They Made Me a Criminal (1939)

Model synopsis: The beat displays opening credits over a textured background, listing the screenwriter and novel authors. No characters, actions, or settings are depicted beyond the text.

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Model synopsis: Two boxers are in a ring with a crowd watching; one boxer is shown in close-up after being struck. A voice says "Oh, yeah" at 1:00.

• Two boxers stand in a ring surrounded by a crowd. [frame:1]
• A man in the crowd reacts with an open mouth. [frame:2]
• A boxer is shown in close-up with his head tilted back, appearing dazed. [frame:3]

5 people observed.

“Oh, yeah.” 1:00

Evidence, details and a link to share

Model synopsis: A shirtless man is visible from the chest down in a dimly lit, crowded space. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A shirtless man is visible in a dimly lit, crowded space. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A crowd in formal attire is visible in a dimly lit interior space, with some individuals raising their arms. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A man in a suit and fedora shouts into a microphone while seated in a crowded audience. Other men in hats and suits are visible around him, suggesting a public gathering or event.

2 people observed.

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Model synopsis: A man in a shirt and bow tie raises a gloved fist in a crowded arena. No dialogue or on-screen text is present in this beat.

• A man raises his gloved fist in the air. [frame:1]

1 person observed.

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Model synopsis: A group of men in hats surrounds a shirtless man in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

4 people observed.

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Model synopsis: A shirtless man is celebrated in a boxing ring by a crowd and officials; a man in a suit speaks to the crowd as they react. The transcript includes a comment about the event being 'a honey' and someone announcing arrival at the scene.

• A shirtless man is embraced by others in a boxing ring. [frame:1]
• A man in a suit speaks to the crowd while gesturing. [frame:2]
• The crowd in the boxing ring reacts as people move around the ring. [frame:3]

6 people observed.

“It's a honey.” 1:28 · “Just a minute, fellas. We're there. Just a minute. Good one.” 1:30

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Model synopsis: A boxer named Johnny is celebrated after a fight, speaks into a microphone, and later receives his stolen watch back. The scene shifts to a private conversation in a hallway where a man in a suit is addressed as Mr. Ennis.

• People gather around Johnny in the ring after his fight. [frame:1]
• Johnny is embraced by a man in a suit while police and others look on. [frame:2]
• Johnny speaks into a microphone, addressing the public. [frame:3]
• 1 more under Evidence and details.

Named: Johnny (t:1:36), Mr. Ennis (t:2:31). 5 people observed.

“Where's Johnny? Where is Johnny? Huh? Stop it. All right. You all right? Hey, boys, a little room.” 1:36 · “Are you listening, Mom? I won, Mom, and there isn't a mark on me.” 1:52

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Model synopsis: A shirtless man is attended to by two men in suits and hats; dialogue references a watch, a fight, and a left-handed stance. The setting appears to be an indoor space with artificial lighting, possibly a dressing room or backstage area.

• A shirtless man holds a watch while lying down. [frame:1]
• The shirtless man looks up and speaks. [frame:2]
• Two men in suits and hats stand over the shirtless man as he extends his arm. [frame:3]
• 1 more under Evidence and details.

Named: Marty (t:3:11). 3 people observed.

“You know, this watch means more to me than that diamond belt I won tonight.” 2:59 · “It wasn't me. It was Brewster. They just sent me up with it.” 3:04

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Model synopsis: A man in a fedora speaks with another man in a police station; a third man lies on a table nearby. The dialogue references a past case involving Barney Schofield and a detective named Phelan who was wrong about him.

• A man in a fedora speaks to another man while standing in a room with others. [frame:1]
• The same man continues speaking, now with a slight smile. [frame:2]
• A man in a light suit sits beside a shirtless man lying on a table, while others stand around. [frame:3]

4 people observed.

“Is that how you identified Barney Schofield?” 3:50 · “You'd better get along back to the morgue.” 3:57

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Model synopsis: A man in a robe is surrounded by reporters and photographers after a fight; he speaks to someone named Donnie and mentions news reporters waiting outside. A woman is mentioned as a 'poor old gray-haired mother' in the dialogue.

• A man in a robe is surrounded by reporters and photographers. [frame:1]

Named: Donnie (t:4:39). 4 people observed.

“Hello, Donnie. You're a great part, boy. Thanks a lot. I've got to be running away now. There's a gang of news” 4:39 · “waiting outside for a feed I promised him after the fight so there's a grand guy wins the championship and the first thing he thinks about i…” 4:43

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Model synopsis: A group of men in suits and hats are seen in a dimly lit interior, likely a backstage or locker room area, reacting to Johnny Bradfield's boxing victory. The transcript includes praise for Johnny's character and fighting style, with references to his youth, sportsmanship, and a championship win.

Named: Johnny Bradfield (t:5:21). 5 people observed.

“Yeah, Miss, for the million things she gave me... You think that's funny, don't you? Lay off Johnny's can. Oh, don't get sore. I didn't mean…” 4:53 · “Just because a guy doesn't drink and fool around with women and respects his mother, you don't have to make a monkey out of him. No, no, no.…” 5:03

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Model synopsis: A man in a suit sits with a drink while a woman leans toward him; another man stands nearby holding a glass. The dialogue references a boxing champion's lifestyle and a manager's role after a win.

• A man sits in a chair holding a drink. [frame:1]
• A woman leans toward the seated man, smiling, holding a glass. [frame:2]
• A man stands holding a glass while another man reclines on a couch and a woman sits beside him. [frame:3]

Named: Doc (t:6:02). 3 people observed.

“Live at home with Mother and stay away from booze and women is the new champ's formula. Says you.” 5:42 · “But he's right about the women, isn't he, Johnny? No women in the chance life. Just little Goldie. Yeah.” 5:47

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Model synopsis: A man reclines in a chair while others dance nearby; a voice urges dancing to continue. The setting appears to be an indoor room with furniture and framed pictures.

• A man reclines in a chair with his head tilted back. [frame:1]
• Two people dance while another man stands nearby. [frame:2]

5 people observed.

“Yeah, see ya. Now I've got something. Come on, come on, get her. Let's dance. Come on. Get her out there. No, you don't have to finish that.…” 6:20 · “That's not bad enough. Now, come on, dance.” 6:30

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Model synopsis: A woman leans over a man lying on a bed in a dimly lit room. The scene is viewed through a doorway or mirror frame, with no dialogue or on-screen text visible.

• A woman leans over a man lying on a bed. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit holds a glass in an interior setting. No dialogue or on-screen text is present in this beat.

1 person observed.

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Model synopsis: A group of people greet each other in a room; one woman introduces others by name while a man in a suit stands nearby. No clear time of day or period is established from the frames or transcript.

• Four people stand in a room, two greeting each other while two others observe. [frame:1]

Named: Johnny (t:6:59), Doc Wood (t:6:58), Charlie McGee (t:6:50). 4 people observed.

“Well darling, here we are! I'm glad you could come! It's my friend Charlie McGee. Hello! Come on in, I want you to meet everyone.” 6:50 · “This is Doc Wood.” 6:58

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Model synopsis: A woman in a sequined dress taunts a man in a vest, pretending to throw punches while others watch in a dimly lit room. Another man drinks from a glass as the woman continues to provoke the first man, who remains mostly passive.

• A woman in a sequined dress touches a man's shoulder while smiling. [frame:1]
• The woman turns away, looking over her shoulder while others watch. [frame:2]
• The woman pretends to punch the man in the vest, who stands still. [frame:3]
• 1 more under Evidence and details.

Named: Johnny (t:7:27). 5 people observed.

“Oh, I can take it. I told you I could take it, see? Hey, why don't girls be prize fighters? Does anyone around here want to fight, huh?” 7:16 · “Hey, Johnny! Johnny, hey, you want to fight with me? Hey, Johnny, come on, show me how to fight. Come on, look at that left of mine. Pretty …” 7:27

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Model synopsis: In a dimly lit room, a man in a vest argues with another man about loyalty and friendship while others look on. One man demands another drink as the conversation turns bitter, accusing the other of being a fair-weather friend motivated by profit.

5 people observed.

“Listen, you can't talk that way to my friends. Friends, nothing. Nobody's got any friends.” 8:05 · “Yeah, you're my friend. For 50% you're my friend. That ain't right.” 8:15

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Model synopsis: A man in a vest holds a glass while speaking; another man in a suit stands with a woman in a sequined dress. A reporter is mentioned, and a man in a suit confronts the man in the vest. The setting is an interior room with framed pictures and a lamp.

• A man in a vest holds a glass and speaks. [frame:1]
• A man in a suit stands behind two seated women while another man pours from a bottle. [frame:2]
• A man in a suit smiles at a woman in a sequined dress. [frame:3]
• 1 more under Evidence and details.

Named: Charlie (t:8:52). 5 people observed.

“That's a laugh. My mother, my dear old mother.” 8:38 · “I haven't got a month.” 8:42

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Model synopsis: In a tense indoor scene, several people argue around a table with food and drinks; one man confronts another directly. No names are established from dialogue or visuals, and the setting appears to be a private room with formal furnishings.

Named: McCade (t:9:26), Strand (t:9:27), James (t:9:27), Ricky (t:9:33). 7 people observed.

“Hey, can't you take a joke, Johnny? That's right, the morning graphic. You wouldn't print what Johnny just said in your paper, would you? …” 9:16 · “Can you think of a better story?” 9:22

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Model synopsis: A man is on the floor while others react; a woman tends to him at a desk as another man enters. The transcript includes calls for 'Johnny' and 'Charlie' and concern for 'Jeremy'.

• A man stands over another man lying on the floor near a table. [frame:1]
• A woman kneels beside a man on the floor while another man stands nearby; a man enters from the left. [frame:2]

Named: McGee (t:9:42), Johnny (t:9:47), Jeremy (t:9:54), Charlie (t:9:52). 5 people observed.

“Just a minute, McGee. You're not leaving yet.” 9:42 · “Oh! What goes on out here? Johnny!” 9:47

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Model synopsis: A man in a suit and a woman in a sequined dress are shown in close proximity; the woman then appears alone, looking forward. The transcript includes exclamations and a command to hurry.

• Man leans toward woman, both looking down [frame:1]
• Woman looks forward, alone in frame [frame:2]

2 people observed.

“Holy...” 10:04 · “Come on!” 10:06

Evidence, details and a link to share

Model synopsis: Two people carry an unconscious man through an interior space while discussing their next move. They mention going to 'Mackey's' and grabbing hats and coats, indicating a plan to leave the scene.

• A man and woman stand facing each other in a room. [frame:1]
• The man turns away from the woman. [frame:2]
• The woman and another man carry an unconscious man between them. [frame:3]

3 people observed.

“Nothing. He's dead.” 10:08 · “What did you do with that for? She had it coming to her.” 10:14

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Model synopsis: Two people are in a dimly lit interior; one is seated and appears injured or unconscious while the other stands over them. Dialogue suggests a violent altercation occurred, involving a left punch and a whiskey bottle, resulting in the victim being knocked out permanently.

• A man in a fedora stands over a seated person in a dim room. [frame:1]

2 people observed.

“Come to yet?” 10:59 · “No, he's still dead in the world.” 10:59

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Model synopsis: A woman and a man in a dimly lit bar argue about culpability after an incident involving someone named Johnny. The dialogue suggests they fear being implicated despite claiming innocence.

• A woman and a man are seated at a bar, engaged in a tense conversation. [frame:1]
• The man stands up and gestures while speaking to the woman at the bar. [frame:2]

2 people observed.

“But we didn't do anything. Yeah. Well, we were there, weren't we? You think he's going to say we didn't do anything? You think he's going…” 11:47 · “It ain't that you do anything, it's can you prove it.” 12:00

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Model synopsis: A man in a fedora stands beside a bed where another person lies still; dialogue suggests a bond and a reference to a rose. No named characters or explicit actions are shown beyond standing and lying.

• A man stands beside a bed where another person lies still. [frame:1]

2 people observed.

“We're gonna stick together.” 12:13 · “You and me, kid.” 12:15

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Model synopsis: A man lies in bed while a woman and another man stand nearby; later, the man and woman are seen inside a car. The transcript includes dialogue about being scared, crossing a border, and a wanted notice mentioning 'Doc Wood' and 'Goldie West'.

• A man lies in bed. [frame:1]
• A woman and a man stand in a room near the bed. [frame:2]
• The man and woman are seated inside a car. [frame:3]

Named: Goldie West (t:13:08), Doc Wood (t:13:08). 3 people observed.

“Doc, I'm scared. I'm scared stiff.” 12:40 · “Possibly traveling with manager Doc Wood and his girl Goldie West.” 13:08

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Model synopsis: A person is visible near a motorcycle in low-light conditions. The transcript contains a repeated question about readiness.

• A person stands near a motorcycle in darkness. [frame:1]

1 person observed.

“- Ready? - Ready?” 14:02

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Model synopsis: A newspaper headline is shown in a close-up, reading 'IN FIGHTER'S HOME' and 'New World Champion Sought As Murder Quiz Opens'. No people or actions are visible in the frame.

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Model synopsis: Two men are on a city street; one holds a newspaper and appears to shout. A car is parked in the background.

• A man in a cap holds a newspaper and shouts. [frame:1]

2 people observed.

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Model synopsis: A person is visible near a picket fence in an outdoor setting. A voice says they will wait to smash something.

• A person is standing near a fence on a sidewalk. [frame:1]

1 person observed.

“- I'm gonna wait to go ahead and smash it.” 14:32

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Model synopsis: A person in a light shirt is seen from behind, leaning on a railing and looking out a window. The scene is dimly lit and appears to be indoors.

1 person observed.

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Model synopsis: A man in a vest and shirt sits on a bed in a dimly lit room, looking toward a doorway where a figure is visible in the background. The transcript contains only the word 'Amen.'

• A man sits on a bed, looking toward a doorway. [frame:1]

2 people observed.

“Amen.” 14:47

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Model synopsis: A man in a white shirt and dark vest reacts to a newspaper headline about a 'UNAWAY KILLER DEAD IN SMASH-UP' while standing near a window and stairs. The scene includes a close-up of the newspaper and a hand picking it up from a step.

• man stands near window, looking out [frame:1]
• hand picks up newspaper from step [frame:2]
• newspaper headline reads 'UNAWAY KILLER DEAD IN SMASH-UP' [frame:3]
• 1 more under Evidence and details.

1 person observed.

“Oh, for crying out loud.” 15:10

Evidence, details and a link to share

Model synopsis: A newspaper headline is shown, reporting a fatal smash-up and a coroner's jury investigation. No people, dialogue, or specific location are visible in the frame.

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Model synopsis: A newspaper headline is shown in a close-up, mentioning two motorcycle policemen. No people are visible or audible in this beat.

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Model synopsis: A newspaper headline is shown in a close-up, reporting on the death of Charles Magee and a police investigation involving Johnnie Bradfield. No people, actions, or dialogue are visible or audible in this beat.

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Model synopsis: A person is seen from behind in a dimly lit interior, speaking a denial about hitting someone with a bottle. No other people or objects are visible in the single frame provided.

1 person observed.

“I didn't hit him with no bottle.” 15:49

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior, one speaking about being falsely accused of murder and another responding with skepticism. The conversation references a stolen watch, a woman named Goldie, and a dead newspaperman.

2 people observed.

“I thought you were dead.” 16:08 · “No, I ain't dead. What are you talking that way for? You'll kill this man, McGee. I didn't kill him. Listen.” 16:10

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Model synopsis: A man in a fedora and pinstripe suit is shown in close-up, speaking about someone being 'as good as dead' and advising them to assume a new identity as 'Jack Dorney'. The setting appears to be an interior room with dim lighting and no visible windows or clocks.

Named: Jack Dorney (t:16:59). 1 person observed.

“You're as good as dead.” 16:43 · “What are you talking that way for? You're as good as dead. What are you? Officially, you're dead.” 16:44

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Model synopsis: Two men in suits are in a dimly lit interior; one gives the other money and an address while warning him to stay hidden. The dialogue indicates the recipient is being sent away to avoid being seen, as he could be tried for murder.

• The man in the fedora is visible, listening intently. [frame:1]
• The older man writes on a notepad while the younger man holds a small box. [frame:2]

2 people observed.

“Now get out of New York.” 17:01 · “I got 10 grand and the National Trust Bank. You can't go to the bank, don't you understand? It's an avort. All I have to do is open the box.…” 17:07

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Model synopsis: A man in a fedora is seen peeking from behind a door, then a man in a suit and hat speaks animatedly in an office, followed by a group of men in hats gathered around a desk. The transcript reveals a discussion about avoiding detection after a murder and a newspaper's reaction to a reporter's death.

• A man in a fedora peeks from behind a door. [frame:1]
• A man in a suit and hat speaks animatedly in an office. [frame:2]
• Several men in hats gather around a desk in an office. [frame:3]

5 people observed.

“This is the address? Yeah. Now don't be seen by anybody. I get you. If you're seen, you'll be tried for murder. Don't talk that way, will yo…” 17:35 · “Grow a beard. Do something to change your appearance.” 17:43

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Model synopsis: In a police station, two men debate whether a burned body is Johnny Brentfield, noting a watch was found on the wrong wrist. The scene includes a desk, a telephone, and officers in the background.

• The standing man gestures while arguing that a person could switch a watch from one wrist to another. [frame:1]

4 people observed.

“sure you got a clue on the mcgee murder that's it exactly i don't think the guy that burned up is johnny brentfield at all oh you're nuts” 18:28 · “Remember me putting that watch on his right hand?” 18:35

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Model synopsis: A man in a suit and fedora speaks in an office setting, referencing habits like shaving and wearing a wristwatch. Another man, also in a suit and fedora, responds while holding a small object, with file cabinets visible behind him.

• Phelan holds a small white object while speaking. [frame:2]

Named: Phelan (t:18:51). 2 people observed.

“Well, there are some things a guy always does the same way, like the side he starts to shave on in the morning and the way he starts to dres…” 18:45 · “Same thing with a wristwatch. Now, Phelan, you've been hanging around stiff so much, you're saying things.” 18:51

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Model synopsis: Two men in suits and hats argue in an office about a watch and a murder case involving Johnny Bradfield, who is said to have died in a highway fire at 5 a.m. One man demands the case be reopened and assigned to him, while the other, identified as Chief, listens and reacts.

• Man p1 speaks emphatically to man p2. [frame:1]
• Man p2 listens with a skeptical expression. [frame:2]
• Man p1 continues speaking, looking directly at p2. [frame:3]
• 1 more under Evidence and details.

Named: Phelan (t:19:19), Chief (t:19:21). 2 people observed.

“That watch was in the third hole.” 19:03 · “When I strapped it on Johnny Bradfield's wrist, I put it in the first hole.” 19:05

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Model synopsis: Two men in suits and hats argue in an office; one accuses the other of being mentally unstable and clinging to a past mistake. The accused accepts a challenge to prove a suspect is not Johnny Bradfield, suggesting a professional rivalry over a decade-old case.

• p1 confronts p2 in an office, covering his mouth with his hand. [frame:1]
• p2 sits behind a desk with filing cabinets behind him, facing p1. [frame:2]
• p1 stands at the desk, leaning forward toward p2, who remains seated. [frame:3]
• 1 more under Evidence and details.

Named: Phelan (t:19:28). 2 people observed.

“The trouble with you, Phelan, is that ever since you railroaded the wrong guy to the hot seat,” 19:28 · “You're screwy.” 19:33

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Model synopsis: Two men are in a tense confrontation over money in an office; one demands $10,000, while the other claims $2.50 is all he owes as a fee. The dialogue suggests a prior arrangement has gone wrong, and threats are exchanged.

2 people observed.

“Thank you, Inspector.” 20:06 · “I've been calling you for two days. I've been busy. I want to get out of here. You got my money? Yes, I got your money. Right here.” 20:15

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Model synopsis: Two men are in a close conversation; one advises the other against using a specific fighting stance or fists. The advised man is addressed as Donnie and reminded of Jack Dorney.

• Donnie and the other man are shown in close-up, facing each other in conversation. [frame:1]

Named: Donnie (t:21:04). 2 people observed.

“Now listen to me and I'll give you some advice.” 20:52 · “Don't use your fists or you're cooked.” 20:54

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Model synopsis: Two men converse in a room lined with bookshelves; one warns the other to stay hidden and be afraid. The younger man, identified as Jack Dorney in the dialogue, listens intently while wearing a fedora and overcoat.

Named: Jack Dorney (t:21:31). 2 people observed.

“But do as I say, Jack Dorney. Stay away from places. Stay away from all places.” 21:31 · “Out of sight.” 21:36

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Model synopsis: Two men are in a room with bookshelves; one gives advice about traveling by freight train and keeping money for food. The advice includes rejecting trains and automobiles and suggests the recipient will need the money for at least six months.

2 people observed.

“That's my advice, and it's worth ten grand.” 21:46 · “Now beat him, sucker.” 21:49

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Model synopsis: A close-up of a crumpled, hand-drawn map is shown. No people, dialogue, or identifiable location are visible in the frame.

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Model synopsis: A map of the southeastern United States is shown, with states including Florida, Georgia, and Alabama visible. No people, events, or on-screen text are present in the frame.

Evidence, details and a link to share

Model synopsis: A single frame shows a blurry, abstract image with no identifiable people, objects, or setting. No transcript is provided for this beat.

Evidence, details and a link to share

Model synopsis: A person in a dark suit is visible handling small objects with their hands. No dialogue, location, or time of day is established in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Three men in hats are at a bar; one accuses another of stepping on his money. A close-up shows a foot near currency on the floor, and the men argue face-to-face.

• Three men stand at a bar counter. [frame:1]
• A foot in a shoe is near a bill on the floor. [frame:2]
• Two men face each other in argument, one in a dark suit, one in a light shirt. [frame:3]

4 people observed.

“Hey, you got your foot on my money. That's why you're wrong, buddy. Hey.” 23:20 · “That's my money, not your money. Hey, wait. Take it, Aiden, Bill. Shut up.” 23:26

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Model synopsis: A man in a fedora is shown in close-up and medium shots, then seen from behind walking on a wooden structure with a mountainous landscape. The transcript includes a brief exchange and an apology.

• A man sits on a wooden structure with mountains behind him. [frame:2]
• Two figures walk away on a wooden structure toward a mountainous landscape. [frame:3]

3 people observed.

“What's the matter with you?” 23:37 · “Mm-hmm.” 23:39

Evidence, details and a link to share

Model synopsis: A person walks along a wooden structure in a barren landscape, then is shown falling backward against a brick wall, followed by a close-up of their feet on dusty ground. No dialogue or on-screen text is present in these frames.

• A person walks along a wooden structure in a barren, fenced landscape. [frame:1]
• The person falls backward against a brick wall. [frame:2]
• The person's feet are shown on dusty ground. [frame:3]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light shirt and dark trousers walks from left to right against a dark, indistinct background. No dialogue or on-screen text is present in this beat.

• A man walks from left to right across the frame. [frame:1]

1 person observed.

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Model synopsis: A person is sorting produce at an outdoor market stall under a canopy. The setting includes crates of fruit and hanging bananas, with trees visible in the background.

1 person observed.

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Model synopsis: A man in a tank top speaks to a woman named Peggy in a dimly lit interior space; a whistle blows at 25:00. The setting appears to be a simple room with a door and window visible.

Named: Peggy (t:25:02). 2 people observed.

“WHISTLE BLOWS” 25:00 · “Hey, Peggy. Hey, Peggy, come here. What's the matter? Look, I'm not a tramp. I'm not a tramp.” 25:02

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Model synopsis: A group of men are harvesting coconuts in a palm grove; one man climbs a ladder while others watch and speak. The dialogue includes references to a 'dame' and a 'Nutter City Slicker,' suggesting a tense or comedic interaction among the workers.

• A man climbs a ladder to harvest coconuts. [frame:1]
• Men gather around buckets while one climbs a ladder. [frame:2]
• Two men stand near a ladder with buckets; one wears a hat. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“There, Jeanette, one less tree to pick.” 25:18 · “There's the Nutter City Slicker on the moosh.” 25:22

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Model synopsis: Three people stand near stacked crates outdoors; one man gestures while speaking to a woman and another man. The transcript includes dialogue about picking dates, getting a handout, and joking about being an oil man with a limousine.

• Three people stand near crates outdoors, one gesturing. [frame:1]

3 people observed.

“I wonder if there's a chance to get... Yes, there's a big chance. There's a ladder back there and some baskets and some dates.” 25:38 · “And after you pick three basketfuls, you get a handout. Well, I'm no trap. Ha, ha. I know. You're a big oil man, and you came all the way do…” 25:43

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Model synopsis: A man in a shirt stands outdoors near stacked boxes while speaking about meals and the Waldorf. He mentions leaving, and the transcript includes dialogue about routines and caviar.

• A man stands outdoors near stacked boxes, holding a coat. [frame:1]

1 person observed.

“I know all the routines, but if you want to eat, you gotta pick.” 25:59 · “I got a hunch I wouldn't care for the meals here anyway.” 26:06

Evidence, details and a link to share

Model synopsis: An elderly woman reacts to a man lying on the floor while others gather around him; the scene ends in darkness. No names are spoken that identify the individuals.

• An elderly woman in an apron reacts with alarm in a kitchen. [frame:1]
• Several people gather around a man lying on the floor. [frame:2]
• The screen goes dark. [frame:3]

5 people observed.

“Grandma!” 26:40 · “Grandma Efferty! Quick! Now, now what's the matter?” 26:41

Evidence, details and a link to share

Model synopsis: A man lies in bed as another person touches his forehead; the spoken lines suggest departure and address someone named Goldie. No named characters are confirmed by dialogue beyond 'Goldie'.

• A person touches a man's forehead while he lies in bed. [frame:1]

Named: Goldie (t:27:15). 2 people observed.

“I'm going to go.” 27:09 · “Goldie.” 27:15

Evidence, details and a link to share

Model synopsis: A man lies in bed, disoriented, asking where he is and where 'Doc' is; a woman tells him he is at Rancho Rafferty near Kalinga, Arizona. He then recalls taking a car.

Named: Goldie (t:27:17). 2 people observed.

“Is that you, Goldie?” 27:17 · “No, it isn't.” 27:18

Evidence, details and a link to share

Model synopsis: A woman tends to a man who appears injured or ill, offering him milk while they converse in a dimly lit room. The dialogue suggests he has been unconscious for days and is being cared for in a quiet, sparsely populated setting.

• A woman stands at a table preparing a bottle. [frame:1]
• The man drinks from a bottle while the woman watches him. [frame:2]
• The woman holds a towel and looks toward the man. [frame:3]

2 people observed.

“Long count, I'd say you've been out for two days.” 27:39 · “On his stomach. I don't think you've eaten for a week. Here, come on.” 27:43

Evidence, details and a link to share

Model synopsis: A man in a hospital gown lies in bed while a woman in a light blouse stands nearby; they exchange dialogue about ranching and mistaken identity. The woman appears frustrated, touching her head, while the man warns her not to mistake him for someone named Goldie.

• A man in a hospital gown smiles while lying in bed. [frame:1]
• A woman in a light blouse stands with her hands on her hips, looking away. [frame:2]
• The woman touches her head with her right hand, appearing frustrated. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“What do you do with yourself all day?” 28:17 · “Ranch?” 28:19

Evidence, details and a link to share

Model synopsis: A person in a white shirt and dark trousers is seen from behind, moving near a window in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in bed speaks with a sheriff and an older woman in a room; the man says he is from Texas and is looking for work. The setting appears to be a private room with a bed and simple furnishings.

• The sheriff and an older woman enter a room where a young man is in bed. [frame:1]
• The sheriff and the older woman stand beside the bed, looking at the young man. [frame:3]

Named: Sheriff (t:28:45). 3 people observed.

“Here we are. Again. Hello, Sheriff. How's it been?” 28:45 · “So this is the young fella that passed out on you, huh? Uh, Sheriff, this is the boy, all right. Where you from, boy?” 28:51

Evidence, details and a link to share

Model synopsis: A man in a hat speaks with a woman in a patterned dress, then a man lies in bed, and finally the man in the hat stands with a woman in a white blouse near a window. The dialogue suggests concern for a boy's mental state and a report to a board.

• A man in a hat speaks with a woman in a patterned dress. [frame:1]
• A man lies in bed, looking upward. [frame:2]
• A man in a hat and a woman in a white blouse stand near a window. [frame:3]

4 people observed.

“Or leave the boy alone, Shilf. He's been out of his head for a while.” 29:11 · “two days. Sure, sure, it's all right. I'll be on my way now.” 29:14

Evidence, details and a link to share

Model synopsis: A person is seen from behind, partially obscured by a wooden door frame, in what appears to be a dimly lit interior space. The only spoken line in this beat is 'Come on.'

• A person is visible from behind, standing near a wooden door frame in a dimly lit space. [frame:1]

1 person observed.

“Come on.” 29:37

Evidence, details and a link to share

Model synopsis: A person sits on a ladder outdoors near palm trees as someone asks where they are going. The scene is shot in black and white with low-angle framing.

• Person sits on a ladder outdoors near palm trees. [frame:1]

1 person observed.

“Hey, where you going?” 30:04

Evidence, details and a link to share

Model synopsis: A man in a dark suit confronts a group including a woman and a boy in a striped shirt in an outdoor palm tree setting; one boy is seen lying on the ground while another stands over him. Dialogue includes a character named Peter being told to leave and a man threatening to hurt someone for hitting a smaller boy.

• A man in a dark suit walks toward a group near palm trees. [frame:1]
• A boy lies on the ground while another stands over him. [frame:2]
• A man in a suit gestures toward a woman and a boy in a striped shirt. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“What are you doing, you sponge? You're walking out on the job. Go away, Peter.” 30:11 · “Why, you biggum.” 30:18

Evidence, details and a link to share

Model synopsis: A man in a dark coat and hat speaks to a group including an older woman and several younger people outdoors; the transcript reveals a dispute over him leaving without notice and being asked to work off his stay. The group remains gathered as the man is told to sit in the sun and amuse children.

5 people observed.

“Oh, so you were running away without saying a word to anybody.” 30:34 · “Well, you don't want me to hang around here forever, do you? I told you I was looking for work. Well, it's 20 miles to the nearest town.” 30:37

Evidence, details and a link to share

Model synopsis: A group of men stand outdoors near barrels and palm trees; one holds a plate. A line of dialogue says to amuse the kids.

• A man holds a plate while standing with others near barrels and palm trees. [frame:1]

4 people observed.

“Amuse the kids.” 31:12

Evidence, details and a link to share

Model synopsis: Two men are shown in a close shot; one stands behind the other who leans back with his head tilted up. The background consists of tall, dry reeds or grasses.

2 people observed.

Evidence, details and a link to share

Model synopsis: A close-up of a person's lower legs and feet in dark trousers and worn shoes, standing on a rough, possibly outdoor surface. No other context or action is visible in this single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark hat and coat is shown in a medium close-up, looking off-camera. The background is out of focus but suggests trees or foliage.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men sit side by side in a dimly lit interior with a textured wall behind them; one leans forward with his arm resting on his knee. No dialogue is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group of young men are gathered outdoors in a casual setting, conversing about past experiences including reform school. One man reclines while others stand or sit nearby, with palm trees and rustic structures visible in the background.

• A man in a suit and fedora stands facing the camera with palm trees behind him. [frame:1]
• A group of men gather around a seated man in a hat; one stands on a crate. [frame:2]
• A man in a tank top reclines with legs up, holding a small object. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“We're not a mule.” 31:41 · “You're from New York, ain't you?” 31:46

Evidence, details and a link to share

Model synopsis: A metal bucket sits on muddy ground with scattered twigs; no people are visible or audible in the frames or transcript. The transcript contains only non-verbal sounds.

“Mm.” 32:04 · “Pfff.” 32:07

Evidence, details and a link to share

Model synopsis: Two young men discuss being sent to a reform school run by a deceased priest's sister; one declares he will return to the East Side. The setting is outdoors near a thatched structure with other youths present.

• Two young men sit and talk near a thatched structure. [frame:1]
• More youths gather around the two speakers; one holds a bat. [frame:2]
• A youth in a sleeveless shirt stands beside the seated group; another holds a bat. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Just what is the setup here?” 32:11 · “Oh, we got too hot in New York, so they sent us out here to reform us. Yeah? Who did?” 32:14

Evidence, details and a link to share

Model synopsis: Three men and a woman are seen in an outdoor setting with palm fronds and a wooden crate; one man holds a large bunch of bananas. Dialogue references a character named Tommy, his sister, and a judge's decision regarding reform school.

• A man in a plaid shirt points while speaking to another man and a woman standing behind him. [frame:1]
• A man in a hat leans on a wooden crate while talking to others. [frame:2]
• A man in a hat and light shirt gestures while speaking to another man. [frame:3]
• 1 more under Evidence and details.

Named: Joe (t:32:48), Tommy (t:32:56), Dougie (t:33:00). 9 people observed.

“I'm going to tour back, Joe. I'm going to tour back, like him. Oh, you ain't got the noise. You ain't got the noise.” 32:48 · “Who's the dame?” 32:55

Evidence, details and a link to share

Model synopsis: A group of young men are gathered outdoors near palm trees, talking and smoking. One mentions being caught for slashing tires, another asks for a match and offers a corn silk butt, and someone comments on the availability of real cigarettes nearby.

• A man in a straw hat looks off-camera with a concerned expression. [frame:1]
• A young man in a striped shirt stands near hanging fruit, smiling. [frame:2]
• A group of men stand together outdoors, one holding a cigarette. [frame:3]

6 people observed.

“Hey, what are you trying to do? Mind him me? No, only cut your trot.” 33:13 · “They caught him robbing a warehouse. They got me for slashing tires on Cherry Street in a parking car wreck.” 33:20

Evidence, details and a link to share

Model synopsis: A group of young men confront each other in an outdoor setting with palm trees and stacked produce; one man in a striped shirt is challenged to a dare while others watch. No names are spoken that can be attached to specific individuals in the frames.

• A young man in a striped shirt sits near stacked produce, looking off-camera. [frame:1]
• A man in a fedora confronts a man in a plaid shirt; another man stands behind them. [frame:2]
• A group gathers around a wooden crate; one man holds paper, others look on. [frame:3]
• 1 more under Evidence and details.

7 people observed.

“No stealing from me. I thought you kids were tough.” 33:40 · “What about you, Freighton?” 33:46

Evidence, details and a link to share

Model synopsis: A person walks through a wooded area while drinking from a bottle. No dialogue or on-screen text is present in this beat.

• A person walks through a wooded area while drinking from a bottle. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cap and shorts leans over a counter in a wood-paneled room while a woman in a light shirt stands outdoors near foliage. A drink is requested and offered in the dialogue.

• A man leans over a counter in a bar. [frame:1]
• A woman stands outdoors near foliage. [frame:2]

2 people observed.

“Hey, can I have a drink? Yeah. Yeah, I'll get one for you.” 34:12 · “Here.” 34:19

Evidence, details and a link to share

Model synopsis: A young man in a striped shirt walks through a room with wooden walls while another person stands at a counter. A line of dialogue is spoken during this moment.

• A young man walks through the room. [frame:1]
• A person stands at a counter. [frame:1]

2 people observed.

“Boy, just hit the spot.” 34:37

Evidence, details and a link to share

Model synopsis: A group of people, including a boy in a striped shirt and a man in a suit, stand outdoors among foliage. A man in a suit speaks critically about using children to steal, while others respond affirmatively to a question about getting someone.

6 people observed.

“Did you get him, kid?” 34:52 · “Yeah, here you are.” 34:53

Evidence, details and a link to share

Model synopsis: Two men are boxing on a raised platform outdoors, surrounded by spectators and palm trees. A man in a hat and shirt acts as a referee or coach, shouting encouragement and instructions during the match.

• Two men are boxing on a raised platform surrounded by palm trees. [frame:1]
• A man in a hat stands near the ring, watching the boxers. [frame:2]
• One boxer throws a punch while the other ducks. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Come on, Fox. Come on.” 35:07 · “Frank it up. Frank it up.” 35:16

Evidence, details and a link to share

Model synopsis: A group of young men are in an outdoor yard, where one demonstrates a boxing move to another while others watch; the scene escalates as someone notices a light and others react with alarm.

• A man in a light shirt gestures while speaking to a shirtless man sitting on the ground. [frame:1]
• The man in the light shirt stands and points at the shirtless man who is now standing with hands on hips. [frame:2]
• The man in the light shirt demonstrates a boxing move to another shirtless man while others watch. [frame:3]
• 1 more under Evidence and details.

Named: Tommy (t:35:54), Jack (t:36:11). 6 people observed.

“Hey, you saw it, didn't you? We didn't see nothing. Sure, it was a foul. He can't put nothing over on me. As long as the referee sees yo…” 35:39 · “May I show you? Here, Tommy, stand up there.” 35:54

Evidence, details and a link to share

Model synopsis: A group of young men are gathered outdoors near palm trees; one is being photographed while another confronts the photographer. The confrontation is verbal, with one man telling the photographer to stop and asking what is wrong.

• A group of young men are gathered on a platform near palm trees. [frame:1]
• One young man in the foreground looks directly at the camera while others stand behind him. [frame:2]
• A young man crouches on the ground, looking off-camera with a tense expression. [frame:3]
• 1 more under Evidence and details.

Named: Jack (t:36:40). 6 people observed.

“What are you doing?” 36:31 · “It's already taking your picture.” 36:32

Evidence, details and a link to share

Model synopsis: A group of young men are gathered outdoors near palm trees; one demonstrates a physical maneuver while another holds a camera. A shirtless boy is spoken to by an adult man, and a painful reaction is heard.

• A man demonstrates a move by putting his thumb in another's eye. [frame:1]
• An adult man speaks to a shirtless boy while another young man stands behind them. [frame:4]

6 people observed.

“Now look.” 36:50 · “If you can't get the stand on his feet, give him the thumb in the eye, like this.” 37:00

Evidence, details and a link to share

Model synopsis: A woman in a striped dress speaks to a group of young men outdoors, one of whom is shirtless; the dialogue suggests a confrontation or lesson in fighting. The setting appears to be a park or open area with palm trees.

• Peggy stands alone outdoors, looking toward the camera. [frame:1]
• Three young men stand together; one gives a thumbs-up. [frame:2]
• Peggy speaks with hands on hips, looking annoyed. [frame:3]
• 1 more under Evidence and details.

Named: Peggy (t:37:10). 4 people observed.

“I get it. Only harder and quicker, but make sure you got the other guy between you and the referee...” 37:03 · “Okay, kids. Feed it, feed it, feed it.” 37:08

Evidence, details and a link to share

Model synopsis: A woman in a striped dress and a man in a shirt are shown outdoors in a conversation. The dialogue suggests a dispute over motives, charity, and personal integrity, with references to a dead priest and funds for children.

• The man is seated on a low wall or bench outdoors, talking with the woman. [frame:2]
• The woman speaks with a slight smile, continuing the conversation. [frame:3]
• The man responds to the woman, looking at her intently. [frame:4]

2 people observed.

“You don't believe anything's on the level, do you?” 37:23 · “Oh, give me that. I know all about that priest in New York. He's dead.” 37:33

Evidence, details and a link to share

Model synopsis: Three young men are seated together in a vehicle interior, discussing plans for a service station and Tommy's involvement in the Big Brother movement. The transcript includes fragmented dialogue about equipment, money, and a sister's well-being.

• Three young men are seated together in a vehicle. [frame:1]
• The young man on the right looks at the reclining man while speaking. [frame:2]

4 people observed.

“Type B-16.” 38:17 · “$1,938 in the house.” 38:25

Evidence, details and a link to share

Model synopsis: Three men are seen in a vehicle during a conversation about financial troubles and a gas station; one frame shows them outside the car near a large tank. The dialogue references taxes, money from New York, and a plan involving red gas.

• Three men are seated in a car, one driving, one in front passenger, one in back. [frame:1]
• The driver gestures while speaking to the front passenger. [frame:2]
• The back passenger leans forward, engaging with the driver. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“You've been behind in taxes.” 38:46 · “They're in a gas station on our road, 42 miles one way and 28 the other.” 39:01

Evidence, details and a link to share

Model synopsis: A group of young men are gathered around a large water tank outdoors; one climbs to the top while others watch and speak. The transcript indicates they are recounting a recent outing near mines and a date ranch, and one warns against 'squealing'.

• A group of young men stand around a water tank, talking. [frame:1]
• One young man leans over the edge of the tank while others watch. [frame:2]
• A young man in a dark tank top raises his arm while standing near the tank. [frame:3]
• 1 more under Evidence and details.

8 people observed.

“Now listen kids, get this. We went down the road to the mines to that new date ranch where they were irrigating.” 39:34 · “Anybody that squeals who went swimming gets the works. Understood?” 39:40

Evidence, details and a link to share

Model synopsis: A person dives into water while another is already swimming; someone off-screen calls out to 'Jack' and mentions an 'Olympic champ' arriving. The scene includes a splash and a tree in the background.

• A person dives into water, creating a splash. [frame:1]

Named: Jack (t:40:01). 3 people observed.

“How's the water, Jack? It's the catch! Yeah! Oh! Wait for me! The Olympic champ's coming now!” 40:01 · “Speed water, hear that crap!” 40:08

Evidence, details and a link to share

Model synopsis: A young man in swimwear stands on a wooden structure above water, then enters the water among others. He speaks defiantly about swimming ability while others are in the water.

• A young man stands on a wooden structure above water, looking down. [frame:1]
• The young man enters the water and stands among others. [frame:2]

2 people observed.

“Oh!” 40:11 · “Come on in!” 40:14

Evidence, details and a link to share

Model synopsis: A person is visible in water, surrounded by splashes, with trees and hills in the background. No names, time of day, or period are established from the frame or transcript.

• A person is in water with splashes around them. [frame:1]

1 person observed.

“What's the...” 40:33

Evidence, details and a link to share

Model synopsis: A man in overalls and a hat is bent over, working with a bucket and a tool outdoors. The setting is a sloped, grassy area with trees in the background.

• man bends over a bucket, holding a tool [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows hands washing something in a metal basin outdoors. No dialogue or on-screen text is present in this beat.

• hands wash an object in a metal basin [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A tree stump is visible in a dark outdoor setting. No people, dialogue, or on-screen text are present in the frame.

Evidence, details and a link to share

Model synopsis: A concrete structure with water gushing from its sides is shown in a dark, outdoor setting. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, textured surface with bright, irregular streaks. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Model synopsis: People are seen splashing in a large circular wooden tank. The scene is outdoors and filmed from above, showing no buildings or clear landmarks.

• People are splashing in a large wooden tank. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible in turbulent water during this beat. The transcript contains a single spoken line urging action.

• A person is seen in turbulent water. [frame:1]

1 person observed.

“Come on.” 41:14

Evidence, details and a link to share

Model synopsis: A group of men are in water, one speaking and gesturing. The transcript includes fragmented speech and an exclamation about water.

• A man gestures while speaking in water. [frame:1]

3 people observed.

“Hey, fellas!” 41:23 · “I got a little water!” 41:24

Evidence, details and a link to share

Model synopsis: A group of people are splashing in a large circular wooden tank. The scene is shot from above, showing only the tank and its immediate surroundings.

• Several people splash in a large wooden tank. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man is seen crawling on a wet surface near foliage, reaching toward a bright flare or explosion. No dialogue or on-screen text is present in this beat.

• A man crawls on a wet surface toward a bright flare or explosion. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person struggles in water while another is helped up; dialogue indicates concern about swimming ability and water levels. The scene includes multiple individuals in a pool or body of water with visible depth markers.

• Person p1 is seen reaching forward in water. [frame:1]
• Person p2 is seen struggling in water. [frame:2]
• Person p3 is seen helping another person in water. [frame:3]
• 1 more under Evidence and details.

Named: Jack (t:42:08). 6 people observed.

“- Dad, you better help him 'cause he can't swim very good. - Okay, kid, up you go to.” 41:49 · “I want to get up. Get me up. Shut up. What's the matter with you? I want to get up. Hey.” 41:59

Evidence, details and a link to share

Model synopsis: A group of people are in a pool, with one person speaking about lifting another up. The scene includes splashing water and a height marker on the wall.

• A person is splashing in water near a height marker. [frame:1]
• A person raises an arm in the water while another looks on. [frame:2]
• Multiple people are in the water, interacting and splashing. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Good.” 42:16 · “It's a comic man. I'll be your own angel.” 42:19

Evidence, details and a link to share

Model synopsis: A man climbs a wet wall while others are in water nearby. Dialogue indicates preparation for an action.

• A man climbs a wet wall. [frame:1]
• Several men are in water, reacting to the climber. [frame:2]

4 people observed.

“Right there.” 42:31 · “- You ready? - Yeah, man.” 42:32

Evidence, details and a link to share

Model synopsis: A person is seen from behind, reaching upward against a tall, curved wall with vertical markings. The scene is in black and white and appears to be shot indoors under artificial lighting.

• A person reaches upward against a tall, curved wall. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is visible in water, creating splashes, with a vertical scale marked in feet visible on the wall. No dialogue or on-screen text is present in this beat.

• A person splashes in water near a vertical depth marker. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A single dark frame shows a faint light point and a partial silhouette. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Model synopsis: A single frame shows a dark, indistinct scene with a partial view of a leg and foot in the upper right. No people, objects, or text are clearly identifiable, and no events occur.

Evidence, details and a link to share

Model synopsis: Three people stand outdoors near foliage and a structure; one is shirtless and elevated, while two others converse. The transcript indicates a discussion about someone’s whereabouts and a truck that left about an hour ago.

• Three people are present outdoors; one is shirtless and elevated, two others stand on ground level conversing. [frame:1]

3 people observed.

“Spit, are you sure you're telling me the truth?” 42:39 · “Cross my heart. Honest pig, I don't know where he went.” 42:42

Evidence, details and a link to share

Model synopsis: A group of people are in water, with one person speaking about water levels and sticking together. The scene includes dialogue about waiting for the water to recede and touching a spot.

• Multiple people are visible swimming or treading water. [frame:1]

3 people observed.

“It's down at 10 feet and still falling.” 42:54 · “All we have to do is stick together.” 42:59

Evidence, details and a link to share

Model synopsis: A man in a hat and dark clothes stands by a stream holding a pole while others swim nearby. One swimmer calls out to someone named Jack about water not flowing, and another voice asks what to do.

• A man stands by a stream holding a pole. [frame:1]
• Swimmers are in the water, one with head above surface. [frame:2]
• A swimmer with wet hair looks up from the water. [frame:4]

Named: Jack (t:43:11). 4 people observed.

“- Hey Jack, the water stopped going down. - Are you sure? - Yeah, you keep going to the same rock. - What do we do now?” 43:11 · “Hey!” 43:21

Evidence, details and a link to share

Model synopsis: A person is visible in turbulent water, partially submerged, with dark objects floating nearby. No dialogue or on-screen text is present in this beat.

• A person is in turbulent water with dark objects floating nearby. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of people are swimming in turbulent water. No dialogue or on-screen text is present in this beat.

• People are swimming in choppy water. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of people are in a large tank of water, with one person preparing to descend while others assist. One individual operates a valve mechanism to control a wire, as instructed by another.

• A person is preparing to descend into a tank of water. [frame:1]
• Several people are in the water, one speaking to another. [frame:2]
• People in the water are interacting, one appears to be giving instructions. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Ed, I'm gonna go down and see what's at the bottom of this tank. Will you hold him for a few minutes? Yeah, I'll hold him.” 43:34 · “Come on, Mommy, go down. Quick.” 43:39

Evidence, details and a link to share

Model synopsis: A shirtless man is visible in a dimly lit interior, leaning over a wooden structure. No dialogue or on-screen text is present in this beat.

• A shirtless man leans over a wooden structure. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two frames show a height measurement chart and a group of people in turbulent water. No names, dialogue, or clear location context are provided in the frames or transcript for this beat.

• A silhouette is shown next to a height measurement chart. [frame:1]
• Several people are visible in turbulent water. [frame:2]

2 people observed.

Evidence, details and a link to share

Model synopsis: Three people are in turbulent water; one speaks to a child named Tommy while another attempts an action. The scene is shot in black and white with close framing on the individuals in the water.

• Three people are in turbulent water, with one man looking alarmed and a woman shouting. [frame:1]
• The woman is shouting with her mouth open while the man looks at her; the child is between them. [frame:2]
• The man reaches out toward the child in the water. [frame:3]

Named: Tommy (t:44:15). 3 people observed.

“I couldn't hold it by the way. It's all right, Tommy.” 44:15 · “I think it's going down. There.” 44:17

Evidence, details and a link to share

Model synopsis: A man speaks about touching bottom and doing something again, while another man encourages him by name. Two frames show a person underwater with a pole and then two people in water with a third head visible.

• A person is underwater holding a pole. [frame:1]
• Two people are in water with a third head visible. [frame:2]

Named: Jack (t:44:40). 3 people observed.

“Get it? I touched bottom. One more time, I'm going to do it.” 44:32 · “Go ahead, Jack.” 44:40

Evidence, details and a link to share

Model synopsis: A woman in a striped dress holds a pistol indoors while another person stands behind her; a separate shot shows a person climbing a ladder on a silo outdoors. The transcript mentions searching for missing people and a truck, and references characters named Peg, Grandma, Tommy, and Angel.

• A woman holds a pistol indoors while another person stands behind her. [frame:1]
• A person climbs a ladder on a silo outdoors. [frame:2]

Named: Peg (t:44:45), Grandma (t:44:53), Tommy (t:45:01), Angel (t:45:01). 7 people observed.

“Oh, Peg, we've been looking all over the place. We can't find those guys. Yeah, and we was all the way down the road, too.” 44:45 · “Grandma, they couldn't have taken the truck to town. Oh, well, don't worry, Peggy. Maybe the truck broke down. They're all right.” 44:53

Evidence, details and a link to share

Model synopsis: Two men are shown in a physical struggle near a large cylindrical structure; one man is climbing or being lifted while another assists or restrains him. Spoken lines indicate coordination for retrieving a ladder.

• A shirtless man is seen supporting or lifting another person against a wooden wall. [frame:1]
• A man in a shirt climbs or balances on a large cylindrical structure while another person is near him. [frame:2]
• The shirtless man continues to support or restrain another person against the wall. [frame:3]

2 people observed.

“Reach for that ladder and bring it down.” 45:12 · “Okay, guys. Come on.” 45:14

Evidence, details and a link to share

Model synopsis: A man is being held underwater in a tank while others watch; one person climbs a ladder nearby. The group discusses whether he has drowned, and someone instructs silence.

• A man is held underwater in a tank while another climbs a ladder nearby. [frame:1]

Named: Johnny (t:45:29). 3 people observed.

“It's up.” 45:23 · “Hey, this guy's bought water like a fox.” 45:24

Evidence, details and a link to share

Model synopsis: Two men speak in a vehicle while a woman stands in a restaurant; later, a group enters a room. The transcript includes dialogue about someone escaping and being seen again.

• Two men sit in a vehicle and speak. [frame:1]
• A woman stands in a restaurant while others sit at tables. [frame:2]
• A group of people enters a room. [frame:3]

Named: Sheriff (t:45:50). 10 people observed.

“He got away from us, he fell in the water and we fished them out. Get that?” 45:37 · “Well, we haven't seen him since about 2 o'clock this afternoon.” 45:43

Evidence, details and a link to share

Model synopsis: A group returns wet from an outing near an irrigation ditch; a woman urges them to get warm by the stove while others joke about falling in. No names are spoken for the individuals present.

• A woman dries a wet man while another man watches. [frame:2]
• A woman holds a towel over a seated wet man while another dries himself. [frame:3]

7 people observed.

“Where have you been?” 46:07 · “Oh, get some towels, quick, and get them glasses. Come over to the stove and get warm.” 46:25

Evidence, details and a link to share

Model synopsis: Three people stand in a room; one man speaks dismissively to another while a woman looks on. The transcript includes dialogue about leaving and a metaphor comparing their situation to drowning kittens.

3 people observed.

“Get out.” 46:52 · “I'll leave right now, if that's how you feel about it.” 46:56

Evidence, details and a link to share

Model synopsis: Two men are seated and talking in a dimly lit wooden room; a third man in a white undershirt stands behind them near a dresser. The dialogue references nervousness, water, and someone named Jack as a savior.

• A man leans forward with arms crossed on a table, speaking to another man. [frame:1]
• A third man in a white undershirt stands behind a dresser, holding a white cloth. [frame:2]

Named: Jack (t:47:26). 3 people observed.

“Oh, cut that out. Well, every time you do that, you make me nervous all over. Think that's good for me?” 47:20 · “Well, anyway, in the water, its drinker's dead.” 47:24

Evidence, details and a link to share

Model synopsis: Two young men are in a dimly lit interior space, discussing travel plans and the risks of taking someone along. One, in a tank top, speaks while the other, in a shirt, listens with a somber expression.

Named: Tommy (t:47:54). 2 people observed.

“You haven't thought of taking anybody with you, have you? Who?” 47:37 · “I'd like to take it, kid, but your sister would have the militia out after me for kidnapping.” 47:49

Evidence, details and a link to share

Model synopsis: A woman enters a room and speaks to three men, requesting to speak with someone named Jack alone. The men are standing together in what appears to be a modest interior space.

• Woman enters the room and speaks to the men. [frame:1]
• Three men are standing together, facing the woman. [frame:2]
• Woman stands facing the men, speaking. [frame:3]

4 people observed.

“Button in again, huh?” 48:01 · “Haven't you caused enough trouble for one day?” 48:03

Evidence, details and a link to share

Model synopsis: A man and a woman stand in a room with a mirror and a basin; the woman speaks to the man, who responds. The dialogue suggests a reconciliation or moment of understanding after a prior conflict.

3 people observed.

“What's on your mind?” 48:15 · “Called you heel, but I guess you're a heel. Is this a build-up for another sock on the nose?” 48:26

Evidence, details and a link to share

Model synopsis: A man and a woman face each other in a dimly lit interior. The man speaks, asking if she wants him to stay, implying a personal decision about remaining in the location.

2 people observed.

“You know?” 48:46 · “There's only one reason I want to stay.” 48:48

Evidence, details and a link to share

Model synopsis: A woman asks a man to drive her to town for errands, and he agrees after she suggests he eat first. The scene takes place indoors, likely in a private space, with both characters visible and interacting.

• The woman smiles at the man while speaking. [frame:1]
• The man looks at the woman and responds. [frame:2]

2 people observed.

“As long as you're all cleaned up and everything, would you like to drive me to town?” 49:02 · “I got some errands.” 49:06

Evidence, details and a link to share

Model synopsis: A man and a woman are in a vehicle at night, having a tense conversation about trust and intentions. The scene cuts to a gas station where characters greet each other and discuss fuel and business.

• The man and woman are shown in close-up inside a car at night. [frame:1]

2 people observed.

“I'm crazy about you. Ain't that enough?” 49:36 · “I don't know anything about you or who you are except your name.” 49:44

Evidence, details and a link to share

Model synopsis: A man in a suit and hat looks at a boxing poster on a wall. The poster advertises a tour by 'Gaspar Rutche' and includes the phrase 'Taking on ALL Comers Here Soon'.

• A man stands looking up at a poster on a wall. [frame:1]

1 person observed.

“30 cents, that's too much.” 51:03

Evidence, details and a link to share

Model synopsis: A sign announces a $500 prize for a boxing match on Saturday, September 25th at 8 P.M. The sign also states that a round will be paid to any opponent who stays over two rounds. No people or actions are visible in the frame.

Evidence, details and a link to share

Model synopsis: Two men discuss a boxer's skill and a $500 prize while one stands near a boxing ring bell. The setting appears to be a dimly lit indoor space with boxing-related equipment.

2 people observed.

“Hey, you gonna take that in? I hear he's good.” 51:25 · “If he were any good, he wouldn't be barnstorming in the sticks.” 51:28

Evidence, details and a link to share

Model synopsis: A man in a fedora speaks while standing near a poster advertising a boxing match featuring 'Gaspar Rutche' and 'Wild Bull of Europe'. Another man in work clothes stands beside him, and dialogue references money and reluctance to fight a large opponent.

• A man in a fedora is speaking with his hand near his chin. [frame:1]
• Two men stand beside a poster advertising a boxing match. [frame:2]

2 people observed.

“Say, I wouldn't get in the ring with that big ugly moose for $5,000 a round.” 51:46 · “Wild bull of Europe.” 51:51

Evidence, details and a link to share

Model synopsis: A man in work clothes stands near a gas pump and discusses the cost of fuel and equipment. The conversation includes mentions of charging a bill, payment, and the expense of a new pump compared to an old hand pump.

1 person observed.

“Yeah, she took eight gallons. That's $1.28.” 51:56 · “Charge it. Say, Jack, that bill's getting kind of high. How about a little on account?” 51:59

Evidence, details and a link to share

Model synopsis: A man in a hat and coat confronts another man in a dimly lit interior while a third man observes. The confrontation includes spoken threats and a demand to leave, with one man asserting he is having a fight, not a murder.

• Three men are visible in a bar, two confronting each other while one observes. [frame:1]

3 people observed.

“Listen, I'm going across the street for a few minutes. If Peggy comes, tell her I'll be right back, huh? All right.” 52:24 · “You're not big enough. You're too late. What's that got to do with it, if I'm willing? I'm not worrying about you. It's the customers. They …” 52:30

Evidence, details and a link to share

Model synopsis: A man and a woman are in a vehicle interior, discussing a risky boxing match and a plan to open a gas station. The man insists on fighting for money despite the woman's concern for his safety.

• A man and a woman are seated in a car, engaged in conversation. [frame:1]

2 people observed.

“I got a lot of work to do. Listen, I want a chance at that mug. Go on, Scram. I'm busy. Keep your hands off of me or I'll clip you. Oh, you …” 52:43 · “Well, I'm going in there and fight them. All I have to do is stand on my feet for four rounds. Four times 500, that's 2,000 bucks.” 53:34

Evidence, details and a link to share

Model synopsis: Two men are visible outdoors near palm trees; one wears a hard hat and gestures while the other sits and looks up. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A shirtless man holds a large object outdoors near trees. No dialogue or on-screen text is present in this beat.

• A shirtless man holds a large object with his right hand. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: An elderly woman in a light dress and hat stands outdoors with two younger people, one holding a large sack. The setting appears to be a park or garden with trees in the background.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man trains with a punching bag while two women and another man observe and speak to him. One woman claims responsibility for training the champ, while the man insists he is the one training him.

• The shirtless man swings at the punching bag. [frame:2]
• The man in the sleeveless shirt watches the training session. [frame:3]
• The blonde woman and the man behind her observe the training while seated. [frame:4]

5 people observed.

“What do you know about it? Plenty, you big, fat, clumsy lummox. How's your wind? My wind? Oh, it's all right. Well, I'll find out about…” 54:40 · “Yeah, I kind of like it.” 54:55

Evidence, details and a link to share

Model synopsis: A group of men in casual attire are gathered around a wooden structure near a waterfall; one man on a ladder is handling buckets while others assist or watch. A voice calls out from off-screen, referencing the waterfall and asking about water and a truck.

• A man climbs or stands on a ladder near a wooden structure. [frame:1]
• A man in a hat holds a bucket while others gather around a wooden structure. [frame:2]
• A man in a hat raises his arms while others look on near the structure. [frame:3]

Named: Caruso (t:55:22), Jack (t:55:22). 7 people observed.

“Chop.” 55:15 · “By a waterfall, I'm calling.” 55:18

Evidence, details and a link to share

Model synopsis: A group of young men gather around one who claims to have won three dollars in a newspaper photo contest; they examine a newspaper clipping showing a photo of a boy named Jack. The scene takes place outdoors near a wooden structure with hay bales visible.

• A young man shows a newspaper clipping to others. [frame:1]
• The group looks at a photo in the newspaper showing a boy named Jack. [frame:2]

Named: Jack (t:55:50). 4 people observed.

“Hey fellas, get a load of this, will ya? What do you got, kid? I just won three bucks.” 55:34 · “Here's the three bucks, if you don't believe me. Well, come on, show us the picture. Where is it?” 55:42

Evidence, details and a link to share

Model synopsis: Two men argue over a photograph; one is shirtless and holds the photo while the other confronts him. The confrontation includes threats and denials about taking the picture.

• The shirtless man holds a photograph while being confronted. [frame:1]

2 people observed.

“When did you take that?” 55:59 · “Once when you wasn't looking...” 56:01

Evidence, details and a link to share

Model synopsis: Two men in suits and hats are in an office; one sits holding a newspaper while the other stands beside him. The transcript includes dialogue about a mysterious hand gesture, a hunch about someone named Johnny Bradfield, and a joke about boxing gloves and money.

• A man in a pinstripe suit sits at a desk holding a newspaper while another man in a dark suit stands beside him. [frame:1]

2 people observed.

“So, a guy gets up out of his grave, sticks out his right hand just so you can make the pinch, and prove that all the rest of us around here …” 56:28 · “Write us picture postcards. Go on, laugh.” 56:43

Evidence, details and a link to share

Model synopsis: A man in a police uniform sits in a vehicle holding a camera; a group of young men gather around him, one speaking. Another frame shows the officer being held by the throat while others look on. A final frame shows two men in the vehicle, one gesturing toward his face.

• A police officer sits in a vehicle holding a camera to his eye. [frame:1]
• A group of young men stand together, one gesturing toward another. [frame:2]
• A man grabs the police officer by the throat while others look on. [frame:3]
• 1 more under Evidence and details.

6 people observed.

“Lamp that you're lucky. Lamp what's in it? You're lucky. Wait a minute. Guys, wait a minute. I got an idea. Come on.” 57:12 · “Let's go. Look at that. Isn't it for you? Hey, what is that?” 57:17

Evidence, details and a link to share

Model synopsis: A group of young men, including one in a uniform, are gathered in a vehicle while one speaks about a flat tire and their parents going to a telegraph office. One boy in uniform reacts emotionally and uses binoculars while another mocks him.

• The uniformed boy looks through binoculars. [frame:4]

5 people observed.

“We just stopped to have a flat fixed.” 57:37 · “We shall be off as soon as Dad and Mater return from the telegraph office.” 57:39

Evidence, details and a link to share

Model synopsis: Two men examine a motion picture camera near a car while others watch; dialogue suggests they are debating whether to take it honestly. A man named Douglas is asked to look at the camera, and the group prepares to leave.

Named: Douglas (t:58:14). 6 people observed.

“Hey, what kind of camera is that?” 57:55 · “It's a motion picture camera.” 57:57

Evidence, details and a link to share

Model synopsis: A boy in a uniform sits in a vehicle while three other boys lean on the car outside, discussing poker. One boy dismisses the idea of teaching poker to the uniformed boy, calling him too young.

• A boy in uniform sits in a vehicle. [frame:1]
• Three boys lean on a car outside, talking. [frame:2]
• The boy in uniform looks down. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“marbles?” 58:27 · “That's a sissy game. We're gonna play poker.” 58:29

Evidence, details and a link to share

Model synopsis: A boy in a uniform is invited to join a group playing cards; he is given cards and money. The group includes several young men and the boy, and they are gathered around a table outdoors.

• The boy is given cards and money at a table. [frame:4]

5 people observed.

“But I'm 12 and I could learn.” 58:42 · “What do you say, gang? Should we let him in? Oh, no. Come on, Doug. Step right out. That's the way. I've only got 25 cents. Oh, that'…” 58:46

Evidence, details and a link to share

Model synopsis: A hand displays a sequence of playing cards during a card game; three men are seated at a table, one in uniform, discussing their hands. No names are spoken that identify the individuals, and the setting is not clearly established beyond being indoors.

• A hand holds a fan of cards showing 10, 9, 8, 7, 6 of spades. [frame:1]
• Two men sit at a table; one in uniform looks at cards while the other leans in. [frame:2]
• Three men are seated at a table playing cards; one deals cards. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“I got six, seven, eight, nine and ten. Isn't that any good?” 59:09 · “No.” 59:12

Evidence, details and a link to share

Model synopsis: Two young men are playing cards; one, wearing a uniform, holds cards while the other looks on. A third person at the table reacts as the hand is resolved, with the transcript confirming Angel's pair of sevens wins.

• A young man in a uniform holds cards while another looks on with his hand near his mouth. [frame:1]
• Three young men are seated at a table with cards; one wears a makeshift crown and speaks. [frame:2]
• The young man in the plaid shirt places his hand on the shoulder of the uniformed young man as he looks at the cards. [frame:3]

4 people observed.

“Well, it's between you and Angel now. What do you got, Angel?” 59:30 · “I got a pair of sevens.” 59:33

Evidence, details and a link to share

Model synopsis: Three men are seated around a table in a dim, wooden interior, handling playing cards. One man in a uniform is present, and dialogue suggests a card game with stakes, including a mention of 'Douglas Jr.' and a warning not to forget to come back.

• A man in uniform holds playing cards at the table. [frame:3]
• A close-up shows hands holding playing cards including the Ace of Spades. [frame:4]

Named: Douglas Jr. (t:59:46). 7 people observed.

“Oh, you'll catch on to this. Yep, Douglas Jr. and I can take off the coat and belt.” 59:46 · “Oh, you mean I lose that? Well, you don't win. Well, maybe you'll win it back next time. Sure, it's pretty easy. Yeah, just put it over …” 59:50

Evidence, details and a link to share

Model synopsis: Three men are seated at a table playing cards; one reveals a pair of twos and another is told he has only ones. A fourth man enters and grabs the boy’s hat, prompting a comment about winding up quickly.

• A man reveals a pair of twos. [frame:1]
• A man grabs the boy’s hat and another comments about winding up quickly. [frame:2]

4 people observed.

“Hold on. We're staying pat.” 60:12 · “Well, what do you got, Tommy?” 60:21

Evidence, details and a link to share

Model synopsis: A man and a woman are seated in a convertible car in what appears to be a garage or shop. A sign advertising boxing gloves for $8.00 is visible on a wall.

• A man and woman are seated in a convertible car. [frame:1]
• A sign advertising boxing gloves for $8.00 is visible on a wall. [frame:2]

3 people observed.

“Douglas!” 60:37 · “Why, what has happened?” 60:39

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit stands beside a boxing poster listing fighters including Gaspar Rutchek and Jack Dorney. No dialogue or on-screen text beyond the poster is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora speaks while smoking, then confronts another man in a hallway; the dialogue suggests a boxing context and a discussion about motives for fighting. The setting includes a sign indicating 'WHILE TRAINING ONLY ALLOWED'.

• p1 smokes while speaking [frame:1]
• p1 confronts p2 in a hallway [frame:2]

2 people observed.

“- You're by all right, huh? - Yeah.” 61:20 · “Doctor said I was 100% okay. I hit the scale of 153.” 61:24

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior, one mentioning his wife's pregnancy. A separate scene shows a man buying a ringside seat at a ticket booth for a boxing event, asking about a fighter named Jack Dorney.

• A man in a fedora responds to the news. [frame:2]
• The man in the fedora looks over his shoulder. [frame:3]
• A man buys a ringside ticket for a boxing event. [frame:4]

4 people observed.

“My wife's gonna have a kid.” 61:38 · “Got any good seats left for tonight? Yeah, I have a few left. Where are they? How near do you want them? As close as I can get. Well, how ab…” 61:49

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a poster advertising a boxing tour, reacting to news that someone named Jack passed a medical exam. The conversation includes a mention of Cy Kimball driving by in his truck and a comment about Jack's health.

• People are gathered around a poster advertising a boxing tour. [frame:1]

Named: Jack (t:62:28), Cy Kimball (t:62:28). 5 people observed.

“Hey, you think we need some more crepe? No, we don't need no more crepe.” 62:22 · “Yes, sir, you're a dead pigeon.” 62:26

Evidence, details and a link to share

Model synopsis: A group of people are gathered in a room with a dining table set for a meal; one man in a suit and hat adjusts his hat while others appear to be urging someone forward. A woman in an apron stands near a table with a checkered cloth, and another scene shows a man being held back as a woman reaches across the table.

• A group of people are gathered around a seated woman at a dining table. [frame:1]
• A woman in an apron stands near a table with a checkered cloth, holding a bowl. [frame:2]
• A man is being held back while a woman reaches across the table toward him. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Here he comes! Come on, come on! Come on, take it! Take it! Take it! Take it!” 62:50

Evidence, details and a link to share

Model synopsis: A group of people are gathered in a dimly lit room with wooden paneling and shelves; one man leans over a seated woman while others stand or sit nearby. No dialogue is present in this beat.

6 people observed.

Evidence, details and a link to share

Model synopsis: A man and a woman sit at a table in a dimly lit interior, facing each other. No dialogue or action is recorded in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A group gathers indoors to present a gift to a man called 'Champ' on the eve of a big fight; one man apologizes for being unable to fight. The setting includes a table with a cake and candles, suggesting a celebratory occasion.

• A young man presents a white box to another man. [frame:1]
• A group at a table with a cake and candles applauds. [frame:2]
• A man in a suit holds gloves and speaks apologetically about not being able to fight. [frame:3]

Named: Champ (t:63:13). 5 people observed.

“Quiet! Champ!” 63:13 · “On behalf of the gang and myself and Grandma and Peggy,” 63:15

Evidence, details and a link to share

Model synopsis: Four people sit at a table with a cake and a lit candle; one man speaks about being turned down by 'Doc' over a ticket issue. A separate shot shows a man in a jacket speaking directly to the camera.

• Four people are seated at a table with a cake and a lit candle. [frame:1]
• A man in a jacket speaks directly to the camera. [frame:3]

4 people observed.

“Doc turned me down there. Something the matter with my ticket.” 63:43

Evidence, details and a link to share

Model synopsis: A man in a suit jacket and collared shirt is shown in a medium close-up. The setting appears to be an interior space with soft lighting and a blurred background.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a light jacket and collared shirt is shown in a medium close-up. The setting appears to be an interior space with dim lighting and indistinct background elements.

1 person observed.

Evidence, details and a link to share

Model synopsis: An elderly woman sits at a table with a lit candle; she speaks an apology and then addresses others as 'boys'. The setting appears to be an interior room with dim lighting.

1 person observed.

“I'm sorry.” 63:55 · “Come on, boys.” 63:57

Evidence, details and a link to share

Model synopsis: A group of people are gathered around a table in a dimly lit room with shelves and curtains visible in the background. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A woman with blonde hair in a patterned blouse is shown in a close-up. No dialogue or action is visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a vest and shirt is visible in a dim interior space with shelves and a curtained doorway. He speaks two lines during the beat, asking what is wrong with everyone.

• A man turns slightly in a room with shelves and a curtained doorway. [frame:1]

1 person observed.

“Come on.” 64:12 · “What's the matter with everybody?” 64:22

Evidence, details and a link to share

Model synopsis: A woman speaks in a dimly lit interior, accusing someone named Jeff of lying about passing a medical exam. She mentions Si Kimball and the doctor’s statement, then says she is young.

Named: Peggy (t:64:24), Jeff (t:64:24), Si Kimball (t:64:29). 3 people observed.

“I know you're lying, Jeff.” 64:24 · “Who, me?” 64:26

Evidence, details and a link to share

Model synopsis: A man and a woman have a tense conversation in a room with framed pictures and a 'CHAMP' banner; the woman questions the man's honesty about love, and he denies lying.

• A man stands holding an object in a room with a 'CHAMP' banner. [frame:1]
• A woman speaks with a serious expression. [frame:2]
• The woman continues speaking, looking slightly to her right. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“You're not there. I'm a liar and I...” 64:41 · “Were you lying to me when you told me that you loved me?” 64:52

Evidence, details and a link to share

Model synopsis: A man and a woman are in a dimly lit interior, speaking closely. The man explains he changed his mind about a fight because the opponent is too tough, preferring to get money another way.

• The man and woman are speaking closely in an interior space. [frame:1]
• The woman looks at the man with a concerned expression. [frame:2]

2 people observed.

“I love you too.” 65:11 · “Well, I changed my mind, see? The guy's too big, he's too tough.” 65:30

Evidence, details and a link to share

Model synopsis: A man and a woman are in a room; the man speaks and drinks while the woman stands near a chair labeled 'THE CHAMP'. The woman says she is leaving, and the man is told to leave her alone.

• The man looks at the woman and speaks. [frame:1]
• The man drinks from a bottle while the woman turns away. [frame:2]
• The woman stands beside a chair labeled 'THE CHAMP'. [frame:3]

Named: Jack (t:65:50). 2 people observed.

“Leave me alone, can't you?” 65:39 · “Jack.” 65:50

Evidence, details and a link to share

Model synopsis: A man in a coat stands by a window, looking out. The transcript includes brief exchanges and a final 'Amen.'

• A man stands by a window looking out. [frame:1]

1 person observed.

“See you.” 66:10 · “Yes.” 66:11

Evidence, details and a link to share

Model synopsis: A group of men are gathered in a room, some seated at a table, others standing or near a window; dialogue suggests a discussion about a boxer named Jack and his courage. One man is seen from outside looking through a window at the group inside.

Named: Jack (t:66:39). 7 people observed.

“He took one look at that stumble-gum he was supposed to fight and he gave up. That's all he lost his night. Yeah, they get that way sometim…” 66:27 · “Shut up.” 66:37

Evidence, details and a link to share

Model synopsis: A man in a suit speaks to others in a room with beds and a desk; another man in a vest stands in the background. The transcript includes dialogue about leaving, blame, and refusing company.

• A man in a suit enters the room and speaks. [frame:1]
• Several men are seated or standing in a room with beds and a desk. [frame:2]
• The man in the suit turns toward the man in the vest. [frame:3]

Named: Jack (t:67:14). 4 people observed.

“What a slut, blaming it on his ticket.” 66:48 · “Jack.” 67:14

Evidence, details and a link to share

Model synopsis: A man in a vest stands in a dim interior while another man bends over a table; dialogue indicates a tense farewell and a decision to leave. No names are spoken, and the setting appears to be a private room with minimal furnishings.

• A man in a vest stands facing the camera with a concerned expression. [frame:1]
• A second man bends over a table while the first man stands nearby. [frame:2]

2 people observed.

“I travel alone.” 67:50 · “I'm going to go.” 67:55

Evidence, details and a link to share

Model synopsis: A man in a vest and rolled-up sleeves stands near a curtain, speaking. He says he is with the listener and willing to be taken.

• A man stands near a curtain, looking toward the camera. [frame:1]

1 person observed.

“What I'm trying to tell you is that” 68:24 · “I'm with you. If you want to take me.” 68:27

Evidence, details and a link to share

Model synopsis: A man speaks in a close-up shot, saying he will stay in place while mentioning someone named Ingo. The setting is an interior space with studio lighting.

• A man speaks in a close-up, saying he will stay right here. [frame:1]

1 person observed.

“Uh...” 68:39 · “Gone away.” 68:40

Evidence, details and a link to share

Model synopsis: A man in a suit is shown in two frames, first speaking animatedly and then standing still. The transcript includes lines about fighting and telling others, suggesting a confrontation or boast.

• A man speaks with an open mouth and gesturing hand. [frame:1]
• The same man stands still, looking off-camera. [frame:2]

1 person observed.

“You're gonna fight? What do you think? It was a rib. It was a rib. I knew it was all the time.” 68:46 · “Boy, what did I tell the guys? Attaboy, you tell them. Tell them all!” 68:51

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Model synopsis: A young man sits in an interior space while a framed portrait of an older man in clerical collar is shown. A voice asks 'What do you say, Father?' and another voice replies 'I'm not.'

• A framed portrait of an older man in clerical collar is shown [frame:1]
• A young man is shown seated, looking forward [frame:2]

2 people observed.

“What do you say, Father?” 69:16 · “I'm not.” 69:18

Evidence, details and a link to share

Model synopsis: A silhouetted man gestures emphatically in a dimly lit interior while lines from the transcript suggest a tense exchange involving someone named Johnny Bradfield and a decision to 'take it.' No names are visually confirmed, and the setting lacks identifiable features beyond a traffic light silhouette.

• A silhouetted man gestures with his arms in a dimly lit room. [frame:1]

1 person observed.

“I suppose that Dick didn't see no son.” 69:33 · “You wouldn't be so sure was Johnny Bradfield.” 69:38

Evidence, details and a link to share

Model synopsis: A man in a light shirt and fedora counts money while speaking; two other men in suits and hats stand nearby. One of the men is addressed as 'Jim' and told to watch something.

• A man counts money while speaking. [frame:1]

Named: Jim (t:70:08). 3 people observed.

“Hey, there's only two here. Where's the others for them? Who's then? There's only two with me. One, two, one, two, one, two. That's all. Ji…” 70:08

Evidence, details and a link to share

Model synopsis: A group of men and one woman are seated in what appears to be a courtroom gallery or public seating area. One man stands in the aisle, facing the seated group, while others look toward him or forward.

5 people observed.

Evidence, details and a link to share

Model synopsis: A group of men sit in a crowded indoor space; one man in a hat and vest is visible in the foreground. A voice asks about a ticket and addresses someone named Wood, who is told to come in and good night.

Named: Wood (t:70:38). 4 people observed.

“- Yeah, who ain't got a ticket? What's that, Wood? - Come in, good night!” 70:38

Evidence, details and a link to share

Model synopsis: A crowd of men in hats and casual shirts is shown in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A group of men are gathered in a room where one is being instructed to show his hand, and someone shouts 'Fire!' at the end. The setting appears to be a backstage or locker room area with minimal furnishings and several people present.

5 people observed.

“Hey, are these the guys I'm gonna fight? Yeah, shake hands with the boys.” 71:00 · “Hey, come here, you.” 71:05

Evidence, details and a link to share

Model synopsis: Two men in robes confront each other in a room while a third man in a suit intervenes. Dialogue indicates a tense exchange about fighting and recognition from a newspaper photo.

3 people observed.

“Come over here. What's the matter? Are you scared?” 71:18 · “No.” 71:20

Evidence, details and a link to share

Model synopsis: A crowd of men in suits and hats moves through an indoor space. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of young men are visible in a close-up, some shouting or gesturing. No spoken dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a striped robe and boxing gloves is urged to hurry by others in a room with wooden walls and a poster; dialogue suggests he is being pressured to fight and that someone is afraid of him. No names are spoken that can be assigned to visible individuals.

• A man in a striped robe holds boxing gloves while others stand around him. [frame:1]
• The man in the striped robe speaks to another man in a striped robe. [frame:2]
• The man in the striped robe faces another man in a striped robe, both holding gloves. [frame:3]

4 people observed.

“All set. They're ready. 12. Oh, not you, Gary. Change his mind. Come on, Colucci. Hurry up. They're waiting on you.” 72:17 · “Yeah, John, he's trying to get my goat.” 72:22

Evidence, details and a link to share

Model synopsis: Two men are in a room; one is seated and wearing a striped robe, the other stands in a robe and speaks to him. The dialogue references a hospital bill, a boxer named Colucci, and boxing strategy.

• A man in a robe stands and speaks to a seated man in a striped robe. [frame:1]

2 people observed.

“Come on, sit down, will you? Relax. What's the matter? You worried about the wife?” 72:44 · “I'll stay in there till I get that hospital bill paid, or I'll...” 72:48

Evidence, details and a link to share

Model synopsis: A man in a robe is spoken to by others in a room; one line mentions 'Clutch' being taken away. A close-up shows the man in the robe looking serious.

• A man in a robe is spoken to by others in a room. [frame:1]
• A close-up shows the man in the robe looking serious. [frame:2]

4 people observed.

“That's what I'm gonna do, box his ears off.” 73:31 · “That's coming up. Where's Clutch?” 73:35

Evidence, details and a link to share

Model synopsis: A boxing match is described in the transcript, with one fighter knocked out after a right to the jaw; a man in suspenders is visible in a single frame. No names are spoken that can be assigned to visible people.

• A man in suspenders is seen from behind, seated or leaning forward. [frame:1]

Named: Dorney (t:73:59), Smith (t:74:08). 3 people observed.

“Still trying to get my goat, huh? All set, kid.” 73:48 · “Yeah, well, no, I've only got one handbag. Okay, we'll take the other one in the ring. Come on.” 73:50

Evidence, details and a link to share

Model synopsis: A crowd in a boxing arena reacts as someone named Jack is spotted; a man at a desk speaks into a microphone. The setting is an indoor venue with spectators seated and standing.

• A crowd is gathered in an arena, some standing, some seated, looking toward one direction. [frame:1]
• A man at a desk speaks into a microphone while looking down at papers. [frame:2]
• Spectators in the crowd react with surprise and excitement, some shouting. [frame:3]
• 1 more under Evidence and details.

Named: Jack McClendon (t:74:30). 7 people observed.

“Now the next fighter to meet in the ball is Jack McClendon.” 74:30 · “Dorney!” 74:34

Evidence, details and a link to share

Model synopsis: A boxer in a robe stands in a ring with two men, one wearing gloves, while spectators watch. The scene is lit as if for a staged event, with no dialogue or on-screen text visible.

4 people observed.

Evidence, details and a link to share

Model synopsis: A crowd watches an event, with some individuals visibly reacting to dialogue about a character named Jack fighting a 'big gorilla'. The transcript includes overlapping lines of encouragement and apology, suggesting a chaotic or lively atmosphere.

• A crowd of spectators is visible, some reacting with expressions of excitement or amusement. [frame:1]

8 people observed.

“Jack will show that big gorilla.” 74:52 · “Oh, I don't know, Bram. He's awful tough.” 74:52

Evidence, details and a link to share

Model synopsis: A crowd of men in a dimly lit interior space is shown in a single frame; one man is being held or restrained by others while others look on. No spoken dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A crowd of men is shown in a chaotic pile-up, with some individuals visibly struggling or being held down. No dialogue or on-screen text is present in this beat.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora watches from the crowd as a boxer in a striped robe speaks with another man near a ring; a voice calls out to 'Johnny' and asks if he knows the man.

• A man in a fedora looks toward the ring. [frame:1]
• A boxer in a striped robe leans forward near the ring while another man stands beside him. [frame:2]
• The boxer speaks to the man in the dark shirt while another man watches from behind. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Hey, Johnny.” 75:20 · “Hey, there's a guy down there calling you, kid.” 75:27

Evidence, details and a link to share

Model synopsis: A boxing match is being prepared in a ring with a referee and spectators; a man named Jack is addressed as a challenger. Rules are announced for the fight under Queensbury rules, and fighters are instructed to shake hands before beginning.

• A man in a suit stands in the ring addressing fighters and crowd. [frame:1]
• Two fighters stand side by side, one shirtless with gloves, the other in suspenders. [frame:2]
• Fighters move into position in the ring as spectators watch. [frame:3]

Named: Jack (t:75:47). 6 people observed.

“Quiet! Quiet, please! The last challenger!” 75:41 · “Come eat in the wild, bull!” 75:45

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit holds a handkerchief to his mouth while others look on. The setting appears to be an indoor public space with multiple people present.

3 people observed.

Evidence, details and a link to share

Model synopsis: A boxing match is underway with a fighter recoiling from a punch; spectators and a ringside reporter are visible. The transcript mentions a fighter named Dorney being hit and a reporter named Killer working the match.

• A boxer recoils backward after being hit. [frame:1]
• A boxer is seen from below, head thrown back after a punch. [frame:2]
• A reporter named Killer is at a ringside table with a microphone. [frame:3]
• 1 more under Evidence and details.

Named: Killer (t:76:29). 8 people observed.

“- Hit him! - Hit him! Hit him! - Right down, you're sure getting lost, would you?” 76:19 · “Killer is working Dorney across the ring. He reps a terrific right to Dorney's heart and drives Dorney up against the rope.” 76:29

Evidence, details and a link to share

Model synopsis: Two boxers fight in a ring under a referee's watch, while spectators including a man in a fedora react. A voice directs someone named Biscuit to move to the front and left during the match.

• Two boxers are fighting in a ring with a referee nearby. [frame:1]
• Audience members, including a man in a fedora, watch the match intently. [frame:2]
• The referee walks across the ring while the boxers continue fighting. [frame:3]
• 1 more under Evidence and details.

Named: Biscuit (t:76:43). 6 people observed.

“That's a cotton. Cotton, Chuck, cotton. We can't take it. Get in the front, Biscuit. Get in the front, Biscuit. The left, the left. Th…” 76:43 · “Come on, come on!” 76:52

Evidence, details and a link to share

Model synopsis: A man in a fedora leans over a table with a camera, while a crowd watches; dialogue suggests a chase or fight involving someone named Jack and a 'gorilla'. No named characters are confirmed by speech in this beat.

• A man in a fedora leans over a table with a camera, looking toward the crowd. [frame:1]
• The crowd watches intently; one man smokes, another covers his mouth. [frame:2]

5 people observed.

“That gorilla do that to you Jack” 76:59 · “- Get him back! Get him back!” 77:02

Evidence, details and a link to share

Model synopsis: A boxing match is underway in a ring with spectators watching; one fighter is down and being urged to rise. The crowd's reactions vary from concern to amusement as the fight continues.

• A boxer is knocked down in the ring. [frame:1]
• A man with a camera watches the match intently. [frame:2]
• Spectators in the crowd show varied reactions to the fight. [frame:3]
• 1 more under Evidence and details.

Named: Jackie (t:77:19), Jack (t:77:29). 9 people observed.

“He lands a terrific right to Dornies draw.” 77:14 · “comes through with the left of the jaw, and another hard bite with the heart.” 77:16

Evidence, details and a link to share

Model synopsis: A boxing match is underway in a ring with a referee and spectators. One boxer is on his knees while the other stands nearby.

• One boxer kneels in the ring while another stands nearby and a referee observes. [frame:1]

4 people observed.

Evidence, details and a link to share

Model synopsis: A boxing match is underway in a crowded ring; spectators and officials are present. A man in the crowd urges another to finish the fight, while a boxer is told he hasn't begun to fight.

• A shirtless boxer grimaces in the ring. [frame:1]
• Two men stand in the ring, one walking away, while spectators watch. [frame:2]
• A man in a white shirt stands in the ring as others gather around. [frame:3]
• 1 more under Evidence and details.

8 people observed.

“Suck him!” 77:42 · “I beg them.” 77:43

Evidence, details and a link to share

Model synopsis: Two boxers are fighting in a ring during round two, with spectators visible in the background. A sign indicating 'ROUND 2' is visible behind the fighters.

• Two boxers are engaged in a fight inside a ring. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A group of men and boys are gathered closely in a dimly lit interior space, looking forward with serious expressions. No dialogue or on-screen text is present in this beat.

5 people observed.

Evidence, details and a link to share

Model synopsis: A hand holds a stopwatch with the second hand moving. No people are named, no location is established, and no dialogue is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A shirtless man in a boxing stance is shown in a close-up. The background is blurred but suggests an arena with spectators.

1 person observed.

Evidence, details and a link to share

Model synopsis: A hand holds a stopwatch with the dial visible. No people are named, no location is established, and no dialogue is present in this beat.

Evidence, details and a link to share

Model synopsis: Two men are in a boxing ring with a referee between them; spectators are visible in the background. The scene is lit by overhead lights and framed through the ring ropes.

4 people observed.

Evidence, details and a link to share

Model synopsis: A boxing match is underway in a ring surrounded by spectators. A referee and cornermen are visible near the ring, and one boxer is on the canvas while another stands nearby.

• A boxer lies on the canvas while another stands nearby in a boxing ring. [frame:1]

5 people observed.

Evidence, details and a link to share

Model synopsis: Two men are boxing in a ring while spectators watch; a man in a fedora and striped shirt is visible in the crowd. A commentator describes the fight, mentioning a boxer named Dorney being hit with a right uppercut.

• Two boxers are fighting in a ring while spectators watch. [frame:1]
• A man in a fedora and striped shirt watches the fight intently. [frame:2]

Named: Dorney (t:78:44). 4 people observed.

“No. Get him!” 78:37 · “There comes the bull again. He's got Dorney back into a corner. Rips lefts and rights to the body.” 78:44

Evidence, details and a link to share

Model synopsis: A crowd watches a boxing match; a man in a fedora reacts to a fighter being knocked down and then rising. The transcript includes shouted encouragement and a comment about someone being framed.

• A man in a fedora reacts with alarm as someone is knocked down in a boxing match. [frame:2]
• The crowd is shown reacting with tension and surprise. [frame:3]
• The crowd continues to watch intently as the fighter gets up. [frame:4]

5 people observed.

“Here he goes. Dorney's down from a terrific right to the jaw.” 78:54 · “Get up, Jack!” 78:57

Evidence, details and a link to share

Model synopsis: Two boxers are fighting in a ring with spectators visible in the background. The scene is shot in black and white with studio lighting and a medium shot framing the fighters.

3 people observed.

Evidence, details and a link to share

Model synopsis: A woman in a coat gestures while speaking; the crowd in a boxing arena reacts; two boxers fight in the ring with a referee. The transcript includes a plea to laugh at someone and a begging request.

• A woman gestures with her hand while speaking. [frame:1]
• The crowd in the arena reacts with laughter and expressions. [frame:2]
• Two boxers grapple in the ring while a referee watches. [frame:3]

5 people observed.

“Go after him with your laughter!” 79:16 · “I beg you.” 79:18

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit is visible in a dimly lit interior, holding his hands up near his chest. No other people or actions are clearly visible in the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a boxing ring is being attended to by others while dialogue discusses the cost and outcome of a fight. The scene includes a man holding the boxer's head and another man in a hat leaning over him.

• A man holds another man's head in a boxing ring. [frame:1]
• Three men surround a shirtless boxer in a ring. [frame:2]

4 people observed.

“It's hard to make a great fellow out of you if that guy don't kill you.” 79:32 · “This is only costing us 1,500 bucks. Do you think that's hay, you dope?” 79:38

Evidence, details and a link to share

Model synopsis: A boxing ring round indicator shows Round 4. No people, dialogue, or other actions are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A crowd of men in hats watches an event from tiered seating; one man in the foreground gestures with his hand. The setting appears to be an indoor arena or stadium with dim lighting and a packed audience.

4 people observed.

Evidence, details and a link to share

Model synopsis: A boxing match is underway with spectators watching; a fighter is down in the ring while another man speaks to him. The crowd reacts as someone counts aloud during the fight.

• Boxer is lying on canvas in ring. [frame:3]
• Boxer looks up, face bruised, sweating. [frame:4]

Named: Johnny (t:80:18). 5 people observed.

“Jack!” 79:55 · “Hiya, Johnny.” 80:18

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior space; one is shirtless and facing the other, who is partially visible in profile. A line of dialogue references a direction, 'South far'.

2 people observed.

“- South far, eh? - Yeah.” 80:42

Evidence, details and a link to share

Model synopsis: A close-up shows a person's bent knee and lower leg, wearing shorts and a white band around the thigh, on a plain floor. No other context, people, or objects are visible in the single frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and suit is visible in a medium shot, seated and clenching his fists. No dialogue or on-screen text is present in this beat.

• A man in a fedora clenches his fists while seated. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two boxers are fighting in a ring with a referee and spectators visible. The scene is shot in black and white with studio lighting and no on-screen text.

4 people observed.

Evidence, details and a link to share

Model synopsis: Two shirtless men are in close physical contact in what appears to be a boxing ring. The setting is dimly lit and crowded, suggesting a public sporting event.

• Two men are locked in close physical contact in a boxing ring. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: Two boxers are in a ring with a referee and spectators watching. The scene is shot from a spectator's perspective, showing the ring and crowd under arena lighting.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and dark suit is visible in a crowd, smoking a cigarette. The setting appears to be an indoor public venue with other seated spectators.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are in a boxing ring with spectators seated around it. The scene is shot from a spectator's perspective, showing the ring and audience in a dimly lit venue.

• Two men stand facing each other in a boxing ring while spectators watch. [frame:1]

3 people observed.

Evidence, details and a link to share

Model synopsis: A crowd of men and women in 1930s attire are visible in a dimly lit interior space, some raising arms and shouting. No spoken dialogue or on-screen text is present in this beat.

• crowd of people shouting and raising arms [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A boxing match is underway in a ring with a referee and spectators visible. The scene is shot from a medium distance, showing the ring and part of the audience.

4 people observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora smiles upward in a crowd. Other men in hats and shirts are visible around him.

3 people observed.

Evidence, details and a link to share

Model synopsis: A crowd of people is shown in a medium shot, with some individuals visibly reacting to off-screen dialogue. The transcript includes overlapping commands to be quiet, suggesting tension or interruption in the scene.

4 people observed.

“What did I tell you? Ah, pipe down.” 81:16 · “Say that again.” 81:20

Evidence, details and a link to share

Model synopsis: A boxer is attended to in a ring between rounds while a man speaks to him; another man holds a bottle. The transcript includes encouragement and tactical comments during the fight.

• A man in a fedora leans over a seated boxer while another man in suspenders stands nearby. [frame:1]
• A man in a sweater holds a bottle near the boxer's shoulder. [frame:2]

5 people observed.

“Good boy, Jack. You did it. Go on, kid. Bring it.” 81:30 · “We got the dough now. You can quit. I can't.” 81:35

Evidence, details and a link to share

Model synopsis: A close-up of a boxing ring round counter showing 'ROUND 5'. No people or dialogue are visible or audible in this beat.

Evidence, details and a link to share