Bar
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 0 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:02:20 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 80 · shots 429–432. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bar (bar, interior) evidence: frame:2
- People
- man in dark suit and bow tie, mid-30s, medium build visible, audible
- man in light suit, hat, and bow tie, mid-40s, medium build visible
- man in dark suit, mid-30s, medium build, visible in background visible
- Seen happening
- Man p1 speaks to man p2 in close-up. [frame:1]
- Man p2 stands beside a gramophone in a medium shot. [frame:2]
- Man p1 and man p3 are shown together in close-up. [frame:3]
- Man p2 adjusts the gramophone. [frame:4]
- Also said
- “Music, singing, gibberish. I'm sorry for you.” 62:40
- Seen
- gramophone [frame:2], lattice wall [frame:2], bow tie [frame:1], hat [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and dismissive; themes: social class, cultural dismissal, conflict; style notes: close-ups and medium shots with high-contrast lighting; static camera; period costume and props suggest 1930s setting
Two men are shown in close-up and medium shots in an interior setting with lattice-patterned walls; one man speaks while the other listens, and a gramophone is visible. The transcript includes lines dismissing music and singing as gibberish.
“I don't think you're as foolish as that.” 62:25 · “I've heard enough.” 62:27 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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- always the current cut
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- warns if the beats are recut later
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- https://publicreel.org/cards/moment/Algiers_/b188.png
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