Public Reel

Algiers · Beat 93 · permalink

Private office

29:44–30:17 Registered 1938

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; no visible events claimed. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 30:0030:00

Play from 29:44 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 37 · shots 216–216. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • woman, dark hair, wearing a patterned blouse or shawl, visible in profile visible, audible
  • man, dark hair, wearing a dark coat or robe, facing p1, hand near chin visible, audible
Also said
“Who's the letter from? A woman. What kind of a woman? I didn't look. Will you tell the woman I took it away from you?” 29:55 · “This vulgar game is hardly worth the compromise to one's dignity involved in playing it. It's vulgar, but it's fast.” 30:15
Seen
letter [frame:1], dark coat or robe [frame:1], patterned blouse or shawl [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: duty vs. desire, power dynamics, secrecy; style notes: close two-shot, high-contrast lighting, static framing, period costume

A man and a woman stand close, facing each other in a dimly lit interior. The woman refuses to hand over a letter unless it is given to Piero, and the man mocks the situation as a vulgar but fast game.

“What do you want? Oh, I have a letter from Pierrot. - Well, give it to me. - Oh, no, no, no.” 29:44 · “I can't. I swore by the bones of my ancestors to give it only to Piero.” 29:51 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Algiers (1938) at 30:00 (passage 29:44–30:17); US record: No renewal found

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