Living room
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 3 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 5:39 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech; cut falls inside a spoken line: no pause was available without exceeding the length cap. Sequence 8 · shots 29–31. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- living_room (living room, interior) evidence: frame:3
- People
- man in dark suit, seated, holding a glass visible, audible
- woman with curly hair, wearing a dark dress with straps, seated, holding a glass visible, audible
- Doc (named at t:6:02): man in suit, standing, holding a glass visible, audible
- Seen happening
- A man sits in a chair holding a drink. [frame:1]
- A woman leans toward the seated man, smiling, holding a glass. [frame:2]
- A man stands holding a glass while another man reclines on a couch and a woman sits beside him. [frame:3]
- Also said
- “Swear to doc, you sore 'cause you ain't got a girl? No, I ain't sore. Come on, pour us a drink. Come on, come on. Yeah, yeah, and fix one for me too, doc. Well, you got a drink. Well, give me some more.” 6:02 · “I want music. Come on. Cheer up, Doc. You're my manager, ain't you? We won the championship, didn't we? We were right up there on the money. You're going to have a lot of things.” 6:12
- Seen
- glass, glass, lamp, couch, side table with bottles, framed pictures on wall
- Interpretation
- Model opinion, not evidence: mood: tense and celebratory; themes: post-victory indulgence, gender roles in sports, manager-athlete dynamics; style notes: medium close-ups and two-shots, high-contrast lighting, static camera, classic 1930s studio production design
A man in a suit sits with a drink while a woman leans toward him; another man stands nearby holding a glass. The dialogue references a boxing champion's lifestyle and a manager's role after a win.
“Live at home with Mother and stay away from booze and women is the new champ's formula. Says you.” 5:42 · “But he's right about the women, isn't he, Johnny? No women in the chance life. Just little Goldie. Yeah.” 5:47 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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