He Walked by Night (1948)

Model synopsis: The beat opens with a title card stating the film is based on a true story involving a difficult homicide case in a major city, followed by a voiceover describing Los Angeles as a sprawling, diverse metropolis with a large police jurisdiction. The narration introduces the setting at City Hall's police communications center, where complaint lights flash continuously.

• A title card appears stating the film is based on a true story involving a difficult homicide case. [frame:1]

“This is Los Angeles, Our Lady the Queen of the Angels, as the Spaniards named her. The fastest growing city in the nation.” 1:07 · “It's been called a bunch of suburbs in search of a city. And it's been called the glamour capital of the world.” 1:16

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Model synopsis: The scene shifts from a police dispatch center with officers at desks and radio equipment to a night street with a car driving. The transcript mentions an auto accident, a wild party, and radio cars receiving orders.

• Officers are seated at desks with radio equipment in a police station. [frame:1]
• An officer is writing at a desk with a lamp and radio equipment. [frame:2]
• Multiple officers are working at desks with radio equipment and papers. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“an auto accident, a wild party.” 2:11 · “Spend an hour or two here and you will think the whole city has gone berserk.” 2:13

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Model synopsis: The beat opens with a wide shot of a busy police station interior, cuts to a close-up of a man in uniform, and ends with a night view of a city. The transcript identifies the setting as Hollywood Division headquarters at 1 a.m. on a June morning and introduces Officer Robert Rollins.

• A wide shot shows a busy police station interior with officers at desks. [frame:1]
• A close-up shows a man in uniform looking off-camera. [frame:2]
• A wide night shot shows a cityscape with scattered lights. [frame:3]

Named: Robert Rollins (t:2:40). 3 people observed.

“Watson, Wilshire, and West Los Angeles.” 2:22 · “is never done. That's true.” 2:30

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Model synopsis: A man walks on a sidewalk at night, then is seen in a close-up near a sign. The transcript includes a brief utterance and a statement of intent to leave.

• A man walks away from the camera on a sidewalk at night. [frame:1]
• A man in a hat is seen in close-up near a sign. [frame:2]

1 person observed.

“Oh.” 3:20 · “I'm going to go.” 3:21

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Model synopsis: A woman is questioned on a sidewalk at night by someone off-camera who demands identification. She claims to have forgotten her wallet but offers her army discharge papers instead.

Named: Miss Logan (t:4:54). 2 people observed.

“What were you doing back at that radio shop?” 4:52 · “Miss Logan?” 4:54

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Model synopsis: A call is made to the police department reporting a shooting at 5057 State Street. The scene shows a dark street at night with a building and streetlight visible.

2 people observed.

“Police Department, operator 27. I want to report the shooting of a policeman.” 5:54 · “Hold on, please. Give me that again, please. I'm calling to report the shooting of a policeman.” 5:59

Flagged: time_of_day without evidence (night)

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Model synopsis: A man at a switchboard speaks into a handset while a woman at a typewriter listens; the transcript indicates an emergency call about a shot officer. The setting is an interior office with switchboard equipment and a typewriter visible.

• Man speaks into switchboard handset [frame:1]
• Woman listens while seated at typewriter [frame:2]

2 people observed.

“Just a minute.” 6:09 · “Receiving hospital, operator two.” 6:11

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Model synopsis: Police respond to an officer shooting at 5057 State Street; Captain Breen directs a dragnet and interviews witnesses. A civilian reports the officer described the suspect as a white male, 26-27, 5'10"-11", 155-165 lbs, with brown hair, regular features, and a mustache, and noted he 'looked like such a nice kid.'

• Captain Breen and witnesses stand on a crowded street at night among parked cars and police officers. [frame:1]

Named: Captain Breen (t:6:55), Bob (t:8:21). 5 people observed.

“An officer shot, code three.” 6:30 · “Instruct homicide to throw out a dragnet and pick up all suspicious characters in the area of the shooting.” 7:00

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Model synopsis: Police officers examine a vehicle's contents, finding suspicious items including what may be nitroglycerin and Navy equipment. They collect evidence and prepare to follow up on leads from a dragnet.

Named: Kevin (t:8:33), Lee (t:8:31), Captain Breen (t:9:40), Joe (t:8:59), Frank (t:9:03), Marty (t:9:53), Chuck (t:9:53). 7 people observed.

“Has the door been checked, Lee?” 8:31 · “I think it's nitroglycerin.” 8:44

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Model synopsis: Police officers conduct a citywide dragnet following a shooting, interrogating suspects at headquarters and rounding up individuals from the streets. A man in a suit is seen in a police station and in a vehicle, while officers question civilians and process detainees.

• Men in suits are seen in a car, one pointing forward. [frame:1]
• A police officer stands near a car with a 'DETECTIVE' sign, escorting a man. [frame:2]
• Men in suits and police officers are in a crowded room, some seated, some standing. [frame:3]
• 1 more under Evidence and details.

8 people observed.

“Good morning, Marty.” 10:12 · “Captain, I wish you'd let Chuck and me handle this case.” 10:24

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Model synopsis: A man is questioned by police officers in a station; he claims he was walking, not running, and mentions being called 'Punchy'. Officers note his parole status and decide to book him for violation.

• Police officers are gathered around a seated man being questioned. [frame:1]
• The seated man is surrounded by officers, some wearing hats, in a busy station environment. [frame:2]

Named: Punchy (t:11:44). 5 people observed.

“I wasn't prowling no cards. Just taking a walk. You know, getting in condition. You were running when the radio car picked you up.” 11:36 · “Maybe that's why the guys call me Punchy.” 11:44

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Model synopsis: A man in a police station is questioned by officers; he admits to being dead and makes a theatrical reference. The setting is an interior room with blinds and a desk, consistent with an interrogation.

• A man in a cap smiles faintly. [frame:1]
• Three men sit around a desk in a police station; one is being questioned. [frame:2]
• A man in a light suit is confronted by officers; a police officer sits behind him. [frame:3]

Named: Ralph Henderson (t:12:17). 5 people observed.

“You say your name is Ralph Henderson?” 12:17 · “So I'm dead.” 12:29

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Model synopsis: Police officers in a station review suspects and their criminal records, including weapons found on them. The real shooter remains unidentified, and Officer Rollins is in a coma at the hospital.

8 people observed.

“Oh, some robbery suspects.” 12:41 · “He runs the outfit.” 12:47

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Model synopsis: A man is shown in close-up with shaving cream on his face; transcript lines describe a physical description of a suspect. No named individuals appear, and the setting is not visually identifiable.

• A man is shown in close-up with shaving cream on his face. [frame:1]
• The man’s face is still visible, with shaving cream on his cheek and jaw. [frame:2]

1 person observed.

“Oh, my God.” 14:08 · “A white male American.” 14:18

Evidence, details and a link to share

Model synopsis: A man in a white shirt is shown in a dimly lit room with tools and a dog; he appears to be assembling or modifying a device. The voiceover questions his motives and refers to him as someone who has taken a life.

• A man in a white shirt stands over another seated man, holding a device. [frame:1]
• The man in the white shirt stands at a table covered with tools and parts. [frame:2]
• The man leans over a device, working with his hands. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“This was no frightened fugitive.” 14:33 · “Why had he set his hand against his fellow men?” 14:37

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Model synopsis: A man in a light shirt stands indoors near a machine with a curved handle. The room has a chandelier and a doorway visible in the background.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man arranges firearms and tools on a table while speaking to others who greet him. The setting appears to be an indoor workspace with equipment visible.

• A man arranges firearms and tools on a table. [frame:1]

Named: Lee (t:15:39), Professor (t:15:41). 3 people observed.

“Good morning, boys. Morning, Lee.” 15:39 · “Hi, Professor.” 15:41

Evidence, details and a link to share

Model synopsis: Three men in suits and hats stand close together indoors, looking down at something out of frame. The lighting is high-contrast and the setting appears to be a dim interior with shelves in the background.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man holds a small object while asking someone named Chuck to hold something. The scene is a close-up shot with no visible background details.

• A man holds a small object near his face. [frame:1]

Named: Chuck (t:16:15). 1 person observed.

“Hold this for me, will you, Chuck?” 16:15

Evidence, details and a link to share

Model synopsis: Three men in hats are gathered around a table in a dimly lit interior. One man leans forward toward the table while the other two stand beside him, looking on.

3 people observed.

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Model synopsis: A hand holds a small metallic object against a dark background. No people, dialogue, or location context is visible in the frame.

1 person observed.

Evidence, details and a link to share

Model synopsis: Three men are in a dimly lit interior space; one asks another named Marty for a hammer. The scene is shot in black and white with medium framing.

Named: Marty (t:16:23). 3 people observed.

“Now if you'll hand me that hammer, Marty.” 16:23

Evidence, details and a link to share

Model synopsis: A single arm is visible holding a small object in a dark, indistinct setting. No people, dialogue, or identifiable location are shown in this one-second beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit enters a room and speaks with others about forensic evidence, including fingerprints and gloves, while another man examines tools under a microscope. The group discusses the lack of useful evidence from a crime scene.

• A man in a suit enters a room through a doorway. [frame:1]
• A man looks intently at something off-screen, possibly a microscope or evidence. [frame:2]
• Two men stand at a counter, one speaking to another who is seated. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“I didn't ask for a collection of fingers, just fingerprints.” 16:40 · “All those nice fingerprints on the car belong to the man who was stolen from, Captain.” 16:44

Evidence, details and a link to share

Model synopsis: Three men in hats gather around a table with equipment; one speaks. The setting appears to be an interior room with a hanging light.

• Three men stand around a table with equipment. [frame:1]

3 people observed.

“Take a look.” 17:19

Evidence, details and a link to share

Model synopsis: A man examines a microscopic view of a tool mark while another man looks up at him in a laboratory. The dialogue suggests they are analyzing evidence to identify a perpetrator.

• A man views a magnified tool mark through a microscope. [frame:1]
• A second man looks up at the first man in a lab setting. [frame:2]

2 people observed.

“Well, it seems to tie the tool up with the lock.” 17:25 · “That microscope would only tell us who did it.” 17:29

Evidence, details and a link to share

Model synopsis: Two men discuss a suspect who handled explosives carefully and understands electricity. One man, wearing a hat and suit, speaks while the other listens in a dimly lit interior space.

• The man in the hat is visible speaking, looking at the other man. [frame:1]
• The man in the hat is shown in a close-up, looking upward with a serious expression. [frame:2]

2 people observed.

“Only an amateur would carry that liquid dynamite in a car. This boy's no amateur.” 17:35 · “Took a lot of other precautions, too. No fingerprints, no identification, nothing definite.” 17:44

Evidence, details and a link to share

Model synopsis: A police officer speaks on the phone about burglaries possibly linked to a killer, then instructs a junior officer to assist with research. A dispatcher calls out a police car assignment for a disturbance.

Named: Captain Breen (t:18:03), Captain Stevens (t:18:03). 5 people observed.

“This is Captain Breen. Get me Captain Stevens of Burglary, will you?” 18:03 · “I've got an idea the Rawlins killer may be tied in with those.” 18:34

Evidence, details and a link to share

Model synopsis: A man is visible inside a vehicle at night, leaning forward over the dashboard. The scene is dimly lit, with light reflecting off the car’s interior surfaces.

• A man leans forward inside a vehicle, looking down at the dashboard area. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man sits inside a vehicle, looking down at something in his hands. The lighting is dim and focused on him, with the background dark.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man sits inside a vehicle, handling an object under dim lighting. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A sign for Reeves Electronic Laboratories is shown, listing sound equipment, radio, public address, and radar. A radio broadcast announces the cancellation of a suspect's arrest and a greeting to Mr. Martin is heard.

Named: Mr. Martin (t:21:13), Mr. Rees (t:21:14). 3 people observed.

“All units.” 20:47 · “Cancel the cancellation.” 20:52

Evidence, details and a link to share

Model synopsis: Two men greet each other in a busy office environment. One man is addressed as Roy, and the other as Mr. Reeves, during a brief exchange.

• Two men greet each other in an office. [frame:1]

Named: Roy (t:21:33), Mr. Reeves (t:21:36). 2 people observed.

“Hello, Roy. Glad to see you.” 21:33 · “How are you, Mr. Reeves? Fine.” 21:36

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Model synopsis: A man in a suit holds a large box while another person stands behind him in what appears to be an office. The transcript includes two spoken lines during this interval.

2 people observed.

“All right.” 21:45 · “Oh, what have we got this time?” 21:51

Evidence, details and a link to share

Model synopsis: Two men discuss equipment and a potential business arrangement in an indoor setting; one man, referred to as Roy, declines an offer to join a lab and insists on maintaining his current setup. The conversation includes mentions of experimental electronics and a plan, but no visible action beyond talking and handling equipment.

• Roy holds a piece of equipment while Mr. Reeves leans over a desk. [frame:1]
• Mr. Reeves looks down at equipment, possibly adjusting it. [frame:2]
• Roy and Mr. Reeves stand facing each other, hands near equipment on a desk. [frame:3]

Named: Roy (t:22:05), Mr. Reeves (t:22:44). 2 people observed.

“There's plenty of these around, Roy.” 22:05 · “I'd like to see you devote yourself entirely to experimental electronics.” 22:24

Evidence, details and a link to share

Model synopsis: Two men in suits are in an office; one departs after a brief conversation about equipment rental and a television projector. The setting is an interior room with office furniture and a doorway visible.

• A man in a suit stands in an office next to a piece of equipment. [frame:1]
• A man with glasses and a mustache sits and speaks. [frame:2]
• A man in a suit stands in a doorway, preparing to leave. [frame:3]

Named: Mr. Reeves (t:23:11). 2 people observed.

“Mr. Reeds?” 23:11 · “You've already got five pieces of my equipment.” 23:14

Evidence, details and a link to share

Model synopsis: Two men are in a room with equipment; one seated, one standing, discussing a rental or sale. The transcript mentions money, a customer, and technical details about an image projector.

• Two men are in an office discussing equipment and a customer. [frame:1]

2 people observed.

“I just wanted you to know I've already set up a rental on it.” 23:42 · “He'll come very high.” 23:49

Evidence, details and a link to share

Model synopsis: A man named Dunning arrives at Reeves Electronics Lab to inspect a television projector, which he claims is stolen. Police are summoned to investigate the claim, and officers begin examining the equipment and questioning those present.

Named: Roy (t:24:41), Dunning (t:24:59), Charlotte (t:24:32). 5 people observed.

“This is the best television projector I've ever seen.” 24:19 · “You see, it's mine. What do you mean? Let me have the police.” 25:23

Evidence, details and a link to share

Model synopsis: Three men in suits converse in a police station newsroom while a woman sits nearby; one man is told Mr. Martin is on the phone and decides to take the call in the superintendent's office. No names are visually identifiable, but 'Mr. Reeves' and 'Mr. Eames' are spoken during the exchange.

Named: Mr. Reeves (t:26:24), Mr. Eames (t:26:33). 4 people observed.

“I'm sure that Roy can explain everything.” 26:21 · “Well, maybe he can, Mr. Reeves, if he'll tell us where he lives.” 26:24

Evidence, details and a link to share

Model synopsis: Three men are in an office; one seated, two standing. A phone conversation occurs about a sold set and a meeting at 8:30, followed by an invitation for Mr. Reeves to stay in his office while others remain nearby.

• Three men are in an office; one seated, two standing. [frame:1]

Named: Mr. Reeves (t:27:58). 3 people observed.

“Tell him that you sold the set. His money's waiting for him here. Find out what time he's coming by.” 26:45 · “Well, maybe you better come in tonight, Roy. A couple of things I want cleared up.” 27:16

Evidence, details and a link to share

Model synopsis: A man stands behind a desk in a dimly lit room while off-screen voices call out and negotiate. No names are spoken that identify the visible person, and no time or place is established beyond the interior setting.

• A man stands behind a desk in a dimly lit room. [frame:1]

2 people observed.

“Is that you, Roy?” 29:41 · “Where are you, Roy?” 30:07

Evidence, details and a link to share

Model synopsis: A silhouetted figure wearing a hat stands in front of a bright doorway. The scene is dark with high contrast lighting, showing only the outline of the person and the door.

1 person observed.

Evidence, details and a link to share

Model synopsis: A silhouetted figure is seen from behind in a dimly lit interior space, with a distant doorway visible. No dialogue or action beyond the exclamation 'Oh!' is provided in the transcript.

• A silhouetted figure stands in a dark room facing a distant doorway. [frame:1]

1 person observed.

“Oh!” 31:40

Evidence, details and a link to share

Model synopsis: A person is visible in a dimly lit interior space after two gunshots are heard. The person reacts audibly to the sound with a cry of alarm.

• The person is visible standing in a dim room. [frame:1]

1 person observed.

“BANG! BANG!” 31:46 · “Oh, my God.” 31:50

Evidence, details and a link to share

Model synopsis: A man in a light shirt is visible in a dimly lit interior, pointing forward with his right hand. A round mirror is visible to his right, and the lighting suggests a studio setup.

• A man points forward with his right hand. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A shirtless man is visible in a dimly lit interior, holding an object near his chest while a small mirror stands nearby. The transcript includes brief spoken lines: 'Okay,' 'Amen,' and 'Hey.'

• A shirtless man holds an object near his chest while looking forward. [frame:1]
• A small round mirror is visible on a surface to the man's right. [frame:1]

1 person observed.

“Okay.” 32:46 · “Okay.” 33:00

Evidence, details and a link to share

Model synopsis: A man in a suit is interrogated in an office about Roy Martin; he claims ignorance and is released. The police then plan surveillance and discuss the killer’s new tactics, including using storm drains for escape.

Named: Paul (t:36:13), Marty (t:35:31), Captain Breen (t:35:09), Rodney (t:36:28), Chuck (t:35:31), Detective Jones (t:36:33), Reeves (t:37:08), Slick (t:36:47). 8 people observed.

“None of them even looks like Roy Martin.” 34:23 · “He had no interest in anything but electronics.” 34:47

Evidence, details and a link to share

Model synopsis: A man speaks about hidden highways and shell casings linked to a killing, while three men stand in a dimly lit interior. The transcript references shell casings from a gun that killed Rollins and were fired at Chuck.

3 people observed.

“Here were 700 miles of hidden highways. Ideal for the use of someone who needed to hurry from place to place without being seen. Ideal as a …” 38:26 · “Well, the reason I asked you to come over is I think I've hit on something. An identification?” 38:43

Evidence, details and a link to share

Model synopsis: Three men examine cartridge casings under magnification in an office setting; one man points to markings while another holds a document. A voice explains that ejectors leave unique markings on casings, and the men confirm matching marks on three samples.

• Two men face each other in close-up, one speaking. [frame:1]
• Three men gather around a table examining objects under magnification. [frame:2]
• A hand points to markings on three magnified cartridge casings. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Every ejector, even in guns of the same model and caliber, is different.” 39:01 · “Each one leaves its own markings on the cartridge casing.” 39:05

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in a close-up; one is on the phone while the other listens. The transcript indicates they are planning an experiment involving victims of hold-ups and discussing a sketching method inspired by a Chicago kidnapping case.

• A man in a suit holds a telephone receiver to his ear while another man listens. [frame:1]

2 people observed.

“In other words, the man who killed Rollins...” 39:22 · “Get me Chandler and robbery, will you?” 39:38

Evidence, details and a link to share

Model synopsis: A man in a suit addresses a seated audience in a room with police officers present; the transcript describes a search for a dangerous man who killed police officers. The speaker asks witnesses to recall facial details of the suspect.

• The speaker holds a small object while addressing the room. [frame:2]
• The audience, including police officers, listens to the speaker. [frame:3]

4 people observed.

“We're gonna try to build a picture of a face.” 40:37 · “resourceful and deadly.” 40:43

Evidence, details and a link to share

Model synopsis: A man in a suit addresses a group in a dark room, preparing to show slides to reconstruct a suspect's face. Another man operates a projector, illuminating a screen while the audience watches.

• A man operates a projector, illuminating a screen in a dark room. [frame:2]
• A man holds a bright projector bulb, preparing to show the first slide. [frame:3]

4 people observed.

“And we're going to try to put those pieces together” 41:04 · “so that they add up into a picture of the face of the man we want.” 41:07

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dark room looking at a projected sketch of a face. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and patterned tie is shown in a close-up. The transcript includes a comment about his hair and a line addressing 'Miss Smith.'

• A man in a suit is shown in a close-up, looking off-camera. [frame:1]

1 person observed.

“His hair had waves in it.” 41:36 · “Well-groomed.” 41:37

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside a projected sketch of a head while others watch; dialogue suggests they are refining the sketch's hair details. The scene is dimly lit, with the projection as the main light source.

• A man stands beside a projected sketch of a head. [frame:1]
• Three women are seated, watching the projection. [frame:2]
• The man looks at the sketch again. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“Is that any closer?” 41:47 · “No.” 41:49

Evidence, details and a link to share

Model synopsis: A man in a suit stands in a dark room looking at a projected sketch of a face. No dialogue or on-screen text is present in this beat.

• A man stands looking at a projected sketch of a face. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a suit and tie is shown in a close-up, looking upward. The transcript discusses his forehead and eyes, suggesting a slide presentation or analysis is underway.

• A man in a suit looks upward. [frame:1]

1 person observed.

“Oh, that's very close.” 42:08 · “He has liked the way his forehead looked.” 42:10

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside a projected sketch of a face while others watch; a close-up of the sketch shows grid lines. The transcript includes fragmented dialogue about eyes and a name, Lee.

• A man stands beside a projected sketch of a face. [frame:1]
• A group of people sit and watch the presentation; a clock on the wall reads 7. [frame:2]
• Close-up of two women watching intently. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“I'm sorry.” 42:24 · “One minute, please. Wait.” 42:28

Evidence, details and a link to share

Model synopsis: A group of men in suits are seated in a dimly lit room, listening as someone off-screen directs them to hold a pose. The transcript includes descriptions of a suspect’s appearance, including a patch over one eye, horn-rimmed glasses, and a band-aid across his nose.

• Men in suits sit and look forward while being directed to hold a pose. [frame:1]

Named: Lee (t:43:10). 7 people observed.

“Now, now you've got it.” 42:46 · “That looks like him, only a little madder.” 42:54

Evidence, details and a link to share

Model synopsis: A man in a suit stands beside a projected sketch of a face while another figure in uniform stands in the doorway. The scene is dimly lit with the projection as the main light source.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a shirt and tie holds a bright spherical object in a dark setting. No dialogue or on-screen text is present in this beat.

• A man holds a bright spherical object in a dark room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman speaks to a man identified as Captain while others observe; a projected sketch of a man's face is shown. The dialogue includes a comment on the nose of a victim and a request to try another sketch.

• A projected sketch of a man's face is shown on a screen. [frame:1]

Named: Miss Montalvo (t:43:34). 5 people observed.

“I'm going to go.” 43:30 · “Señor Capitán.” 43:34

Evidence, details and a link to share

Model synopsis: A police sketch is being reviewed in a room with several people present; a man addresses the group while a projection screen shows the sketch. The transcript includes dialogue about the sketch's accuracy and instructions to continue with the next series.

• A police sketch of a man's face is displayed on screen. [frame:1]
• Three people are seen in conversation, one woman and two men. [frame:2]
• A man stands at the front of a room addressing a seated audience with a projection screen behind him. [frame:3]

Named: Miss Montalvo (t:44:02). 5 people observed.

“Thank you very much, Miss Montalvo.” 44:02 · “That's pretty close, all right. Pretty close. Perfect. All right. Now we'll start on the mouth and chin.” 44:09

Evidence, details and a link to share

Model synopsis: A man stands at a podium addressing an audience in a dimly lit room; a projected image of a face is visible on a screen. The audience, including several women, watches attentively while dialogue describes facial features.

• A man stands at a podium addressing an audience. [frame:2]
• The audience watches a projected image of a face. [frame:2]
• A woman in the audience looks forward with a neutral expression. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“I think his lower lip stuck out more.” 44:19 · “The mouth was thin and mean, like it never laughed.” 44:22

Evidence, details and a link to share

Model synopsis: A man in a suit and glasses is shown in close-up, then a group watches a projected face in a dark room, and two men in suits converse. A voice identifies someone as 'Mr. Reeves' and addresses a 'Captain'.

• A man in glasses looks forward. [frame:1]
• A group of men watch a projected face on a screen. [frame:2]
• Two men in suits face each other in conversation. [frame:3]

Named: Captain (t:44:45), Mr. Reeves (t:44:41). 7 people observed.

“That's him.” 44:37 · “Oh, come in, Mr. Reeves.” 44:41

Evidence, details and a link to share

Model synopsis: A sketch of a man's face is shown with grid lines. A voice identifies him as Roy.

• A sketch of a man's face with grid lines is displayed. [frame:1]

Named: Roy (t:44:52). 1 person observed.

“Why, it's Roy.” 44:52

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior space; one identifies another as 'Roy' and requests a retouched photograph to alter hair and eyebrow appearance. The scene ends with a command to turn on lights.

• Two men stand close together in a dim interior, one facing the other. [frame:1]

Named: Lee (t:45:06). 2 people observed.

“except for the hair being a little lighter and the eyebrows heavier.” 44:54 · “It's Roy.” 44:59

Evidence, details and a link to share

Model synopsis: A police captain concludes an interview with Mrs. Johnson, then a voice contacts Roy Vegas, warning him he is under surveillance and instructing him to perform actions while being watched. The voice directs him to pick up books, choose one, turn off lights, and go to the den.

• A man stands in a doorway inside a dimly lit room. [frame:1]

Named: Roy (t:47:54), Captain (t:45:25), Mrs. Johnson (t:45:17). 4 people observed.

“Thank you very much. You've been a great help. It's positively amazing how you found out what he looked like. Well, we're looking for an a…” 45:17 · “Control yourself. I know you're alone in the house. I'd like you're alone.” 48:00

Evidence, details and a link to share

Model synopsis: A man stands in a dimly lit interior space, partially obscured by shadow, as a voice says they will get away from him. The scene is shot in black and white with high contrast lighting.

• A man is seen standing in a doorway or near a lamp in a dark room. [frame:1]

1 person observed.

“I get away from him.” 49:54

Evidence, details and a link to share

Model synopsis: A dimly lit interior with a person standing near a patterned curtain, illuminated by a lamp on a table. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men converse in a dimly lit interior; one, wearing glasses and a suit, urges the other to surrender before more harm occurs. The dialogue reveals the second man is a fugitive with no fingerprints or photo, and the first man is not a police officer despite being suspected as one.

Named: Reese (t:50:53), Robert (t:50:04). 2 people observed.

“Not very much, Robert.” 50:04 · “Don't do anything you regret. Now listen to me.” 50:26

Evidence, details and a link to share

Model synopsis: Two men are in a dimly lit interior; one sits at a desk while the other stands nearby. The standing man speaks about money and returning next week, while the seated man remains silent and focused on the desk.

Named: Mr. (t:51:44). 2 people observed.

“Don't you bring it?” 51:10 · “I know this money here.” 51:18

Evidence, details and a link to share

Model synopsis: A man named Marty is told he must take time off the Rawlins killer case because his superiors believe he is too close to it; he is then introduced to a new bodyguard, Miss Scanlon. The scene takes place in a vehicle interior at night, with dialogue indicating ongoing police surveillance and personal stakes in the investigation.

• Marty and Chuck are in a vehicle at night. [frame:1]

Named: Marty (t:52:32), Chuck (t:53:23), Miss Scanlon (t:54:09), Catherine (t:53:53). 4 people observed.

“I'm afraid I'll have to disappoint you, Paul.” 52:17 · “I think you've got to take a couple of weeks off, Marty.” 53:45

Evidence, details and a link to share

Model synopsis: A man in a suit stands while a seated man and a woman in a nurse's cap look on; dialogue suggests a character named Mr. Jones is present and that someone is being asked about their case status. No explicit time of day or period is established.

• A man in a suit stands while a seated man and a woman in a nurse's cap look on. [frame:1]

Named: Mr. Jones (t:54:29). 3 people observed.

“He's the one I've been telling you about.” 54:15 · “Mr. Jones.” 54:29

Evidence, details and a link to share

Model synopsis: Two men are seated in a room, discussing a case and a person named Green. One man speaks about facts and a new team, while the other listens and responds.

• A man in a light suit sits and speaks. [frame:1]
• A man in a dark suit listens from an armchair. [frame:2]
• The man in the light suit continues speaking. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Green was in to see me this morning. Oh.” 54:44 · “He told me everything.” 54:50

Evidence, details and a link to share

Model synopsis: A man in a light jacket sits in a chair and speaks during a conversation about a case and a vacation. The dialogue suggests tension between him and another person who is not visible, concerning a superior's intentions.

• The man is visible sitting in a chair, looking forward with a serious expression. [frame:1]
• The man continues speaking, showing slight movement and changing expression. [frame:2]
• The man remains seated, listening or pausing, with hands clasped. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“Sure, forget it. You got yourself a ten-day vacation. Go on down to the beach, get a suntan.” 55:08 · “You know better than that. All I know is what I hear. You sit there batting your gums about how the old man let you down.” 55:17

Evidence, details and a link to share

Model synopsis: Two men are seated indoors discussing a difficult case; one implies the other lacks field experience. No names are spoken, and no objects or text are visible beyond furniture and clothing.

2 people observed.

“Ah, tough case, Chuck.” 55:45 · “Not an angle. Nothing to go on.” 55:47

Evidence, details and a link to share

Model synopsis: A man in a suit and hat walks past a Hollywood Police Station sign while dialogue discusses a criminal who operates like a genius and may be a cop. The narration describes the tedious, routine nature of police work as officers search for leads.

• A man walks past a Hollywood Police Station sign. [frame:1]

1 person observed.

“I tell you, Chuck, this guy's a genius the way he operates.” 56:02 · “Well, tie that up with a lot of other little things, like the fact that he uses a police gun.” 56:29

Evidence, details and a link to share

Model synopsis: Three men in suits are gathered in an office; one holds a folder while another speaks. The transcript reveals they are discussing a radio technician who was mistaken for a cop, and one man asks to see something again.

3 people observed.

“Can't say I'm sorry you didn't find him in here.” 58:31 · “I hate to think it was a cop.” 58:34

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in an office setting, discussing a former employee who was drafted. One man, wearing a fedora, speaks while the other listens and examines a document.

• Two men look at a document together at a desk. [frame:2]

3 people observed.

“What did you say? I'm saying he worked here in '42.” 58:53 · “I remember the kid well.” 58:58

Evidence, details and a link to share

Model synopsis: Three men in suits are in an office, looking at documents on a desk. One man speaks about a former worker who did not return to his job after the war, and another finds a relevant file.

• Three men stand around a desk in an office. [frame:1]
• A man in a fedora looks intently at another man. [frame:2]
• The three men examine papers on the desk. [frame:3]

3 people observed.

“I don't remember.” 59:10 · “Try the death files.” 59:13

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora examines a letter with a Hollywood postmark and return address. The scene is indoors, with a water cooler visible in the background.

• A man holds and reads a letter. [frame:1]
• The man continues to examine the letter while standing in an office. [frame:2]

1 person observed.

“Hmm?” 59:38 · “postmarked Hollywood.” 59:40

Evidence, details and a link to share

Model synopsis: Three men are in a room with one leaning over a desk while another sits and a third stands beside him. No dialogue is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: Two men converse in a post office; one, a mail carrier, recalls seeing a man on his route who lives in a court and is never seen receiving mail. The other man, possibly an investigator, asks about the timing of the route.

2 people observed.

“Well, how about it? Anybody recognize it?” 60:01 · “Well, this may not mean anything, but he looks like a guy that's on my route.” 60:26

Evidence, details and a link to share

Model synopsis: A person rides a bicycle on a wet street while a white van is parked nearby; a voice shouts 'Hey!' at 60:56. The scene is outdoors on a street with trees and buildings visible.

• A person rides a bicycle down a wet street [frame:1]

1 person observed.

“Hey!” 60:56

Evidence, details and a link to share

Model synopsis: A man in uniform stands beside a milk delivery truck while another man inside hands him a bottle. The transcript includes casual dialogue about chocolate milk and the weather, suggesting a routine transaction.

• A man in uniform stands beside a milk truck as another man inside hands him a bottle. [frame:1]
• The man inside the truck leans forward to hand the bottle to the man outside. [frame:2]

2 people observed.

“You got any chocolate milk?” 61:00 · “Sure have, buddy.” 61:01

Evidence, details and a link to share

Model synopsis: A man in a uniform speaks with a woman on a porch; the transcript includes fragmented dialogue about substitutes, court, and being late. No names are spoken, and the setting appears to be a residential exterior during daylight.

• A man in uniform stands on a porch talking to a woman seated in a chair. [frame:1]
• The man and woman face each other closely, continuing their conversation. [frame:2]

2 people observed.

“Morning.” 61:30 · “Sorry, lady, I'm a little late this morning. I was hoping maybe you could help me.” 61:49

Evidence, details and a link to share

Model synopsis: A woman speaks fearfully about being poisoned while a man in uniform listens and responds. The dialogue suggests a plan to switch bottles to avoid poison, and the woman is referred to as a witch by the man.

Named: Martha (t:62:04). 2 people observed.

“I was scared to go to the police with him.” 61:59 · “Martha.” 62:04

Evidence, details and a link to share

Model synopsis: A woman stands outside a house, looking upward with her hand near her mouth. No dialogue or other actions are visible or audible in this beat.

• A woman stands outside a house, looking upward with her hand near her mouth. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in light clothing walks along a porch railing in front of a house. The scene is outdoors, in daylight, with other figures visible in the background.

• A man walks along a porch railing. [frame:1]

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands in a cluttered room with blinds on the windows, facing away from the camera. The transcript contains two short utterances: 'Mm-hmm' and 'All right.'

• A man stands in a room with his back to the camera. [frame:1]

1 person observed.

“Mm-hmm.” 62:39 · “All right.” 62:41

Evidence, details and a link to share

Model synopsis: A dog stands on a patterned sofa in a dimly lit interior space. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Model synopsis: A single frame shows a partially open window with horizontal blinds. No people, objects, or events are visible beyond the window frame and blinds.

Evidence, details and a link to share

Model synopsis: A man is seen through a doorway and window, speaking about an accident and insisting he will clean it up himself. A dog is visible near a lamp in a separate shot.

• A man is seen through a doorway, looking toward the camera. [frame:1]
• A man in a hat is seen from behind, facing another man in a doorway. [frame:3]
• A dog stands near a lamp and a book on a surface. [frame:4]

2 people observed.

“I had a little accident.” 62:55 · “Got a mop, I'll clean it up.” 62:56

Evidence, details and a link to share

Model synopsis: A man in a light uniform and cap stands on a porch step outside a house. The scene is shot in black and white with a medium shot framing.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands near a window with blinds in a dimly lit room; another person is seated on the floor in the foreground. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man stands with his back to the camera in a dimly lit room, facing a window with blinds. The room contains a bed and a desk with equipment, suggesting a private space.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is seen from behind looking through window blinds at an outdoor scene with figures and stairs. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in suits examine a document and a map in an office; one identifies a suspect's location at Bellevue Court, cottage number seven. The team prepares to move out after confirming the suspect's identity and location.

• A man in a suit stands holding a rifle while another man looks at a map. [frame:2]

Named: Margaret (t:63:40), Morgan (t:64:17). 6 people observed.

“The place is called Bellevue Court.” 63:33 · “Captain, I couldn't go wrong on that face.” 63:42

Flagged: visible event not seen (A man in a suit stands holding a rifle while another man looks at a map.)

Evidence, details and a link to share

Model synopsis: A man lies in bed with his eyes closed, appearing to be asleep or resting. The scene is dimly lit and confined to the bed area.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man is seen reclining in a dimly lit room with a lamp and a desk visible. A single line of dialogue, 'Oh,' is spoken during this interval.

• A man is reclining in a chair in a dimly lit room. [frame:1]
• The man is shown in a closer view, still reclining. [frame:2]

1 person observed.

“Oh.” 65:06

Evidence, details and a link to share

Model synopsis: A dog is visible in a dimly lit interior space with slatted shadows. No people, dialogue, or on-screen text are present in this beat.

Evidence, details and a link to share

Model synopsis: A man in a light shirt holds a pistol while seated indoors under a bright overhead light. No dialogue or on-screen text is present in this beat.

• man holds a pistol in his right hand while seated [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man stands near a window with blinds while another person is seated; a second frame shows a close-up of someone lying down. A voice says 'Hello?', 'Come on.', and 'Oh.' during this interval.

• A man stands near a window with blinds while another person is seated. [frame:1]
• A person is lying down, viewed from above. [frame:2]

4 people observed.

“Hello?” 65:25 · “Come on.” 65:29

Evidence, details and a link to share

Model synopsis: A person is seen from behind in a dimly lit interior, with a lamp visible; dialogue indicates urgency and coordination of a blocking maneuver. No names are spoken, and no time of day or period is established.

• A person stands in a dim room with a lamp visible. [frame:1]

1 person observed.

“Hey.” 65:47 · “They're out on time.” 66:04

Evidence, details and a link to share

Model synopsis: A person is seen inside a vehicle at night, then leaning over a prone figure in a dimly lit room, and finally two silhouetted figures are shown outdoors at night. No dialogue or on-screen text is present in these frames.

• A person sits in the driver's seat of a vehicle at night. [frame:1]
• A person leans over a prone figure in a dimly lit room. [frame:2]
• Two silhouetted figures stand outdoors at night. [frame:3]

5 people observed.

Evidence, details and a link to share

Model synopsis: A man is visible in a dimly lit interior with blinds casting shadows; a dog is also visible in the same space. No names are spoken, and no time of day or period is established.

• A dog is visible in the room, looking toward the right. [frame:2]
• A man is visible in a dimly lit room with blinds casting shadows across his body. [frame:1]

1 person observed.

“Hey!” 68:04 · “Oh, oh.” 68:05

Evidence, details and a link to share

Model synopsis: A dark alleyway is shown with indistinct figures; a voice reports a murder suspect is at large near Santa Monica and Fuller. No named individuals appear, and the scene is lit by artificial light at night.

• A figure is visible in a dark alleyway. [frame:1]

2 people observed.

“He's loose. I want a radio car in a hurry.” 70:01 · “All units. All units in the vicinity of Santa Monica and Fuller. The murder suspect in the Rawlins killing is at large.” 70:32

Evidence, details and a link to share

Model synopsis: A solitary figure stands under a streetlamp on a wet, foggy street at night. The scene is dimly lit with high contrast and deep shadows.

• A lone figure stands under a streetlamp on a wet street. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A dark vehicle with headlights on is parked or moving slowly at night near a building with a lit streetlamp. No people are clearly visible, and no dialogue or on-screen text is present in the frames.

Evidence, details and a link to share

Model synopsis: A wet street at night is shown with a parked car and a lamppost. No people are visible in the frame.

Evidence, details and a link to share

Model synopsis: A person stands beside a parked car at night with its headlights on, illuminating the street. The scene is dark and lit only by the car's lights and a distant streetlamp.

• A person stands beside a parked car with headlights on. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A group of men in hats and coats gather at night, one giving orders about storm drains and assigning others to posts. One man is told to drive, and a meeting point is named as Venice and Garfield.

Named: Marty (t:71:15). 5 people observed.

“I'm going to go.” 71:02 · “I want a map covering the storm drain system in this area. Get it? Meet me at Venice and Garfield.” 71:08

Evidence, details and a link to share

Model synopsis: Two men in hats are inside a vehicle at night; one drives while the other smokes. Radio dispatches coordinate a manhunt near Venice and Garfield, referencing drains and tear gas.

• Two men sit in a car at night; one smokes, the other drives. [frame:1]

2 people observed.

“Why Venice and Garfield, Captain? It's the main intersection of the system. We can head him off that way.” 72:16 · “Gas mask tear gas urgent.” 72:36

Evidence, details and a link to share

Model synopsis: A dark, low-lit interior scene shows silhouetted figures; one voice says 'Come on.' No names, objects, or specific place are identifiable from the frame or transcript.

4 people observed.

“Come on.” 75:12

Evidence, details and a link to share

Model synopsis: A single frame at 4558s shows a dark, smoky industrial interior with vertical structures and diffuse light. A voice says 'I'm out' at 75:56, but no person is visible in the frame.

• A dark, smoky industrial scene is visible. [frame:1]

1 person observed.

“I'm out.” 75:56

Evidence, details and a link to share

Model synopsis: A silhouetted figure runs through a dimly lit, smoke-filled space holding a long object. The scene is dark with backlighting, showing only the outline of the person and the environment.

• A silhouetted person runs through a smoky, dimly lit space while holding a long object. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man is shown in a close-up, looking upward with his mouth open, in a dark, confined space. The transcript includes fragmented lines: 'I'm sorry,' 'So,' and 'Gas gun.'

• A man is seen in a close-up, looking upward with his mouth open, in a dark space. [frame:1]

1 person observed.

“I'm sorry.” 76:56 · “So” 77:31

Evidence, details and a link to share

Model synopsis: A single frame shows a bright, irregularly shaped object against a dark background with scattered specks. No people, dialogue, or identifiable location are visible in this beat.

Evidence, details and a link to share

Model synopsis: A close-up shows a man’s face tilted upward, partially obscured by smoke or steam. No dialogue or location context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is seen holding a gun in a dark, smoky interior. Another person is visible in silhouette against a bright light, and a third figure appears in a close-up with a hat and coat.

• A person is holding a gun. [frame:1]
• A figure is silhouetted against a bright light. [frame:2]
• A person is seen holding a gun in a close-up. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Come on.” 77:54

Evidence, details and a link to share

Model synopsis: A person is seen floating underwater in a dark, murky environment. No dialogue or on-screen text is present in this beat.

• A person is floating underwater, face-up, in a dark environment. [frame:1]

1 person observed.

Evidence, details and a link to share