Dressed to Kill (1946)

Model synopsis: The beat consists of a single black frame with no visible content or audible dialogue. No place, people, events, or objects can be identified from this frame.

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Model synopsis: The beat shows a static credit crawl with names of crew members and departments. A voiceover mentions Dartmoor, Brisbane, isolation by granite walls, and a character deciding to leave while being told they could escape by revealing information.

“Dartmoor, Brisbane.” 1:01 · “isolated from the outside world” 1:04

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Model synopsis: Two men in prison uniforms are shown in a cell, one holding a small box; one speaks about serving time and making musical boxes for auction. No names are given in the dialogue.

2 people observed.

“You may or may not be another Scotland Yard bloke.” 1:24 · “I still have two years, eight months and six days left.” 1:34

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Model synopsis: A woman stands in a room with plants and furniture while auctioneer-style dialogue plays. The transcript mentions musical boxes being sold at auction, referencing Mark Anthony.

• A woman stands in a room holding papers, looking toward the right. [frame:1]

1 person observed.

“And I intend to serve them.” 1:46 · “Move along.” 1:53

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Model synopsis: A man in an apron presents a musical box at a podium while an auctioneer speaks; an audience watches. The auctioneer lowers the price from five pounds to ten shillings as the man holds the item.

• Man in apron stands holding a box at a podium. [frame:1]
• Audience is shown seated and watching. [frame:2]
• Man in apron turns slightly while holding the box. [frame:3]

3 people observed.

“Lend me your ears. And what do you hear? Right. The beautiful tinkle tinkle of a musical box.” 2:19 · “What a lovely trinket.” 2:30

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Model synopsis: A man in a tuxedo stands behind a counter in a formal interior while another man sits in the background; dialogue discusses the value of a musical box and compares selling it cheaply to stealing from a baby. No names are spoken, and no period or time of day is established.

• A man in a tuxedo stands behind a counter speaking [frame:1]

2 people observed.

“Tension is offered for a musical box you couldn't buy anywhere in London for less than five pounds.” 3:02 · “It'll be stealing to let it go for 10 shillings.” 3:07

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Model synopsis: An auctioneer in formal attire conducts a sale before a seated audience, starting at ten shillings and concluding at two pounds. The audience includes at least two women and one man, all dressed in period clothing, observing the proceedings.

• The auctioneer stands at a podium addressing the audience. [frame:3]

5 people observed.

“All right, we're starting with 10 shillings. 10 shillings, 10 shillings is offered, 10 shillings is offered, 10 shillings is offered. Can an…” 3:11 · “Bring me one pound. One pound, give me a pound. A pound, one pound is offered, one pound is offered, ladies and gentlemen, one pound is offe…” 3:17

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Model synopsis: A man in an apron presents a musical box to an audience in a crowded room; a woman asks her father to buy it for two pounds, but he refuses, citing dislike of the seller's manner. The auctioneer jokes about Scotland and the sound of the box.

• A man in an apron holds up a musical box. [frame:3]

5 people observed.

“Now, ladies and gentlemen, comes the opportunity to purchase” 3:38 · “An exact duplicate of the beautiful little musical box just bought by this gentleman for the ridiculous low price of two pounds.” 3:43

Flagged: quote not verbatim (We'll give you two pounds for it. Who's starting with two pounds? How come, comrades and gentlemen? You know, from you)

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Model synopsis: An auctioneer in formal attire conducts a sale from a podium in a crowded room, announcing bids and sales of musical boxes. The audience, seated at tables, watches as the auctioneer gestures and speaks, with a second man visible behind him.

• The auctioneer gestures with his hand while speaking. [frame:2]
• The auctioneer leans forward over the podium. [frame:3]
• The camera shows a wide view of the auction room with many seated guests and the auctioneer at the front. [frame:4]

3 people observed.

“One pound ten shillings.” 4:18 · “One pound. One pound is off. One pound. One pound is offered. One pound is offered. One pound. Any advance?” 4:20

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Model synopsis: A man in a bowler hat and suit speaks with a shopkeeper in a formal interior, asking about three sold musical boxes and offering five pounds to learn the buyers' identities. The shopkeeper initially refuses to disclose buyer information but relents after the man cites sentimental reasons.

2 people observed.

“We're closed. But this is extremely important.” 4:56 · “I'm sorry to disturb you, but I was unfortunately delayed from arriving in time to bid on certain articles which I was rather anxious to obt…” 5:01

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Model synopsis: Two men discuss recent purchases in an office; one describes a female customer who bought an item for one pound and may return Thursday. The setting is an interior office with books and decorative objects on a desk.

3 people observed.

“Ah, here we are. The first purchase for two pounds from Mr. Julian Emery, 52, Portman Square. Write this address down, Alfred. Yes, sir.” 5:56 · “Second didn't leave any name. Oh, how unfortunate. I think she's a dealer. You see, they don't like us to know where the things are going. O…” 6:03

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Model synopsis: A man in a bowler hat and suit speaks while another man in a vest sits at a desk with miniature models; a third man in a suit and bow tie leans over the desk. The transcript mentions sales days, a Mr. William Kilgore, and a price drop.

• A man in a bowler hat speaks while standing. [frame:1]
• A man in a vest sits at a desk with miniature models. [frame:2]
• A man in a suit and bow tie leans over the desk toward the seated man. [frame:2]

3 people observed.

“We have sales on Mondays and Thursdays.” 6:41 · “Mr. William Kilgore, 143 B Hampton Way.” 6:47

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Model synopsis: A man in a bowler hat stands at a doorway while another man in a tuxedo speaks to him; the dialogue suggests a shop interaction with a promise to return Thursday. No names are spoken, and the setting appears to be a shop entrance.

• A man in a tuxedo speaks to a man in a bowler hat at a doorway. [frame:1]

2 people observed.

“And any time you're passing, dropping,” 7:02 · “We always have lovely things for sale. How can't you? Thank you. I'll be back Thursday.” 7:04

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Model synopsis: A man in a dark coat stands with his back to the camera, looking through a glass door into a gallery. The scene is shot in black and white with high contrast lighting.

1 person observed.

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Model synopsis: Two men in hats are seated inside a vehicle; one is driving. A transcript line says they should leave the location.

• Two men are seated in a vehicle, one driving. [frame:1]

2 people observed.

“The message reached us too late.” 7:18 · “Musical boxes are being sold.” 7:21

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Model synopsis: A close-up shows an open book titled 'Dolores's Love Lyrics' by Laurence Hope, with a handwritten inscription reading 'With Affection from Hilda Courtney.' A voice says, 'Some day you'll go too far.'

• A book titled 'Dolores's Love Lyrics' is shown open with a handwritten inscription. [frame:1]

1 person observed.

“Some day you'll go too far.” 7:33

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Model synopsis: Two men are seated in a vehicle interior; one speaks about musical boxes being sold and denies responsibility. The dialogue references Colonel Cavanaugh and a delayed message.

Named: Colonel Cavanaugh (t:7:42). 2 people observed.

“Reaching for a star, you fool.” 7:39 · “Yet a fool may touch a star, Colonel Cavanaugh.” 7:42

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Model synopsis: A man in a dark suit sits in a leather armchair playing violin. The setting appears to be an interior room with dim lighting and a bar visible in the background.

• man plays violin while seated in armchair [frame:1]

1 person observed.

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Model synopsis: A man in a suit reads a magazine while seated at a desk; another man in a robe plays a violin in a chair nearby. The transcript mentions a consultation, a letter, and a story titled 'A Scandal in Bohemia' involving Sherlock Holmes and Irene Adler.

• A man reads a magazine at a desk while smoking a pipe. [frame:1]
• The same man gestures while speaking; another man is visible in the background. [frame:2]
• A man in a robe plays a violin while seated in a chair. [frame:3]

Named: Holmes (t:8:46). 2 people observed.

“Remember that letter, Holmes? It was written over two years ago. Interesting case. Devilously interesting.” 8:46 · “Irene Adler.” 8:54

Flagged: visible event not seen (A man in a robe plays a violin while seated in a chair.)

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Model synopsis: Two men are shown in alternating close-ups within a dimly lit interior; one speaks of 'the woman' and 'Irene Adler' while the other listens. The dialogue references memory and identity, with one man holding a violin.

• p1 is seated at a desk, looking off-camera with a serious expression [frame:1]
• p2 is seated in an armchair, holding a violin and bow, looking toward p1 [frame:2]
• p1 adjusts his glasses while speaking [frame:3]
• 1 more under Evidence and details.

2 people observed.

“The woman, a soul.” 9:38 · “She had one, you know. By "the woman," I suppose you mean Irene Adler.” 9:40

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Model synopsis: A man in a hat enters a room and is introduced to another man; they discuss a recent burglary. The man who was robbed explains that the thief stole a low-value musical box despite many valuable ones being available.

• A man in a hat enters a room through a door. [frame:1]

Named: Sharon Holmes (t:10:06), Julian Emery (t:10:13). 3 people observed.

“I want you to meet my old friend Sharon Holmes.” 10:06 · “Holmes, this is stinky. In other words, Julian Emery. How do you do, Mr. Emery? Watson is often spoken of you.” 10:13

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Model synopsis: Two men discuss a theft of a musical box in a room with bookshelves and a lamp; one man is seated and speaking while the other listens. The conversation suggests the thief may not have known the value of the stolen item.

• A man in a robe holds a pipe and speaks. [frame:1]
• The same man gestures while speaking. [frame:2]
• An older man in a suit listens from an armchair across from the first man. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“I gather you're a collector of musical boxes.” 11:17 · “Yes, I have indeed. Some of them are very beautiful, but not the one that was stolen.” 11:20

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Model synopsis: A man in a dark coat speaks while seated, then stands with two others to examine an object on a tray. The dialogue references a clothing collection and a visit to Portland Square. No names are spoken that can be assigned to visible individuals.

• A man in a dark coat is seated, holding a pipe and speaking. [frame:1]
• An older man is seated in an armchair, facing another person. [frame:2]
• The man in the dark coat is again seated, holding a pipe. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“I wonder if I might see your collection, Mr. Emery.” 12:09 · “Nothing that the collector likes more than showing off his clothes.” 12:14

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Model synopsis: A man in a suit examines a decorative music box while holding a glass; another person is partially visible in the background. The dialogue references music and a character named Watson.

• A hand opens a decorative music box with a bird figure. [frame:1]
• A man in a suit bends over, looking down at something out of frame. [frame:2]
• The man in the suit holds a glass and looks up with a skeptical expression. [frame:3]
• 1 more under Evidence and details.

Named: Watson (t:12:52). 2 people observed.

“It's charming isn't it? Quite.” 12:48 · “They all sound to me like a lot of mice running about on a tin roof. I'm afraid you have no ear for music, Watson. Give me a good old band p…” 12:52

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Model synopsis: Two men interact in an interior setting; one hands an object to the other, who later holds a small rabbit. The transcript includes whistling and brief phrases like 'No room' and 'Stupid thing.'

• A younger man hands a box to an older man. [frame:1]
• The older man holds a small rabbit with white ears. [frame:2]

2 people observed.

“No room.” 13:11 · “This way.” 13:15

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Model synopsis: Two men discuss a stolen musical box in a room with display cases; one man holds a small box while the other gestures toward a larger, ornate musical box under glass. The conversation references the box's value and the oddity of a thief choosing a less valuable item.

• Two men stand facing each other in a room with display cases. [frame:1]
• A close-up shows an ornate musical box under glass on a display shelf. [frame:2]
• The man in the dark suit holds a small box while speaking to Mr Emery. [frame:3]

Named: Mr Emery (t:13:49). 2 people observed.

“About five or six hundred pounds today. It's the gem of my collection.” 13:35 · “Yet a thief who steals an oddity like a musical box passes up one worth 500 pounds for one of almost no value at all.” 13:39

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Model synopsis: Two men are in a room with one speaking about acquiring a musical item at auction; the other is addressed as Hans and invited to sit. The room contains a fireplace and wall-mounted objects.

• Two men stand in a room with a fireplace and wall decorations. [frame:1]

Named: Hans (t:14:25). 2 people observed.

“I picked this up yesterday at an auction room in Knightsbridge. It paid only £2 for it. Of course, I wouldn't in the ordinary way add one li…” 13:58 · “You have a remarkable ear for music, Hans. Rather an unusual melody. Sit down, Hans. Thanks.” 14:25

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Model synopsis: Two men discuss a stolen box purchased at auction; one recounts being robbed and struck on the head. The older man examines the box while the younger man holds a glass.

• The older man, Unimus Emery, is shown speaking and gesturing. [frame:2]
• The younger man holds a small box while speaking with the older man. [frame:3]
• Unimus Emery holds and examines the box. [frame:4]

Named: Unimus Emery (t:14:51). 2 people observed.

“You, uh, you see, you bought that box at an auction sale yesterday. Yes, the Gaylord auction rooms in, uh, Nice Ridge.” 14:36 · “About three o'clock this morning.” 14:49

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Model synopsis: Two men converse in a dimly lit interior, one holding a small box; later, two figures in hats and coats stand in a doorway. The transcript reveals a discussion about a robbery, a man being struck, and skepticism toward the 'petty thief' explanation.

• A man holds a small box while talking to another man holding a glass. [frame:1]
• Two men in hats and coats stand in a doorway. [frame:2]

Named: Tom (t:15:30). 4 people observed.

“Except, of course, for the fact that it was definitely a man. All you remember is that you came in here and someone struck you on the head.” 15:09 · “Oh, Tom, aren't you being a bit of an alarmist? Possibly. Oh, Mr. Greer, you old stinky.” 15:30

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Model synopsis: A man in a dark suit is seen from behind, ascending a staircase inside a dimly lit room with framed pictures on the wall. No dialogue or named characters are present in this beat.

• man in dark suit ascends staircase [frame:1]

1 person observed.

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Model synopsis: A man in a suit is on the phone in a dimly lit room with a large lamp and ornate decor. He speaks to someone named Mrs. Courtney, recalling a past event and arranging a meeting.

• Julian Emery is on the phone, speaking to Mrs. Courtney. [frame:1]

Named: Julian Emery (t:16:56), Mrs. Courtney (t:16:59). 2 people observed.

“Julian Emery here.” 16:56 · “Why, of course I remember you, Mrs. Courtney.” 16:59

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Model synopsis: A woman and a man stand in a room with shelves of musical boxes; the woman holds a white object while the man gestures. The transcript reveals they are exchanging pleasantries and discussing the musical box collection.

• A woman and a man stand facing each other in a room with musical boxes on shelves behind them. [frame:1]

Named: Hilda (t:18:07), Stinky (t:18:07). 2 people observed.

“But I was at a party just around the corner. And I remembered your invitation to see your collection of musical boxes. My dear Mrs. Courtn…” 18:00 · “The pleasure is all the greater for being so unexpected. My friends call me Hilda. Thanks. Mine call me Stinky. Stinky, how great.” 18:07

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Model synopsis: A man and a woman stand in a shop, discussing a small box; the woman holds it while the man speaks about a burglary and a crack on the box. The woman mentions 'Dr. Watson' after referring to someone as 'Fatso.'

Named: Dr. Watson (t:18:45). 2 people observed.

“As well as to the eye.” 18:26 · “Why, it looks just like a country cousin amid all this grandeur. No, no, no, no, you won't underestimate the country cousin.” 18:31

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Model synopsis: A man and a woman discuss Sherlock Holmes and a musical box in a room with shelves and clocks. The woman holds the musical box while speaking, and the man listens.

• The woman holds a musical box and speaks to the man. [frame:1]

2 people observed.

“He was here this evening with a friend, a Mr. Holmes.” 18:54 · “He's interested in my collection too. Sherlock Holmes?” 18:57

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Model synopsis: Two people discuss a man who whistled a tune perfectly after hearing it once, and one reveals they are a collector who never sells. The scene ends with a mention of not having had their drink yet.

• A man's legs and shoes are visible standing near a striped chair. [frame:1]
• A man and woman sit together, smiling, in a well-furnished room. [frame:2]

2 people observed.

“He whistled it note for note, having heard it only once. Really?” 19:24 · “I'm a collector, you know.” 19:44

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Model synopsis: A man and a woman interact in a room with ornate decor; a uniformed man stands near a desk with objects. The dialogue suggests tension over reputation and an attraction.

• The man and woman stand together in a room with furniture and decor. [frame:1]
• A uniformed man stands behind a desk with ornate objects. [frame:2]
• The man and woman are close, smiling at each other, the woman wearing a fur stole. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Must you really?” 20:03 · “I'm afraid so.” 20:04

Flagged: visible event not seen (The uniformed man remains standing behind the desk.)

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Model synopsis: A woman in a white fur coat and a man in a dark suit are shown in close proximity, appearing to embrace. No dialogue or on-screen text is present in this beat.

2 people observed.

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Model synopsis: A man in a dark suit and cap stands behind a cluttered table with scientific apparatus. The setting appears to be an interior room with shelves and framed pictures on the wall.

1 person observed.

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Model synopsis: A woman in a fur coat is present at a crime scene where a man has been killed; police and a detective named Holmes are summoned to investigate. The dialogue indicates the victim was known to the killer and that an item is missing.

Named: Holmes (t:21:31), Hopkins (t:21:31), Mastraert (t:21:35), Thompson (t:21:45), Emery (t:21:38). 8 people observed.

“You poor. I told you to wait outside.” 20:25 · “Don't touch anything. Now get out. - I'm sorry. - You're sorry? What about me? This is murder. What about Scotland Yard?” 20:35

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Model synopsis: Three men stand in a room with a musical box on a table; one speaks of auctioned boxes and a visit to Gaylord's auction room. The dialogue references Mr. Holmes, Mr. Crabtree, and locations including Golders Green and Hampton Way.

Named: Mr. Holmes (t:22:36), Mr. Crabtree (t:22:36), Watson (t:22:12). 3 people observed.

“That's the second attempt on the musical box that Emory bought the auction sale. And this time it was successful.” 22:06 · “But that box is only worth two pounds. It's worth a man's life, Watson.” 22:12

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Model synopsis: A man in a fedora speaks to others in a shop while discussing musical boxes from Dartmoor Prison; one man mentions a customer who paid five pounds for information about the boxes' buyers.

• A man in a fedora speaks to others in a shop. [frame:1]

5 people observed.

“It used to have had three identical musical boxes all playing the same tune. Where'd they come from? Dartmoor Prison.” 22:44 · “the inmates manufacture them. They make all kinds of things, you know, pipe racks, waste paper baskets, musical boxes. Did you happen to no…” 22:52

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Model synopsis: A group of men are gathered in a shop filled with decorative objects, discussing a man who inquired about a young lady. One man, identified as Mr. Cradbury, is thanked before the group prepares to leave, mentioning Holmes and Watson.

• Men stand around a table of decorative objects in a shop. [frame:1]
• A man in a fedora speaks to Mr. Cradbury. [frame:2]
• A man in a bowler hat turns away from the group. [frame:3]

Named: Mr. Cradbury (t:23:41). 5 people observed.

“Can you describe him? Tall, distinguished looking and he had...” 23:25 · “Right here and the moustache. Oh, he's quite a gentleman, sir. Now, what was his reaction when you were unable to supply him” 23:28

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Model synopsis: A hanging sign displays the address '143 B HAMPTON ROAD'. No people or actions are visible in this beat.

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Model synopsis: Two men in coats and hats stand at a doorway; one peers through a window. The transcript indicates they are discussing musical boxes and suspecting murder, with one saying he will look through the window.

• Two men stand at a doorway; one looks through a window. [frame:1]

2 people observed.

“But hang it all, Holmes, how do you know those other two musical boxes are of any importance? I don't, but I certainly have no intention of…” 23:56 · “No one at home.” 24:06

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Model synopsis: Two men in hats and coats speak with a woman at a doorway; the men then enter a house with a staircase. The woman warns them that the residents do not buy from peddlers and expresses concern about strangers entering.

• The two men enter a house with a staircase. [frame:2]

3 people observed.

“There doesn't seem to be anyone there.” 24:17 · “There's no use your hanging about. They don't buy nothing from peddlers. Peddlers?” 24:30

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Model synopsis: Three people converse in a parlor; one departs, walks down stairs, and exits to a street where a vintage car waits. The dialogue references smoking and a Mrs. Kilgore.

• Three people stand in a parlor talking. [frame:1]
• One man turns and walks down a staircase. [frame:2]
• The man in the fedora stands alone in the parlor. [frame:3]
• 1 more under Evidence and details.

Named: Mrs. Kilgore (t:24:55). 3 people observed.

“Well, I've got to be off. It's too late in the parlour. And no smoking either.” 24:50 · “Mrs. Kilgore says it smells up the out.” 24:55

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Model synopsis: A woman in a hat and a man in a cap stand outside near a wicker basket and a gate; the man speaks to her about Park Lane. The transcript suggests a conversation about her presence in that location.

2 people observed.

“Park Lane. Park Lane?” 25:20 · “And what would the likes of you be doing in Park Lane? Now don't worry about the fairs, Ducky. If you know how to get to Park Lane, I'll be…” 25:22

Evidence, details and a link to share

Model synopsis: A vintage car is parked on a street next to a white picket fence and a lamppost. No people are visible and no dialogue is present in this beat.

Evidence, details and a link to share

Model synopsis: Two men are in a living room; one seated, one standing. The standing man walks toward a door after a conversation about stolen jewelry and steam in pipes.

• Holmes walks toward a door. [frame:4]

Named: Holmes (t:25:34). 2 people observed.

“You know, Holmes, I've been thinking.” 25:34 · “There must have been something hidden in that box of old stinkers.” 25:37

Evidence, details and a link to share

Model synopsis: A person in a hat is seen from behind, leaning over a piece of furniture in a dimly lit interior. Two lines are spoken: 'Watson!' and 'Great Scott!'

• A person in a hat leans over a piece of furniture [frame:1]

1 person observed.

“Watson!” 25:57 · “Great Scott!” 26:00

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Model synopsis: A man comforts a crying child who says she was tied up and had her musical box stolen. Another child sits nearby as the man promises to buy a new musical box.

3 people observed.

“Come on, Hubs. Get on the chair here.” 26:03 · “She tied me up and shut me in the cupboard. I know, I know.” 26:16

Evidence, details and a link to share

Model synopsis: Two men in coats and hats converse in a room with a fireplace; one man leaves while the other stays with a child. A third person, a woman, is mentioned in dialogue but not visible.

• Holmes and Watson stand facing each other in conversation. [frame:1]
• Holmes stands alone, hands in coat pockets, looking off-camera. [frame:2]
• Watson sits beside a child in a chair near a fireplace. [frame:3]

Named: Holmes (t:26:40), Watson (t:26:38). 6 people observed.

“Oh, what a fool, what a fool I've been. What do you mean, Holmes? She took the musical box out of this house and that monkey basket. Right u…” 26:40 · “Why could the Kilgore childwoman want to take the music box? She isn't a Kilgore childwoman. She's a consummate actress.” 26:48

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Model synopsis: A woman in a plaid dress is seated indoors, reacting to an auctioneer's call for bids on a Dresden China figurine. Another woman, wearing a dark coat and scarf, is also seated and appears to be listening or responding to the auction.

3 people observed.

“Now, ladies and gentlemen, how much am I offered for this beautiful lace Dresden China figurine?” 28:03 · “A lady of the French court.” 28:09

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Model synopsis: An auction is taking place in a formal room; a woman in a striped hat is identified as the buyer. The auctioneer calls out bids and declares the item sold to her for six pounds.

• The woman in the striped hat is shown smiling as the sale is completed. [frame:2]

Named: lady from Twickenham (t:28:38). 5 people observed.

“All right, five. Five pounds is up at five pounds is up at five pounds is up at five pounds ten.” 28:27 · “Five pounds fifteen, five pounds fifteen.” 28:31

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Model synopsis: A man in an apron presents a 19th-century Hungarian peasant costume to an auctioneer and audience. The auctioneer, seated at a podium, addresses the crowd about the item's value and solicits a bid of two pounds.

• A man in an apron holds up a doll-like costume for display. [frame:1]
• The auctioneer gestures toward the item while speaking. [frame:2]
• The camera shows a wide view of the auction room with the auctioneer at the podium and the audience seated. [frame:3]
• 1 more under Evidence and details.

3 people observed.

“Next we have a real museum piece, ladies and gentlemen.” 28:44 · “A fine 19th century law.” 28:48

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Model synopsis: An auctioneer sells a doll for one pound to a young lady in a crowded room with ornate decor. The auctioneer speaks at a podium while a man in an apron stands near a table displaying items.

• Auctioneer stands at podium addressing audience. [frame:1]
• Auctioneer leans back dramatically at podium. [frame:2]
• Man in apron walks away from table toward auctioneer's podium. [frame:3]

4 people observed.

“Two pounds. Anybody offer me two pounds? Two pounds for the Hunkberry? Two pa...” 29:04 · “One pound. What? Anybody give me one pound? Anybody offer me one pound for the doll? One pound is offered, ladies and gentlemen. One pound i…” 29:08

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Model synopsis: A man at a podium addresses an audience about a Ming vase, referencing Sir Andrew Copleston. Another man enters through glass doors holding papers, while people are visible outside.

• A man enters through glass doors holding papers. [frame:2]

Named: Sir Andrew Copleston (t:29:46). 6 people observed.

“And now, ladies and gentlemen, may I draw your attention to something which may be a great surprise to you, worthy of any collection.” 29:31 · “It's a Ming vase of the 7th dynasty.” 29:40

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Model synopsis: A person carrying a parcel is seen near a building entrance while others observe from a vehicle. A man in a car is instructed to follow her, and another man in a top hat is visible on the vehicle's roof.

• A woman with a parcel walks near a building entrance. [frame:1]
• A person is seen inside a vehicle, looking out. [frame:2]
• A man in a flat cap drives a vehicle past a storefront with a striped awning. [frame:3]
• 1 more under Evidence and details.

Named: Hamid (t:30:12). 4 people observed.

“A girl with a parcel in her hands, that's her. Are you sure that's the girl?” 30:03 · “She fits perfectly the auctioneer's description.” 30:09

Evidence, details and a link to share

Model synopsis: A woman in a fur coat and hat holds a musical box while speaking with another woman in a shop. The transcript indicates they are discussing birthday gift options for a seven-year-old girl, including dolls, books, and musical boxes.

• A woman in a fur coat holds a musical box while talking to another woman. [frame:1]

2 people observed.

“It's lovely, dear. And only one pound.” 30:50 · “Good afternoon. Good afternoon. I'm looking for a birthday gift for a seven-year-old girl. What would you suggest?” 31:03

Evidence, details and a link to share

Model synopsis: A woman in a suit speaks with a person in a fur coat inside a shop; the transcript suggests they are discussing a sold wooden item and a purchaser who left a card. No names are spoken, and the setting is an interior shop with shelves of objects.

• A woman in a suit speaks with a person in a fur coat inside a shop. [frame:1]
• The woman gestures toward objects on a counter while speaking. [frame:1]

2 people observed.

“Oh, nice. Are you sure that he's over here? I'm sorry. It's rather hard to find, you know, at the entire allotment.” 31:43 · “I did have one other, but I sold it earlier this afternoon. But it was only a plain wooden one. It wouldn't have been a very nice gift for …” 31:57

Evidence, details and a link to share

Model synopsis: A man and a woman are in a shop; the woman speaks while the man stands beside her. Another woman is seen alone in the same shop, looking at items on a table.

• A woman in a fur coat speaks to a man in a shop. [frame:1]
• A woman in a suit stands alone in the shop, looking at items. [frame:2]

3 people observed.

“How interesting.” 32:21 · “I'm sorry, but I'm afraid I have to look a bit further.” 32:25

Evidence, details and a link to share

Model synopsis: A close-up shows a hand holding a card that reads 'SHERLOCK HOLMES'. No other actions or locations are visible in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a suit holds a small object while standing in a shop with shelves of figurines behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cap and jacket sits in the driver's seat of a vintage car, visible through the open window. The car is parked near a brick building with a metal railing above.

• A man sits in the driver's seat of a car, hands on the wheel. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men are in a vehicle interior; one sits in the driver's seat holding the steering wheel, the other stands beside the car holding a tool. A transcript line is present but its content is incoherent and does not clarify the scene.

• A man in a suit sits in the driver's seat of a vehicle while another man stands beside it holding a tool. [frame:1]

2 people observed.

“All of that can here now what got on job.” 33:01

Evidence, details and a link to share

Model synopsis: Two people are seen in a vehicle, then a street view from inside the vehicle, followed by a scene in a library or office with three men, and finally a man in a suit seated at a desk. The transcript mentions Sherlock Holmes, being hunted, a toy shop, and a disguised woman.

• A woman and a man are seated in a vehicle. [frame:1]
• A view from inside a vehicle shows a street with a car and pedestrians. [frame:2]
• Three men are in a room with bookshelves and a desk. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“Sherlock Holmes. I might have known. We thought we were the hunters. Instead of which we're the hunted. We've been fools. We've played rig…” 33:13 · “No photograph of her, Commissioner. As I expected. She's not a known criminal.” 33:46

Evidence, details and a link to share

Model synopsis: Three men are in a room with bookshelves and a desk; one man stands while two others sit, and a fourth man enters. A conversation occurs about following suspects and needing proof of a killing, with a mention of x-rayed plates.

• A man in an overcoat stands while two others sit in a room with bookshelves. [frame:1]
• A man in a suit enters the room and walks toward the desk. [frame:2]

5 people observed.

“Who's covering them?” 34:04 · “Sergeant Thompson's following him, sir. They won't get away from him. He's a good man.” 34:05

Evidence, details and a link to share

Model synopsis: A group of men in a room examine an object while discussing clues and murderers. A close-up shows a small, glowing box-like device.

• Men gather around a table examining an object. [frame:1]
• One man gestures while speaking to the group. [frame:2]
• A small box-like device is shown glowing brightly. [frame:3]
• 1 more under Evidence and details.

5 people observed.

“There must be some clue.” 34:29 · “And it's probably been so obvious that we've all overlooked it.” 34:31

Evidence, details and a link to share

Model synopsis: A group of men in a private office discuss whether to dismantle a box after an X-ray, with one man asking to take it and another jokingly offering to sit on him. No names are spoken, and the setting is an interior room with bookshelves and formal attire.

5 people observed.

“You can smuggle stuff into prison but not out.” 34:49 · “You want us to break the box apart, sir, to see if there's anything the X-ray hasn't caught?” 34:52

Evidence, details and a link to share

Model synopsis: In a private office, four men are present: one seated at a desk, one standing behind him, one seated in a chair to the left, and one standing near the door. A conversation occurs about a convict named John Davidson who made musical boxes and received a seven-year sentence.

Named: John Davidson (t:35:17). 4 people observed.

“The governor of Darkmore Prison informed us, sir, in answer to Mr. Holmes's question, that all three musical boxes were made by the same con…” 35:09 · “John Davidson.” 35:17

Evidence, details and a link to share

Model synopsis: A man identified as Mr. Holmes discusses a past robbery with others in a room filled with books and papers. The conversation references a person named Davidson and a two-year-old London robbery kept secret by the Home Secretary.

Named: Mr. Holmes (t:35:28). 4 people observed.

“How did you know about the plates, Mr. Holmes? I'm a student of crime, Inspector. I make it my business to know about such things.” 35:28 · “Two years ago in London, there occurred a robbery of such tremendous importance.” 35:44

Evidence, details and a link to share

Model synopsis: Three men are in a room with bookshelves and a typewriter; one seated, one standing behind him, one seated at a desk. A transcript line mentions Davidson being apprehended for theft.

Named: Davidson (t:36:08). 3 people observed.

“But you never told me anything about this house?” 35:57 · “You were away at the time.” 36:01

Evidence, details and a link to share

Model synopsis: Three men are in a room with bookshelves; one seated man speaks while another stands behind him and a third sits facing them. The transcript reveals a discussion about stolen banknote plates and a confidentiality warning.

Named: Dr. Watson (t:36:16). 3 people observed.

“Before going further, Dr. Watson. I must inform you that this matter is not to be mentioned outside of this room.” 36:18 · “Of course not. Do I look like a man who gossip?” 36:18

Evidence, details and a link to share

Model synopsis: Four men are in a wood-paneled room with bookshelves; one seated at a desk speaks while others listen. The transcript discusses counterfeit five-pound notes and a man named Davidson.

• A man seated at a desk gestures while speaking to three other men in a wood-paneled office. [frame:1]

4 people observed.

“The back of England's own plates?” 36:41 · “Precisely.” 36:43

Evidence, details and a link to share

Model synopsis: Three men are shown in a room with bookshelves; one seated man speaks while two others listen. A separate shot shows a bald man in a suit seated at a desk, speaking. The transcript discusses a character named Davidson and a mystery about smuggling information from prison.

• Three men are seated or standing in a room with bookshelves, engaged in conversation. [frame:1]
• A bald man in a suit sits at a desk and speaks. [frame:2]
• The three men in the book-lined room continue their conversation. [frame:3]
• 1 more under Evidence and details.

4 people observed.

“offered him a shorter sentence if he'd tell us where he'd hidden the plates.” 37:04 · “He even put in Scotland's yard men with him as cellmates, but...” 37:07

Evidence, details and a link to share

Model synopsis: Three men are in a room with bookshelves; one seated at a desk speaks about the Bank of England's five-pound notes and stolen plates. Another man, identified as Mr. Holmes, is addressed confidentially about the impracticality of replacing all notes.

• A man in a trench coat stands behind a seated man in an overcoat, both facing a seated man at a desk. [frame:1]
• The standing man leans forward slightly as the seated man at the desk continues speaking. [frame:3]

Named: Mr. Holmes (t:37:38). 3 people observed.

“Has the Bank of England made any plans” 37:28 · “Confidentially, Mr. Holmes.” 37:38

Evidence, details and a link to share

Model synopsis: A man in a suit sits at a desk while another man in a coat examines a small object. The transcript mentions musical boxes and a puzzle, suggesting a mystery involving coded messages.

• A man in a suit sits at a desk, looking toward the camera. [frame:1]
• A man in a coat holds and examines a small rectangular object. [frame:2]

Named: Mr. Holmes (t:38:07). 2 people observed.

“I believe you hit it, Mr. Holmes.” 38:07 · “I'm sure that the message is contained in this musical box.” 38:09

Evidence, details and a link to share

Model synopsis: Two men are in a room with bookshelves; one speaks about deducing a message from partial information. The second man examines a small object while seated.

• The second man examines a small rectangular object in his hands. [frame:2]

Named: Holmes (t:38:23). 2 people observed.

“Well, what are you going to do, Holmes?” 38:23 · “Try to deduce the message from the one-third that we have.” 38:25

Evidence, details and a link to share

Model synopsis: A man in a tweed jacket sits at a desk in a dimly lit room with bookshelves. He adjusts his tie while looking off-camera, with a telephone and other desk items visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a coat holds a small object while seated; another man in a suit sits at a desk. The setting appears to be an office with bookshelves and a bust visible.

2 people observed.

Evidence, details and a link to share

Model synopsis: Two men are in a room with bookshelves; one examines a small object while the other listens. A musical box tune is mentioned in the dialogue, and one man notes it sounds the same while the other finds it different.

• A man examines a small object in his hands. [frame:1]
• An older man listens while seated at a desk. [frame:2]

2 people observed.

“It's the same tune as the one played by Emery's musical box.” 39:08 · “Hmm.” 39:12

Evidence, details and a link to share

Model synopsis: A man in a coat stands in a room with shelves and filing cabinets while discussing the significance of a tune and musical boxes. No names are spoken, and the setting appears to be an office or storage area.

• A man stands in a room holding a small object. [frame:1]

1 person observed.

“Somehow the tune is the key to the mystery.” 39:21 · “It must be the tune.” 39:26

Evidence, details and a link to share

Model synopsis: Two men are in a room with a telephone; one answers the phone while the other stands nearby. The caller identifies himself as Inspector Hopkins, prompting a reaction from the man on the phone.

• A man answers the telephone. [frame:1]
• The man on the phone reacts with surprise to the caller's identity. [frame:2]

2 people observed.

“Inspector Hopkins speaking.” 39:41 · “What?” 39:45

Evidence, details and a link to share

Model synopsis: A scene in an office where a man reports the discovery of Sergeant Thompson's body, with tire marks on his clothes suggesting he was run over near an exit. The setting is an interior space with multiple men present, one seated at a desk and others standing.

4 people observed.

“Golders Green Station reports they've just found Sergeant Thompson's body.” 39:50 · “from the tire marks on his clothes.” 39:54

Evidence, details and a link to share

Model synopsis: A crowded interior scene with multiple people seated and standing, one man in a top hat addressing others. A voice states the event is murder, not an accident, and comments on unpredictable encounters in London.

• A man in a top hat speaks to a group in a crowded bar. [frame:2]

5 people observed.

“Not an accident, my dear fellow.” 40:01 · “I'm afraid it's murder.” 40:04

Evidence, details and a link to share

Model synopsis: A crowded, dimly lit interior space with patrons seated at tables and others standing or moving on a staircase. A man in a hat and coat is seen on a balcony railing, while the transcript includes lines about appearance and social judgment.

3 people observed.

“Girls will see you're kind of sweet and your day will be complete. Oh, you never know just who you're going to meet.” 40:37 · “Now a gentleman is judged by his appearance.” 40:46

Evidence, details and a link to share

Model synopsis: Two men in coats and hats stand near a staircase and a pile of newspapers; one greets another named Joe. The setting appears to be an indoor space with brick walls and stacked papers, possibly a newsroom or back alley entrance.

• Two men stand near a staircase in a dimly lit interior with brick walls. [frame:1]
• A group of people, including a man named Joe, stand near a pile of newspapers. [frame:2]

Named: Joe (t:42:02). 4 people observed.

“- How are you, Joe? - Never second.” 42:02 · “And yourself?” 42:05

Evidence, details and a link to share

Model synopsis: Three men are shown in a dimly lit interior, one speaking to another named Gavner, referencing a past alibi involving a safe. The scene is static, with no visible movement or change in setting.

Named: Gavner (t:42:23). 3 people observed.

“Yes, I cleared you of a most unpleasant charge. Murder, no less. What? By proving to the satisfaction of the police that he was busy at the …” 42:15 · “- That's right, Gavner. - Good gracious me.” 42:23

Evidence, details and a link to share

Model synopsis: Two men in a cluttered interior discuss a song while one plays an instrument; one man is addressed as Joe and offered money for his knowledge. The setting appears to be a dimly lit room with papers and a brick wall, and the conversation includes corrections to the musical performance.

• A man in a fedora speaks to Joe while standing behind a desk. [frame:1]
• Joe, wearing a patterned cap, looks up while holding an instrument. [frame:2]
• Joe and the man in the fedora stand side by side, with Joe adjusting his scarf. [frame:3]

Named: Joe (t:42:43). 4 people observed.

“There you are, Mr. Helms.” 42:43 · “There's five pounds of this for you.” 42:47

Evidence, details and a link to share

Model synopsis: A man in a fedora and plaid overcoat stands indoors holding a lit candle. The background includes a diamond-patterned window and a framed picture on the wall.

1 person observed.

Evidence, details and a link to share

Model synopsis: Two men in hats and coats are seated indoors, one asking Holmes a question. The setting appears to be a dimly lit interior with rustic decor.

Named: Holmes (t:44:13). 2 people observed.

“Hey, huh?” 44:11 · “Thank you, Joe.” 44:12

Evidence, details and a link to share

Model synopsis: Two men in overcoats and hats stand in a dimly lit room with ornate furniture; one speaks about musical boxes and coded messages while referencing a wedding night. No names are spoken that identify either man, and no on-screen text appears.

• Two men stand in a room with a musical box on a table. [frame:1]

2 people observed.

“It's probably a code of some sort.” 44:20 · “The way it was originally written? Oh sure, Miss Downs. But it'll take a few minutes.” 44:28

Evidence, details and a link to share

Model synopsis: Two men in hats and coats stand facing each other indoors. One speaks about finding the secret of variations, calling it a difficult problem.

2 people observed.

“Well, all we have to do now is to find the secret of the variations. Not a very easy problem to solve, my dear fellow.” 45:34

Evidence, details and a link to share

Model synopsis: Two men in coats and hats enter a cluttered room; one is addressed as Mr. Ferguson. The room contains furniture, books, and a desk lamp, suggesting an office or study.

Named: Mr. Ferguson (t:46:07). 2 people observed.

“Hello. What's up?” 45:45 · “We've had company.” 45:50

Evidence, details and a link to share

Model synopsis: A man in a coat stands on a staircase while another man in a dark suit ascends toward him. The man on the stairs is addressed and responds that he is coming.

• A man in a dark suit begins ascending a staircase. [frame:2]
• The man in the overcoat remains standing on the stairs. [frame:3]
• The man in the dark suit continues ascending the staircase. [frame:4]

2 people observed.

“Yes?” 46:13 · “Oh, there you are. Will you come up here at once, please?” 46:14

Evidence, details and a link to share

Model synopsis: A woman and two men are in a room; one man asks about visitors while another stands near a desk. The woman mentions a veiled young lady and an old gentleman who visited, and the man reassures her she did nothing wrong.

Named: Mrs. Hudson (t:46:37), Mr. Holmes (t:46:33), Watson (t:46:37). 3 people observed.

“Who called while we were out, Mrs. Hudson? Just a young lady. The one who said you wanted her to wait for you. - And a nice-looking old gent…” 46:37 · “Oh, I couldn't see a fish. It had a heavy black veil on.” 46:48

Evidence, details and a link to share

Model synopsis: A man in a coat and hat stands in a dimly lit room, reacting to dialogue about an object in his hand. He is instructed to remove biscuits from a jar, which he holds or is near.

• The man looks surprised or confused. [frame:1]
• The man reacts with wide eyes and raised eyebrows. [frame:2]
• The man holds or looks at a jar while speaking. [frame:3]
• 1 more under Evidence and details.

1 person observed.

“They didn't get it.” 47:18 · “It's in your hand.” 47:22

Evidence, details and a link to share

Model synopsis: A man in a fedora and overcoat examines a dark cylindrical object at a table. He is praised by someone off-screen who calls him 'Holmes'.

• A man places his hand inside a dark cylindrical object on a table. [frame:1]

Named: Holmes (t:47:38). 1 person observed.

“Now put your hand inside and you'll find the music box.” 47:33 · “Well done, Holmes. Well done. Amazing.” 47:38

Evidence, details and a link to share

Model synopsis: A man in a suit and fedora is visible indoors, holding a cigarette to his lips. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man sits at a desk while another stands behind him in a dim room; a third man in a robe appears briefly. The transcript includes a greeting to 'Mr. Holmes' and a comment that it is morning.

• A man is seated at a desk reviewing papers while another stands behind him. [frame:1]
• A man in a robe appears briefly, looking upward. [frame:2]
• A man in a dark coat looks up from his desk with a concerned expression. [frame:3]

Named: Mr. Holmes (t:48:13). 3 people observed.

“Phew, nice fresh smell.” 48:02 · “At the pub after closing time.” 48:05

Evidence, details and a link to share

Model synopsis: Two men are in a cluttered office; one is seated at a desk, the other stands behind him. They discuss failed attempts to decode a message, referencing Morse code and other methods, with one expressing frustration at being woken up.

2 people observed.

“It's not a transposition, not a polygraph transposition, not a trigraph.” 48:28 · “nor any known form of decoding. How about the Morse code? Have you tried that?” 48:33

Evidence, details and a link to share

Model synopsis: Two men are in a room with bookshelves; one holds a cane and speaks about music and piano lessons from childhood. No names are spoken, and no time of day or period is established.

• A man in a dark suit holds a cane and looks toward the camera. [frame:1]
• An older man with white hair sits and looks slightly upward. [frame:2]

2 people observed.

“Not a very distinguished composition, I grant you.” 49:11 · “Personally, well, I don't know one tune from the other.” 49:14

Evidence, details and a link to share

Model synopsis: Two men are in a cluttered study; one holds a violin while the other sits at a desk. The dialogue references numbering piano keys and the 19th letter of the alphabet, suggesting a discussion about music or code.

• Man p1 holds a violin in a study. [frame:1]
• Man p2 looks upward while seated at a cluttered desk. [frame:2]
• Man p2 looks forward with a surprised expression. [frame:3]
• 1 more under Evidence and details.

2 people observed.

“Numbering of the keys for me. One, two, three, four... Even then I never progressed beyond...” 49:25 · “Numbering the keys, Watson.” 49:30

Evidence, details and a link to share

Model synopsis: Two men are in a room with bookshelves and a desk; one speaks while the other listens and reacts. The dialogue includes references to keys and piano lessons, ending with thanks and a request to hold something.

Named: Fiskey E. (t:49:51), O'Beaton (t:50:10). 2 people observed.

“Fiskey E.” 49:51 · “S-H-E-L-F?” 50:00

Evidence, details and a link to share

Model synopsis: Two men discuss a coded message hidden behind books on the third shelf, referencing a 'Secretary Dr. S.' and a stalemate with a gang. One man holds a document while speaking; the other listens near a filing cabinet in a room with bookshelves.

• A man in a trench coat holds a document and speaks. [frame:1]
• The same man continues speaking, looking upward. [frame:2]

2 people observed.

“We now have two thirds of the message behind books.” 50:14 · “Third shelf, Secretary Dr. S.” 50:18

Flagged: visible event not seen (The same man continues speaking, looking upward.)

Evidence, details and a link to share

Model synopsis: Two men in a wood-paneled room with bookshelves discuss a hidden Bank of England plate, referencing a 'Dr. S' as a potential location. The conversation suggests they are narrowing suspects by initial.

• A man in a suit stands in a wood-paneled room with a bust and window. [frame:1]
• A man in a trench coat stands in a room with bookshelves. [frame:2]

2 people observed.

“Outside of the fact that Davidson hid the Bank of England plate somewhere in London, Mr. Holmes, I don't see that we've progressed at all. …” 50:59 · “Dr. S.” 51:09

Evidence, details and a link to share

Model synopsis: Two men are in a private office; one seated at a desk, the other standing. The transcript indicates they are discussing a task for Scotland Yard and leaving a map in their hands pending a lead on 'Dr. Earth'.

• A standing man in a suit is visible in a private office with wood paneling and a bust. [frame:1]
• The seated man gestures while speaking about leaving a map in their hands. [frame:2]

2 people observed.

“That's why I say this is a task for Scotland Yard.” 51:28 · “But Scotland Yard has searched worse haste decks and found a needle.” 51:32

Evidence, details and a link to share

Model synopsis: A man and a woman speak across a counter with a large tobacco jar between them; the man identifies a cigarette blend he made for three specific customers, including himself and two others. The woman thanks him, addressing him as Mr. Holmes.

Named: Mr. Holmes (t:52:31), Mrs. Hilda Courtney (t:52:28). 2 people observed.

“In the meantime, I intend to follow up a little clue concerning a cigarette.” 51:45 · “I have made up this special blend for only three customers.” 52:00

Evidence, details and a link to share

Model synopsis: A man introduces himself as Sherlock Holmes to a woman in a decorated interior; she claims not to remember meeting him, though he insists they met at the Kilgore residence. The scene includes a staircase, a living room with furniture, and a seated man in a coat.

• A woman stands on a staircase as a man approaches from behind. [frame:1]
• The man and woman stand facing each other in a living room with furniture and a painting. [frame:2]
• The man sits in an armchair, looking toward the woman. [frame:3]

Named: Sherlock Holmes (t:52:52), Mrs. Courtney (t:53:13). 2 people observed.

“- My name is Sherlock Holmes. - Do come in. Thank you.” 52:52 · “I believe we have a mutual friend in St. Edward Brookdale.” 53:00

Evidence, details and a link to share

Model synopsis: A woman and a man are seated in a room, engaged in a dialogue where the man, referred to as Mr. Holmes, questions the woman about a visit to someone named Kilgore. The woman, holding a cigarette case, appears to be responding to his inquiries while seated on a striped sofa.

• The woman is seated on a striped sofa, speaking. [frame:1]
• The man is seated in an armchair, speaking. [frame:2]
• The man continues speaking, leaning forward slightly. [frame:3]
• 1 more under Evidence and details.

Named: Mr. Holmes (t:53:52). 2 people observed.

“Kilgore.” 53:42 · “I don't think I know anyone of that name.” 53:43

Evidence, details and a link to share

Model synopsis: A man in a coat sits in a chair holding a newspaper. The setting appears to be an interior room with furniture and a window visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a light-colored dress stands in a room with striped furniture and a lamp. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a coat sits in a chair in a room with curtains and a lamp. No dialogue or action is recorded in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman converse in a room; the man accuses the woman of leaving behind identifying evidence, including an earring, and references a visit to Baker Street. The woman denies the accusation while the man insists he has caught her using a special lure.

• The man and woman stand facing each other in a room, holding an object between them. [frame:1]
• A close-up shows an earring with a pearl and metal spikes on the woman's ear. [frame:2]
• The woman turns away from the man, showing the back of her dress and the room’s decor. [frame:3]
• 1 more under Evidence and details.

Named: Mrs. Cockney (t:54:21). 2 people observed.

“You know, Mrs. Cockney, people generally forget in assuming a disguise.” 54:21 · “But the shape of the ear is an almost infallible means of recognition and identification to the trained eye.” 54:26

Evidence, details and a link to share

Model synopsis: A man in a coat speaks with a woman in a light dress while two other men stand nearby; the transcript reveals a confrontation involving Holmes and Mrs. Courtney. No objects or on-screen text are clearly visible beyond clothing and interior architecture.

• Mr. Holmes holds a small object while speaking to Mrs. Courtney. [frame:1]
• Mrs. Courtney speaks to Mr. Holmes while standing opposite him. [frame:2]
• Mr. Holmes looks toward Mrs. Courtney while holding an object. [frame:3]

Named: Mr. Holmes (t:55:08), Mrs. Courtney (t:55:13). 4 people observed.

“I should advise you not to move, Mr. Holmes.” 55:08 · “I must congratulate you on your ingenuity, Mrs. Courtney.” 55:13

Evidence, details and a link to share

Model synopsis: A woman in a formal dress speaks in a decorated room while three men, including one in a bowler hat, stand nearby. The transcript indicates a negotiation over a missing musical box and a threat to Mr. Holmes, who is told his demise will not occur at the current location.

• A woman speaks while standing in a room with heavy drapes and a lamp. [frame:1]
• Three men stand together; one in a bowler hat holds a small object. [frame:3]
• The man in the bowler hat speaks to another man while a third man looks on. [frame:4]

Named: Mr. Holmes (t:55:51). 5 people observed.

“Precisely.” 55:30 · “Turn over the missing musical box with your pledge to take no action against us in the future.” 55:37

Evidence, details and a link to share

Model synopsis: Three people stand in a room with curtains and furniture; one is addressed as Mr. Holmes and another as Mrs. Courtney. The dialogue references a dead body and conscience.

Named: Mrs. Courtney (t:56:11), Mr. Holmes (t:56:11). 3 people observed.

“So fearfully awkward having a dead body lying about...” 56:07 · “Don't you agree, Mr. Holmes? Another dead body shouldn't weigh too heavily on your conscience, Mrs. Courtney.” 56:11

Evidence, details and a link to share

Model synopsis: Two men sit in a vehicle interior; one asks to smoke a cigarette and the other consents. No names are spoken, and no objects beyond clothing and a cigarette are identified.

2 people observed.

“Mind if I have a cigarette?” 56:25 · “I don't see why not.” 56:28

Evidence, details and a link to share

Model synopsis: A man in a driver's cap is at the wheel of a vehicle while two other men sit in the back, one holding a gun. One man thanks Colonel Kavanagh, who is addressed as Hamid in the same exchange.

• A man's hands are shown manipulating a small object near a coat button. [frame:1]
• A man in a driver's cap looks up while holding the steering wheel. [frame:2]
• Two men sit in the back seat of a vehicle; one holds a gun and a cigarette. [frame:3]

Named: Colonel Kavanagh (t:56:49). 3 people observed.

“Be careful, Hamid. It's the brakes I find.” 56:42 · “Thank you, Colonel Kavanagh. It's very considerate of you.” 56:49

Evidence, details and a link to share

Model synopsis: A person enters a vintage car parked on a street. The scene is shot from an elevated angle through structural elements, showing the car and sidewalk.

• A person enters a vintage car. [frame:1]
• The car is parked on a street with a sidewalk and building facade visible. [frame:2]

1 person observed.

“I'm going to go.” 57:00

Evidence, details and a link to share

Model synopsis: Two men in coats and hats stand in a dimly lit interior; one speaks of attaching a deadly fluid to a taxi motor. No names are given in the dialogue, and no on-screen text is visible.

2 people observed.

“You'll be happy to know, Mr. Holmes, that your death will be a painless one.” 57:23 · “I need it.” 57:29

Evidence, details and a link to share

Model synopsis: A man in a cap works under the hood of a car while another man in a suit and a third in a fedora stand nearby. One of them says to start the motor.

• A man in a cap works under the hood of a car. [frame:1]
• Two men stand beside the car, one in a suit and one in an overcoat. [frame:2]

3 people observed.

“Start the motor.” 57:53

Evidence, details and a link to share

Model synopsis: A man in a hat sits in the driver's seat of a vintage car, gripping the steering wheel. The scene is dimly lit and appears to be set in a garage or workshop with other vehicles visible.

1 person observed.

Evidence, details and a link to share

Model synopsis: A close-up shows a mechanical device emitting smoke or steam inside a dark, cluttered interior. No people are visible or audible, and no text or dialogue is present.

Evidence, details and a link to share

Model synopsis: A dark, smoky scene shows the interior of a vehicle with a person visible in silhouette. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: Three men are in a dimly lit interior; one holds a cloth to another's mouth while a third watches. A voice commands to 'Take his mouth' and then calls out 'Up with him, Hamid.'

• A man holds a cloth to another man's mouth. [frame:1]

Named: Hamid (t:58:27). 3 people observed.

“Take his mouth.” 58:17 · “Up with him, Hamid.” 58:27

Evidence, details and a link to share

Model synopsis: Two men are in a garage with a car; one is suspended by handcuffs from a beam, the other stands below looking up. A third man joins them, and they speak about fuel and oversight.

• A man is suspended by handcuffs from a beam. [frame:1]
• A man in a suit looks upward. [frame:2]
• Two men stand beside a car and talk. [frame:3]

Named: Mr. Holmes (t:58:38). 3 people observed.

“You find yourself like Mohammed's coffin, Mr. Holmes. Suspended between heaven and earth.” 58:38 · “Plenty of fuel in the tank.” 58:52

Evidence, details and a link to share

Model synopsis: A person in a coat and hat raises an arm upward in a dimly lit interior space. No dialogue or on-screen text is present in this beat.

• A person raises their right arm upward. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a long coat walks through a dimly lit garage or workshop with vehicles visible in the background. The scene is shot from an elevated angle through a window or railing, showing the person moving away from the camera.

• A person in a long coat walks through a garage-like space. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a coat and hat raises their cuffed hands above their head in a dim interior. No dialogue or on-screen text is present in this beat.

• A person raises their cuffed hands above their head. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A figure in a long garment stands in a dim, smoky room with a small window visible in the background. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person is seen falling or lying on a tiled floor in a dimly lit interior space. The scene is viewed from above through a glass barrier, with no visible text or spoken dialogue.

• A person is lying or falling on a tiled floor. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in dark clothing is visible in a dimly lit interior, holding an object near a window. No names, dialogue, or clear time of day are established.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a dark coat and hat stands at a doorway, speaking with someone inside. She identifies herself as Dr. Watson and mentions that Mr. Holmes is out.

Named: Dr. Watson (t:60:11). 1 person observed.

“Good afternoon. - Mr. Sherlock Holmes? No, I'm Dr. Watson. - Of course, Dr. Watson.” 60:11 · “- How stupid of me. - Oh, stupid of me.” 60:18

Evidence, details and a link to share

Model synopsis: A man stands at a desk while a woman sits nearby; they discuss working on cases with Sherlock Holmes. The setting is an interior room with shelves and framed pictures.

• A man stands at a desk while a woman sits nearby. [frame:1]

2 people observed.

“Perhaps there's something I can do.” 60:28 · “Won't you sit down?” 60:30

Evidence, details and a link to share

Model synopsis: A woman named Miss Williams visits Dr. Watson to report her 17-year-old sister's disappearance; Dr. Watson offers help and fetches water. The setting is an office with bookshelves and a desk, and the conversation includes a mistaken reference to a past case.

Named: Miss Williams (t:61:00), Dr. Watson (t:60:44). 2 people observed.

“Won't you tell me you're trouble? I may be able to help you. That's very kind of you, Dr. Watson. Perhaps...” 60:44 · “- Miss Williams. - Miss Williams, yes.” 61:00

Evidence, details and a link to share

Model synopsis: A person in dark clothing and a hat stands near a desk in a cluttered room. The scene is shot in black and white with studio lighting and no visible text or spoken dialogue.

1 person observed.

Evidence, details and a link to share

Model synopsis: A woman in a dark coat and hat stands indoors near a shelf with bottles. She is audible saying 'Amen' twice.

• A woman stands indoors near a shelf with bottles. [frame:1]

1 person observed.

“Amen.” 62:15 · “Amen.” 62:16

Evidence, details and a link to share

Model synopsis: A person stands behind a cluttered desk in a dimly lit room with heavy curtains and a bookshelf. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man and a woman are in an interior room; the woman reacts with alarm to something off-screen, prompting a call for the fire brigade. The man comforts her before the emergency is announced.

• The woman turns her head sharply toward something off-screen. [frame:1]

Named: Dr. Watson (t:62:31). 2 people observed.

“There you are, my dear. Thank you, Dr. Watson. No, no, no, you're not to cry anymore. You must pull yourself together.” 62:31 · “I feel much better already knowing that you're going to help me. Oh, Dr. Watson, look! Good heavens!” 62:31

Evidence, details and a link to share

Model synopsis: A woman in a hat and fur-trimmed coat speaks while holding an object; a man in a suit gestures near a desk with a radio and a jar. The transcript includes a question about a fire extinguisher and a statement about not having one again.

• A woman in a hat and fur coat holds an object and speaks. [frame:1]
• A man in a suit gestures near a desk with a radio and a jar. [frame:2]

2 people observed.

“Haven't you a fire extinguisher?” 62:54 · “By going, we haven't again.” 62:54

Evidence, details and a link to share

Model synopsis: A woman in a dark coat and feathered hat is shown in profile, turning her head slightly toward the camera. The background is out of focus but suggests an interior space with shelves or display cases.

1 person observed.

Evidence, details and a link to share

Model synopsis: A person in a hat and coat stands beside a piece of furniture in an interior room. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a coat stands in a doorway while another man in a suit is seen in a room with bookshelves; a line of dialogue addresses 'Miss Williams'. No names are visually confirmed, and no time of day or period is established.

• A man in a coat stands in a doorway with arms crossed. [frame:1]
• A man in a suit stands near bookshelves. [frame:2]

Named: Miss Williams (t:63:17). 3 people observed.

“Don't you worry Miss Williams, we'll have this thing out in no time.” 63:17

Evidence, details and a link to share

Model synopsis: A single frame shows a dimly lit, furnished room with a staircase, chairs, and a table. No people or actions are visible, and no dialogue is present in the supplied transcript.

Evidence, details and a link to share

Model synopsis: A man in a suit is visible in a smoky room with furniture; a second frame shows a desk with objects including a jar and a box. A voice speaks about a bear, a fire brigade, and being frightened, addressing someone as Miss Williams.

• A man in a suit is visible in a smoky room. [frame:1]

Named: Miss Williams (t:63:46). 2 people observed.

“Ah, I've got it.” 63:33 · “It's a bear.” 63:39

Evidence, details and a link to share

Model synopsis: A man in a suit examines a music box in a cluttered room, then exits through a doorway. A woman is partially visible in the doorway as he leaves.

• A man holds and examines a music box. [frame:1]
• The man exits through a doorway, passing a woman. [frame:2]

Named: Miss Williams (t:64:15). 2 people observed.

“A music box.” 64:06 · “Great Scott!” 64:10

Evidence, details and a link to share

Model synopsis: Three people stand in a room with classical architectural details; one woman holds a small object while two men look on. A transcript line references Holmes and a musical box, suggesting a plot development involving a missing item.

• A woman holds a small object while two men stand nearby in a room with classical columns. [frame:1]

Named: Holmes (t:64:26). 3 people observed.

“Well?” 64:23 · “And Holmes?” 64:26

Evidence, details and a link to share

Model synopsis: Three people are in a room with one seated at a desk writing, while two others stand nearby. One standing person asks Holmes where he has been, and another questions whether he has been somewhere.

• A man seated at a desk writes while two others stand nearby. [frame:1]

Named: Holmes (t:65:03). 3 people observed.

“You haven't been there, you said?” 65:01 · “Holmes, where on earth have you been?” 65:03

Evidence, details and a link to share

Model synopsis: Two men in suits discuss a woman who tricked one of them using a smoke bomb to steal a musical box. One man consoles the other, referencing a story he wrote that parallels the event.

2 people observed.

“You were looking for me in the wrong places.” 65:11 · “Well, she came here and let off a smoke bomb. I thought the whole place was on fire, and my first thought was to...” 65:20

Evidence, details and a link to share

Model synopsis: Two men are in a room with wood-paneled walls; one examines a bandaged wrist while the other speaks. The dialogue suggests a planted cigarette stub and an insurmountable problem.

• A man in a suit is seen holding a dark object near a mirror. [frame:1]
• Two men examine a bandaged wrist. [frame:2]

2 people observed.

“But it may turn you up to know that you made a fool of me too.” 66:05 · “That cigarette stub.” 66:09

Evidence, details and a link to share

Model synopsis: Two men in suits are shown in a close-up; one appears to be adjusting or examining the other's wristwatch. The transcript references Dr. Samuel Johnson and a tour through a hall and stairway, suggesting a setting tied to historical literary figures.

• One man adjusts or examines the wristwatch of another man. [frame:1]

2 people observed.

“Our opponents are in possession of all three parts of the code. And here are we while the Bank of England plates” 66:29 · “As Dr. Samuel Johnson once said, there's no problem the mind of man can set.” 66:38

Evidence, details and a link to share

Model synopsis: A group of people, including a uniformed officer and a woman in a hat, are in a room with a framed picture on the wall; one person speaks about the picture's provenance while another directs people to move along. The scene includes dialogue referencing Dr. Johnson, Sir Joshua Reynolds, and Mrs. Thrale, and a mention of Sherlock Holmes.

• A man in uniform stands beside two civilians in a room with a framed picture on the wall. [frame:1]
• The group moves slightly; the man in the bowler hat speaks while the woman gestures. [frame:2]

4 people observed.

“The frame ditching on the wall” 67:17 · “I told here that that picture was given him by mrs thrale and it's definitely not a reno” 67:26

Evidence, details and a link to share

Model synopsis: A tour guide addresses a group inside a library, pointing to bookshelves and mentioning Dr. Johnson's cat Hodge. A woman in a fur-trimmed coat and hat is shown listening, and a man in uniform stands nearby.

• The guide gestures toward bookshelves while speaking. [frame:2]

4 people observed.

“And here we have the Gallet Library, in which Dr. Johnson wrote his famous dictionary.” 67:59 · “Step forward leaders and gentlemen, please step forward.” 68:10

Evidence, details and a link to share

Model synopsis: A group of people in formal 19th-century attire are gathered in a room, listening to a guide who speaks about Dr. Johnson's cat and his deathbed. A uniformed man interrupts the tour with a command to leave.

5 people observed.

“On this table, Dr. Johnson's cat, Hodge, used to sleep while his master worked. A strange thing about this cat, ladies and gentlemen,” 68:20 · “was its love of oysters.” 68:28

Evidence, details and a link to share

Model synopsis: A group of people in formal attire moves through an interior space with framed art; one man in a uniform stands near a painting. A voice directs the group to mind the steps, and another says they are going to leave.

• People walk up a staircase in an interior space. [frame:1]
• A woman in a fur coat and a man in a suit stand facing each other. [frame:2]
• A man in uniform stands beside a framed painting. [frame:3]

6 people observed.

“This way, ladies and gentlemen. Mind the steps, please.” 68:52 · “I'm going to go.” 69:01

Evidence, details and a link to share

Model synopsis: Two men stand near a glass-paneled door in an interior setting; one is handing over keys while the other listens. The transcript includes references to keys, a shelf, and the Bank of England plates, suggesting a transfer or instruction related to secure items.

2 people observed.

“Your keys.” 69:08 · “Third shelf up.” 69:25

Evidence, details and a link to share

Model synopsis: A man in a hat and coat speaks to a woman and two other men in a room with framed pictures. The woman is addressed as Mrs. Courtney and the man as Mr. Holmes, and she congratulates him.

• Mr. Holmes stands in profile, holding an object, facing a window. [frame:1]
• Mrs. Courtney, flanked by two men, looks toward Mr. Holmes while holding a book. [frame:2]
• Mr. Holmes faces forward, smiling slightly, after being addressed. [frame:4]

Named: Mr. Holmes (t:69:45), Mrs. Courtney (t:69:45). 4 people observed.

“Well, Mrs. Courtney, so we meet again. No, I shouldn't do that if I be Colonel Catmour. I must congratulate you, Mr. Holmes. You're far m…” 69:45 · “Thank you, Mrs. Courtney.” 69:58

Evidence, details and a link to share

Model synopsis: Three people stand indoors in formal attire; one holds a book. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and overcoat holds a pistol indoors. No dialogue or on-screen text is present in this beat.

• man holds a pistol in his right hand [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a cap gestures with his right arm raised while a woman in a hat stands behind him holding a book. The setting appears to be an interior room with framed art on the wall.

2 people observed.

Evidence, details and a link to share

Model synopsis: A man in a fedora and overcoat holds a pistol in an interior room with framed pictures on the wall. No dialogue or additional context is provided in this beat.

• A man holds a pistol while standing in a room. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A man in a dark uniform and cap gestures with his hand near his chest while standing indoors near a window. No dialogue or on-screen text is present in this beat.

• man in uniform gestures with right hand near chest [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: A high-angle shot shows several figures on a staircase and landing, one holding a flashlight. The scene is dimly lit with strong shadows, suggesting an interior at night or in low light.

3 people observed.

Evidence, details and a link to share

Model synopsis: A man in a hat and coat enters a dimly lit interior space carrying a long object. The room contains framed pictures and a rifle mounted on the wall.

• A man enters a room carrying a long object. [frame:1]

1 person observed.

Evidence, details and a link to share

Model synopsis: Three men in coats and hats stand indoors, one holding a framed picture. A transcript line mentions returning plates to the Bank of England and credits Dr. Watson with solving a case.

• Three men stand in a room, one holding a framed picture. [frame:1]

3 people observed.

“A brilliant antagonist.” 70:53 · “It's a pity her talents were so misdirected.” 70:55

Evidence, details and a link to share