Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 1:11:54 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 96 · shots 492–493. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man, dark suit, light shirt, dark hair, mid-adult, medium build visible
- woman, dark dress, pearl necklace, dark curled hair, mid-adult, medium build visible
- Seen happening
- A woman is shown in a close-up, listening or reacting. [frame:2]
- Also said
- “Smells good.” 72:34 · “The subway? Streamline.” 72:37
- Seen
- pearl necklace, dark suit, light shirt
- Interpretation
- Model opinion, not evidence: mood: tense and unresolved; themes: promises, separation, urban setting; style notes: close-up shots, high contrast lighting, studio set
A man and a woman are shown in separate close-ups during a tense conversation. The transcript includes dialogue about promises, potential actions if someone doesn't return, and a comment on smell and the subway.
“Maybe it's lucky for you” 71:55 · “I don't like it, and it's not lucky. You're right. If you don't come back, I might do anything. I might go down to the hotel to get you. Tomorrow will be. Tomorrow? I'll never break a promise.” 71:57 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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