Public Reel

Algiers · Beat 79 · permalink

Private office

23:47–24:15 Registered 1938

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 3 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 24:0124:01

Play from 23:47 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 32 · shots 187–187. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, dark hair, wearing a light-colored jacket and dark dress, standing visible
  • man, wearing a light suit, striped tie, dark hat, holding a cane visible
Also said
“Shall we go?” 24:13
Seen
cane [frame:1], wall with markings [t:23:52]
Interpretation
Model opinion, not evidence: mood: somber and tense; themes: imprisonment, loss, fate, departure; style notes: medium shot, high-contrast lighting, shadowy background, classic 1930s film noir framing

A man and a woman stand in a dimly lit interior, discussing someone's arrest and burial; the man mentions marking the date on his room's wall. The woman suggests they leave.

“- It's a shame, isn't it? - What?” 23:50 · “A waste of talent, an unusual intelligence. One hates to see him buried so young. Buried? It's the same thing. What makes you so sure? I've marked the date of his arrest on the wall of my room. High, where it reads black in the rays of the setting sun.” 23:52 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Algiers (1938) at 24:01 (passage 23:47–24:15); US record: No renewal found

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