Public Reel

Algiers · Beat 104 · permalink

Private office

32:24–32:42 Registered 1938

Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 2 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.

Frame at 32:2832:28Frame at 32:3732:37

Play from 32:24 on the Internet Archive This passage on the film's page

Evidence and details

Starts here: pause in speech. Sequence 44 · shots 239–240. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.

Place
private_office (private office, interior) evidence: frame:1
People
  • man in dark suit, seated, handling cards, mid-30s to 40s, average build visible
  • man standing behind p1, wearing patterned vest and dark jacket, mid-30s to 40s visible
  • man in flat cap, partially visible, seated to right visible
  • man in dark coat, standing left, partially visible visible
  • Pepe (named at t:32:33): man with dark hair, close-up, looking left, mid-30s to 40s visible
Seen happening
  • A man seated at a table handles cards while others stand around him. [frame:1]
  • A man identified as Pepe looks off-screen with a serious expression. [frame:2]
Seen
cards [frame:1], flat cap [frame:1], patterned vest [frame:1], blinds on window [frame:1]
Interpretation
Model opinion, not evidence: mood: tense and confrontational; themes: distrust, authority, business loyalty; style notes: tight framing on faces, high-contrast lighting, static camera, period costume

A man named Pepe speaks to another man about not liking his association with someone named Regis, using a clock metaphor. The scene takes place indoors with several men present, one of whom is seated and handling cards.

“I would like it better if you didn't hang around so much with Regis. Why?” 32:27 · “Did you ever see a clock that pointed to two and struck four? Well, it is really quarter past twelve. Well, your friend Regis is like that. He doesn't ring two. That's what you say, but you can't prove it. Well, if I say so, that's enough. Regis gets along all right with me. Well, that's why I'm telling you. I don't like it. Well, I do. In business, I'll do anything you say, Pepe.” 32:33 automatic transcript, may be wrong

The record

No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.

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Frame from Algiers (1938) at 32:28 (passage 32:24–32:42); US record: No renewal found

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https://publicreel.org/cards/moment/Algiers_/b104.png
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