Public Reel

The Phantom Creeps (1939)

No renewal found Free in the US since 1 January 1968, on the registry's reading: registration LP8992 of 1939 by Universal Pictures Co., Inc was not renewed in the volumes searched. Record.

Image from The Phantom Creeps
Copy
ThePhantomCreeps on the Internet Archive; released 1939
Read
206 shots over 1:18:20 · 152 beats in 104 sequences · 631 transcript lines · JSON
Record
The Phantom Creeps No renewal found
Picture
Wikimedia Commons, cc0
Wrong?
Report a problem
Lands on the beat covering that second.
104 sequences; each is also a heading below.
Check before citing the shot count. A 4:52 shot at 32:36 (shot 103): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

206 shots over 1:18:20, read from the Internet Archive copy ThePhantomCreeps (ThePhantomCreeps.mp4, 640×480, 29.97 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: The Phantom Creeps No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 206 shots judged colour), average shot 22.8s long, a frontal face detected in 11% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1939 (Internet Archive).

152 beats in 104 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 152 of 152 beats annotated, 150 passed the checks, 2 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Frame at 0:56, shot 00:56
1 of 1 shots sampled

1. Beat 1

0:00–1:52 Machine checks flagged: name not grounded

Model synopsis: Two men are shown in a split-screen shot; one is identified by on-screen text as Edward Van Sloan. Dialogue suggests a confrontation over control of a dangerous device. No location or time of day is established.

Named: Edward Van Sloan (frame:1). 2 people observed.

“My control board.” 1:20 · “Dr. Sarkin.” 1:21

Flagged: name not grounded (Edward Van Sloan)

Evidence, details and a link to share

Sequence 2 from 1:52

Frame at 1:57, shot 11:57
1 of 1 shots sampled

2. Laboratory

1:52–2:02 Machine checks passed

Model synopsis: A man in a lab coat stands beside a tall, armored robot in a room with paneled walls and shelves. No dialogue or on-screen text is visible in the frame.

2 people observed.

Evidence, details and a link to share

Frame at 2:04, shot 22:04Frame at 2:13, shot 32:13
2 of 2 shots sampled

3. Private office

2:02–2:21 Machine checks passed (partial)

Model synopsis: A hand adjusts a control panel inside a dark, circular device. In a room, a man gestures toward a large, metallic robot while speaking to another man. The transcript suggests a discussion about police inability to stop a powerful force.

  • A hand adjusts a control panel inside a circular device. [frame:1]
  • A man gestures toward a robot while speaking to another man. [frame:2]

3 people observed.

“I'll see what good it is.” 2:04 · “The cops will never let anything like that walk down the street.” 2:05

Evidence, details and a link to share

Frame at 2:56, shot 52:56Frame at 4:09, shot 64:09Frame at 5:18, shot 75:18
3 of 3 shots sampled

5. Laboratory

2:50–5:20 Machine checks passed (partial)

Model synopsis: A man in a lab coat works at a table while another man stands nearby; a woman enters and speaks with the first man; a third man in a suit appears in a doorway. The dialogue reveals a secret scientific discovery and a plan involving a magnetized disc and a spy.

  • A man in a lab coat works at a table while another man stands nearby. [frame:1]
  • A woman enters and speaks with the man in the lab coat. [frame:2]
  • An older man in a suit appears in a doorway. [frame:3]

Named: Ben (t:3:57), Alex (t:3:49). 4 people observed.

“There's a car outside.” 2:51 · “I have accomplished what they told me was impossible.” 3:30

Evidence, details and a link to share

Frame at 8:06, shot 98:06
1 of 1 shots sampled

7. Laboratory

7:07–9:05 Machine checks passed

Model synopsis: Two men are in a room with scientific equipment; one seated, one standing, discussing a device called the 'divisualizer' and plans to contact the government. A third man is visible in the background. The dialogue references a character named Alex and a woman named Ann.

Named: Mr. Schatzel (t:8:32), Ann (t:7:37). 4 people observed.

“But they know nothing of this divisualizer that will conceal me from my enemies.” 7:16 · “They won't punish him, will they? No, Ann. They'll just keep him and what he has found under control so that he can't misuse it.” 7:37

Evidence, details and a link to share

Sequence 3 from 9:05

Frame at 9:40, shot 109:40
1 of 1 shots sampled

8. Laboratory

9:05–10:14 Machine checks passed (partial)

Model synopsis: A man works at a cluttered desk in a dimly lit room filled with scientific equipment while another person speaks off-screen about waiting for Captain West. The dialogue suggests the location is a house where something significant occurred, and the speaker is preparing to act upon receiving a call.

  • A man operates equipment at a cluttered desk in a dimly lit room. [frame:1]

Named: Captain West (t:9:25), Adam (t:10:05). 4 people observed.

“The place seems to be deserted.” 9:20 · “Yes, Captain West of the Army Intelligence.” 9:25

Evidence, details and a link to share

Sequence 4 from 10:14

Frame at 10:15, shot 1110:15Frame at 10:23, shot 1210:23
2 of 2 shots sampled

9. Laboratory

10:14–10:30 Machine checks passed (partial)

Model synopsis: Two men are in a cluttered interior space; one speaks of a government plane closing in and the need to change appearance. The second man laughs while looking upward, and the first man looks up as well.

  • A man laughs while looking upward. [frame:2]

2 people observed.

“That must be far west. The government's plane. They are closing in.” 10:17 · “They will find nothing.” 10:24

Evidence, details and a link to share

Sequence 5 from 10:30

Frame at 11:09, shot 1311:09Frame at 11:50, shot 1411:50
2 of 2 shots sampled

10. Forest

10:30–11:53 Machine checks passed (partial)

Model synopsis: Three people stand outdoors near trees; one man is introduced to a woman named Jean Drew. Later, they enter a dark interior space where a shadowy figure speaks of a hidden discovery.

  • Three people stand outdoors near trees. [frame:1]
  • People enter a dark interior space. [frame:2]

Named: Captain West (t:10:40), Jean Drew (t:10:45), Jim Daley (t:11:05). 4 people observed.

“Well, do you think it's fair for you to know my name and I don't know yours? I'm Jean Drew.” 10:45 · “Do you mind if I go to the house with you? Yes, I mind very much.” 10:58

Evidence, details and a link to share

Frame at 12:02, shot 1512:02
1 of 1 shots sampled

11. Private office

11:53–12:11 Machine checks passed

Model synopsis: Three people stand in a room with shelves and furniture; one man speaks about equipment being moved and mentions Rankine of Aspiring. A line notes that one person smokes a popular brand, though no cigarette is visible in the frame.

3 people observed.

“A lot of equipment seems to have been moved.” 12:00 · “You can talk to Rankine of Aspiring. I will be with you. But...” 12:03

Evidence, details and a link to share

Sequence 6 from 12:11

Frame at 12:31, shot 1612:31
1 of 1 shots sampled

12. Laboratory

12:11–12:51 Machine checks passed (partial)

Model synopsis: A man in a dark suit and bow tie is visible in a cluttered room with scientific equipment; he adjusts his hat while speaking. The transcript includes dialogue about secrecy, a 'secret garage,' and someone named Lyle, but no names are visually confirmed.

  • A man adjusts his hat while standing at a cluttered workbench. [frame:1]

1 person observed.

“He's right. So far as we know, Zorka worked alone.” 12:20 · “Let me go, Lyle.” 12:27

Evidence, details and a link to share

Frame at 13:08, shot 1713:08Frame at 13:27, shot 1813:27Frame at 13:31, shot 1913:31
3 of 3 shots sampled

13. Vehicle interior

12:51–13:34 Machine checks passed

Model synopsis: A group discusses broadcasting a description of a suspect and plans to meet a spy ring agent; a man in striped trousers and a cutaway coat is seen in a vehicle interior. The dialogue references missing items from a laboratory and a decision to give a ride to a man who might be useful.

4 people observed.

“Well, I'll phone headquarters and have a description broadcast.” 12:51 · “Then we will go to meet the agent of the spy ring.” 13:01

Evidence, details and a link to share

Sequence 7 from 13:34

Frame at 13:42, shot 2013:42
1 of 1 shots sampled

14. Road

13:34–13:49 Machine checks passed (partial)

Model synopsis: A person is seen inside a vintage car with its door open, as someone off-screen says 'Come, get in.' The scene appears to be outdoors on a road during daylight.

  • A vintage car is parked on a road with its door open and a person visible inside. [frame:1]

1 person observed.

“Come, get in.” 13:38

Evidence, details and a link to share

Sequence 8 from 13:49

Frame at 13:51, shot 2113:51Frame at 13:54, shot 2213:54Frame at 14:01, shot 2414:01Frame at 14:30, shot 2514:30
4 of 5 shots sampled

15. Road

13:49–14:56 Machine checks passed (partial)

Model synopsis: Two men are seen near a body on a roadside; one stands over it while the other approaches. Dialogue indicates they plan to stage the death as that of Dr. Zorko and discuss retrieving a car with bodies inside.

  • A man lies motionless on the ground. [frame:1]
  • A man in a dark suit stands over the body. [frame:2]
  • A second man approaches the body while the first gestures. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“The man is dead. How fortunate. That simplifies everything. We will make it seem that it is the famous Dr. Zorko has been killed.” 13:52 · “Then we will get another car, go home, and see what they are doing there.” 14:22

Evidence, details and a link to share

Frame at 14:59, shot 2614:59Frame at 15:15, shot 2715:15
2 of 2 shots sampled

16. Vehicle interior

14:56–15:27 Machine checks passed

Model synopsis: A group of people are in a dimly lit interior, one of whom speaks to Captain Westbath and Mrs. Zorka. A woman in a hat is seen near an airplane, and dialogue suggests preparation for a flight.

  • A group of people are gathered in a dimly lit interior. [frame:1]
  • A woman in a hat stands near an airplane. [frame:2]

Named: Captain Westbath (t:14:56), Mrs. Zorka (t:15:05). 4 people observed.

“You're asking too much, Captain Westbath. You're such a shock. I'll go. I'll go.” 14:56 · “I must not.” 15:00

Evidence, details and a link to share

Sequence 9 from 15:27

Frame at 15:28, shot 2815:28
1 of 1 shots sampled

17. Field

15:27–15:29 Machine checks passed

Model synopsis: A man stands near a large, unusual aircraft outdoors. The scene is shot in black and white with no visible text or dialogue.

1 person observed.

Evidence, details and a link to share

Sequence 10 from 15:29

Frame at 15:31, shot 2915:31
1 of 1 shots sampled

18. Other

15:29–15:32 Machine checks passed

Model synopsis: A person in dark clothing is seen hanging upside down from a doorway in a dimly lit interior. The scene is static and shows no other visible activity or objects.

  • A person hangs upside down from a doorway. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 11 from 15:32

Frame at 15:49, shot 3015:49
1 of 1 shots sampled

19. Private office

15:32–16:04 Machine checks passed

Model synopsis: Two men in dark suits and hats converse in a dimly lit interior; one holds a small object while the other listens. The transcript reveals a plan to use a device to induce suspended animation in a woman to prevent her from identifying a body.

2 people observed.

“They are taking my wife to identify the body we left at the car.” 15:36 · “I have just time enough to put that spider into a plane.” 15:46

Evidence, details and a link to share

Sequence 12 from 16:04

Frame at 16:16, shot 3116:16
1 of 1 shots sampled

20. Vehicle interior

16:04–16:27 Machine checks passed (partial)

Model synopsis: A person in a dark coat and hat leans into a vehicle's oval window to speak with another person inside; the speaker mentions taking lab equipment and figuring out what is missing. The scene is shot in black and white with high-contrast lighting.

  • Person p1 leans into vehicle window to speak with p2 [frame:1]

2 people observed.

“Couldn't take long I'll take the lab equipment and try to figure out this what's missing. Bye. Bye.” 16:14

Evidence, details and a link to share

Frame at 16:28, shot 3216:28
1 of 1 shots sampled

21. Other

16:27–16:30 Machine checks passed

Model synopsis: A dark, indistinct figure is visible in the foreground of a dimly lit interior space with a rounded doorway and a window showing foliage outside. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 13 from 16:30

Frame at 16:31, shot 3316:31
1 of 1 shots sampled

22. Other

16:30–16:32 Machine checks passed

Model synopsis: A dark, indistinct shape is visible against a black background in a single frame. No people, objects, or text are identifiable, and no events occur.

Evidence, details and a link to share

Sequence 14 from 16:32

Frame at 16:43, shot 3416:43Frame at 16:59, shot 3516:59Frame at 17:06, shot 3617:06
3 of 3 shots sampled

23. Vehicle interior

16:32–17:10 Machine checks passed (partial)

Model synopsis: Two people examine a mysterious disc found in a bag inside a vehicle interior; one person questions whether it was there before and requests to send it to the department. The setting is a vehicle with visible cockpit controls and seating.

  • A man in a suit examines a disc while seated in a vehicle cockpit. [frame:2]
  • A man stands up in the vehicle, holding the disc. [frame:3]

2 people observed.

“Is there something in there with that door? I'm sure I shut it. Doesn't look to me as if you did.” 16:36 · “This wasn't in my bag when I left the house. That's the same kind of disc that was found under the plant.” 16:36

Evidence, details and a link to share

Frame at 17:16, shot 3717:16
1 of 1 shots sampled

24. Vehicle interior

17:10–17:23 Machine checks passed

Model synopsis: Two people are in a vehicle interior, discussing the whereabouts of Dr. Durga. One person asks where Dr. Durga was going, and the other responds that they have no idea.

  • Two people are seated in a vehicle interior, engaged in conversation. [frame:1]

2 people observed.

“Tell me, from where the car was found, have you any idea where Dr. Durga was going?” 17:13 · “None what it is. Damn, what happened?” 17:13

Evidence, details and a link to share

Frame at 17:25, shot 3817:25Frame at 17:30, shot 3917:30Frame at 17:35, shot 4017:35
3 of 3 shots sampled

25. Vehicle interior

17:23–17:38 Machine checks passed (partial)

Model synopsis: A man and a woman stand in a doorway during a tense exchange; a separate shot shows a dark, rocky outdoor scene with a ladder. The transcript includes a demand to 'Pay it out!' and a question about presence.

  • A man and a woman stand facing each other in a doorway. [frame:3]
  • A dark, rocky outdoor scene with a ladder is shown. [frame:2]
  • A man in a suit and hat stands in a doorway with a woman. [frame:3]

2 people observed.

“What are you doing here?” 17:25 · “Pay it out!” 17:36

Evidence, details and a link to share

Sequence 15 from 17:38

Frame at 17:39, shot 4117:39
1 of 1 shots sampled

26. Sky

17:38–17:40 Machine checks passed (partial)

Model synopsis: A single aircraft is visible flying through clouds in a black-and-white frame. No people, dialogue, or on-screen text are present in this beat.

  • An aircraft flies through clouds. [frame:1]

Evidence, details and a link to share

Sequence 16 from 17:40

Sequence 17 from 17:50

Frame at 17:51, shot 4417:51
1 of 1 shots sampled

29. Other

17:50–17:51 Machine checks passed

Model synopsis: A figure in a dark, bulky costume stands in an arched doorway, silhouetted against a bright background. The scene is lit with high contrast, casting deep shadows.

  • A costumed figure stands in a doorway. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 18 from 17:51

Frame at 17:54, shot 4517:54
1 of 1 shots sampled

30. Other

17:51–17:56 Machine checks passed

Model synopsis: A single frame shows a grainy, dark, textured surface with linear patterns. No people, objects, or text are identifiable, and no event is depicted.

Evidence, details and a link to share

Frame at 17:59, shot 4617:59
1 of 1 shots sampled

31. Other

17:56–18:01 Machine checks passed

Model synopsis: A single frame shows a dark vertical object against a light wall and floor, with no identifiable people, objects, or text. No transcript lines are provided for this beat.

Evidence, details and a link to share

Sequence 19 from 18:01

Frame at 18:02, shot 4718:02
1 of 1 shots sampled

32. Sky

18:01–18:03 Machine checks passed (partial)

Model synopsis: An airplane is visible against a cloudy sky. No people, dialogue, or on-screen text are present in this beat.

  • An airplane is seen flying through clouds. [frame:1]

Evidence, details and a link to share

Sequence 20 from 18:03

Frame at 18:04, shot 4818:04
1 of 1 shots sampled

33. Vehicle interior

18:03–18:05 Machine checks passed

Model synopsis: A single frame shows a dark, low-angle view of a vehicle's interior, possibly a car, with a window and frame visible. No people, actions, or text are discernible in the provided frame.

Evidence, details and a link to share

Sequence 21 from 18:05

Frame at 18:09, shot 4918:09
1 of 1 shots sampled

34. Field

18:05–18:14 Machine checks passed

Model synopsis: A single frame shows a blurry outdoor scene with dark foliage and indistinct structures under a bright sky. No people, objects, or text are clearly visible, and no events occur.

Evidence, details and a link to share

Sequence 22 from 18:14

Frame at 18:15, shot 5018:15
1 of 1 shots sampled

35. Other

18:14–18:16 Machine checks passed (partial)

Model synopsis: A figure is suspended by ropes against a dark, smoky background. No dialogue or on-screen text is present in this beat.

  • A figure is suspended by ropes against a dark, smoky background. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 18:20, shot 5118:20
1 of 1 shots sampled

36. Other

18:16–18:24 Machine checks passed

Model synopsis: A character named Zerka is identified in the audio during a dimly lit interior scene. The visual shows a shadowy figure in close proximity to another person, with no clear environmental details.

2 people observed.

“This is Zerka!” 18:19

Evidence, details and a link to share

Sequence 23 from 18:24

Frame at 18:42, shot 5318:42Frame at 18:46, shot 5418:46
2 of 2 shots sampled

38. Cave

18:40–18:48 Machine checks passed (partial)

Model synopsis: A person is visible in a dark, rocky environment holding a pole-like object. A shouted command 'Stop!' is heard during this interval.

  • A person stands in a dark cave holding a pole-like object. [frame:1]
  • A rocky landscape is shown. [frame:2]

1 person observed.

“Stop!” 18:43

Evidence, details and a link to share

Sequence 24 from 18:48

Frame at 19:10, shot 5519:10
1 of 1 shots sampled

39. Forest

18:48–19:32 Machine checks passed (partial)

Model synopsis: A woman is found tangled near a crashed car in a wooded area; a man offers to help her and mentions being a doctor while others discuss a government plane crash. The scene takes place outdoors near trees and a vehicle, with dialogue indicating urgency and a need to reach a wreck.

  • A woman is tangled near a crashed car while a man stands nearby. [frame:1]

3 people observed.

“Get over there!” 18:53 · “- Help me, please. I'm all tangled up. - One moment, madam. Monk.” 19:06

Evidence, details and a link to share

Sequence 25 from 19:32

Frame at 19:51, shot 5619:51
1 of 1 shots sampled

40. Sidewalk

19:32–20:11 Machine checks passed (partial)

Model synopsis: A man kneels beside a person lying on the ground while others stand nearby; an ambulance is mentioned as on the way. A man identifies himself as a physician when called for.

  • A man kneels beside a person lying on the ground. [frame:1]

Named: Merlin (t:20:02). 5 people observed.

“Okay, buddy. There's an ambulance on the way.” 19:41 · “Where are you, Merlin? - I'm a physician.” 20:02

Evidence, details and a link to share

Sequence 26 from 20:11

Frame at 20:19, shot 5720:19
1 of 1 shots sampled

41. Forest

20:11–20:27 Machine checks passed (partial)

Model synopsis: A man in a dark suit and fedora is shown outdoors, hands clasped near his mouth in a gesture of shock or prayer. The transcript contains fragmented exclamations, including 'Oh, my God,' suggesting a moment of distress or revelation.

  • A man is seen outdoors with his hands clasped near his mouth. [frame:1]

1 person observed.

“Oh, my God.” 20:11 · “I” 20:17

Evidence, details and a link to share

Sequence 27 from 20:27

Frame at 20:35, shot 5820:35Frame at 20:59, shot 5920:59
2 of 2 shots sampled

42. Sidewalk

20:27–21:16 Machine checks flagged: visible event not seen

Model synopsis: A woman is declared dead after collapsing in a plane; a reporter confronts Captain Wells while police prepare to arrest her. A doctor reports no bodily injury, and the scene ends with the reporter protesting her arrest.

  • A woman lies on the ground near a motorcycle and a vehicle. [frame:1]
  • A woman stands facing two men, one in uniform. [frame:2]

Named: Captain Wells (t:20:41). 6 people observed.

“Woman is dead.” 20:30 · “Captain Wells, my paper would like an official statement from you. What were you doing in that plane? Following you to get a story.” 20:41

Flagged: visible event not seen (A woman lies on the ground near a motorcycle and a vehicle.)

Evidence, details and a link to share

Sequence 28 from 22:35

Frame at 22:36, shot 6322:36
1 of 1 shots sampled

44. Other

22:35–22:37 Machine checks passed

Model synopsis: A man wearing headphones is visible in a dark setting. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 29 from 22:37

Frame at 22:38, shot 6422:38
1 of 1 shots sampled

45. Vehicle interior

22:37–22:39 Machine checks passed

Model synopsis: A close-up shows hands gripping a steering wheel inside a vehicle. The scene is dimly lit with high contrast, showing only the wheel and hands against a dark background.

1 person observed.

Evidence, details and a link to share

Sequence 30 from 22:39

Sequence 31 from 22:43

Frame at 23:44, shot 6623:44
1 of 1 shots sampled

47. Laboratory

22:43–24:45 Machine checks passed

Model synopsis: Two men are in a dimly lit interior space, one holding an object while the other gestures; dialogue references Zorka, a formula, a recording, and a powerful substance from Africa. No names are spoken that identify the individuals.

  • Two men stand in a dim room; one holds an object while the other gestures toward him. [frame:1]

2 people observed.

“Well, did you get Zorka's formula?” 22:44 · “I'm about to broadcast a recording to our friends in Europe, informing them of Zucker's death.” 22:54

Evidence, details and a link to share

Sequence 32 from 24:45

Frame at 24:46, shot 6724:46Frame at 24:50, shot 6824:50Frame at 25:01, shot 6925:01Frame at 25:08, shot 7025:08
4 of 4 shots sampled

48. Cave

24:45–25:09 Machine checks passed (partial)

Model synopsis: A person in a dark, rocky environment speaks about risking their life to obtain and weaponize a meteorite element. The frames show them in a cave-like setting with smoke or steam, operating machinery.

  • A person stands in a dark, rocky environment. [frame:1]
  • Smoke or steam rises from rocky ground. [frame:2]
  • A person operates a large, dark machine with a bright light or explosion behind it. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“before I found a way to insulate myself from the magnetic and chemical activity of the element contained in the meteorite.” 24:51 · “I risked my health, my life to get it, and to compound with it an other force of my own discovery that made it the greatest power on earth.” 24:51

Evidence, details and a link to share

Sequence 33 from 25:09

Frame at 25:50, shot 7125:50
1 of 1 shots sampled

49. Laboratory

25:09–26:31 Machine checks passed (partial)

Model synopsis: A group of men stand around a bed where a person lies, while one man in overalls tends to them; dialogue suggests guarding a box and analyzing a disc to uncover a secret. No named characters are identified from the transcript or visuals.

  • A man in overalls tends to a person lying in bed while three men stand nearby. [frame:1]

5 people observed.

“if it is ever necessary for you to move that box.” 25:19 · “Do not open it.” 25:23

Evidence, details and a link to share

Sequence 34 from 26:31

Frame at 27:17, shot 7227:17Frame at 28:05, shot 7328:05
2 of 2 shots sampled

50. Laboratory

26:31–28:08 Machine checks passed (partial)

Model synopsis: In a laboratory, a man in a lab coat appears to choke a woman while a boy looks on; later, a man in a coat stands beside a convertible car outside. No names are spoken that identify the individuals.

  • A man in a lab coat grabs a woman by the throat while a boy watches. [frame:1]
  • A man in a dark coat stands beside a convertible car. [frame:2]

Named: Dr. Valerie (t:27:09). 4 people observed.

“What's the matter, Dr. Valerie? Oh, perhaps it was...” 27:09 · “Fumes and the liquid, but it comes with no reversal.” 27:16

Evidence, details and a link to share

Frame at 28:15, shot 7428:15
1 of 1 shots sampled

51. Sidewalk

28:08–28:22 Machine checks passed (partial)

Model synopsis: Two men in suits and hats stand on steps outside a building, conversing. One mentions long shadows and names 'Jim' while the other responds and refers to 'Spiders'.

  • Two men stand on steps and talk. [frame:1]

Named: Jim (t:28:14). 2 people observed.

“Those long shadows get on your nerves, eh, Jim?” 28:14 · “I hoped to turn you around this place.” 28:16

Evidence, details and a link to share

Sequence 35 from 28:22

Frame at 28:27, shot 7528:27
1 of 1 shots sampled

52. Laboratory

28:22–28:31 Machine checks passed

Model synopsis: A man in dark clothing stands in a cluttered, dimly lit room filled with mechanical devices and gauges. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 36 from 28:31

Frame at 28:34, shot 7628:34
1 of 1 shots sampled

53. Other

28:31–28:36 Machine checks passed

Model synopsis: A close-up shows a handwritten note promising one million in cash upon delivery of a proven article, with the back of a person's head visible below it. No spoken dialogue or other actions are present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 37 from 28:36

Sequence 38 from 29:09

Frame at 29:50, shot 7829:50
1 of 1 shots sampled

55. Laboratory

29:09–30:31 Machine checks passed

Model synopsis: Two men in a laboratory discuss a hot, smoking box they found; one suggests taking it to headquarters while the other attempts to open it. The scene is set in a lab with equipment visible on a central table and shelves in the background.

2 people observed.

“Now it's stronger.” 29:17 · “The armada got so hot it burned my hand. I went to touch that box and went up and smoked.” 30:03

Evidence, details and a link to share

Sequence 39 from 30:31

Frame at 30:38, shot 7930:38Frame at 30:44, shot 8030:44Frame at 30:47, shot 8130:47Frame at 30:49, shot 8230:49
4 of 4 shots sampled

56. Road

30:31–30:50 Machine checks passed (partial)

Model synopsis: Three men in a convertible car react to an engine failure and then look up at a smoke plume rising near a power pylon. No names are spoken for the individuals, and the setting is outdoors near utility infrastructure.

  • Smoke is seen rising near a power pylon. [frame:2]
  • The men in the car look upward toward the smoke. [frame:4]

Named: Bob (t:30:36). 3 people observed.

“Oh.” 30:35 · “Hey, Bob. What's the matter with this car? The engine stopped running. Plenty of gas.” 30:36

Evidence, details and a link to share

Sequence 40 from 30:50

Frame at 30:52, shot 8330:52Frame at 30:57, shot 8430:57
2 of 2 shots sampled

57. Field

30:50–30:59 Machine checks passed (partial)

Model synopsis: A chaotic outdoor scene with smoke and debris is shown; a voice commands to keep something rolling. No named individuals or specific location are identifiable from the frames or transcript.

  • Smoke and debris are visible in a field, suggesting an explosion or crash. [frame:1]
  • The scene remains chaotic with smoke and wreckage visible. [frame:2]

1 person observed.

“Run it down, Greg. Keep it rolling.” 30:53

Evidence, details and a link to share

Sequence 41 from 30:59

Sequence 42 from 31:02

Frame at 31:10, shot 8731:10
1 of 1 shots sampled

60. Rocky path

31:08–31:11 Machine checks passed

Model synopsis: A single frame shows a rocky, wooded landscape with a narrow path and a low fence. No people or vehicles are visible, and no dialogue or on-screen text is present.

Evidence, details and a link to share

Sequence 43 from 31:11

Frame at 31:11, shot 8831:11
1 of 1 shots sampled

61. Vehicle interior

31:11–31:12 Machine checks passed

Model synopsis: Two men in hats are visible inside a vehicle. The scene is a close-up of the vehicle's interior with one man in the driver's seat and another beside him.

2 people observed.

Evidence, details and a link to share

Sequence 44 from 31:12

Frame at 31:15, shot 9031:15
1 of 1 shots sampled

63. Field

31:14–31:15 Machine checks passed

Model synopsis: A single frame shows a chaotic outdoor scene with smoke or mist and indistinct figures or debris. No people are clearly visible, no dialogue is present, and no specific event can be identified from this still.

Evidence, details and a link to share

Sequence 45 from 31:15

Frame at 31:16, shot 9131:16
1 of 1 shots sampled

64. Forest

31:15–31:17 Machine checks passed

Model synopsis: A single frame shows dense, dark foliage with a shadowy shape partially visible within it. No people, objects, or text are identifiable, and no events occur in this beat.

Evidence, details and a link to share

Sequence 46 from 31:17

Frame at 31:18, shot 9231:18
1 of 1 shots sampled

65. Riverbed

31:17–31:19 Machine checks passed (partial)

Model synopsis: A man stands beside a car partially submerged in rushing water. The scene is outdoors and appears to involve a vehicle stuck in a natural waterway.

  • A man stands beside a car stuck in rushing water. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 47 from 31:19

Frame at 31:21, shot 9331:21
1 of 1 shots sampled

66. Forest

31:19–31:22 Machine checks passed

Model synopsis: A dark, indistinct figure is partially visible among dense foliage in a single frame. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 31:28, shot 9431:28
1 of 1 shots sampled

67. Field

31:22–31:34 Machine checks passed (partial)

Model synopsis: A person in dark clothing walks through brush in an outdoor setting. The scene is shot in black and white with no visible text or spoken dialogue.

  • A person walks through brush. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 31:40, shot 9531:40Frame at 31:59, shot 9631:59
2 of 2 shots sampled

68. Forest

31:34–32:13 Machine checks passed (partial)

Model synopsis: Two men in hats are seated outdoors in a wooded area, discussing a 'mystery box' and planning to take it to Mallory's house for safety. One man mentions being 'picked up in Zorka's lab' and refers to a past event involving 130,000 votes.

  • Two men are seated outdoors discussing a mystery box and a past event involving 130,000 votes. [frame:1]
  • The men continue their conversation; one stands behind the other, both remain in the wooded area. [frame:2]

2 people observed.

“Who who was it?” 31:36 · “I sure did. 130,000 votes. That's what wrecked us when I pulled that gadget on the box. Oh, that was a close one. I better see if the box is…” 31:44

Evidence, details and a link to share

Sequence 48 from 32:13

Frame at 32:22, shot 9832:22
1 of 1 shots sampled

70. Field

32:22–32:23 Machine checks passed (partial)

Model synopsis: A person in dark clothing stands beside a light-colored convertible car parked on a grassy, uneven slope. The vehicle's door is open, and the person appears to be entering or exiting the car.

  • A person stands beside a parked convertible on a grassy slope with the door open. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 49 from 32:23

Frame at 32:24, shot 9932:24
1 of 1 shots sampled

71. Forest

32:23–32:25 Machine checks passed (partial)

Model synopsis: A person in a wide-brimmed hat crouches in foliage as a large dark shape looms behind them. No dialogue or on-screen text is present in this beat.

  • A person crouches in dense foliage while a large dark shape appears behind them. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 50 from 32:25

Frame at 32:25, shot 10032:25
1 of 1 shots sampled

72. Field

32:25–32:26 Machine checks passed (partial)

Model synopsis: A person exits a damaged car on a sloped, grassy terrain. The vehicle is tilted and appears to have crashed or stopped abruptly.

  • A person steps out of a damaged car on a slope. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 51 from 32:26

Frame at 32:28, shot 10132:28
1 of 1 shots sampled

73. Field

32:26–32:30 Machine checks passed

Model synopsis: A single frame shows a dark, leafy bush with indistinct shapes behind it. No people, objects, or text are clearly visible, and no events or dialogue occur.

Evidence, details and a link to share

Frame at 32:33, shot 10232:33
1 of 1 shots sampled

74. Forest

32:30–32:36 Machine checks passed (partial)

Model synopsis: A person in dark clothing is seen crouching or moving through dense foliage. No dialogue or on-screen text is present in this beat.

  • A person moves through dense foliage. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 52 from 32:36

Frame at 35:02, shot 10335:02
1 of 1 shots sampled

75. Laboratory

32:36–37:28 Machine checks passed

Model synopsis: Two men in suits and hats stand in a cluttered laboratory with scientific equipment; one appears to be confronting or arresting the other. Dialogue references betrayal, a stolen meteor, a secret box, and Alcatraz, suggesting a plot involving stolen power and escape.

  • Two men stand facing each other in a laboratory with scientific equipment visible behind them. [frame:1]

2 people observed.

“So you decided to come back, did you? The settlement broke in, they carried me off. They stole the meteor. You're lying. I left you on g…” 34:54 · “I've won't let him. I'm shot. I swear I'm not lying. Look!” 35:31

Evidence, details and a link to share

Sequence 53 from 37:28

Frame at 37:46, shot 10437:46
1 of 1 shots sampled

76. Laboratory

37:28–38:03 Machine checks passed (partial)

Model synopsis: A man in a dark suit stands at a cluttered desk in a dimly lit room, speaking about a Neometer indicating proximity to his element. The setting appears to be an interior space with shelves and equipment visible in the background.

  • A man stands at a desk holding a device and speaking. [frame:1]

1 person observed.

“According to this Neometer, we are close to my element.” 37:28

Evidence, details and a link to share

Sequence 54 from 38:03

Frame at 38:22, shot 10538:22
1 of 1 shots sampled

77. Private office

38:03–38:41 Machine checks passed

Model synopsis: A single interior shot shows a partially open door leading to a dark room with a desk and equipment. No people or spoken dialogue are visible or audible in this beat.

Evidence, details and a link to share

Sequence 55 from 38:41

Sequence 56 from 39:12

Frame at 39:29, shot 10939:29
1 of 1 shots sampled

79. Laboratory

39:12–39:46 Machine checks passed

Model synopsis: Two men in suits discuss a missing meteorite in a laboratory; one mentions Dr. Zorka. A third person is visible in the background near lab equipment. No names are assigned to visible individuals based on the transcript.

3 people observed.

“He collapsed and while I was trying to see what had happened to him, the meteorite disappeared.” 39:15 · “What do you mean, disappeared? It was gone. The door which had been locked on the outside was open.” 39:19

Evidence, details and a link to share

Frame at 40:34, shot 11040:34
1 of 1 shots sampled

80. Secret room

39:46–41:23 Machine checks passed (partial)

Model synopsis: Two men are in a brick-walled room; one hands a device to the other while discussing invisibility and G-men. A plant is mentioned as part of an experiment involving a Z-ray.

  • A man in a top hat hands a device to another man. [frame:1]

2 people observed.

“It might persist even after the death of the body, and return to continue its, shall we say, prestigious work. Ghosts don't carry heavy box…” 39:47 · “Now that you have it again, we'd both better get out of here. The G-men are guarding the place.” 40:25

Evidence, details and a link to share

Frame at 41:24, shot 11141:24Frame at 41:38, shot 11241:38
2 of 2 shots sampled

81. Laboratory

41:23–41:50 Machine checks passed (partial)

Model synopsis: Two men in suits converse in a dimly lit interior with machinery visible; one holds a small object. A transcript line mentions an invisible gas and deep coma, while another refers to 'our rider man' as a countermeasure.

  • Two men stand facing each other in conversation. [frame:1]
  • The man in the dark suit holds a small object while speaking to the other man. [frame:2]

2 people observed.

“with this invisible gas, dies under the sea ray. - You mean the human beings? - Oh, man first could go into a deep coma.” 41:28 · “That would stop one or two men, but more would keep coming. You seem to forget our rider man.” 41:43

Evidence, details and a link to share

Frame at 41:53, shot 11341:53Frame at 41:56, shot 11441:56Frame at 42:14, shot 11542:14
3 of 3 shots sampled

82. Private office

41:50–42:30 Machine checks passed (partial)

Model synopsis: A convertible car arrives at a house; three men in suits and hats gather around a desk indoors; a man in a hat walks past draped objects inside. A voice orders an inspection and to admit Lieutenant Daly.

  • A convertible car arrives at a house. [frame:1]
  • Three men in suits and hats gather around a desk indoors. [frame:2]
  • A man in a hat walks past draped objects inside. [frame:3]

Named: Lieutenant Daly (t:41:55). 4 people observed.

“We're going to inspect the house. Lieutenant Daly arrives, send him in. Keep everyone else out.” 41:55 · “Come on, come on, Garth.” 42:04

Evidence, details and a link to share

Sequence 57 from 42:30

Sequence 58 from 43:17

Frame at 43:51, shot 11743:51
1 of 1 shots sampled

84. House exterior

43:17–44:25 Machine checks passed (partial)

Model synopsis: A person speaks about entering a house while a vehicle is parked outside; another person is instructed to detain a woman. The scene shows the front of a house with steps and a car in the foreground.

  • A car is parked in front of a house with steps and a doorway. [frame:1]

Named: Captain West (t:43:59). 3 people observed.

“I'm going to go.” 43:17 · “Oh.” 43:54

Evidence, details and a link to share

Sequence 59 from 44:25

Frame at 44:27, shot 11844:27Frame at 44:32, shot 11944:32Frame at 44:39, shot 12044:39
3 of 3 shots sampled

85. Private office

44:25–44:42 Machine checks passed (partial)

Model synopsis: A man in a suit and hat stands near a car outside a house while a woman leans on the car; inside, a man in a hat looks toward the camera, then two men in heavy coats embrace in a room with shelves and a desk.

  • A man in a suit stands near a car while a woman leans on the car. [frame:1]
  • A man in a hat sits indoors and looks toward the camera. [frame:2]
  • Two men in heavy coats embrace in a room with shelves and a desk. [frame:3]

5 people observed.

Evidence, details and a link to share

Frame at 44:52, shot 12144:52
1 of 1 shots sampled

86. Laboratory

44:42–45:01 Machine checks passed

Model synopsis: Two men are seen in a dimly lit interior, one speaking about eliminating enemies and stopping the universe, then noting someone else is approaching and urging to find robots. The setting appears to be a cluttered, shadowy room with machinery or equipment visible.

2 people observed.

“One by one my enemies will be disposed of. Until I must stop the universe.” 44:48 · “Someone else is coming. We must find our robots.” 44:55

Evidence, details and a link to share

Sequence 60 from 45:01

Sequence 61 from 45:31

Frame at 45:34, shot 12345:34Frame at 46:35, shot 12446:35
2 of 2 shots sampled

88. Laboratory

45:31–47:33 Machine checks passed (partial)

Model synopsis: A man in a lab coat operates a device in a cluttered laboratory while another person is visible in a doorway. The transcript includes exclamations and dialogue about an invisible gas, a Z-ray, and a shadow belt, suggesting a confrontation or experiment.

  • A man operates a device with dials and a circular component on a workbench. [frame:1]
  • A person stands in a doorway, partially visible, observing the man at the workbench. [frame:2]

2 people observed.

“He's coming through. He's coming through. He's here.” 45:51 · “Well, my invisible gas and the Z-ray will take care of him and the others.” 46:02

Evidence, details and a link to share

Frame at 47:34, shot 12547:34
1 of 1 shots sampled

89. Alley

47:33–47:35 Machine checks passed (partial)

Model synopsis: A cloaked figure stands in a dim alleyway next to a brick wall. The scene is shot in black and white with high contrast lighting.

  • A cloaked figure stands still in an alleyway. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 62 from 47:35

Frame at 48:11, shot 12648:11
1 of 1 shots sampled

90. Private office

47:35–48:47 Machine checks passed

Model synopsis: A man in a dark jacket stands in a cluttered room with shelves and a dartboard, speaking defiantly. The transcript includes references to 'Iron Man,' 'Captain West,' and 'Dr. Snogger,' suggesting a confrontation over control or freedom.

  • A man stands in a cluttered room, holding something in his hands. [frame:1]

Named: Dr. Snogger (t:48:20). 1 person observed.

“What was it? What happened? Iron Man.” 47:47 · “You tagged me. There's no one here but us who's in it, Bailey.” 47:50

Evidence, details and a link to share

Sequence 63 from 48:47

Frame at 49:25, shot 12749:25
1 of 1 shots sampled

91. Field

48:47–50:04 Machine checks passed (partial)

Model synopsis: A man in a hat confronts another man on the ground; dialogue reveals a plot involving Dr. Zorka, an invisible gas, and transport to Dr. Mallory's. One character declares the other is now under his control.

  • A man in a hat stands over another man who is crouched on the ground. [frame:1]

2 people observed.

“Wouldn't surprise me a bit if Dr. Zorka did have some kind of mechanical man hidden here. Well, we'll find out soon enough. Let's get him o…” 49:07 · “You traitor!” 49:22

Evidence, details and a link to share

Sequence 64 from 50:04

Frame at 51:05, shot 12851:05
1 of 1 shots sampled

92. Vehicle interior

50:04–52:06 Machine checks passed

Model synopsis: A man in a vehicle speaks about moving headquarters and protecting a meteorite, while another man is visible in the background. The speaker mentions police, insulation, and operating under the name Dr. Zane.

Named: Dr. Zane (t:50:58). 2 people observed.

“Do you see what you treachery has cost me? They'll come back! They know what you have here! They'll ransack the police and they'll find me!” 50:30 · “in the rental office near the department of military intelligence. I shall operate as Dr. Zane.” 50:58

Evidence, details and a link to share

Sequence 65 from 52:06

Frame at 53:11, shot 12953:11
1 of 1 shots sampled

93. Private office

52:06–54:15 Machine checks passed

Model synopsis: Three men in suits and hats stand in a dimly lit interior space, discussing a device called a 'neometer' and searching for a mysterious box. One man is accused of being 'Monk' in disguise, and after a struggle, they lock someone in a vault while shouting about being trapped with 'Zubacame'.

3 people observed.

“This is the neometer.” 52:10 · “Monk's in there. We better mask before we go in.” 52:43

Evidence, details and a link to share

Sequence 66 from 54:15

Frame at 54:15, shot 13054:15Frame at 54:21, shot 13154:21Frame at 54:30, shot 13254:30
3 of 3 shots sampled

94. Private office

54:15–54:33 Machine checks passed (partial)

Model synopsis: A person holds a gun while another stands behind them in a dimly lit interior. A device with a circular feature is shown on a wall. The transcript includes lines about protecting enemies and the power of science and genius.

  • A rectangular device with a circular feature is mounted on a wall. [frame:1]
  • A dark, indistinct interior space is shown. [frame:2]
  • A person holds a gun while another stands behind them. [frame:3]

2 people observed.

“Protecting my enemies. Stand back.” 54:21 · “Science and genius combined. There's nothing that can withstand its power.” 54:25

Evidence, details and a link to share

Sequence 67 from 54:33

Frame at 55:56, shot 13355:56
1 of 1 shots sampled

95. Laboratory

54:33–57:20 Machine checks passed (partial)

Model synopsis: Three people are in a dimly lit, cluttered room with machinery and a large robot; one person is seated at a table while another stands near the robot. Dialogue reveals concern about spies, a missing meteorite, and a plan to pursue a truck while tracking a radio signal.

  • Three people are visible in a room with a robot and machinery. [frame:1]

3 people observed.

“They sounded like spies, but their faces were strange. Masks. How did they find us? They had been in the oven, a little. They couldn't have,…” 54:51 · “The robot was manipulated by someone. I don't remember Dr. Zorka ever referring to a robot during the time we were associated.” 55:17

Evidence, details and a link to share

Sequence 68 from 57:20

Frame at 57:21, shot 13457:21
1 of 1 shots sampled

96. Laboratory

57:20–57:22 Machine checks passed

Model synopsis: Three figures are seated in a dimly lit interior space with a large circular apparatus visible in the background. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 69 from 57:22

Frame at 57:23, shot 13557:23
1 of 1 shots sampled

97. Other

57:22–57:23 Machine checks passed

Model synopsis: A man in a light shirt is visible in a dimly lit interior, looking down at an object or device in front of him. Another figure is partially visible behind him, but no names, dialogue, or clear location are established.

2 people observed.

Evidence, details and a link to share

Frame at 57:24, shot 13657:24
1 of 1 shots sampled

98. Other

57:23–57:25 Machine checks passed

Model synopsis: A man in profile is visible in a dimly lit interior, looking toward a bright light source. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 70 from 57:25

Frame at 57:25, shot 13757:25
1 of 1 shots sampled

99. Beat 99

57:25–57:26 Machine checks passed

Model synopsis: A close-up of a man's face is shown in a black-and-white frame. No other visual or spoken information is available in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 57:27, shot 13857:27
1 of 1 shots sampled

100. Beat 100

57:26–57:27 Machine checks passed

Model synopsis: A close-up shows a man in profile, wearing glasses and a dark suit, looking upward. No dialogue or environmental context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 57:28, shot 13957:28
1 of 1 shots sampled

101. Private office

57:27–57:29 Machine checks passed

Model synopsis: Two figures are in a dimly lit interior space; one is seated and facing right, the other is partially visible behind and to the left. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 71 from 57:29

Frame at 57:56, shot 14057:56
1 of 1 shots sampled

102. Private office

57:29–58:23 Machine checks passed (partial)

Model synopsis: A man sits at a desk operating equipment while another man stands nearby in a dimly lit interior. The transcript includes fragmented numerical sequences and urgent dialogue about radio tracking and escape by submarine.

  • A man operates equipment at a desk while another stands nearby. [frame:1]

Named: Mr. Koudan (t:57:43). 2 people observed.

“Atlantic! What's wrong? What is it? The Federal radio truck is only four blocks away. It's heading in this direction. Well, they can't …” 57:43 · “Maybe not, but they can trace from where it's coming from.” 57:52

Evidence, details and a link to share

Frame at 58:52, shot 14158:52
1 of 1 shots sampled

103. Private office

58:23–59:21 Machine checks passed

Model synopsis: A man in a suit sits at a desk in an office, speaking on the phone while a radio and other equipment are visible. The transcript indicates a police operation is being coordinated to search a neighborhood block.

Named: Captain (t:58:39), Jim (t:58:39), Captain West (t:59:09). 3 people observed.

“- Random radio is in this block somewhere, Captain. The estimates prove that. - Phone for more men. Have them surround the block. We'll sear…” 58:39 · “Urgent!” 58:52

Evidence, details and a link to share

Sequence 72 from 59:21

Frame at 59:23, shot 14259:23
1 of 1 shots sampled

104. Street

59:21–59:24 Machine checks passed (partial)

Model synopsis: A vintage car is parked on a street with two men walking past it. The setting appears to be an urban street with buildings and a kiosk visible.

  • Two men walk past a parked vintage car on a street. [frame:1]

2 people observed.

Evidence, details and a link to share

Frame at 59:30, shot 14359:30
1 of 1 shots sampled

105. Street

59:24–59:36 Machine checks passed (partial)

Model synopsis: A man in a suit and hat leans into the open door of a vintage convertible while another man in a hat sits in the driver's seat. The scene takes place outdoors during daylight, with a brick building visible in the background.

  • A man in a suit leans into the passenger side of a parked convertible while another man sits in the driver's seat. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 73 from 59:36

Frame at 59:50, shot 14459:50
1 of 1 shots sampled

106. Sidewalk

59:36–1:00:04 Machine checks passed

Model synopsis: Two men are seen from behind on steps outside a building; one is told to stay and find a radio location while the other will drive and possibly shoot. The dialogue suggests they are preparing for a confrontation or pursuit.

2 people observed.

“I'll take it you stay here and find the radio location. All right. Stay here and look out. Let me drive in case you have to do any shooting.…” 60:00

Evidence, details and a link to share

Sequence 74 from 1:00:04

Frame at 1:01:23, shot 1471:01:23
1 of 1 shots sampled

108. Other

1:01:22–1:01:25 Machine checks passed

Model synopsis: A person wearing a hat and sleeveless vest is visible in a dimly lit interior. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Frame at 1:01:31, shot 1481:01:31Frame at 1:01:44, shot 1491:01:44
2 of 2 shots sampled

109. Road

1:01:25–1:01:50 Machine checks passed (partial)

Model synopsis: Two men stand near a vintage convertible on a dirt road at night; one is instructed to ignite a fuse. The car is parked on an unpaved surface with trees or rocks in the background.

  • A vintage convertible is parked on a dirt road. [frame:1]
  • Two men stand beside the car, one facing the other. [frame:2]

Named: Mike (t:61:30). 2 people observed.

“All right, touch her off with a fuse, Mike. Okay.” 61:30

Evidence, details and a link to share

Sequence 75 from 1:01:50

Frame at 1:01:51, shot 1501:01:51
1 of 1 shots sampled

110. Road

1:01:50–1:01:51 Machine checks passed

Model synopsis: A vehicle is shown in motion with a blurred background. No people are clearly visible and no dialogue is present.

  • A vehicle moves rapidly across the frame. [frame:1]

Evidence, details and a link to share

Sequence 76 from 1:01:55

Frame at 1:01:57, shot 1521:01:57
1 of 1 shots sampled

112. Other

1:01:55–1:01:59 Machine checks passed (partial)

Model synopsis: A man in a dark hat and coat is visible outdoors at night, handling a coiled rope near a rocky or leafy ground. No dialogue or on-screen text is present in this beat.

  • A man handles a coiled rope while standing on uneven ground. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 77 from 1:02:35

Frame at 1:02:37, shot 1591:02:37
1 of 1 shots sampled

116. Other

1:02:36–1:02:38 Machine checks passed

Model synopsis: A group of people stands on a wooden platform in a dimly lit, rocky environment. One person holds a large object resembling a blueprint or map.

4 people observed.

Evidence, details and a link to share

Sequence 78 from 1:02:38

Sequence 79 from 1:02:44

Frame at 1:02:45, shot 1611:02:45
1 of 1 shots sampled

118. Other

1:02:44–1:02:45 Machine checks passed

Model synopsis: A dark, indistinct object is visible inside a rectangular container or case in a single frame. No people, dialogue, or identifiable location are present in this beat.

Evidence, details and a link to share

Sequence 80 from 1:02:45

Frame at 1:03:06, shot 1631:03:06Frame at 1:03:24, shot 1641:03:24Frame at 1:03:26, shot 1651:03:26
3 of 3 shots sampled

120. Road

1:02:50–1:03:27 Machine checks passed (partial)

Model synopsis: Two men in suits and hats are seen near a car on a dirt road; one is pushing the car while the other stands nearby. They then walk away from the car down the road, and later appear together in a close-up, looking off-camera.

  • One man pushes a car while another stands nearby. [frame:1]
  • Two men walk away from the car down a dirt road. [frame:2]
  • Two men stand side by side, looking off-camera. [frame:3]

4 people observed.

“Well, job of driving. We can still get those birds. Let's go.” 63:04 · “We got through. Back to the car.” 63:18

Evidence, details and a link to share

Sequence 81 from 1:03:47

Frame at 1:03:51, shot 1671:03:51
1 of 1 shots sampled

122. Road

1:03:47–1:03:56 Machine checks passed (partial)

Model synopsis: A car drives on a dirt road with a person standing on its roof; a dark shape lies on the road ahead. No dialogue or on-screen text is present in this beat.

  • A car drives on a dirt road with a person standing on its roof. [frame:1]
  • A dark shape lies on the road ahead of the car. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 1:03:58, shot 1681:03:58
1 of 1 shots sampled

123. Dirt road

1:03:56–1:04:00 Machine checks passed

Model synopsis: Two men in dark suits are pushing a vehicle on a dirt road near trees. A third person is visible on top of the vehicle.

  • Two men push a vehicle on a dirt road. [frame:1]

3 people observed.

Evidence, details and a link to share

Sequence 82 from 1:04:00

Frame at 1:04:04, shot 1691:04:04Frame at 1:04:15, shot 1701:04:15
2 of 2 shots sampled

124. Forest

1:04:00–1:04:21 Machine checks passed (partial)

Model synopsis: Two men in suits and hats confront each other outdoors near trees; one restrains the other while dialogue suggests a capture and recognition. No names are spoken, and no on-screen text or objects beyond clothing and foliage are visible.

  • One man grabs the other's arm while standing among trees. [frame:1]
  • The two men face each other closely, one holding the other's wrist. [frame:2]

2 people observed.

“What about the hole?” 64:05 · “Put him out.” 64:08

Evidence, details and a link to share

Frame at 1:04:27, shot 1711:04:27
1 of 1 shots sampled

125. Field

1:04:21–1:04:33 Machine checks passed (partial)

Model synopsis: A man in a hat and coat stands beside a woman in a light dress and dark jacket; she gestures with her right arm. The transcript includes commands to move and a comment about someone being a 'mass model'.

  • A woman gestures with her right arm while standing next to a man. [frame:1]

2 people observed.

“Come on.” 64:21 · “Get up.” 64:22

Evidence, details and a link to share

Sequence 83 from 1:04:33

Frame at 1:05:38, shot 1721:05:38
1 of 1 shots sampled

126. Laboratory

1:04:33–1:06:43 Machine checks passed (partial)

Model synopsis: A character named Jarvis is interrogated about a meteorite and told to drive; another character, Jim, is instructed to surround Zorka's place with men wearing gas masks. A device is activated to dissolve an invisibility aura, revealing a translucent figure above a cylinder.

  • A translucent figure appears above a cylinder. [frame:1]

Named: Jarvis (t:64:33), Jim (t:65:00), Bob (t:65:25), Zorka (t:65:00). 5 people observed.

“What'd you do with Zarka's meteorite? We haven't got it. Zarka's talking for me.” 64:35 · “Yes, Jim, throw a ring of men around Zorka's place. Better have them equipped with gas masks. Remember, you're dealing with an invisible for…” 65:00

Evidence, details and a link to share

Sequence 84 from 1:06:43

Frame at 1:06:46, shot 1731:06:46Frame at 1:06:54, shot 1741:06:54Frame at 1:07:00, shot 1751:07:00
3 of 3 shots sampled

127. Road

1:06:43–1:07:02 Machine checks passed (partial)

Model synopsis: A military-style truck is parked on a dirt road near trees; several men in uniforms and suits stand nearby. A voice orders men to spread out and mentions 'Purple Peters men' while someone reacts with alarm.

  • A truck is parked on a dirt road with a man visible in the driver's seat. [frame:1]
  • A covered vehicle is seen through trees, suggesting concealment or ambush. [frame:2]
  • Three men stand near a truck, one in uniform, two in suits. [frame:3]

Named: Lieutenant (t:66:47), Parker (t:66:47), Purple Peters (t:66:58). 7 people observed.

“Anything new, Parker? Not yet, Lieutenant. Sergeant, spread your men along this side.” 66:47 · “Hey! You hear that?” 66:56

Evidence, details and a link to share

Frame at 1:07:04, shot 1761:07:04Frame at 1:07:13, shot 1771:07:13
2 of 2 shots sampled

128. Outdoor road

1:07:02–1:07:21 Machine checks passed (partial)

Model synopsis: A group of men stands near a covered truck outdoors; another scene shows a dim interior with a person holding a flashlight. No names or specific events are mentioned in the transcript.

  • Men stand near a covered truck on a road. [frame:1]
  • A person holds a flashlight in a dark interior space. [frame:2]

2 people observed.

“Yeah.” 67:06

Evidence, details and a link to share

Sequence 85 from 1:07:21

Frame at 1:07:24, shot 1781:07:24
1 of 1 shots sampled

129. Laboratory

1:07:21–1:07:28 Machine checks passed

Model synopsis: A robot stands in a dimly lit room with scientific equipment and a skull on a table. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 86 from 1:07:28

Frame at 1:07:31, shot 1791:07:31Frame at 1:07:34, shot 1801:07:34
2 of 2 shots sampled

130. Field

1:07:28–1:07:36 Machine checks passed (partial)

Model synopsis: A group of figures walks along a fence outdoors while a man in a hat stands indoors by a window. A voice says 'Come on.'

  • Figures walk along a fence in a field. [frame:1]
  • A man stands by a window inside a room. [frame:2]

2 people observed.

“- Come on.” 67:28

Evidence, details and a link to share

Frame at 1:07:53, shot 1811:07:53Frame at 1:08:11, shot 1821:08:11
2 of 2 shots sampled

131. Field

1:07:36–1:08:12 Machine checks passed (partial)

Model synopsis: A bald, masked figure is shown in close-up, followed by a group of people walking along a path beside a fence under trees. No names are spoken, and no time of day or period is established.

  • A masked figure stands motionless in darkness. [frame:1]
  • A group of people walks along a path beside a fence under trees. [frame:2]

2 people observed.

“Now if they're doing any shooting...” 67:59 · “I'll be with you anyhow.” 68:01

Evidence, details and a link to share

Sequence 87 from 1:08:12

Frame at 1:08:39, shot 1831:08:39
1 of 1 shots sampled

132. Street

1:08:12–1:09:06 Machine checks passed (partial)

Model synopsis: A soldier in uniform and helmet hands an object to a man in a suit and fedora beside a vehicle; a voice orders someone to stay outside and then warns of danger. The scene is outdoors at night or in low light, with no visible signage or clocks.

  • A soldier hands an object to a man in a suit beside a vehicle. [frame:1]

2 people observed.

“The plan all set up, Captain. I've spent four men inside with masks.” 68:30 · “You stay outside.” 68:39

Evidence, details and a link to share

Sequence 88 from 1:09:06

Frame at 1:09:10, shot 1841:09:10Frame at 1:09:17, shot 1851:09:17
2 of 2 shots sampled

133. Private office

1:09:06–1:09:20 Machine checks passed (partial)

Model synopsis: A person holding a rifle is visible in a dim interior, followed by a view of three figures exiting through a doorway into daylight. A voice says they intend to escape.

  • A person in uniform holds a rifle inside a room. [frame:1]
  • Three figures walk out of a doorway into daylight. [frame:2]

5 people observed.

“I'm going to get away.” 69:11

Evidence, details and a link to share

Sequence 89 from 1:09:20

Sequence 90 from 1:09:22

Frame at 1:09:25, shot 1871:09:25
1 of 1 shots sampled

135. Field

1:09:22–1:09:27 Machine checks passed (partial)

Model synopsis: A large explosion erupts outdoors, illuminating the scene. Trees are visible in the background, suggesting a natural or semi-rural setting.

  • A large explosion occurs outdoors. [frame:1]

Evidence, details and a link to share

Sequence 91 from 1:09:30

Sequence 92 from 1:11:39

Frame at 1:12:07, shot 1911:12:07
1 of 1 shots sampled

139. Forest

1:12:01–1:12:12 Machine checks passed (partial)

Model synopsis: A man in a hat and dark coat is visible among dense foliage. No dialogue or on-screen text is present in this beat.

  • A man in a hat and coat is seen crouching or sitting among dense bushes or trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 93 from 1:12:12

Sequence 94 from 1:12:22

Frame at 1:12:50, shot 1931:12:50
1 of 1 shots sampled

141. Newsroom

1:12:22–1:13:19 Machine checks passed (partial)

Model synopsis: A newspaper headline announces Doctor Zorka is alive and may be invisible; a character named Jim is told to get an ambulance while another says planes are grounded by government order.

  • A newspaper headline reads 'MAD GENIUS RUNNING WILD!' and 'Doctor Zorka Alive May be Invisible To Human Eye'. [frame:1]

Named: Jim (t:72:22), Dr. Mallory (t:72:22), Doctor Zorka (t:73:00). 4 people observed.

“Get an ambulance, Jim. These men have to be gotten to Dr. Mallory at once.” 72:22 · “Hey, can you fly a plane? Sure I can. Nobody's flying today. Why not? Government ordered. All planes are grounded. Hey, don't you read the p…” 73:00

Evidence, details and a link to share

Sequence 95 from 1:13:19

Frame at 1:13:23, shot 1941:13:23
1 of 1 shots sampled

142. Field

1:13:19–1:13:27 Machine checks passed (partial)

Model synopsis: A man in light-colored clothing is on the ground, supporting himself with one hand while holding his head with the other. The setting appears to be an open, dark, and possibly outdoor area with no visible structures or objects.

  • A man is on the ground, supporting himself with one hand while holding his head with the other. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 96 from 1:13:27

Frame at 1:13:30, shot 1951:13:30
1 of 1 shots sampled

143. Sky

1:13:27–1:13:32 Machine checks passed

Model synopsis: A biplane is visible in flight against a flat horizon. No people, dialogue, or on-screen text are present in the frame.

  • A biplane flies across the frame. [frame:1]

Evidence, details and a link to share

Sequence 97 from 1:13:32

Frame at 1:14:04, shot 1961:14:04
1 of 1 shots sampled

144. Other

1:13:32–1:14:36 Machine checks passed

Model synopsis: A single frame shows a cloud of smoke or explosion near a dark structure. The transcript includes fragmented dialogue about a plane and a man with a mustache, but no names are spoken that can be linked to visible individuals.

  • A cloud of smoke or explosion is visible near a dark structure. [frame:1]

“Yeah, by plane to see right” 73:39 · “Thanks again. That's what it's a grab the plane. What a man with a must be mom. Come on.” 73:41

Evidence, details and a link to share

Sequence 98 from 1:14:36

Frame at 1:14:46, shot 1971:14:46
1 of 1 shots sampled

145. Vehicle interior

1:14:36–1:14:57 Machine checks passed

Model synopsis: Two figures in dark, full-face masks and helmets are visible inside a vehicle cockpit against a cloudy sky. The scene is shot in black and white with a static camera angle focused on the cockpit interior.

2 people observed.

Evidence, details and a link to share

Sequence 99 from 1:14:57

Frame at 1:15:05, shot 1981:15:05Frame at 1:15:24, shot 1991:15:24
2 of 2 shots sampled

146. Field

1:14:57–1:15:35 Machine checks passed (partial)

Model synopsis: Two aircraft are visible on a flat, open field in a wide shot; one is stationary while the other appears to be landing or taking off. A subsequent frame shows a dark, indistinct object on the ground with a small white shape nearby, under a hazy sky.

  • Two aircraft are visible on a flat, open field; one is stationary, the other appears to be moving. [frame:1]
  • A dark, indistinct object is on the ground with a small white shape nearby. [frame:2]

“There they are, two parts to the right.” 75:11

Evidence, details and a link to share

Sequence 100 from 1:15:35

Frame at 1:16:01, shot 2011:16:01
1 of 1 shots sampled

148. Vehicle interior

1:15:56–1:16:06 Machine checks passed

Model synopsis: Two people are visible inside a vehicle cockpit, wearing dark goggles and uniforms. The vehicle appears to be moving, as suggested by the blurred background and the structure of the cockpit.

2 people observed.

Evidence, details and a link to share

Sequence 101 from 1:16:06

Frame at 1:16:16, shot 2021:16:16
1 of 1 shots sampled

149. Other

1:16:06–1:16:26 Machine checks passed

Model synopsis: A character speaks against shooting a flying object, warning that possessing a meteorite would cause catastrophic explosion. The frame shows a dark, silhouetted structure with a small object on a wire against a dim sky.

1 person observed.

“I could bring him down with a machine gun. No, don't shoot. If you have the meteorite, you'll blow us all out of the sky.” 76:19

Evidence, details and a link to share

Sequence 102 from 1:16:26

Sequence 103 from 1:16:30

Frame at 1:16:31, shot 2041:16:31
1 of 1 shots sampled

151. Sky

1:16:30–1:16:32 Machine checks passed (partial)

Model synopsis: Two biplanes fly in formation against a cloudy sky. No people, dialogue, or on-screen text are visible in this single frame.

  • Two biplanes are flying in formation. [frame:1]

Evidence, details and a link to share

Sequence 104 from 1:16:32

Frame at 1:17:26, shot 2051:17:26
1 of 1 shots sampled

152. Other

1:16:32–1:18:20 Machine checks passed (partial)

Model synopsis: A character addresses Miss Drew, acknowledging her efforts and recommending her for a medal; the scene concludes with a shot of the U.S. Capitol building. No named individuals are identified in the dialogue or visuals beyond 'Miss Drew'.

  • The U.S. Capitol building is shown in an exterior shot. [frame:1]

Named: Miss Drew (t:77:52), Gene (t:77:42), Bob (t:77:42). 4 people observed.

“that I have recommended you in the orders of the day.” 77:31 · “and have recommended to the president that you be awarded the medal for distinguished service.” 77:35

Evidence, details and a link to share

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 631 segments kept, 227 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:20 My control board.
  2. 1:21 Dr. Sarkin.
  3. 1:22 You're not gonna let that.
  4. 1:24 thing out again, are you?
  5. 1:26 Sunday.
  6. 1:27 There's work to be done of it.
  7. 1:28 Might get away like I did last time.
  8. 1:33 I created it.
  9. 1:37 I can control it.
  10. 1:38 or destroy it as I can use.
  11. 1:42 You whom I have escaped from present.
  12. 1:45 I can go, but quickly.
  13. 2:04 I'll see what good it is.
  14. 2:05 The cops will never let anything like that walk down the street.
  15. 2:09 What could the police or anybody do against an army like that?
  16. 2:37 It must be controlled.
  17. 2:39 We could crush all our...
  18. 2:41 I'm going to go.
  19. 2:51 There's a car outside.
  20. 2:53 That will be my wife.
611 more segments
  1. 2:55 He wants to take me away.
  2. 2:57 She's afraid.
  3. 2:59 What I'm doing here, yes, she knows only a small part of it.
  4. 3:04 I did so only because he was working along lines contrary to the good of mankind. I know.
  5. 3:08 We still need to.
  6. 3:10 I hope I can stop him before it's too late.
  7. 3:13 I hate to have you face him alone. I don't fear him.
  8. 3:16 I think you really care for me.
  9. 3:19 as much as you can't care for anyone.
  10. 3:21 Except himself.
  11. 3:25 You're not gonna tell her about the new element you discovered, are you?
  12. 3:28 Only enough to prove.
  13. 3:30 I have accomplished what they told me was impossible.
  14. 3:33 Get me one of the magnified fist cramps.
  15. 3:35 But if you're determined to face him alone,
  16. 3:37 I'll wait in there.
  17. 3:41 But won't your wife make the night, then?
  18. 3:49 Alex!
  19. 3:52 And my dear...
  20. 3:55 You're glad to see me.
  21. 3:57 Ben.
  22. 4:01 I've been wanting a witness to my grave crime.
  23. 4:05 Oh.
  24. 4:06 Yes.
  25. 4:07 I told Mallory and the others.
  26. 4:09 There was a way to induce the state of suspended animation that couldn't be told from death.
  27. 4:14 But I could find it.
  28. 4:15 They called me a dreamer, a fool.
  29. 4:17 But now I have it!
  30. 4:19 and we should see it, and tell them
  31. 4:30 You see this disc?
  32. 4:32 What?
  33. 4:50 It's good to come to you.
  34. 4:52 If you go only to that vessel,
  35. 4:54 which I have put there by the plan.
  36. 4:56 that this square
  37. 4:57 magnetized by a positive ray with my new element which is unknown to science.
  38. 5:03 And this is the spy that carries the negative.
  39. 5:05 In the two means.
  40. 5:07 You were told.
  41. 5:08 See.
  42. 5:14 Come on.
  43. 5:24 Oh, Ken!
  44. 5:25 No, no, it's not that.
  45. 5:28 Nor would a person be under the same circumstance.
  46. 5:33 Too bad.
  47. 5:34 that Mallory is not here,
  48. 5:37 See my trial.
  49. 5:39 I have seen it.
  50. 5:42 You were spying!
  51. 5:45 All at that if you wish, Alex.
  52. 5:47 But you made no secret of it.
  53. 5:48 Now my fear is, what are you going to do with it?
  54. 5:51 I shall do with it as I wish.
  55. 5:54 not hand it over to the government.
  56. 5:56 You would have me.
  57. 5:57 I still think that would be best.
  58. 5:59 It should be under control for the good of mankind.
  59. 6:01 you would still receive credit for its decision.
  60. 6:03 Discovery?
  61. 6:04 They would destroy if they could.
  62. 6:06 but possibly never will I let it go.
  63. 6:10 I'll bet you're proud of government.
  64. 6:12 It offered me millions.
  65. 6:14 perhaps
  66. 6:15 I shall sell to them.
  67. 6:17 Don't you realize what a terrific weapon it would be in the hands of unscrupulous people?
  68. 6:21 Of course.
  69. 6:22 That is why they shall pay me dearly for it.
  70. 6:25 Alex, you must not.
  71. 6:27 Then it is my duty to inform the government at once.
  72. 6:30 Alex, please!
  73. 6:37 All right.
  74. 6:38 If it is you...
  75. 6:39 duty.
  76. 6:41 Do so by all means.
  77. 6:43 But you will find it a great mistake.
  78. 6:47 What do you mean?
  79. 6:50 You shall soon learn.
  80. 6:52 All of you.
  81. 6:56 I am.
  82. 6:59 Monk!
  83. 7:01 - Mom!
  84. 7:03 Get the division line.
  85. 7:07 Did you carry out my instructions regarding the work to be done on this?
  86. 7:11 Yes, sir.
  87. 7:12 I strengthened the ionizer, but I was afraid to use it.
  88. 7:14 I'm not afraid.
  89. 7:16 They think they know everything that I have.
  90. 7:19 But they know nothing of this divisualizer that will conceal me from my enemies.
  91. 7:24 I'll stay here tonight.
  92. 7:26 Perhaps I can see him again.
  93. 7:29 I'm persuaded from his mad cause.
  94. 7:32 And I'll get in touch with the government.
  95. 7:34 I've already talked with Captain West of the War Department about Alex.
  96. 7:37 They won't punish him, will they? No, Ann. They'll just keep him and what he has found under control so that he can't misuse it.
  97. 7:43 Well, dispose of it.
  98. 7:44 to a country that would.
  99. 7:46 Oh, my God.
  100. 8:05 You have to...
  101. 8:06 Failed monk.
  102. 8:11 But I will not fail.
  103. 8:15 I'll call if I need you.
  104. 8:18 Good night, Ann.
  105. 8:19 Good night.
  106. 8:31 Hit it.
  107. 8:31 Perfect.
  108. 8:32 Mr. Schatzel.
  109. 8:33 But can you come back?
  110. 8:37 much.
  111. 8:37 Come back.
  112. 8:48 And now...
  113. 8:49 Phantom, there is nothing that I cannot do.
  114. 9:05 How many?
  115. 9:17 Mallory speaking.
  116. 9:19 Yes, sir.
  117. 9:20 The place seems to be deserted.
  118. 9:22 I'll come right out there as soon as I get a call I'm waiting for.
  119. 9:25 Yes, Captain West of the Army Intelligence.
  120. 9:28 I'll start as soon as he phones me.
  121. 9:30 All right.
  122. 9:31 Don't worry.
  123. 9:33 Much depends on...
  124. 9:35 What happened in this house today?
  125. 9:39 for a great
  126. 9:41 and lifting the bed.
  127. 9:46 I'm going to go.
  128. 9:58 Ah.
  129. 10:00 Probably mildly.
  130. 10:05 Good morning, Adam.
  131. 10:06 I'm so glad you got here. Captain West arrived yet?
  132. 10:10 No, how could he? Climb down, but I'm surprised to find him here.
  133. 10:17 That must be far west. The government's plane. They are closing in.
  134. 10:24 They will find nothing.
  135. 10:28 I have to change my appearance.
  136. 10:31 Maybe you'd better stay here and keep an eye on the plane, Jim. Okay.
  137. 10:40 Captain West, is it true that Dr. Zorka has disappeared?
  138. 10:44 Oh.
  139. 10:45 Well, do you think it's fair for you to know my name and I don't know yours? I'm Jean Drew.
  140. 10:50 Well, what are you doing here?
  141. 10:51 The Times sent me. Too low, we can less than the next question. Sorry, but I'm not allowed to answer any questions.
  142. 10:58 Do you mind if I go to the house with you? Yes, I mind very much.
  143. 11:03 You and I better take a little walk, sister.
  144. 11:05 I don't believe I've met you. Miss Drew, allow me to present Mr. Jim Daley. You'll find him very good company.
  145. 11:18 From what you say, Dr. Zucker has discovered something very important. I'm sure he has. Highly dangerous, too.
  146. 11:24 Think what a hostile power could do with it.
  147. 11:26 Have you, uh...
  148. 11:27 Made any search for it?
  149. 11:28 No, we thought we'd better wait till you got here.
  150. 11:31 Well, that's looking in his laboratory.
  151. 11:33 You're gonna take that dish?
  152. 11:35 I'll get it later. I'd hate to have one of those spiders find in my pocket.
  153. 11:41 Fools, fools! Let them search. They will find nothing.
  154. 12:00 A lot of equipment seems to have been moved.
  155. 12:03 You can talk to Rankine of Aspiring. I will be with you. But...
  156. 12:06 On scene.
  157. 12:09 That one smokes a popular brand.
  158. 12:14 But it doesn't.
  159. 12:15 can't stand the back
  160. 12:17 How about his assistant? He hasn't.
  161. 12:20 He's right. So far as we know, Zorka worked alone.
  162. 12:27 Let me go, Lyle.
  163. 12:29 Then we will go.
  164. 12:36 We must be more careful than ever.
  165. 12:39 that no one discovers the engines of our secret garage.
  166. 12:42 Let's go.
  167. 12:45 Oh, my God.
  168. 12:51 Well, I'll phone headquarters and have a description broadcast.
  169. 12:53 He'll be picked up somewhere, that is, if he still answers his own description.
  170. 13:00 All clear.
  171. 13:01 Then we will go to meet the agent of the spy ring.
  172. 13:06 The last scene...
  173. 13:08 You wore striped trousers.
  174. 13:10 Back foreign hand tie and cut away coat.
  175. 13:12 No car that we know of.
  176. 13:15 But it would take one to carry the things that are missing in this laboratory.
  177. 13:18 Yes, that's right.
  178. 13:20 Put this on the cell stack right away with it.
  179. 13:22 Pick up that man. What do you mean? Give him a ride? Yes. He looks as I used to. He might be useful to me.
  180. 13:38 Come, get in.
  181. 13:52 The man is dead. How fortunate. That simplifies everything. We will make it seem that it is the famous Dr. Zorko has been killed.
  182. 14:22 Then we will get another car, go home, and see what they are doing there.
  183. 14:34 Webb speaking.
  184. 14:38 Right, I've got it. We'll fly right down there. The car found Rex and Byrne on Highway 10, 50 miles north of here. The body in it.
  185. 14:47 Sometimes there's a pocket to negate it to Dr. Zorka.
  186. 14:49 Identification is important.
  187. 14:53 You go with it?
  188. 14:56 You're asking too much, Captain Westbath. You're such a shock. I'll go. I'll go.
  189. 15:00 I must not.
  190. 15:02 What the water?
  191. 15:03 He's going to form up the plane with us, Jim.
  192. 15:05 Whenever you're ready, Mrs. Zorka.
  193. 15:36 They are taking my wife to identify the body we left at the car.
  194. 15:40 If you know it, it's not mine.
  195. 15:41 Can't you stop them by...
  196. 15:43 She is one of my disciples.
  197. 15:45 and she does not know it.
  198. 15:46 I have just time enough to put that spider into a plane.
  199. 15:52 She'll go into suspended animation
  200. 15:55 so that she cannot identify the dead man.
  201. 15:57 Then I will take her from them and revive her.
  202. 16:01 Now get the car, that's it. Quick.
  203. 16:02 We have to be there as soon as the plane arrives.
  204. 16:14 Couldn't take long I'll take the lab equipment and try to figure out this what's missing. Bye. Bye.
  205. 16:36 Is there something in there with that door? I'm sure I shut it. Doesn't look to me as if you did. This wasn't in my bag when I left the house. That's the same kind of disc that was found under the plant. The one the spider went. Are you certain it wasn't in your bag before? Positive. Let me see it, will you? I haven't seen one of those things yet. Hold on, will you, Jim? I want to send it back to the department. Are you sure you didn't?
  206. 17:06 Find it and take it as part of a keepsake? Why, of course I didn't.
  207. 17:13 Tell me, from where the car was found, have you any idea where Dr. Durga was going? None what it is. Damn, what happened?
  208. 17:25 What are you doing here?
  209. 17:36 Pay it out!
  210. 17:48 - Get another shoe. - Yes, Papa.
  211. 18:19 This is Zerka!
  212. 18:28 This is Zerka!
  213. 18:35 Faster! Faster! You must get...
  214. 18:43 Stop!
  215. 18:53 Get over there!
  216. 19:06 - Help me, please. I'm all tangled up. - One moment, madam. Monk.
  217. 19:09 Help her down. A plane crashed. What plane?
  218. 19:15 Who was in it?
  219. 19:16 There's a government plane. Two men and another woman.
  220. 19:19 I'm a red supporter. I've got to get to that wreck.
  221. 19:23 Come.
  222. 19:25 I'm a doctor.
  223. 19:26 I will take you there.
  224. 19:41 Okay, buddy. There's an ambulance on the way.
  225. 19:44 I'll make a complete report later. - Yes, 30 people away, will you? - All right, get back. - Beaver, just a minute. - Get back. Come on. - I'll hang a little bit. - Help. Good going.
  226. 19:55 - Come here. - Come here.
  227. 20:02 - Where are you, Merlin? - I'm a physician.
  228. 20:04 Okay.
  229. 20:11 Oh, my God.
  230. 20:17 I
  231. 20:19 All the...
  232. 20:30 Woman is dead.
  233. 20:41 Captain Wells, my paper would like an official statement from you. What were you doing in that plane? Following you to get a story.
  234. 20:47 What do you make of him, Doctor?
  235. 20:49 I find no bodily injury.
  236. 20:53 The man seemed to be in a coma. That's right. He collapsed suddenly at the control. The ambulance is coming. Take this girl away. Come on, lady. Captain West, I want to know the connection between this plane crash and Dr. Zorka's death. Unless you tell me... All right, arrest her. Leave go of me. You can't arrest me without a charge. The charger was throwing away in a government plane. Come on.
  237. 21:13 You can't do this to me. No, I can't, but he can.
  238. 21:46 Watch me! Watch me! Come on, Bobby! Watch me!
  239. 21:53 He's really dead.
  240. 21:55 You knew that, Doctor. You saw her.
  241. 21:57 Mallory.
  242. 21:59 and all the so-called scientists who drove me into hiding
  243. 22:03 They are responsible for the best.
  244. 22:05 They shall pay.
  245. 22:08 Forget it, Doc.
  246. 22:09 You can sell out to Rankin and his crowd for millions and get out of the country.
  247. 22:13 No.
  248. 22:20 Send this message in code to all our allied foreign operators.
  249. 22:25 as a disguise for our spiring operations.
  250. 22:28 All code messages henceforth will be sent from our international school of languages.
  251. 22:44 Well, did you get Zorka's formula?
  252. 22:47 She's not placed a guard around Zarka's house.
  253. 22:49 We haven't been able to answer. You've got to get him.
  254. 22:52 Or finds Zorka's assistant monk.
  255. 22:54 I'm about to broadcast a recording to our friends in Europe, informing them of Zucker's death.
  256. 22:58 It is necessary to share a very vital secret analogy.
  257. 23:04 the hiding place of the source of all my power.
  258. 23:07 The source?
  259. 23:13 They go ding.
  260. 23:14 During my absence?
  261. 23:17 You would be able to remove it to a safer place.
  262. 23:30 There he's...
  263. 23:31 power enough to see him.
  264. 23:32 or destroy the war.
  265. 23:35 And who we are?
  266. 23:36 I know how to release.
  267. 23:38 and control it.
  268. 23:54 Must be kept insulated.
  269. 23:56 It would be fated to open it.
  270. 23:58 Bless the presence of these protective fumes.
  271. 24:02 - I, this guy.
  272. 24:12 Where?
  273. 24:12 Where did it come from?
  274. 24:17 part of a matter I
  275. 24:18 that fell in Africa centuries ago.
  276. 24:22 years of research.
  277. 24:24 Let me to the belly.
  278. 24:26 Some great force akin to raid you.
  279. 24:29 Leave that is there.
  280. 24:31 I organized a secret expedition.
  281. 24:33 Appended only by ignorant natives.
  282. 24:40 Get out!
  283. 24:42 It took me three years to find the place the Nigerite fell. I suffered untold torture
  284. 24:51 before I found a way to insulate myself from the magnetic and chemical activity of the element contained in the meteorite. I risked my health, my life to get it, and to compound with it an other force of my own discovery that made it the greatest power on earth. Now why shouldn't I use it as I wish?
  285. 25:14 even to conquer the world.
  286. 25:17 Sorry, ma'am.
  287. 25:19 if it is ever necessary for you to move that box.
  288. 25:23 Do not open it.
  289. 25:26 to wield that.
  290. 25:27 fast.
  291. 25:37 You will remain here on guard.
  292. 25:50 pulse is increasing, getting stronger with every beat.
  293. 25:53 Come on.
  294. 26:11 You passed out because you had the discipline.
  295. 26:13 Planted on Anzirka.
  296. 26:15 Who'd want to destroy her?
  297. 26:17 I don't know.
  298. 26:20 Can I take this along in Zorcha's laboratory? It might lead you somewhere.
  299. 26:22 Presently.
  300. 26:23 I'll attempt an analysis of what is on that disc. It might lead directly to Zorka's secret.
  301. 26:29 Good luck. Come on.
  302. 26:33 Okay.
  303. 26:37 - Now he's handed those shirts from the Zorka disc.
  304. 26:40 I hope we can get enough other information so that we can crack this case wide open. Yeah, before it cracks us.
  305. 26:50 Now I can just get this formula.
  306. 26:53 Properly recorded.
  307. 27:00 *Ding*
  308. 27:09 What's the matter, Dr. Valerie? Oh, perhaps it was...
  309. 27:16 Fumes and the liquid, but it comes with no reversal.
  310. 27:19 Hands at my throat.
  311. 27:21 Huh?
  312. 27:22 Huh?
  313. 27:23 Oh, my God.
  314. 27:45 Come on.
  315. 28:09 Amen.
  316. 28:09 All right.
  317. 28:11 Why do we always have to get here just...
  318. 28:12 - The sun is.
  319. 28:14 Those long shadows get on your nerves, eh, Jim?
  320. 28:16 I hoped to turn you around this place.
  321. 28:18 Well, let's see what this can sign for us.
  322. 28:20 Yeah.
  323. 28:21 Watch after Spiders.
  324. 28:39 Needle almost jumped off the dial here.
  325. 28:42 Must be another test around. Close.
  326. 28:44 Come on.
  327. 28:57 Well, not so strong here.
  328. 29:17 Now it's stronger.
  329. 29:19 This way, Jim.
  330. 29:41 Not so strong here.
  331. 29:45 Come on.
  332. 29:49 No, it's stronger.
  333. 29:54 Hey!
  334. 30:00 What was that?
  335. 30:03 The armada got so hot it burned my hand. I went to touch that box and went up and smoked.
  336. 30:06 There's something pretty hot in there. Don't open that. I'll leave Dr. Mallory open it.
  337. 30:10 Yes, you're right. Well, we'll take him to headquarters first.
  338. 30:13 Come on.
  339. 30:15 I'm going to try to open this thing.
  340. 30:25 What's the matter, Bob? Can't you make it? No, not yet. Maybe it's just as well after what happened to that neometer.
  341. 30:35 Oh.
  342. 30:36 Hey, Bob. What's the matter with this car? The engine stopped running. Plenty of gas.
  343. 30:44 Hey, Bob, look!
  344. 30:53 Run it down, Greg. Keep it rolling.
  345. 31:00 We all get floated a bit.
  346. 31:36 Who who was it?
  347. 31:44 I sure did. 130,000 votes. That's what wrecked us when I pulled that gadget on the box. Oh, that was a close one. I better see if the box is still there. Man, I'm going after that guy who's picked up in Zorka's lab. Now, this is no time for manhunter. It's more important we get that mystery box to the federal lab for an analysis. Go up the whole city? I guess you're right. We'll take it back to Mallory's house. We'll be safer there.
  348. 32:14 We're not the only survivors. The box is still here.
  349. 32:44 Oh, my God.
  350. 33:14 You can't get far with that.
  351. 33:23 There's much going on here. You fellas trying to electrocute yourselves. Who's driving that car? Take it easy.
  352. 33:54 Fuck
  353. 33:56 Come on.
  354. 34:18 Monk!
  355. 34:19 Believe you, the monk is gone.
  356. 34:32 I still have you.
  357. 34:39 You will be the instrument of my vengeance.
  358. 34:54 So you decided to come back, did you? The settlement broke in, they carried me off. They stole the meteor. You're lying. I left you on guard and you betrayed me. You've sold the force of my power to my enemies. No, I swear it! Then why did you remove that box from the secret box? I heard voices. I thought strangers were coming to steal it. I shall show you what happens to those
  359. 35:17 Oh, gross me.
  360. 35:25 No, don't let him get me.
  361. 35:31 I've won't let him. I'm shot. I swear I'm not lying. Look!
  362. 35:47 It's alright. I'm going to remove that bullet. Then you will tell me what happened. Come.
  363. 36:09 Put out your sleeve.
  364. 36:39 - Steve, take your arm out.
  365. 36:44 He says nothing.
  366. 36:45 Not a thing!
  367. 36:47 Payless, Sergeant.
  368. 36:50 This.
  369. 36:50 and a thousand greater powers are possible with the Seeker Palaman.
  370. 36:56 Now the source of it is gone.
  371. 36:59 They shall not keep it.
  372. 37:03 No government shall possess my power.
  373. 37:06 I know where Bob has taken my meteors.
  374. 37:09 But I can't go, would you?
  375. 37:11 They know me now. If I'm taken, they'll throw me back into Alcatraz.
  376. 37:15 You can make yourself invisible.
  377. 37:17 The Phantom will continue to protect you.
  378. 37:28 According to this Neometer, we are close to my element.
  379. 38:55 Now the car. There's no mistake about it. I was alone in that laboratory with the guy.
  380. 39:15 He collapsed and while I was trying to see what had happened to him, the meteorite disappeared.
  381. 39:19 What do you mean, disappeared? It was gone. The door which had been locked on the outside was open.
  382. 39:25 I guess I better run over and look that place over.
  383. 39:27 I'll see you at Gorkers later.
  384. 39:31 All right.
  385. 39:33 Have you any idea how the meteorite was removed, Doctor?
  386. 39:37 None that will hold water.
  387. 39:39 It was physically impossible for anyone to enter that room without my seeing.
  388. 39:42 I beg your pardon sir, but you know Dr. Zorka was a very evil man.
  389. 39:47 It might persist even after the death of the body, and return to continue its, shall we say, prestigious work. Ghosts don't carry heavy boxes around, Perkins.
  390. 39:58 Hey.
  391. 40:00 Suppose Drucker isn't there. If he were alive, he would be seen and... Not necessarily.
  392. 40:05 One thing Zorka hoped to do was to perfect what he called a
  393. 40:09 to visualize her. Oh, that's impossible.
  394. 40:11 In the scientific world, nothing is impossible.
  395. 40:14 Just as there are sound waves pitched too high or too low for the human ear,
  396. 40:18 So there are light waves too intense for the human eye.
  397. 40:21 that might be directed to envelop a human body and make it
  398. 40:25 Invisible. Now that you have it again, we'd both better get out of here. The G-men are guarding the place.
  399. 40:31 If they find this secret room... If they do, I have means of the invisible. Here. This little device contains an invisible guide.
  400. 40:40 Did you get the plan they asked you for? Yes, sir.
  401. 40:53 - Pull it on the table. - Yes, sir.
  402. 41:09 Now this is the first step.
  403. 41:12 It doesn't seem to be doing anything to the plant.
  404. 41:16 And the second step...
  405. 41:19 is my Z-ray. Any living thing impregnated
  406. 41:28 with this invisible gas, dies under the sea ray. - You mean the human beings? - Oh, man first could go into a deep coma.
  407. 41:39 And then...
  408. 41:43 That would stop one or two men, but more would keep coming. You seem to forget our rider man.
  409. 41:55 We're going to inspect the house. Lieutenant Daly arrives, send him in. Keep everyone else out.
  410. 42:04 Come on, come on, Garth.
  411. 42:28 Oh.
  412. 42:28 Yes.
  413. 42:44 He has a new armada.
  414. 42:45 Close the vault!
  415. 43:17 I'm going to go.
  416. 43:54 Oh.
  417. 43:59 Captain West inside the house. All right, keep this woman here. Say, wait a minute, I've got to get in there. I've got to right here. Keep her here if you have to tie her.
  418. 44:07 Come on.
  419. 44:48 One by one my enemies will be disposed of. Until I must stop the universe.
  420. 44:55 Someone else is coming. We must find our robots.
  421. 45:29 I'm going to go.
  422. 45:35 Ugh.
  423. 45:36 Fuck!
  424. 45:37 First.
  425. 45:38 - Hold it. - Hold it.
  426. 45:48 so
  427. 45:51 He's coming through. He's coming through. He's here.
  428. 45:57 Well, my invisible gas and the Z-ray will take care of him and the others.
  429. 46:02 Get them.
  430. 46:08 All right.
  431. 46:20 Oh, my God.
  432. 46:33 Oh
  433. 46:52 Being a common state of that were so.
  434. 46:55 If you kill them,
  435. 46:56 Police are traced from here.
  436. 46:58 You could escape with your shadow belt, but I was done for it.
  437. 47:00 Just head me back down to try it.
  438. 47:03 That is where you belong.
  439. 47:29 You let this condenser loose.
  440. 47:36 Some more of you characters.
  441. 47:45 Bob!
  442. 47:46 Wow!
  443. 47:47 What was it? What happened? Iron Man.
  444. 47:50 You tagged me. There's no one here but us who's in it, Bailey.
  445. 48:05 Captain West must have dreamed that Iron Man.
  446. 48:09 You know what he was talking about, all right.
  447. 48:20 I am free, Dr. Snogger. I am stronger than you now.
  448. 48:24 Stronger than the police. You'll never make a slave out of me again.
  449. 49:07 Wouldn't surprise me a bit if Dr. Zorka did have some kind of mechanical man hidden here. Well, we'll find out soon enough. Let's get him over to Dr. Mallory's right away.
  450. 49:22 You traitor!
  451. 49:26 You didn't know that you too had been sprayed with my invisible gas.
  452. 49:30 Get up on your feet. You belong to me. You can never escape me. Go. Get him to Mallory's. I'll follow in my car.
  453. 50:00 I'm going to go.
  454. 50:24 They're gone.
  455. 50:27 Okay.
  456. 50:30 Do you see what you treachery has cost me? They'll come back! They know what you have here! They'll ransack the police and they'll find me! They will not find you nor my need for eyes. It's changing headquarters today. Going prepared for all my restoration materials.
  457. 50:54 I had not suspended animation, only a slight concussion. He'll be all right in a little while.
  458. 50:58 in the rental office near the department of military intelligence. I shall operate as Dr. Zane.
  459. 51:10 I found just the kind of office you want. Is it a good voice to protect my meteorite? Yeah, and it's on the same floor as the International School of Language. Oh, the language school. The spy's headquarter, huh?
  460. 51:28 I am them also. We will move in at once.
  461. 51:35 We must insulate our new vault
  462. 51:38 So let my meteorite shall be just the same here as it was in my secret laboratory.
  463. 51:42 Cops.
  464. 51:52 Perfect insulation.
  465. 51:54 enough to protect my most powerful devices.
  466. 52:06 The report just came in from the camera.
  467. 52:10 This is the neometer.
  468. 52:13 An instrument that reacts in the presence of magnetized or radiized substances. Say, that's just a thing we need to locate Dr. Zorka's mysterious box.
  469. 52:24 Hold on with it.
  470. 52:26 The speed was going a mile a minute.
  471. 52:43 Monk's in there. We better mask before we go in.
  472. 52:49 Monk? You must be entirely moved by the army.
  473. 52:55 Monk.
  474. 52:57 Who do you want?
  475. 52:58 It ain't Monk. Whoever it is, he's got the stuff for after.
  476. 53:03 Come on, I'll spill it. Where's that box? I don't know what you're talking about.
  477. 53:08 That's a pretty good disguise, Monk. But you're gonna tell us where that box is getting? I don't know. You're lying.
  478. 53:16 Man! Ball!
  479. 53:21 Man!
  480. 53:22 Come on, get out of here. Get out of here. Get out of here. This is the stuff we want, all right. Now you get going. I'll lock this guy and Monk in the vault until we can get back.
  481. 53:56 Let me out!
  482. 53:57 Where have you?
  483. 54:01 - Chuck, Captain.
  484. 54:02 Doctor's doctor!
  485. 54:04 Doctor! Doctor! My meteorite!
  486. 54:10 Where is it? Go! We're locked in with Zubacame! No, no one is going to die.
  487. 54:21 Protecting my enemies. Stand back.
  488. 54:25 Science and genius combined. There's nothing that can withstand its power.
  489. 54:41 Get out.
  490. 54:48 Get out.
  491. 54:49 Who were those men?
  492. 54:51 They sounded like spies, but their faces were strange. Masks. How did they find us? They had been in the oven, a little. They couldn't have, unless you gave it to them. Well, they must have stolen it from Mallory. In any event, the hands are in here. Start setting. I'm convinced that Dr. Zorka's still alive.
  493. 55:14 operating from some hidden part of the top.
  494. 55:17 The robot was manipulated by someone. I don't remember Dr. Zorka ever referring to a robot during the time we were associated.
  495. 55:23 But there were many things he kept secret from me. Well, that's for us to find out.
  496. 55:29 They have my meteor, but not all of them. Come.
  497. 55:57 So
  498. 56:00 Do it now.
  499. 56:01 It would mean to destroy my meteorites.
  500. 56:05 That I had to get back first.
  501. 56:14 I'll go with you.
  502. 56:16 No!
  503. 56:17 Stay here.
  504. 56:23 This is work.
  505. 56:24 for the time some
  506. 56:26 alone.
  507. 56:33 Right, I've got it. We'll be on our way in a minute.
  508. 56:35 Be sure and keep Zucker's lead, Hubbard.
  509. 56:37 Yeah, goodbye.
  510. 56:40 Headquarters report that the Phantom Radio is broadcasting this mysterious code again.
  511. 56:43 The Federal Trust find a locator.
  512. 56:45 If we make it snappy, we can find the truck and if there's any of the state makes it.
  513. 56:48 He said I could be in on the finish. Sure, I'm hoping this will be it.
  514. 57:11 And point for.
  515. 57:12 Harbor
  516. 57:14 Two, one, zero.
  517. 57:16 Urgent.
  518. 57:35 One, zero. Turning, three, four, six. Batalha moon.
  519. 57:41 Nine-seven.
  520. 57:43 Atlantic! What's wrong? What is it? The Federal radio truck is only four blocks away. It's heading in this direction. Well, they can't attack me, Mr. Koudan.
  521. 57:52 Maybe not, but they can trace from where it's coming from.
  522. 57:55 I must finish it.
  523. 57:57 Our only chance of getting out of the country is by submarines.
  524. 58:01 The prince has got a supply box.
  525. 58:02 Okay, make a snappy.
  526. 58:04 Continue.
  527. 58:06 or free Pacific.
  528. 58:09 Captain West.
  529. 58:39 - Random radio is in this block somewhere, Captain. The estimates prove that. - Phone for more men. Have them surround the block. We'll search every building in this neighborhood if necessary, Captain. We'll cover as much as we can to help arrive. Jim, you take that seat. Come on, Jim. - Two, one, zero.
  530. 58:52 Urgent!
  531. 59:09 Federal, touch stop at the corner. Captain West just met it. These old cars parked in the alley. Come.
  532. 59:51 They go through those five now
  533. 59:55 We have to get after the legs got the car one of the other voices got here his cards around the corner
  534. 1:00:00 I'll take it you stay here and find the radio location. All right. Stay here and look out. Let me drive in case you have to do any shooting. All right. Don't want to be in on the finish. Even if it is your own.
  535. 1:01:00 Go ahead, but no more cars are coming through before the blast. Thanks.
  536. 1:01:30 All right, touch her off with a fuse, Mike. Okay.
  537. 1:02:00 Is that a barricade across the road?
  538. 1:02:19 Yes, but it may be a trick to stop and keep going.
  539. 1:02:46 That should finish, Captain West.
  540. 1:03:04 Well, job of driving. We can still get those birds. Let's go.
  541. 1:03:18 We got through. Back to the car.
  542. 1:03:31 Our car is running wild.
  543. 1:03:35 Dark. Invisible. We can't stop him. I have a better plan. Get out your man.
  544. 1:04:05 What about the hole?
  545. 1:04:07 Yeah.
  546. 1:04:08 Put him out.
  547. 1:04:09 Stay there, my friend. We need you.
  548. 1:04:16 Damn it.
  549. 1:04:17 Thought I'd recognize your hand in this.
  550. 1:04:19 Been after you for a long time.
  551. 1:04:21 Come on.
  552. 1:04:22 Get up.
  553. 1:04:27 She thinks he's a mass model too. Nice work, Gene.
  554. 1:04:33 All right, Jarvis.
  555. 1:04:35 What'd you do with Zarka's meteorite? We haven't got it. Zarka's talking for me.
  556. 1:04:38 What am I offered if I took?
  557. 1:04:41 Ten years or more in a federal prison, but you don't have to talk.
  558. 1:04:44 Your partner here told me all I want to know. Now get in the car. You drive, please.
  559. 1:05:00 Yes, Jim, throw a ring of men around Zorka's place. Better have them equipped with gas masks. Remember, you're dealing with an invisible force. Right, I'll see you there. See? You've been told about holding that to me. Now you can go to town. Warn everybody. You mean I can go to the whole story? Right, shoot the horse. Well, I'm telling them.
  560. 1:05:25 This time I think I've got it, Bob. You mean to make sort of visible in spite of its invisible, is it? That's exactly what I mean.
  561. 1:05:39 That's the way Zorka makes himself invisible. Now we will dissolve the aura of invisibility and disclose what it hides. Perkins the ray gun.
  562. 1:06:02 That's it. This will be correct. Now we can deal with that. The.
  563. 1:06:17 Now.
  564. 1:06:21 Another. Quickly.
  565. 1:06:23 Now.
  566. 1:06:26 I need enough to destroy the world if they force me to it.
  567. 1:06:35 Listen.
  568. 1:06:43 Quiet!
  569. 1:06:47 Anything new, Parker? Not yet, Lieutenant. Sergeant, spread your men along this side.
  570. 1:06:56 Hey! You hear that?
  571. 1:06:58 Purple Peters men will take care of the other side.
  572. 1:07:01 Oh, my God.
  573. 1:07:06 Yeah.
  574. 1:07:28 - Come on.
  575. 1:07:59 Now if they're doing any shooting...
  576. 1:08:01 I'll be with you anyhow.
  577. 1:08:07 I'm sorry.
  578. 1:08:30 The plan all set up, Captain. I've spent four men inside with masks. All right, I'll follow them. Take care of masks, soldier.
  579. 1:08:39 You stay outside.
  580. 1:08:41 Look out!
  581. 1:09:11 I'm going to get away.
  582. 1:09:41 They who do the hammer. The soldiers out there, they'll get me. I take care of them with the sea rays.
  583. 1:10:11 Come on.
  584. 1:11:10 Two of the soldiers are out there.
  585. 1:11:13 Come on.
  586. 1:11:54 Brick now, the airport.
  587. 1:12:22 Get an ambulance, Jim. These men have to be gotten to Dr. Mallory at once.
  588. 1:13:00 Hey, can you fly a plane? Sure I can. Nobody's flying today. Why not? Government ordered. All planes are grounded. Hey, don't you read the papers?
  589. 1:13:39 Yeah, by plane to see right
  590. 1:13:41 Thanks again. That's what it's a grab the plane. What a man with a must be mom. Come on.
  591. 1:14:11 Hey!
  592. 1:15:11 - There they are, two parts to the right.
  593. 1:15:41 ships and planes. Rocket plane eight miles off Devil's Point, heading for the Navy Anchorage.
  594. 1:16:19 I could bring him down with a machine gun. No, don't shoot. If you have the meteorite, you'll blow us all out of the sky.
  595. 1:16:28 They've hurt me!
  596. 1:16:32 And I take them with me! All of them! Put down the down! I've been out, sir!
  597. 1:16:41 I'll give up first.
  598. 1:16:52 Lock and throw. - And follow him down. - Down. - Go up. - Nice.
  599. 1:17:29 I have brought you here to advise you.
  600. 1:17:31 that I have recommended you in the orders of the day.
  601. 1:17:35 and have recommended to the president that you be awarded the medal for distinguished service.
  602. 1:17:42 I think Gene should get bosom medals, Bob.
  603. 1:17:44 She earned them.
  604. 1:17:46 It's really difficult.
  605. 1:17:47 I had a job for a good reporter this week.
  606. 1:17:49 press untimely news.
  607. 1:17:52 I assure you, Miss Drew,
  608. 1:17:54 on behalf of
  609. 1:17:54 of the United States and myself.
  610. 1:17:57 Your efforts in this case are deeply appreciated. Thank you.
  611. 1:18:03 Can I print that? This time? Yes.

Also from 1939

Every free film of 1939 with a copy

Also from Universal Pictures Co., Inc

Similar frames

By the average clip vector of the keyframes; a measurement, not a judgement