Restaurant
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 4 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 36:48 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 50 · shots 262–265. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- restaurant (restaurant, exterior) evidence: frame:1
- People
- man in dark suit, adjusting tie, seated visible
- woman in light jacket with dark collar, holding up hand with ring visible
- Maxime (named at t:36:48): man in light suit with patterned tie, smiling at table visible
- man in dark suit, back to camera, seated at table visible
- man in uniform with fez, seated at table visible
- Seen happening
- Group seated at table in outdoor restaurant setting [frame:1]
- Man adjusts his tie while seated [frame:2]
- Woman gestures with ringed hand while speaking [frame:3]
- Man named Maxime smiles at table [frame:4]
- Also said
- “And we'll go with Maxime. You'll protect us won't you Maxime?” 36:48 · “I'm at my best among natives.” 36:48
- Seen
- wicker chair, tie, ring, glassware, fez
- Interpretation
- Model opinion, not evidence: mood: social, slightly tense; themes: colonial attitudes, social dynamics among travelers, gender roles in group settings; style notes: black-and-white, medium close-ups, studio lighting on faces, outdoor set with foliage backdrop
A group of people are seated at a table in an outdoor setting, conversing. One man adjusts his tie while a woman gestures with a ringed hand, and another man smiles at the table.
“How's that Andre? An adventure? Well that's what we're here for.” 36:48 · “Once is enough for me. I don't like natives.” 36:48 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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