a man are in a dimly lit interior, speaking about leaving for Paris. The woman expresses a desire to go, and the man questions if she could be happy with him there.

• The woman looks at the man and speaks. [frame:1]
• The man reclines and looks at the woman. [frame:2]
• The woman looks down, holding something in her hands. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Won't you take me? I wish I could.” 38:48 · “Paris is a long way off. I don't care. It's different there.” 38:54

Evidence, details and a link to share

Model synopsis: A woman and a man are in a tense conversation in a dimly lit room; the woman remains seated while the man moves away. The dialogue reveals the woman's frustration with her life and her desire to leave, which the man dismisses.

• The woman looks toward the man while speaking. [frame:1]
• The man covers his mouth with his hand, appearing stressed or pensive. [frame:2]
• The woman looks down, then back up, continuing to speak. [frame:3]
• 1 more under Evidence and details.

Named: Inez (t:39:08). 2 people observed.

“You think I look funny in Paris. Answer me. But it isn't you, Inez. It's the Caspar. You belong here.” 39:08 · “I've stood it for two years. The time comes when you can't stand anymore. Morning, noon, and night.” 39:14

Evidence, details and a link to share

Model synopsis: A man and a woman are in a tense conversation in an interior setting. The woman speaks of imprisonment and the loss of France, Paris, and the boulevard, while the man listens and responds with a serious expression.

• The woman is visible speaking to the man in a close-up. [frame:1]
• The man is visible listening with a serious expression. [frame:2]
• The woman continues speaking, looking at the man. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Never. I am the culp. I'll keep you. Just try to get away and you'll find out.” 39:47 · “It's funny what the police have come in and tried to arrest you. You're in prison already. You're” 39:47

Evidence, details and a link to share

Model synopsis: A woman is shown crying while facing a man in a close-up; the scene then cuts to a dimly lit interior with several men, one standing and speaking. No names are spoken, and no time of day or period is established.

• A woman cries while facing a man. [frame:1]
• A dimly lit room with several men is shown. [frame:2]
• A man in a light shirt stands and gestures while others sit around a table. [frame:3]

6 people observed.

“Oh, my God.” 40:09

Evidence, details and a link to share

Model synopsis: A man identified as Archer enters a dimly lit interior space and speaks to others present. The scene is shot in black and white with low-key lighting and includes a visible lamp on a table.

• Archer enters the room and speaks. [frame:1]

Named: Archer (t:40:39). 4 people observed.

“Who is it? You? It's me, Archer.” 40:39

Evidence, details and a link to share

Model synopsis: Two figures are shown in a dimly lit interior; one raises an arm toward the other. No dialogue or on-screen text is present in this beat.

• One figure raises an arm toward another figure. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows two figures seated at a table; one is smoking. The setting appears to be a private room with minimal visible furnishings.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman speaks anxiously about searching for someone who has not returned from town, mentioning locations including Chennai's and Mother Teche's. The scene is dimly lit and appears to be indoors.

1 person observed.

“I don't know what to do. Piero, I can't find him. Did you go to Chennai's? Yes, and I went to Mother Teche's and the Alibaba and the Algeria…” 41:09 · “Everywhere. He ought to be back by now. Back? From the Rue de l'Agrubois. Good. Why did he go into town? To see his mother.” 41:20

Evidence, details and a link to share

Model synopsis: A man and a woman speak in a dimly lit interior while other figures stand in the background; the dialogue references a letter, a character named Regis, and someone named Pio who has not returned. The setting is not clearly identified beyond being indoors.

• A man and a woman stand facing each other in conversation while others stand in the background. [frame:1]

4 people observed.

“What do you mean, to see his mother? He got a letter from her. Larby brought it. And then he went down with Regis. And then Regis came b…” 41:33 · “Where's Aegis? At the Algerians. No need to go down.” 41:46

Evidence, details and a link to share

Model synopsis: Two people converse in a dimly lit interior; one questions their own courage after being praised for accompanying someone named Pio into town. The dialogue suggests a shift in their relationship, with one acknowledging they underestimated the other.

• Two people stand close together in a dim room, engaged in conversation. [frame:1]

2 people observed.

“nervous? Why should I be nervous? Just it? Why? Well, it's only that usually you hardly say hello to me when you do, so I don't expect it wh…” 42:20 · “I'm a little spry when you do because you don't use it. Well, you see, I haven't appreciated you at your real value. That's a terrible. So I…” 42:20

Evidence, details and a link to share

Model synopsis: Two silhouetted figures converse in a dimly lit interior; one questions the other about Pio’s whereabouts and his visit to his mother. No names are spoken, and no objects or on-screen text are visible.

2 people observed.

“Now, you see why I have completely changed my ideas about you.” 43:16 · “You're right. I was helping the boy out, nothing more. Of course.” 43:20

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior, one in a suit pointing while speaking, the other in a robe and cap listening. The dialogue suggests a discussion about someone leaving another person to return alone, with the speaker acknowledging it as natural.

• Man in suit points his finger while speaking to another man. [frame:1]
• Man in robe and cap listens and responds to the man in suit. [frame:3]
• Man in robe and cap smiles slightly while speaking. [frame:4]

2 people observed.

“He thought she was in France. I think he got a letter. Did you see it? Just a glimpse.” 43:50 · “So you left him and you came back alone? He wanted to stay with her. That's natural.” 43:50

Flagged: visible event not seen (Man in robe and cap listens and responds to the man in suit.)

Evidence, details and a link to share

Model synopsis: A man in a striped shirt and cap sits in a dimly lit interior while another man stands in a doorway. The transcript mentions Regis and Pierrot in a conversation about going into town.

• A man in a robe stands in a doorway. [frame:1]
• A man in a striped shirt and cap sits at a table with another man behind him. [frame:2]

3 people observed.

“want me no we're just talking sit down Regis did a fine thing today you went down into town with Pierrot” 44:20

Evidence, details and a link to share

Model synopsis: Three men in hats are shown in a dimly lit interior; one is speaking about Piero and Regis. The transcript mentions waiting for Piero with Regis, suggesting a narrative context involving those characters.

• Three men are seated or standing in a row, facing left, in a dim interior. [frame:1]

3 people observed.

“Poor Piero. Because he went down with Regis. What of it? Crepe. Maybe I should say. And now you're waiting for Piero with poor Regis.” 44:50

Evidence, details and a link to share

Model synopsis: Two men are seated indoors; one speaks reassuringly while offering something to the other, who appears anxious. No names are spoken, and the setting is dimly lit with minimal decor.

• Two men are seated facing each other in a dim room. [frame:1]

2 people observed.

“What's the matter? Huh?” 45:20 · “I've got to have a hand.” 45:31

Evidence, details and a link to share

Model synopsis: Three men are in a dim interior; one is seated and appears unwell while the others stand nearby. One man suggests cutting the seated man's hair, and another offers a cigarette to calm him.

• A man in a coat holds his chest while two others stand behind him. [frame:1]
• Three men are shown in profile, one speaking while the others listen. [frame:2]

Named: Pepe (t:45:50). 3 people observed.

“Go ahead, drink.” 45:46 · “bite out of it. I don't know what's going to happen to me. You'll get over it. In an hour, you'll feel much better. Let me go. Let me go. Wi…” 45:50

Evidence, details and a link to share

Model synopsis: A man in a dark suit speaks urgently while another man lies ill in bed, attended by others. The dialogue expresses concern over his fever and delirium, with one speaker recalling a prior warning and suggesting a game to calm him.

• A man in a dark suit speaks with concern. [frame:1]
• The same man continues speaking, expression urgent. [frame:2]
• Three men stand around a bed; one is bearded and in a robe. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“of piero weren't you oh i was i am fond of him word then you don't want to leave before he gets back you want to know why he's been detaine…” 46:20 · “Tell me you do. Last night I was the one who came to warn you. Yes, you were the one. Let me go.” 46:50

Evidence, details and a link to share

Model synopsis: A man instructs a woman named Ines to find Piero on La Rue de la Beauvoir and bring him back, implying Piero's return may help Regis recover. The woman agrees.

Named: Ines (t:47:20). 2 people observed.

“What are you doing? Ines, go down to La Rue de la Beauvoir and see if you can find out anything about Piero. Try to find him and bring him…” 47:20 · “All right.” 47:38

Evidence, details and a link to share

Model synopsis: Two men stand over a seated man at a table with money; another man sits nearby. A group is gathered in a dim room with framed pictures on the wall.

• A group of men are gathered in a room with one seated on the floor and others standing. [frame:1]
• Three men are gathered around a table with money and papers on it. [frame:2]

6 people observed.

“Conor, Regis.” 47:45 · “The black spot.” 47:50

Evidence, details and a link to share

Model synopsis: A woman in a light blouse and dark skirt is shown in three frames: first standing in shadow with striped light, then in a crowded room with others, and finally in a close-up against a wall. A voice says 'This way.' during the beat.

• A woman stands in a dimly lit space with striped light falling across the wall beside her. [frame:1]
• The woman is seen in a crowded room with several other people, including a man pointing. [frame:2]
• The woman is shown in close-up, looking toward the camera, against a plain wall. [frame:3]

5 people observed.

“This way.” 48:20

Evidence, details and a link to share

Model synopsis: A man and a woman are seen from behind in a dimly lit interior space; a third person is seated in the background. A line of dialogue is spoken about women appearing mysterious.

• A man and woman stand together in an interior space while a third person is seated in the background. [frame:1]

3 people observed.

“Women look so mysterious. No doubt they say the same about you.” 48:27

Evidence, details and a link to share

Model synopsis: A group of men are gathered around a table in a dimly lit room; one speaks about emotional distress and loyalty to a friend. No names are spoken that can be tied to visible individuals.

• Men sit around a table playing cards under a lamp. [frame:1]

5 people observed.

“Drone? But you've got a heart. What's the matter with me? I'm not myself.” 48:44 · “is this concentrate he's thinking of piero yes of course worry over a friend can cause unutterable anguish to a sensitive nature you mean i…” 48:50

Evidence, details and a link to share

Model synopsis: A man and a woman stand close in a dimly lit interior, with the man extending his arm toward the woman. The setting includes framed pictures on the wall and heavy curtains, suggesting a private room.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two frames from a dimly lit interior show a man in a fez seated at a table and another man in a suit standing at a counter, with other figures present. No names, time of day, or period are established by the frames or transcript.

• A man in a fez sits at a table in a dimly lit bar. [frame:1]
• A man in a suit stands at a bar counter, facing a seated person. [frame:2]

4 people observed.

“Oh, you know what?” 49:20

Evidence, details and a link to share

Model synopsis: A woman is shown in close-up, followed by a wider shot of a group seated at a table in a dimly lit interior. The transcript includes dialogue about travel experiences and a question about native music.

• Woman looks toward camera with neutral expression. [frame:1]
• Group of people seated around a table in a dimly lit room. [frame:2]

5 people observed.

“on 42nd Street. That's the thing about traveling. There's always something different.” 49:50 · “One time I was in Corsica and I thought I was in Turkey.” 49:50

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie is seated in a dimly lit interior, looking toward someone off-screen. The setting appears to be a bar or similar establishment, with indistinct background figures and low lighting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in dark clothing and a necklace sits at a table, holding a glass. The scene is dimly lit with a dark background and no visible text or dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and fez sits at a table with a glass; another shot shows two people standing close in dim light. The transcript mentions a 'checker tech block' and 'native music'.

3 people observed.

“What's that one? It's a checker tech block. Never heard of it. Must be native music.” 50:25

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior, speaking about Paris. The woman mentions specific Parisian streets and landmarks while the man listens and reacts.

• The woman and man are seated at a table with glasses, engaged in conversation. [frame:1]
• The woman gestures while speaking about Paris. [frame:2]
• The man smiles while listening to the woman. [frame:3]

2 people observed.

“So you wanted to take another look at this strange wild animal. Strange, but not so very wild. How do you like my cage? I don't know yet.…” 50:35 · “Does it? I can't see Paris when I open my eyes in the morning. I want to go right back to sleep.” 50:50

Evidence, details and a link to share

Model synopsis: A woman and a man are shown in close-up in a dimly lit interior; the man speaks the line 'What a small world.' The setting appears to be a private room or lounge with low-key lighting.

2 people observed.

“What a small world.” 51:23

Evidence, details and a link to share

Model synopsis: A woman offers a cigarette to a man seated across from her in a dimly lit interior; another man stands in the background. The woman speaks about being far from home and asks for a light.

• A woman extends a cigarette toward a man seated across from her. [frame:1]
• The woman holds a cigarette and lighter while speaking to the man; another man stands behind them. [frame:2]

3 people observed.

“- Cigarette? - Thanks.” 51:34 · “Is there a light?” 51:39

Evidence, details and a link to share

Model synopsis: A woman exhales smoke while seated indoors; a man is partially visible beside her. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are in a tense face-to-face confrontation in an interior setting; one man gestures while speaking, and the other reacts with visible agitation. No names are spoken, and no objects beyond clothing and a hat are clearly visible.

• Two men stand close, facing each other in a tense confrontation. [frame:1]

2 people observed.

“Shut up. You can't talk to me like that.” 52:00 · “Okay. Okay.” 52:16

Evidence, details and a link to share

Model synopsis: A man and a woman interact in a dimly lit interior, discussing an object the woman is wearing; the man places it on her. The setting appears to be a private room with minimal furnishings.

• The man leans toward the woman across a table. [frame:1]
• The man sits back, smiling slightly. [frame:2]
• The man holds out an object toward the woman. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“He was talking about me? He was worried about you. About me?” 52:20 · “Oh, that's nice of him. You're not wearing yourself? No. I'll follow along with you. Right. This is something. Isn't it? And it hardly weigh…” 52:25

Evidence, details and a link to share

Model synopsis: A man in a dark suit is visible in a dimly lit interior, holding an object near another person's arm. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman is shown in a close-up, wearing a necklace and earrings, in a dimly lit interior. No dialogue or action is visible or audible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light-colored suit and dark fez is shown in a dimly lit interior, looking downward with a somber expression. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior; the man asks if she wants to dance and she agrees. No names are spoken, and no objects beyond tableware are visible.

2 people observed.

“Want to dance? Yes.” 53:33

Evidence, details and a link to share

Model synopsis: A man in a dark room is asked personal questions about his name, marital status, and fiancée; he replies he is called Gabi and that his fiancée is jealous. A second figure is visible in the background near a staircase.

• A man in a hat sits in the foreground while another figure stands near a staircase in the background. [frame:1]

Named: Gabi (t:53:55). 2 people observed.

“What's your name? Gabriel. They call me Gabi.” 53:55 · “Married? No. Widow? No. Why not? Who are you with? My fiancée.” 53:55

Evidence, details and a link to share

Model synopsis: A man and a woman are in close proximity, possibly dancing or embracing, in a dimly lit interior. The dialogue references past holidays, dancing in the streets, and a neighborhood called La Boyere.

• A man and a woman are standing close together, possibly dancing or embracing. [frame:1]

2 people observed.

“What are you laughing at? Nothing. Too bad. Too bad? Too bad I don't know you better. Why?” 54:16 · “When people laugh around me, I like to know why.” 54:26

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up, facing each other and speaking in a dimly lit interior. The transcript contains a fragment of dialogue: 'Almost next door to me. No.'

• A man and a woman stand facing each other in conversation. [frame:1]
• The man turns his head slightly while speaking to the woman. [frame:2]
• The woman looks up at the man, listening. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Almost next door to me. No.” 54:55

Evidence, details and a link to share

Model synopsis: A man and a woman face each other in a dimly lit interior. The woman wears a necklace and earrings; the man is in dark attire.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close proximity in a dimly lit interior. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand close, facing each other in a dimly lit interior. The transcript indicates they are discussing directions, mentioning a garage and a terrace.

• A man and a woman stand facing each other in close proximity. [frame:1]

2 people observed.

“This garage. Where to? To the terrace.” 55:07

Evidence, details and a link to share

Model synopsis: Two people speak in a dimly lit interior; one mentions Paris landmarks and promises to return soon. The frames show close-ups of a woman and a man in profile, with a third person partially visible.

3 people observed.

“Can you see the harbor? You can see Montmartre. And the Champs-Elysées? And the Place Blanche. I love the Place Blanche.” 55:15 · “Oh, I can't.” 55:23

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, exchanging terse dialogue. The woman asks to be released, the man refuses, and they trade accusations of rudeness.

2 people observed.

“Let me go. - Why should I? Because I ask you. Say please.” 55:45 · “You're rude.” 55:55

Evidence, details and a link to share

Model synopsis: A man in a suit speaks indoors; the transcript mentions meeting at Place Plage. No names are spoken, and no other people or objects are clearly visible.

1 person observed.

“I'll be expecting you. Here. It would be nice if we could meet at the Place Plage.” 56:07

Evidence, details and a link to share

Model synopsis: A man in a dark suit and tie is shown in a close-up, looking off-camera with a serious expression. No dialogue or other context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior space; the woman speaks while the man listens. The dialogue indicates the man was expected to go somewhere but chose to stay with the woman, who insists she is not alone because she is with 'madame'.

2 people observed.

“I don't know.” 56:25 · “Didn't you go down to find him?” 56:25

Evidence, details and a link to share

Model synopsis: A man in a dark suit and bow tie walks through a dimly lit corridor with tiled floors and stone pillars. The scene is shot in black and white with high-contrast lighting, casting long shadows.

• A man walks forward through a corridor. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in a dim interior; the man speaks urgently about being caught by police. Another frame shows a man carrying a bound person through the same interior space.

• A woman and a man stand in a dim room, the man speaking urgently. [frame:1]
• A man carries a bound person through the same interior space. [frame:2]

Named: Pate (t:56:41). 4 people observed.

“Pio!” 56:39 · “Where is he? Who? Regis. Where is he? Come on. They got me, Pate. The police. I didn't listen to you.” 56:41

Evidence, details and a link to share

Model synopsis: A single dark frame shows a partial view of a person in striped clothing, with no visible environment or action. No dialogue or on-screen text is present.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of people stands in a dimly lit interior space; one man in a striped shirt gestures while holding an object. The setting appears to be a room with minimal furnishings and a framed picture on the wall.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man holds a gun on another man in a dim room; the second man is then grabbed and appears distressed. The final frame shows a man's face with a shadow cast over it.

• A man points a gun at another man standing across the room. [frame:1]
• The man in the striped shirt is shown with a hand gripping his shoulder, looking alarmed. [frame:2]
• The man in the striped shirt is embraced or grabbed from behind by another figure. [frame:3]
• 1 more under Evidence and details.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man is held at gunpoint by another man while a third looks on; a close-up shows a man's face in shadow; two men stand together; a man and a woman stand over a person lying down. No names or specific locations are established in the frames or transcript.

• A man holds another man at gunpoint while a third man looks on. [frame:1]
• A close-up shows a man's face in shadow, eyes open, looking upward. [frame:2]
• Two men stand side by side, one in a sweater vest, the other in a suit and hat. [frame:3]
• 1 more under Evidence and details.

9 people observed.

“Oh, my God.” 58:24

Evidence, details and a link to share

Model synopsis: A man and a woman stand close together in a dimly lit interior; the man speaks while the woman listens. The transcript indicates a conversation about fear and departure, referencing 'them' and 'Pierrot'.

• The man speaks to the woman, who listens intently. [frame:1]

Named: Pierrot (t:59:24). 2 people observed.

“- Oh, Pierrot. - There's no sense to it. That's what they said. - Them? - Those people. They were frightened. They said they'd never come…” 59:24

Evidence, details and a link to share

Model synopsis: A man sits at a table in a dim room while two others stand nearby; one of the standing figures is addressed as Pepe in the transcript. The scene includes a bottle on the table and dialogue referencing Pierrot and a sad situation.

• A man sits at a table while two others stand nearby. [frame:2]
• A bottle and ashtray are visible on the table. [frame:2]

Named: Pepe (t:59:54). 3 people observed.

“I was fond of Pierrot. I regarded him almost as his son.” 59:48 · “Pepe, there's no use in thinking about Pierrot. Don't you tell me what to think.” 59:54

Evidence, details and a link to share

Model synopsis: Two men sit at a table with a chessboard while another man stands at a bar holding a bottle. The setting appears to be an interior space with arched architecture and shelves of bottles.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and white shirt stands in a dimly lit interior with vertical slats and draped fabric behind him. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in suits confront each other in a narrow alley or corridor while other figures in traditional headwear are present. One man speaks, saying 'Well? Well, it's finished.'

• A group of men in traditional attire stand in an alley. [frame:1]
• A man in a dark suit turns toward the camera with a serious expression. [frame:2]
• The man in the dark suit moves forward, passing other figures. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Well? Well, it's finished.” 60:30

Evidence, details and a link to share

Model synopsis: Two men sit at a table in a dimly lit interior, one speaking about attending a funeral alone and following local customs. The speaker mentions being unable to go down to say goodbye to a friend on his last journey.

• Two men sit at a table with drinks and a bottle. [frame:1]
• One man looks directly at the camera with hands clasped. [frame:2]
• One man covers his face with his hand while the other speaks. [frame:3]

2 people observed.

“I did everything you would have done, Pepe. I was all alone at the cemetery. I followed the custom of your people, a handful of earth on …” 60:51 · “It's hard not to be able to go down to say goodbye to your friend on his last journey.” 61:14

Evidence, details and a link to share

Model synopsis: A man in a dark suit sits at a table with a glass and bottle, looking off-camera. The setting appears to be an interior space with dim lighting and indistinct background elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark silhouette occupies the foreground, partially obscuring a window with horizontal blinds in the background. No people are visible or audible, and no text or objects are identifiable beyond the silhouette and window structure.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands at a bar counter, pouring a drink from a bottle. The setting is an interior space with ornate architectural details and bar equipment visible.

• A man pours liquid from a bottle into a glass at a bar counter. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fez and light coat sits in the foreground while another man in dark robes stands in the background holding a cane. The setting appears to be an interior room with blinds and a doorway.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands at a bar counter, looking down at something in his hands. The setting is an interior space with shelves of bottles and ornate architectural details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a white coat and fez sits in the foreground while another man in dark robes stands behind him in a dimly lit interior. No dialogue or on-screen text is present in the frames.

2 people observed.

Evidence, details and a link to share

Model synopsis: Three men are in a dimly lit bar; one speaks to another, calling him 'Pepe' and referencing 'the Casper' and 'Pierrot'. The speaker warns that Pepe will leave 'feet first' unless he waits patiently, and Pepe insists he will go out alive.

Named: Pepe (t:61:55). 3 people observed.

“I'm your friend, Pepe. I know how you feel. You're a prisoner in the Casper. But the day will come when they won't be able to prevent your l…” 61:55 · “Be patient.” 62:14

Evidence, details and a link to share

Model synopsis: Two men are shown in close-up and medium shots in an interior setting with lattice-patterned walls; one man speaks while the other listens, and a gramophone is visible. The transcript includes lines dismissing music and singing as gibberish.

• Man p1 speaks to man p2 in close-up. [frame:1]
• Man p2 stands beside a gramophone in a medium shot. [frame:2]
• Man p1 and man p3 are shown together in close-up. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“I don't think you're as foolish as that.” 62:25 · “I've heard enough.” 62:27

Evidence, details and a link to share

Model synopsis: A man in a suit and another man in a fez stand in a dimly lit interior while a woman in a blouse and necklace looks on; dialogue suggests a tense conversation about a visit that upset someone. The woman is shown in close-up twice, and the men are shown interacting in medium shots.

• A man in a suit and a man in a fez stand facing each other in an interior space. [frame:1]
• A woman looks directly at the camera with a serious expression. [frame:2]
• The man in the fez gestures toward the man in the suit while speaking. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“How is she? She? You know. I'm afraid you won't see her again. The last visit was a little too much for her. She got a bad impression of the…” 62:45 · “It seems to mean so much to you. To me? So that's what you're so sorry about. Why are you standing there, staring at me? Do as I told you.” 62:57

Evidence, details and a link to share

Model synopsis: A man in a dark suit stands in a dimly lit interior space with a lattice window and stone steps. He is audible speaking angrily, ordering people to leave and referencing jewelry and someone not returning.

1 person observed.

“Burn them!” 63:07 · “And you too. Get out. I've heard enough. And you. I'm sick of looking at you. You seem to be sick of everything. Right. I'd bring her up to …” 63:08

Evidence, details and a link to share

Model synopsis: A man in a white cap stands over seated men in a dim interior while dialogue about disrespect and anguish is spoken. No named characters are identified in the transcript or frames.

• A man in a white cap stands over seated men. [frame:1]

4 people observed.

“everything and when a woman looks at them they get as soft as butter. Get out. Well I'm not made of butter. Not me. Get out. Okay. Your frie…” 63:38

Evidence, details and a link to share

Model synopsis: A man in a robe and glasses speaks while holding a pipe; another man in a dark suit stands near a bar counter. The transcript indicates someone declares freedom and expresses disgust with others.

• A man in a robe holds a pipe and looks toward camera. [frame:1]
• A man in a dark suit stands near a bar counter with bottles. [frame:2]

3 people observed.

“I'm free. Free to go.” 63:58 · “I'm sick of it. All of you. I'm sick of listening to you. And I'm sick of looking at you. I cannot be like it!” 64:01

Evidence, details and a link to share

Model synopsis: A man in a fez and suit speaks defiantly while another man in a dark suit confronts him in a bar setting. The speaker insists on proceeding despite warnings, and the scene includes a bartender and bar equipment.

• A man in a dark suit confronts the man in the fez at the bar. [frame:2]
• The bartender stands behind the bar as the confrontation continues. [frame:4]

3 people observed.

“None of you can stop me. Listen to me, Pepe. I don't need your advice. None of you. I pray you do as I please. Pray. You hear that? Y…” 64:10

Evidence, details and a link to share

Model synopsis: A woman in a white blouse and dark skirt stands among a crowd in a narrow street or alley as men move around her; one man descends stairs while another appears to gesture or confront someone. A voice says a man is angry and going to town, and someone says 'Hello?'

• A woman stands in a street surrounded by people. [frame:1]
• A man descends stone stairs while others stand nearby. [frame:2]
• A man in a dark coat gestures toward another man in a robe. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“He's got mad. He's going down to the town. He won't listen.” 64:36 · “Hello?” 64:40

Evidence, details and a link to share

Model synopsis: A man in a suit is on the phone at a desk while another man sits beside him; in a separate shot, a crowd moves through a narrow space. The transcript mentions Pepe Lamoco's arrival.

• crowd moves through a narrow space [frame:1]
• man in suit speaks on telephone at desk [frame:2]

3 people observed.

“is Pepe Lamoco's coming out.” 65:10

Evidence, details and a link to share

Model synopsis: A figure in dark clothing gestures with an outstretched arm inside a dim, arched interior while another person in light robes stands nearby. The scene is lit by a strong backlight from an opening, casting silhouettes and deep shadows.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of people in varied attire stands in a dimly lit, arched interior space. One person in a light robe looks upward while others face different directions.

4 people observed.

Evidence, details and a link to share

Model synopsis: A group of people is seen from behind moving through a crowded, narrow alleyway. The setting appears to be an outdoor market or street with makeshift stalls and dense foot traffic.

• People walk through a crowded alleyway. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing is visible in a close-up, smoking a cigarette. No other people, objects, or location details are discernible from the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in robes and hats stand in a dimly lit stone corridor with stairs; one man walks up the stairs while others remain near a doorway. The scene is interior and appears to be part of a larger building with arched architecture.

• A man in a dark robe walks up a set of stone stairs. [frame:1]
• Three other men in robes stand near a doorway in a stone corridor. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman pleads with a man named Pepe not to leave, calling him mad, as he kneels on the floor. The scene is dimly lit with a plain backdrop, suggesting an interior setting.

• A woman stands behind a kneeling man and speaks to him. [frame:1]

Named: Pepe (t:65:31), Pepe (t:65:31). 2 people observed.

“Pepe! Pepe, don't go! You're mad!” 65:31

Evidence, details and a link to share

Model synopsis: A man in a dark suit is visible in a dimly lit interior, pressing against a wall. No dialogue or on-screen text is present in this beat.

• A man in a dark suit presses against a wall. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A high-angle shot shows a dark, indistinct interior space with railings and steps; no people or clear objects are visible. No dialogue or on-screen text is present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a tuxedo stands in a doorway while a woman with her back to the camera speaks to him. She claims another woman is waiting at his house to prevent him from leaving.

2 people observed.

“Pepe! Pepe, don't go!” 65:39 · “Please, don't come. I didn't want to tell you this, but she's up there now. At your own house, waiting for you.” 65:40

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to a woman in profile; the transcript indicates he is expressing weariness with himself. The setting is an interior space with studio lighting, and no named characters or objects are visible.

• A man in a suit speaks to a woman in profile. [frame:1]

2 people observed.

“to be fed up with a fellow like me.” 66:31

Evidence, details and a link to share

Model synopsis: A man and a woman sit together in a dimly lit interior, conversing. The woman speaks about luck and charm while the man listens; dialogue suggests a playful or tense dynamic involving a boat and a chase.

• A man and a woman sit together in conversation. [frame:1]

Named: Lark (t:67:03). 2 people observed.

“I didn't know I could make such a fool of myself.” 66:37 · “You deserve something better than this. It's not what you deserve.” 66:45

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dimly lit, ornate interior space, partially obscured by foreground bars. Other figures are visible in the background, suggesting a crowded or confined setting.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a tuxedo appears surprised while holding a pipe; a woman descends stairs in the background; a uniformed figure walks away; the man and woman face each other closely. No names are spoken, and the setting appears to be an interior with ornate architectural details.

• A man in a tuxedo holds a pipe and looks surprised. [frame:1]
• A woman descends a set of stairs in the background. [frame:2]
• A uniformed figure walks away from the camera. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Here I am. I said I'd be here. Well, you look as though you'd seen a ghost.” 68:04

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark vest stands in a crowded, dimly lit interior space with others around him; a ladder and draped fabric are visible. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A street scene shows several men in traditional attire walking and standing in a sunlit alleyway. The setting appears to be a North African market or souk, with figures moving through a narrow, shadowed passage.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two men in turbans are shown in close proximity, one holding a paper, in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows several figures moving through a doorway; one person in dark clothing walks forward while others are partially visible in shadow. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two men in turbans are shown in close proximity, one holding a large white object. The setting appears to be an interior space with dim lighting and indistinct background elements.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman in dark clothing and a headband walks forward in the foreground while a man in a light shirt and dark trousers walks away in the background. The scene is dimly lit with heavy shadows and appears to be an interior space with vertical structures.

2 people observed.

Evidence, details and a link to share

Model synopsis: A single figure stands at the top of a stone staircase within an arched passageway. The scene is dimly lit with high contrast shadows, showing no other people or objects.

• A figure stands motionless at the top of a stone staircase under an arch. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person speaks to someone off-screen, expressing that they have been emotionally lost for two years and now feel awakened by the other person's presence. The scene is set indoors, with one person visible from behind, holding an object.

1 person observed.

“You're beautiful. That's easy to say. I know a lot of people have told you. But what I'm telling you is different, see?” 69:39 · “For me, you're more than that. For two years, I've been lost. Like walking in my sleep. Suddenly, I wake up. That's you.” 69:39

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up shots during a conversation. The transcript includes references to Paris, a spring morning, and a comparison to the subway.

2 people observed.

“Paris, that's you. Paris, with you I escape.” 70:03 · “Follow me? The whole town.” 70:09

Evidence, details and a link to share

Model synopsis: A woman with dark hair and a pearl necklace is shown in a close-up. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in alternating close-ups during a dialogue. The woman is wearing pearls and dark clothing; the man is in a suit and tie. The transcript includes romantic or metaphorical remarks about heartbeats, silk, and subway trains.

2 people observed.

“So is right.” 70:29 · “Can you hear it? That's my heart beating.” 70:36

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in close-up, engaged in a dialogue about past actions and desires. The woman wears pearls and looks upward; the man is in shadow, speaking about wanting jewels.

2 people observed.

“What did you do before? Before wood.” 71:00 · “Before the jewels? I wanted them.” 71:04

Evidence, details and a link to share

Model synopsis: A man in a suit is shown in a close-up, looking toward someone off-screen. No dialogue or environmental context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman speaks at 71:20, saying she must leave because it is late. The frame at 4278s shows a close-up of a woman’s face in shadow, resting against another person’s shoulder or head.

• A woman rests her head against another person in a dimly lit close-up. [frame:1]

2 people observed.

“It's late. I must go.” 71:20

Evidence, details and a link to share

Model synopsis: A woman and a man speak in a dimly lit interior; the woman turns away as the man describes being trapped. The dialogue suggests a tense, confined situation with no escape.

• Woman looks over her shoulder toward the camera. [frame:1]
• Man sits forward, looking intently. [frame:2]
• Woman turns her back to the camera, walking away. [frame:3]

2 people observed.

“Suppose you don't come tomorrow?” 71:26 · “Suppose I don't.” 71:30

Evidence, details and a link to share

Model synopsis: A man and a woman are shown in separate close-ups during a tense conversation. The transcript includes dialogue about promises, potential actions if someone doesn't return, and a comment on smell and the subway.

• A woman is shown in a close-up, listening or reacting. [frame:2]

2 people observed.

“Maybe it's lucky for you” 71:55 · “I don't like it, and it's not lucky. You're right. If you don't come back, I might do anything. I might go down to the hotel to get you. …” 71:57

Evidence, details and a link to share

Model synopsis: A dimly lit interior scene shows a silhouetted figure standing in a doorway while another person sits in the foreground. A decorative railing and patterned wall are visible, with a window showing star-shaped lights outside.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a dimly lit interior space. The woman wears a dark dress and a white head covering; the man is in a dark suit.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in dark clothing and a headband stands near a wooden structure, looking toward a group of people in the background. The scene is dimly lit, with figures seated or standing in a shadowed area.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman embrace in a dim interior; the man later appears alarmed while another man in a hat walks through a crowded area. No dialogue or on-screen text is present in these frames.

• A man and a woman embrace closely. [frame:1]
• A man in a hat walks past a doorway where other figures are visible in the background. [frame:2]
• A man in a suit looks alarmed while standing near a wall. [frame:3]
• 1 more under Evidence and details.

5 people observed.

Evidence, details and a link to share

Model synopsis: Two men are shown in a dimly lit interior, one gesturing while speaking; the transcript indicates a tense exchange about jewels and a location, ending with one man saying 'Okay.'

• One man gestures while speaking to another in an interior setting. [frame:1]

2 people observed.

“What? The hard way. What's the matter with you? If you didn't get the jewels, you said they've been wasting your time.” 73:57 · “What were you doing in there? Where? There. You're mistaken. You were not there. Say that again. We were in pace. What?” 73:57

Evidence, details and a link to share

Model synopsis: A man in a light suit and fez checks his watch in a dim, textured interior; another man in a white shirt sits and gestures while singing. The transcript contains philosophical reflections on life and love, with repeated phrases like 'C'est la vie.'

• A man in a suit and fez looks at his wristwatch. [frame:1]
• A man in a white shirt sits and gestures while singing. [frame:2]

2 people observed.

“Life is simple if you try to enjoy before you die every bit of happiness along the way. Take the joy that comes to you. Suddenly the world i…” 74:43 · “that keeps you dancing every day. C'est la vie. Only love and life is honey. That's life, you don't need money. If you've got a little h…” 74:52

Evidence, details and a link to share

Model synopsis: A man stands near a window overlooking a cityscape while a voice sings about love and kisses. The scene is interior, with minimal props and a view of densely packed buildings outside.

• A man stands near a window holding an object. [frame:1]
• The man looks out over a cityscape. [frame:2]

1 person observed.

“If you live without a kiss, or a kiss can bring a winter into spring. Everybody will agree, if you fall in love like me, you'll be happy, y…” 75:22 · “There is nothing like that feeling.” 75:44

Flagged: visible event not seen (The man looks out over a cityscape.)

Evidence, details and a link to share

Model synopsis: A man sits on a ledge and is later seen reflected in a mirror while a woman walks away from the camera. The transcript mentions Sunday, holidays, and a date at Place Blanche.

• A man sits on a ledge looking upward. [frame:1]
• The same man is seen reflected in an ornate mirror. [frame:2]
• A woman walks away from the camera into a dim interior. [frame:3]

2 people observed.

“We love is very necessary. Fall in love and you'll be happy. Love is very necessary. Fall in love and you'll be happy. What happened? Don't …” 75:52 · “Just as if paper to me. Let it be Sunday. I want to stroll on the boulevards. I have a date at the Place Blanche. Hello everybody. How do yo…” 76:22

Evidence, details and a link to share

Model synopsis: Three people stand in an outdoor market setting; one man speaks to another while a woman listens. The dialogue suggests a personal conversation involving an inspector and a past encounter with a woman.

• Three people stand in conversation in a market setting. [frame:1]

3 people observed.

“the nerves you seem pleased you've seen her again wouldn't you like to know oh well if you don't want to confide in me well our inspector go…” 76:52

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in close-up, one gesturing while speaking to the other. The setting appears to be an interior room with plain walls.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fez and a woman in a patterned dress are shown in an interior setting with ornate walls; a second man in a dark suit enters through a doorway. The transcript includes a greeting addressed to an inspector.

• A man in a fez looks downward. [frame:1]
• A woman with curly hair and large earrings looks forward. [frame:2]
• The woman stands in a doorway as the man in the fez faces her. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Inspector? Good afternoon. I was puzzled when you phoned.” 77:22

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior, discussing a woman's presence in a place called 'the casper'. One man, wearing a fez and suit, speaks while the other, in a tuxedo, listens with a serious expression.

• A man in a fez is shown speaking with an expressive face. [frame:1]
• A man in a tuxedo is shown with a stern expression. [frame:2]
• A man in a tuxedo is shown in profile, looking away. [frame:4]

3 people observed.

“The mission is a rather delicate one, but necessary. I merely wish to suggest that your fiancé is a little too fond of, shall we say, the lo…” 77:52 · “What is all this? The casper's hardly the place for a woman alone. She attracts too much attention, excites too much desire. We naturally w…” 78:08

Evidence, details and a link to share

Model synopsis: A man in a light suit and fez speaks while another man in a dark suit is seen from behind. The transcript mentions avoiding embarrassment and not returning to the Casper.

• The man in the fez is visible in a medium close-up. [frame:1]
• The man in the dark suit is visible from behind, near blinds. [frame:2]

2 people observed.

“Further embarrassment can very easily be avoided. She must not return to the Casper.” 78:22

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in an apartment; the man confronts the woman about her daily visits to the Casper. The woman denies being spied on as the man gestures toward her.

• The man gestures toward the woman while speaking. [frame:3]

Named: Pepe Lamoco (t:79:25). 2 people observed.

“You're going out? Looks that way. Where are you going? A walk.” 78:44 · “I don't know anyone in Algiers.” 78:55

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in an interior setting; the woman states she will do as she pleases until marriage. The man appears distressed and questions her motives.

• The woman stands facing the man in a formal interior. [frame:1]
• The woman speaks with a serious expression, looking at the man. [frame:2]
• The man looks distressed and speaks to the woman. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“You're going to be my wife. You don't make it a very pleasant prospect. And I won't allow you to behave like this. I'm glad you told me. …” 79:34 · “We've got to be honest. Why do you think I'm marrying you? Look at yourself and then look at me.” 79:43

Evidence, details and a link to share

Model synopsis: A man and a woman stand facing each other in a dimly lit interior, exchanging final words before parting. The man warns her that returning will be pointless, and she replies with a farewell.

2 people observed.

“you to go. It's a waste of time. If you go now, there'll be no use in your coming back. You thought it all out pretty clearly, haven't you?” 80:00 · “And I advise you to do the same. All right. Goodbye.” 80:08

Evidence, details and a link to share

Model synopsis: A woman is told that Pepelemocco was killed during an attempted capture. She reacts with shock and sorrow in a dimly lit interior room.

• The woman looks stunned and turns toward a window. [frame:1]
• The woman stares forward with a pained expression. [frame:2]
• The woman stands in a room with barred windows and a wall calendar, looking distressed. [frame:3]

2 people observed.

“Do it, Gabby, don't.” 80:14 · “No. What? You can't go to the Casper. But really? Your fiancé was trying to spare you. He didn't want to tell you the truth as I told h…” 80:20

Evidence, details and a link to share

Model synopsis: A dimly lit interior shows a set table with fruit, glassware, and a floral centerpiece near a curtained window. No people are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A woman and a man are in a dimly lit interior; the woman speaks about it being Thursday and defends her intelligence, while the man sits in a chair. The woman is later identified by spoken name as Claude Blanche.

• The woman is visible in a medium close-up, looking forward. [frame:1]
• The man is visible seated in an ornate chair, looking to his right. [frame:2]
• The woman is visible again in a medium close-up, expression unchanged. [frame:3]

Named: Claude Blanche (t:81:39). 2 people observed.

“I just came to tell you it's Thursday. I know. I was right all the time. You see, I'm not such a fool as you think.” 81:27 · “So this is the Claude Blanche.” 81:39

Evidence, details and a link to share

Model synopsis: A man in a suit sits in a dark, ornate chair during a scene. The transcript contains a line that appears to be a misrecognition or error, as it does not form a coherent sentence.

• A man sits in a dark chair, looking off to the side. [frame:1]

1 person observed.

“He doesn't seem like parents.” 81:44

Evidence, details and a link to share

Model synopsis: A person with dark hair is seen from behind, standing in a dimly lit interior space with a doorway and a railing visible. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman sits in a room while a man in formal attire stands behind her; dialogue indicates plans to travel and deliver a letter. The setting appears to be a private interior space with furnishings and a lamp visible.

• A woman sits while a man in formal wear stands behind her. [frame:1]

2 people observed.

“What's got into him?” 82:00 · “So I guess I'll have to go downtown and give my personal attention to Madame Hardback. What steamer? The Ville d'Augé, 10 o'clock. Good. Mak…” 82:16

Evidence, details and a link to share

Model synopsis: Two men walk down a dim interior staircase while another man lies on an upper bunk; a woman sits below. Dialogue indicates it is 9 a.m. and the sun is out, suggesting the characters have slept through the night.

• Two men descend a staircase in a dim interior. [frame:1]
• A woman sits below a bunk where a man lies. [frame:2]

4 people observed.

“What time is it? Nine o'clock.” 83:58 · “So? In the morning.” 84:03

Evidence, details and a link to share

Model synopsis: A man lies on a bed while a woman stands nearby in a dimly lit room; dialogue suggests concern over someone's absence and a resolve to make him listen. The setting appears to be a private interior space with lattice windows and simple furnishings.

• A man lies on a bed looking upward. [frame:1]
• A woman stands in the room, looking toward the man. [frame:2]
• The man remains on the bed, eyes open. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Gallows?” 84:11 · “He hasn't come back. He hasn't come back?” 84:12

Evidence, details and a link to share

Model synopsis: A man lies on a bed while another stands nearby in a dimly lit room; dialogue reveals a letter from Quiro's mother was mistakenly delivered and is connected to the police. The speaker admits to being an informer and expresses regret.

• A man lies on a bed while another stands nearby. [frame:1]
• A third man is seated in the background as the standing man faces him. [frame:2]

Named: Lobby (t:84:49), Fox (t:84:56). 3 people observed.

“What do you want? We've been looking for you everywhere. Why weren't you at home?” 84:45 · “Because I'm here. What do you want, Lobby? - I must get to you alone. - What's the matter with that?” 84:49

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior; one confesses to delivering a letter he later learned was from the police, calling himself an informer. The other man reacts with disgust and then asks about a third person, Kavlos, who has been taken by police.

• Fox is visible in frame:1, speaking to Pepe who is lying down. [frame:1]
• Fox is visible in frame:2, smiling slightly while speaking. [frame:2]

Named: Fox (t:84:56), Pepe (t:85:28), Carlos (t:85:48), Kavlos (t:85:51), Quiro (t:84:56), Regis (t:84:56). 6 people observed.

“Ever got smoke, Fox? It's all right. You can talk. In fact, I'm ashamed of myself.” 84:56 · “I'm an informer.” 84:56

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dim interior, speaking intensely; the transcript reveals a plot involving Inspector Louven, Carlos, and a letter passed from a cell to a hotel. No names are assigned to the visible characters beyond what is spoken in the transcript.

• A man and a woman stand close, facing each other in a tense conversation. [frame:1]

3 people observed.

“Who did it? Inspector Louven. There were about a dozen of them surrounded him. Was there any shooting?” 86:07 · “No, no, they managed very quietly in a nice way.” 86:14

Evidence, details and a link to share

Model synopsis: Two men argue in a dimly lit room; one insists on going to deliver a message while the other tries to stop him. The dialogue reveals a woman is being watched and expects a visit at a hotel's service entrance.

Named: Pepe (t:86:37). 2 people observed.

“So you went to the hotel with the letter? I did it for you, Pepe.” 86:37 · “The answer? She wanted to write to you, but she couldn't. She's being closely watched, but she expects you this morning.” 86:44

Evidence, details and a link to share

Model synopsis: Two men are in a tense conversation in an interior setting; one is seated and smiling, the other stands and gestures while speaking. The dialogue references money, a letter, and a surrounded hotel, suggesting a plot involving deception and surveillance.

• p1 is seated and smiling broadly at p2 [frame:1]
• p2 stands and gestures toward p1 while speaking [frame:2]

3 people observed.

“Tell me, what about the rose?” 87:35 · “Levin took the money. I saw him put it in his desk.” 87:55

Evidence, details and a link to share

Model synopsis: A man named Pepe is being pleaded with by Ernest not to leave, as it would lead to Pepe's death; the setting appears to be a dimly lit interior with a bar and a doorway. The dialogue suggests a plan involving a woman who believes Pepe is dead, and Pepe is preparing to depart despite Ernest's objections.

• A man lies on his back, eyes open, mouth slightly agape, as if in distress or exhaustion. [frame:1]
• The same man remains lying, his expression unchanged, suggesting continued distress. [frame:2]
• A hand reaches for a bottle on a bar counter, with glasses and a plate visible nearby. [frame:3]
• 1 more under Evidence and details.

Named: Pepe (t:89:45), Ernest (t:89:51). 2 people observed.

“No. Why didn't she come up yesterday?” 89:17 · “She told her you've been killed. That's what she thinks. She's leaving this morning until she... It's the main plan, the whole thing.” 89:19

Evidence, details and a link to share

Model synopsis: A close-up shows a person's polished black shoes standing on a stone step. No other visual or auditory information is available in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and dark coat is shown in close-up, then a wider shot reveals a dimly lit corridor with multiple figures, including a woman in a low-cut dress and others seated or standing. The man reappears in close-up with a serious expression. No dialogue or on-screen text is present.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora is shown in two close-up shots, first from behind and then facing forward. The setting is dimly lit and indistinct, with no visible text or identifiable objects.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and dark suit is shown from behind and in close-up, walking down stairs and leaning on a railing in an urban setting. The background includes a large archway and street lamps, suggesting a public outdoor space at night.

• man in fedora viewed from behind, walking away from camera toward an archway [frame:1]
• close-up of man’s face, looking forward with serious expression [frame:2]
• man viewed from behind descending stairs with railing [frame:3]
• 1 more under Evidence and details.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark hat and coat is seen in profile inside a vehicle, looking out the window. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora enters a building with a 'French Line' sign. The interior shows arched colonnades and a tiled floor, suggesting a public terminal or station.

• A man in a fedora enters a building through a glass door. [frame:1]
• The interior of the building is shown, featuring arched colonnades and a tiled floor. [frame:2]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person stands behind an ornate metal gate in a dimly lit interior space. The scene is static and shows no movement or dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light blouse and dark skirt stands near a window with shutters in the first frame; in the second frame, she walks through a shaded outdoor corridor with another figure partially visible. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A woman and a man in a fez have a tense conversation outdoors under foliage; the woman appears distressed while the man listens and responds. The transcript reveals she betrayed someone by preventing his departure, which she admits was to keep him, and he accuses her of causing deaths.

• The woman and man begin a tense conversation outdoors. [frame:1]
• The woman speaks with a distressed expression while facing the man. [frame:2]
• The woman continues speaking, her face showing emotional strain. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“We didn't expect you. He is not coming here. He's gone to the boat.” 92:47 · “So you're the one to betray him. You couldn't wait to run to me. You call it love, but it means you'd kill him before you'd let him go free.…” 92:53

Evidence, details and a link to share

Model synopsis: A woman stands with arms crossed as a man in a suit speaks to her; another man in a hat observes. The scene shifts to show the same group from a wider angle, with a car visible in the background. Dialogue suggests betrayal and a planned trap.

• A woman stands with arms crossed while a man in a suit speaks to her. [frame:1]
• The group is shown from a wider angle; a car is visible behind them. [frame:2]

4 people observed.

“In a few more minutes, it might have been out of our hands.” 93:25 · “Don't go! Give him a chance!” 93:25

Evidence, details and a link to share

Model synopsis: A large ship is docked at a pier. The scene is shot in black and white with low-angle framing.

Evidence, details and a link to share

Model synopsis: A ship is shown from a low angle with smoke rising from its funnel. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A group of men in hats and coats stand in a dimly lit interior space, possibly a train or vehicle, with one man facing away from the camera. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in uniform holds papers and looks off-camera. The background is indistinct but suggests an interior space with other figures.

• man in uniform holds papers and looks off-camera [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a pair of polished black shoes on a stone pavement. No people are named, no dialogue is present, and the setting is not identifiable beyond the ground surface.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat stands beside a vintage car with a visible '90' emblem on its door, in front of a building with arched windows. The scene is shot in black and white with studio lighting.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark suit and hat walks along a corridor next to a window and a railing. The setting appears to be the interior of a vehicle, possibly a train, based on the window and door structure.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat stands at a window while another man speaks to him indoors. The dialogue suggests a farewell or reflection on travel and home.

• A man stands at a window looking out. [frame:1]
• Two men face each other indoors, one speaking. [frame:2]

Named: Andre (t:94:38). 3 people observed.

“You know, the pleasant thing about traveling is going back home, then going away again. Well, I had a good time, didn't you, Andre?” 94:38 · “Me?” 94:47

Evidence, details and a link to share

Model synopsis: A woman sits on a couch in a dimly lit interior space with curtains and a window behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in dark formal attire and a hat stands behind a window with curtains, looking out. The scene is shot in black and white with studio lighting, showing no visible text or other characters.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in dark suits and hats stand facing each other indoors, speaking. One holds a small object; the dialogue suggests a planned meeting and a reference to an old friendship.

2 people observed.

“You see, Papa?” 95:06 · “We meet at the appointed time.” 95:08

Evidence, details and a link to share

Model synopsis: Four men in hats stand close together in a dimly lit interior. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a patterned dress stands in a dimly lit interior with several men in hats nearby. One man in a dark coat is prominent in the foreground, partially obscuring the view.

4 people observed.

Evidence, details and a link to share