No renewal found Free in the US since 1 January 1966, on the registry's reading: registration LP6846 of 1937 by Grant National Films, Inc was not renewed in the volumes searched. Record.
378 shots over 1:06:10, read from the Internet Archive copy Great_Guy.avi (Great_Guy.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Great Guy No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 378 shots judged colour), average shot 10.5s long, a frontal face detected in 50% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1936 (Internet Archive); copyright registered 1937 (catalog).
212 beats in 108 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 212 of 212 beats annotated, 212 passed the checks, 0 flagged.
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
Model synopsis: The beat opens with an exterior shot of a building featuring a large clock and the letters 'GRA' on its facade, followed by a title card displaying the film's credits. No people or actions are visible in the frames.
1:06Model synopsis: The beat shows end credits rolling over a stylized background, with no characters or action depicted. A voice speaks lines including 'Joe Green' and 'The doves in the hospital' during the same time the credits are displayed.
Named: Joe Green (t:1:38). 1 person observed.
“I'm.” 0:52 · “The doves in the hospital.” 1:32
2:03Model synopsis: Three men in suits and hats stand in a room with bookshelves and a desk; one holds a telephone receiver. A transcript line mentions Joel Green being in the hospital and another speaks of having too many telephones.
3 people observed.
“What is the key?” 1:54 · “Joel Green is in the hospital.” 1:55
Model synopsis: A patient in a hospital bed is attended by a doctor and a nurse; the patient insists on making an urgent phone call despite being told he cannot. The doctor and nurse are present and appear to be managing the patient's care.
Named: Mr. Green (t:2:15). 3 people observed.
“Mr. Green, you can't phone anyone, Doctor at all.” 2:15 · “I must, I tell you, just once. Mr. Green, you're a very thick man. Oh.” 2:18
2:39Model synopsis: A woman in a suit reads a newspaper in an interior setting. No dialogue or on-screen text is present in this beat.
1 person observed.
2:44Model synopsis: A newspaper headline reports that Joel Green, Chief Deputy of the Weights and Measures Department, was seriously injured in a mid-town traffic accident. The article details the crash at 5th and Main Streets involving Green's car and a trolley.
Model synopsis: A woman speaks on the phone while reading a newspaper; a man in a suit is seen in a lobby; a nurse is shown; the man speaks again. A phone conversation references Mr. Green, Mr. Cave, and Dr. Richards, and a visitor is denied access to Mr. Green.
Named: Johnny Cave (t:3:38). 5 people observed.
“Stop, Mr. Green.” 2:52 · “Here is Mr. Thornton's room.” 3:16
Model synopsis: A nurse directs someone to a room while a man in a suit speaks with a patient in a hospital bed; the transcript includes dialogue about a car accident and a man named Kavanaugh. The scene is set in a hospital room with medical equipment and a bedside table visible.
Named: Johnny (t:3:53). 4 people observed.
“Mr. Cave. Oh, I've been trying everywhere, Mr. Cave. Please go right up. Mr. Green is in room 612. 612. Thank you.” 3:41 · “But I'm telling you, Johnny, I was...” 3:53
4:43Model synopsis: A man in a suit sits beside a hospital bed where another man lies under covers; dialogue suggests a confrontation or negotiation. No names are spoken, and the setting is clearly a hospital room.
2 people observed.
“I'd like to take his measure.” 4:36 · “I'm going to go with a little choice.” 4:38
Model synopsis: A man in a dark suit speaks to another man lying in a hospital bed with bandages; the dialogue suggests a conversation about trust and restraint. The setting remains a hospital room, with no change in location or time of day established.
Named: John (t:4:57), Mr. Vane (t:5:00). 2 people observed.
“I know I can depend on you, John.” 4:57 · “Thanks, Mr. Vane. I'm glad you think so.” 5:00
5:38Model synopsis: A man in a suit stands beside a hospital bed where another man lies bandaged; dialogue suggests a visit is ending and references a future meeting. No names are spoken that can be assigned to the visible individuals.
2 people observed.
“Wish I knew. Your visitor's time is up, Mr. Green.” 5:26 · “Don't let that fist drift against anybody's chin.” 5:34
Model synopsis: A woman and a man are on separate phone calls in what appears to be an office setting; the man mentions marrying someone and refers to himself as a 'great guy'. The conversation includes scheduling a meeting at 'twelve thirty'.
Named: Johnny (t:6:05). 3 people observed.
“When and with whom?” 5:57 · “Oh Johnny.” 6:05
Model synopsis: A woman and a man are shown on the phone in separate shots, followed by a scene at a reception desk where the man hangs up and speaks to a woman in a nurse-like uniform. The transcript includes dialogue about lateness and a show, with a final line referencing 'Red Hot.'
Named: Tim (t:6:36). 3 people observed.
“What? Me, me?” 6:16 · “I'm usually the one that has to stand around waiting 20 minutes for you to show up. All right, all right, all right, all right, all right.” 6:21
Model synopsis: A man in a suit addresses a seated audience in a room with clocks and a map; he speaks about pinch-hitting for Joel Green and questions who put a man and why. The room appears to be an office or command center with wall-mounted clocks and a map.
Named: Joel Green (t:6:47). 2 people observed.
“I'm just pinch hitting with Joel Green.” 6:47 · “while he's in that hospital.” 6:48
Model synopsis: A man in a dark suit stands while others sit in a dimly lit room with bookshelves; the camera cuts to a closer view of a man in a suit looking forward. No dialogue or on-screen text is present in these frames.
5 people observed.
Model synopsis: A man in a suit speaks to an audience in a room with gauges and posters; the transcript discusses cheating consumers on food weights. The audience listens, and the speaker references statistics about food spending and fraud.
2 people observed.
“He knew what it meant to cheat the housewife.” 7:06 · “Of course, it doesn't sound like much, chiseling just a few ounces of meat on the pound or” 7:09
Model synopsis: A man in a suit addresses a seated audience in a room with clocks and posters; the transcript includes lines about stakes and walking. No names are spoken in the supplied transcript lines.
2 people observed.
“I like to make sure.” 7:26 · “Think right with me, Frank.” 7:28
7:53Model synopsis: A man in a suit demonstrates a device next to a scale while speaking. The transcript indicates he is confirming a weight measurement and drawing attention to a gauge.
1 person observed.
“That makes it unanimous.” 7:44 · “Now, here's an easy little gadget.” 7:46
Model synopsis: A man in a suit stands near clocks while other men in suits sit in rows, listening. The transcript discusses bribes and deputies in the context of police work.
2 people observed.
“Very tough on the housewife.” 8:06 · “Practically every time you make a pinch,” 8:17
8:27Model synopsis: A group of men in suits are seated in rows, looking forward in a dimly lit interior space. No dialogue or action is visible in the single frame provided.
10 people observed.
8:29Model synopsis: A man in a dark suit sits among other men in suits in a dimly lit room; no dialogue is present in this beat. The scene appears to be a formal gathering or meeting, with all individuals seated and facing forward.
4 people observed.
Model synopsis: A man in a suit smiles at the camera while standing in front of clocks; another man in a suit smiles while seated among other men. The transcript includes the lines 'That's your answer.' and 'Come on.'
4 people observed.
“That's your answer.” 8:32 · “Come on.” 8:34
Model synopsis: A man addresses a group in a room with clocks and hats on the wall; another man adjusts his hat while speaking to two others. The transcript includes dialogue assigning tasks and commenting on lateness.
5 people observed.
“All right, boys.” 8:38 · “Now, Colin, Hawks and Barnes take the stockyard to tell you, huh?” 8:41
Model synopsis: Two men in suits converse in an interior setting; one speaks of being born in Ireland and living near Flotspong, County of Mayo. No names are spoken, and no objects or signage are visible beyond the men and the room's background.
2 people observed.
“I was around to all the newspapers to see if they knew that you” 8:57 · “Well, I was born on the Great Plathskett Island at the southwest coast of Ireland.” 9:06
Model synopsis: A man in a suit speaks to another man indoors, then the scene cuts to an outdoor street with parked cars and market signage. The transcript includes a line about kosher markets and a suggestion to take someone personally.
3 people observed.
“Not the type of the kosher markets. I think I better take him myself. If you don't mind, I'll just call you out of wishes.” 9:17 · “Yeah.” 9:23
9:36Model synopsis: A man in a dark suit and fedora stands beside a car, speaking to another person who is mostly obscured. The transcript includes a line about complaints regarding 'this one'.
2 people observed.
“And this is it.” 9:33 · “a lot of complaints about this one, too.” 9:34
Model synopsis: Two men in suits and hats converse in a shop while a clerk is visible behind a counter; one man speaks about strawberries and a folk belief regarding vines and fairies. The setting includes shelves with goods and signage, and the dialogue references Ireland and berry picking.
3 people observed.
“Oh, I wish I think I buy some strawberries.” 9:42 · “You know, there's a say in an island that it's all right to pick the berries, but you must never, never cut down the vine, because under the…” 9:52
10:22Model synopsis: A man in a hat and suit stands at a counter in a shop, speaking with a clerk; shelves of goods are visible behind them. The transcript includes dialogue about buying sugar, shingle, and discussing supper options like corn beef and chicken.
2 people observed.
“I think I'll buy five pounds of sugar.” 10:12 · “Five pounds of shingle, please.” 10:15
10:38Model synopsis: A man in a suit and hat stands at a counter while two other men in hats stand behind him; a transcript line mentions a six-pound chicken. The setting appears to be a shop or market with shelves and a counter visible.
3 people observed.
“How about a nice doing chicken? About six pounds.” 10:35 · “Okay?” 10:37
10:47Model synopsis: A man in a white coat and cap stands behind a counter in a shop, speaking to a customer in a hat. The customer is seen from behind, and the shop displays price signs for meat cuts.
2 people observed.
“There you are six pounds right on the head.” 10:45 · “Wrap it up.” 10:47
10:54Model synopsis: Two men in hats stand at a counter in a shop; one holds a wrapped item while the other speaks. The transcript includes a line about 'a lump of lead' and a denial of leaving something.
2 people observed.
“A lump of lead.” 10:53 · “I didn't just leave it. Hold on.” 10:55
Model synopsis: In a shop, a man in a suit and hat gestures while speaking to others near a counter with a large machine; another man holds a bag. A transcript line mentions 'that poison' and 'let me have that sugar.'
4 people observed.
“Now, what's the idea? You can't...” 10:59 · “That poison.” 11:15
11:30Model synopsis: A man in a suit and bowler hat holds a package while speaking to others in an office setting. The transcript includes fragmented lines about weight, payment, and urging to leave.
3 people observed.
“Four and a quarter pounds. I paid for...” 11:28 · “I can't understand that.” 11:30
11:37Model synopsis: Two men in suits stand side by side in a crowded indoor setting; one wears a bowler hat and holds a package. The background shows shelves and other people, suggesting a public commercial space.
2 people observed.
Model synopsis: Two men in suits and hats are in a shop-like interior; one holds an object and speaks about keeping it as evidence. A line mentions a bird being bought back and someone spoiled after jail.
2 people observed.
“You haven't missed any bets, have you?” 11:45 · “How about buying that bird back for 50 bucks? Oh, it'll be a waste of money.” 11:50
12:03Model synopsis: A man in a suit and bow tie is visible in a medium shot, looking off-camera. No dialogue or on-screen text is present in this beat.
1 person observed.
12:05Model synopsis: A man in a chef's uniform stands indoors. No dialogue or on-screen text is present in this beat.
1 person observed.
12:08Model synopsis: A man in a dark coat and hat stands at a counter in a butcher shop while other customers and staff are present. The setting includes a meat display case and signage on the wall.
4 people observed.
12:11Model synopsis: A man in a dark suit and fedora leans over a counter while another man in a white uniform and cap stands behind him. No dialogue or on-screen text is present in this beat.
2 people observed.
12:12Model synopsis: A man in a suit and bow tie is visible in a medium close-up. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
12:14Model synopsis: A man in a dark suit and bowler hat stands at a counter in a diner, surrounded by staff in white uniforms. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: A man in a hat interacts with a butcher in a crowded shop, then holds a chicken while speaking. Another man in a suit confronts him across a counter.
3 people observed.
“I'm going to get that chicken.” 12:16 · “No, no, give me a second.” 12:19
12:46Model synopsis: A man in a dark suit and bowler hat stands at a counter, speaking to another man in a white apron behind it; two other men are present, one seated and one standing. The scene takes place indoors, likely in a shop or diner, with visible signage and a counter.
4 people observed.
“Come on.” 12:46
Model synopsis: A man at a gas station fills a car while another man in the car speaks about giants and leprechauns. The driver mentions a receipt, a company job, and plans to celebrate at the Ritz.
2 people observed.
“Did I never tell you about the giant Cosway? No, no.” 13:02 · “It's our last job before lunch. I've got a date with my girl. Take it to the Echo Cafeteria. It's a new place. Oh, no, not a chance. Yo…” 13:36
13:54Model synopsis: A man in a coat and hat stands at a gas pump with a car hood open. The setting is a gas station with visible signage and equipment.
1 person observed.
14:06Model synopsis: Two men in hats stand beside a car at a gas station; one speaks about the car's fuel level while the other responds. The dialogue references a five-gallon quantity and the car taking 'the divide.'
2 people observed.
“How much did you have in there?” 14:03 · “Not a drop, kid.” 14:05
14:14Model synopsis: A man in a hat and light shirt stands at a counter, viewed through vertical bars, with a cash register and a telephone visible. The setting appears to be an interior commercial space with other figures in the background.
2 people observed.
14:18Model synopsis: Two men in hats and coats are seated indoors near a vehicle's front fender; one points at an object on a table. No dialogue or on-screen text is present in this beat.
2 people observed.
14:21Model synopsis: A man in a dark suit and fedora sits looking down while another man in a dark coat and fedora points at an object on a table; a funnel and mechanical device are visible on a workbench. The transcript includes brief affirmations and a comment about cabinets.
2 people observed.
“Mm-hmm.” 14:19 · “That's what I thought.” 14:20
14:23Model synopsis: Two men in hats and suits are seen in a dimly lit interior, one crouching and handling an object on a counter while the other leans in to observe. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man in a dark suit confronts another man in a light coat at a gas station; a third man in a hat observes. The transcript indicates a dispute over a fine, with one man offering money to avoid going downtown.
4 people observed.
“You were warned about this violation last summer.” 14:27 · “Can I give you the fine and save me the trouble of going downtown?” 14:33
14:53Model synopsis: Two men in hats stand close together in an industrial setting, one speaking while the other listens. No names are spoken, and no objects beyond their clothing and the background machinery are identified.
2 people observed.
“Did you break your hand?” 14:50 · “Oh, no.” 14:51
14:59Model synopsis: A man in a dark coat and cap works on a car tire in a garage while another man in a long coat stands nearby. A sign reading 'STOP YOUR' is visible on a counter.
2 people observed.
15:02Model synopsis: A man in a suit stands beside a car while another man works on its engine in what appears to be a garage. No dialogue or on-screen text is present in the frames.
2 people observed.
15:26Model synopsis: A woman in a dark suit sits at a desk in an office, speaking with someone off-screen. She mentions checking away after lunch and references a date with her boyfriend.
Named: Janet (t:15:03), Mr. Kelly (t:15:08), Mr. Marvin (t:15:08), Mr. Canning (t:15:15). 4 people observed.
“Janet, uh...” 15:03 · “Make out a check for $1,000 to the midnight mission. We made it right away.” 15:04
15:52Model synopsis: A woman in a dark uniform stands beside a vintage car on a city sidewalk, while a man in a hat crouches near the vehicle's front. Another person is visible inside the car, and a building facade with ornate columns is in the background.
3 people observed.
Model synopsis: A woman and a man are seated inside a car, exchanging dialogue. The woman speaks first, followed by the man, and then the woman again, with the man responding affirmatively at the end.
Named: Winston (t:16:07). 2 people observed.
“Johnny Cave, dear, you're five minutes late, honey. Oh, you're very lucky.” 15:55 · “I've kept others waiting for days.” 15:59
16:22Model synopsis: A man and a woman sit in a vehicle interior, discussing a hat the woman wears; the man suggests going to the Ritz for a meal. No names are spoken, and the setting is confined to the car’s interior.
2 people observed.
“My best friend gets hit by a street car, winds up in the hospital, civil war in Spain, and earthquakes in Japan, and now you wear that hat. …” 16:15 · “embarrasses me.” 16:23
16:42Model synopsis: A man and a woman are seated in a car; the woman speaks about not going to a residence or rest, while the man asserts they will go to the Ritz. The woman responds with 'Amen.'
2 people observed.
“We're not going to the residence.” 16:34 · “We're going someplace that fits our purse. Sweetheart, is this a celebration?” 16:35
16:59Model synopsis: Two men in suits and hats stand at a counter with trays of food; one pushes a tray while the other speaks. The setting appears to be a cafeteria or diner with plants in the background.
2 people observed.
“Good night.” 16:54 · “Some beans.” 16:56
Model synopsis: A man and a woman in formal attire are seated at a long table in a crowded dining hall; a third man in a hat approaches with a plate. The transcript reveals dialogue about spinach, a hospitalization, and a transfer of authority to the man at the table.
Named: Chief Deputy (t:17:13), Gold Green (t:17:22). 3 people observed.
“- Are you skipping that spinach? - I certainly am. - Another portion, please.” 17:09 · “Find a way to go into Chief Deputy.” 17:13
17:56Model synopsis: Two men in suits and hats carry trays in a crowded indoor space. One man is addressed by name as 'Jenna' in the transcript.
Named: Jenna (t:17:47). 2 people observed.
18:13Model synopsis: Two men are seated at a table in a restaurant, one eating while the other gestures. Other patrons are visible in the background.
4 people observed.
18:17Model synopsis: A man in a suit sits at a table while a woman in a dark dress looks at a small object; a man in a white uniform stands beside them. The setting appears to be a restaurant with other patrons and tables visible.
3 people observed.
18:25Model synopsis: Two men sit at a table in a restaurant, one holding a napkin and smiling while the other listens; other patrons are visible in the background. A line mentions the Ritz, and another thanks someone while referencing social media, though the latter is likely a transcription error given the 1936 context.
4 people observed.
“I was going to have lunch at the Ritz.” 18:21 · “Thanks so much.” 18:24
18:42Model synopsis: A man and a woman sit at a table in a restaurant, discussing finances and wedding plans. The man mentions buying a ring and furniture, while the woman declines a purchase, saying she will wait.
Named: Johnny (t:18:47). 2 people observed.
“I put your money in the bank yesterday.” 18:33 · “I picked you up the wedding ring. Just a plain gold band, but you loved it.” 18:37
Model synopsis: Two people sit at a table in a crowded public dining space, conversing while eating; the transcript includes fragmented dialogue about plans, belief, and social roles. No names are spoken that identify the individuals, and no time of day or period is established.
2 people observed.
“I've been thinking about that too.” 18:54 · “Play which one Saturday?” 18:58
Model synopsis: Two people converse at a table in a crowded public dining space; one man speaks while the woman listens and responds. The dialogue references a Mr. Canning and a Joe Green, and includes personal statements about loyalty and affection.
2 people observed.
“All I know, if I'm Mr. Canning, it is your voice.” 19:24 · “Well, Johnny, you're hopeless.” 19:27
20:00Model synopsis: A man in a suit with a bandaged arm sits at a table in a crowded restaurant. Other patrons are visible in the background, and a line of dialogue is spoken.
5 people observed.
“All right.” 19:59
20:05Model synopsis: A man with his left arm in a white sling sits at a table in a restaurant while a woman and another man sit across from him; a fourth man stands in the background. The scene is lit with studio lighting and includes other patrons and a coat rack.
4 people observed.
20:39Model synopsis: A man and a woman interact at a desk in an office; the man hands her an object while they speak. The dialogue includes personal questions and a discussion of the surname 'Haley' and its history.
Named: Mr. Haley (t:20:20). 2 people observed.
“I'll hit you hanging.” 20:06 · “Oh, Mr. Haley. I wonder if by any chance you happen to be going my way.” 20:20
Model synopsis: A man in a suit speaks to another man seated at a desk in an office; the seated man is later shown alone. The dialogue includes a farewell to 'Aloysius' and a comment on work ethic.
Named: Aloysius (t:21:12), Johnny (t:21:17). 2 people observed.
“I'm always on time. Except when I... Good night, Aloysius.” 21:12 · “Don't be working too hard, Johnny. I would say a fellow isn't happy unless he enjoys his work. And the only way to enjoy your work is to d…” 21:17
21:39Model synopsis: A man stands beside a seated man at a desk while a woman in a hat stands nearby; dialogue includes farewells and a remark about knowing answers. The setting appears to be an office with a map on the wall and desk items visible.
Named: Hazel (t:21:34). 3 people observed.
“- Good night, Hazel. - Good night.” 21:34 · “Take care of yourself. Don't worry about her. She knows all the answers.” 21:35
Model synopsis: A man in a suit and hat stands in a doorway while another man sits at a desk. The transcript includes a line identifying someone as 'Johnny Katie' and a response of 'Yes.'
Named: Johnny Katie (t:21:58). 2 people observed.
“You're Johnny Katie. What you.” 21:58 · “Yes.” 22:00
Model synopsis: A man in a dark suit and fedora stands while speaking to another man seated at a desk. The seated man looks up as they converse in what appears to be an office setting.
Named: Johnny (t:22:09). 2 people observed.
“I'm going to get it.” 22:01 · “Just plain Marty to you, Johnny.” 22:09
22:24Model synopsis: Two men in suits are seated at a desk in an office; one invites the other to join his club. No names are spoken, and no on-screen text is visible.
2 people observed.
“I came over here to do something for you.” 22:20 · “How about coming into my club?” 22:23
Model synopsis: Two men in suits are in an office; one seated behind a desk speaks to the other, who stands. The seated man offers the standing man a job and mentions a summons involving someone named Edie at the Paradise Market.
2 people observed.
“You've got your own future to look out for.” 22:32 · “We'll fix it so you can afford to dress this way.” 22:40
Model synopsis: Two men in suits are in an office; one stands while the other sits at a desk. The standing man speaks about small injustices like overcharging a woman, and the seated man responds with skepticism before agreeing to demonstrate something.
2 people observed.
“What are you being so noble about?” 23:22 · “This stuff is all unimportant.” 23:28
23:49Model synopsis: A man in a suit sits at a desk, smiling at the camera. The setting appears to be an office interior with minimal background detail.
1 person observed.
Model synopsis: Two men in suits are in an office; one is seated at a desk, the other stands or sits nearby. A window view shows a city at night. One man speaks about losing pennies and demonstrates something.
2 people observed.
“Now, just to prove that they don't mean” 23:54 · “You've lost three pennies.” 24:01
Model synopsis: Two men are seated at a desk in an office; one gestures while speaking, the other listens intently. The transcript includes a warning about consequences and a reference to a lost hat.
Named: Johnny (t:24:17). 2 people observed.
“You lost a hat.” 24:13 · “You don't must do it.” 24:15
24:37Model synopsis: A man in a dark suit stands in a hallway near a door marked 'Cavanaugh' while dialogue references threats and a one-way street. No names are spoken in this beat that can be assigned to visible persons.
1 person observed.
“You mean you'll do to me what you did to Joe Green? I'll take it easy. Now, listen, I don't tell you to heat on for anybody who threatens …” 24:20 · “or try to slip money on my desk, Lada. It's a one-way street, Cavanaugh.” 24:26
25:10Model synopsis: A dimly lit interior shows a silhouetted figure near a doorway with reversed text on glass. A voice calls out 'Hold it, Ben' during the beat. No names are visually confirmed, and no objects beyond furniture and a coat rack are clearly identifiable.
1 person observed.
“Okay.” 25:00 · “All right.” 25:20
Model synopsis: Two men in hats are seen inside a vehicle interior, followed by a scene in a dimly lit room with three men, one standing and two seated. Spoken lines indicate a dispute over direction, with one man asserting control over another's path.
5 people observed.
“Where do you think you're going?” 25:26 · “You're going your way. No, he ain't.” 25:28
25:50Model synopsis: A man in a suit and fedora sits in a chair, looking off-camera with a slight expression. The lighting is dim and focused on him, with a dark, indistinct background.
1 person observed.
25:54Model synopsis: A man in a fedora and suit is shown in a close-up, lit from one side. The background is dark and indistinct, suggesting an interior setting.
1 person observed.
26:01Model synopsis: Three men in hats are seated in a dimly lit interior; one speaks about getting something over with and suggests thinking red. No names are spoken, and no objects beyond clothing and furniture are clearly visible.
3 people observed.
“Well, what are we waiting for?” 25:58 · “Well, come on, let's get it over with.” 25:59
26:15Model synopsis: A man in a hat stands over a seated boy in a suit and hat, in a dimly lit interior. One man asks if the other is trying to commit suicide; the seated boy asks if it's okay to stretch.
2 people observed.
“Are you trying to commit suicide?” 26:17 · “You don't mind if I stretch, do you hear?” 26:21
Model synopsis: A man in a suit and fedora is shown in three close-up shots with changing expressions. The setting is dimly lit and indistinct, with no visible objects or text.
1 person observed.
Model synopsis: A man in a suit and fedora is shown in two close-up shots, speaking. The transcript includes a line about 'some mugwet's breaking the law.' No named characters or specific location are established.
1 person observed.
“This is very interesting.” 26:33 · “That's for some mugwet's breaking the law.” 26:35
26:56Model synopsis: Two men in dark suits and fedoras stand in a dimly lit interior space with a single overhead light. One man speaks while the other listens; dialogue includes references to a 'penny', a 'little model', and telling 'guys' something.
2 people observed.
“11 even come on we roll.” 26:40 · “I don't like that penny on you.” 26:44
27:16Model synopsis: Two men sit in the front seats of a vehicle at night. One man, wearing a hat and dark coat, looks toward the other, who wears a checkered coat and also a hat, and appears to be looking down or asleep.
2 people observed.
Model synopsis: A man is being held by police officers in a dimly lit interior space; dialogue suggests he is suspected of being drunk and carrying a gun. No named characters appear, and the setting appears to be a police station or similar official holding area.
6 people observed.
“Come on, give him that hat away, hey, man.” 27:25 · “Don't you see the liquor's cracked all over him?” 27:31
Model synopsis: A man in a suit speaks animatedly to two others in hats in an office; a uniformed officer sits at a desk; another man in a hat enters through a door. The transcript includes a complaint about being assaulted and left in the gutter, repeated multiple times, and a question about getting over a pass.
5 people observed.
“What do you want me to say? I'm Johnny R.'s frame.” 27:54 · “They poured liquor all over my clothes, hit me over the head, left me lying in the gutter. You said that 14 times.” 27:57
28:13Model synopsis: A man in a suit looks off-camera while another man in uniform sits behind him. No dialogue or on-screen text is present in this beat.
2 people observed.
Model synopsis: A man in a suit is confronted by police officers and another man in a fedora in what appears to be an office; dialogue references a stick-up, a red-haired man, a coat, and a gun. One man is identified by speech as Johnny Cage, Chief Deputy of Wage and Major.
Named: Tommy (t:28:14), Johnny Cage (t:28:24). 5 people observed.
“Why, hello, Tommy. What are you doing here?” 28:14 · “Sure Johnny Cage. Chief Deputy of Wage and Major.” 28:24
29:06Model synopsis: A man in a suit is shown in a medium close-up, with another man visible in the background; the transcript includes a line asking if something feels better. No names, time of day, or period are established in this beat.
2 people observed.
“Does that feel better?” 29:10
Model synopsis: A man and a woman are seated and talking in a room with patterned wallpaper; a second man enters and stands nearby. The dialogue suggests a tense conversation about aggression and Irish identity, with one character mentioning a need to be at the mayor's office soon.
3 people observed.
“You know, Johnny, in a way...” 29:18 · “You're too aggressive.” 29:28
30:20Model synopsis: A woman sits at a desk in an office while another woman stands in the doorway; a man is not visible. The transcript includes a line about a footstool.
3 people observed.
“What have you got for me?” 30:13 · “A footstool.” 30:17
Model synopsis: A man in a suit speaks with a seated woman in an office while another woman stands nearby; the dialogue references a mayor and waiting. A second shot shows the same office with three people, including a standing woman holding papers and a man in the background.
Named: Cave (t:30:31). 4 people observed.
“I got a call from the mayor.” 30:30 · “The name is Cave.” 30:31
31:03Model synopsis: A man in a suit stands in a room with classical columns and a dark chair. The transcript mentions a dedication and Mr. King.
1 person observed.
“He made the dedication to this.” 30:52 · “Who wrote it for him?” 30:55
31:16Model synopsis: A man in a suit stands behind a desk in a formal interior. No dialogue or action is visible in the single frame.
1 person observed.
31:22Model synopsis: A typed telephone message is shown, suggesting the dismissal of the Matron of the County Orphanage. No people, actions, or setting are visible in the frame.
31:26Model synopsis: A man in a suit leans over a desk in a dimly lit interior space. No dialogue or on-screen text is present in this beat.
1 person observed.
Model synopsis: A man in a suit stands in a courtroom while another man sits at a desk; a third person is partially visible. A transcript line mentions Mr. Cave waiting and someone named Alan being instructed not to disturb.
Named: Alan (t:31:37), Mr. Cave (t:31:34). 6 people observed.
“Good afternoon, Your Honor. Good afternoon.” 31:29 · “Mr. Cave is waiting for us.” 31:34
31:51Model synopsis: Two men in suits stand in an office, one speaking to the other. The dialogue references a record of honesty and service in the Department of Weights and Measure.
Named: Mr. K (t:31:50). 2 people observed.
“I'm glad you came.” 31:47 · “Good news for you.” 31:49
Model synopsis: Two men in suits are seated at a desk in a formal office; one speaks while the other listens. A third man in a suit stands nearby, looking toward them.
3 people observed.
“past year shows an increase of” 32:02 · “53% from the number of arrests.” 32:04
Model synopsis: A man in a suit stands and speaks to another man seated in an office; the seated man responds while holding a hat. The transcript indicates an offer of appointment to a commission and a discussion about service to the Commonwealth.
2 people observed.
“They're appointing you to the Governor's Tax Commission of Special Investments.” 32:17 · “It's very nice, Your Honor, but you see I... I was a much older man.” 32:25
Model synopsis: A man in a suit speaks while another man sits at a desk; dialogue suggests a refusal or negotiation over a position. The setting is an interior room with formal furnishings.
2 people observed.
“Levitin?” 32:43 · “Very, very grateful.” 32:50
Model synopsis: Two men in suits are in a formal office; one stands while the other sits at a desk. The standing man speaks about staying in the department and being aware that others want him removed, while the seated man questions whether another person dictates office policy.
Named: Mr. Camp (t:33:11). 2 people observed.
“I'm staying in the department.” 33:03 · “And there's not going to be any fix.” 33:05
33:34Model synopsis: A man sits at a large desk in a formal office with classical architecture. No dialogue or action is recorded in this beat.
1 person observed.
33:42Model synopsis: A man in a suit sits at a desk in an office, looking off-camera while a voice requests to call Abel Canning. The man sighs after the request.
1 person observed.
“Get Abel Canning on the phone.” 33:38 · “*Sigh*” 33:44
Model synopsis: Two people are in an office; one man is on the phone while a woman sits beside him taking notes. The transcript includes fragmented dialogue suggesting a discussion about someone described as an 'arrogant, swell-headed troublemaker' and a plan involving '18 holes'.
2 people observed.
“arrogant, swell-headed troublemaker.” 33:51 · “We'll find a way.” 33:57
Model synopsis: A woman sits at a desk speaking while a man stands by a window; another woman appears in a close-up. The transcript includes dialogue about being cheated and deliveries falling short. No names are assigned to the individuals based on the transcript or frames.
3 people observed.
“Mr. Kean, we were being cheated.” 34:21 · “for a long time the deliveries were always far short of what we were” 34:23
Model synopsis: Two men in hats converse while one holds papers; another man carries a tray of goods through a doorway. A third man in a cap is visible in the background. One man says he is leaving, and another acknowledges a dotted line.
Named: Joe (t:34:38). 3 people observed.
“That's everything.” 34:29 · “I'm going, Joe.” 34:38
34:47Model synopsis: A man in a fedora and coat stands on a street with two children, while other figures move near a delivery truck. A sign for a company is visible on the truck, and the scene appears to be outdoors during the day.
5 people observed.
35:01Model synopsis: Three men stand outdoors at night; one reads a paper while another speaks about seeing the boss. One man announces he is leaving.
3 people observed.
“Hey, what?” 34:52 · “Straight on.” 34:54
35:15Model synopsis: Two men stand close, one in a flat cap and coat, the other in a fedora and suit, exchanging papers. A whistle is heard during the interaction.
2 people observed.
“Whistling” 35:13
Model synopsis: A group of four people, including a woman and three men in hats, are gathered indoors discussing a discrepancy in delivered items; one man pressures another to sign a document while threatening him with jail.
Named: Snoop (t:35:42). 4 people observed.
“There seems to be a bit of a difference, Mrs. Ogilvy.” 35:22 · “I want you to sign this...” 35:40
35:58Model synopsis: A woman in a dark dress with a lace collar stands before a brick wall. No dialogue or action is recorded in this beat.
1 person observed.
36:01Model synopsis: Two men are shown in a medium close-up; one writes in a notebook while the other looks on. The setting appears to be an interior space with no visible windows or clocks.
2 people observed.
Model synopsis: A man and a woman have a tense conversation in an office; the woman speaks urgently while the man stands, and dialogue references Johnny Cade and a political opportunity. No names are established for the visible people beyond what is spoken in the transcript.
Named: Johnny Cade (t:36:29). 2 people observed.
“Johnny, what are you doing here?” 36:10 · “I don't want this out. You know better than that. What can I do with a guy that's in love?” 36:14
Model synopsis: Two men in suits and hats converse in an office; one mentions going to England to play with Dukes and Ritzy Dolls. The dialogue includes references to past dealings, stock manipulation, and a passport request.
Named: Mr. Canning (t:36:35). 2 people observed.
“Come on, Mr. Canning.” 36:35 · “Red page, you old palooka!” 36:39
Model synopsis: Two men in suits and hats converse in a dimly lit interior; one asks Kenny to fix something. The transcript includes fragmented dialogue about chasing boxes, needing cash, and passports.
Named: Kenny (t:37:13). 2 people observed.
“I'm going to be a sport. I'm going to be a chipper one.” 37:07 · “100 different names in 22 banks.” 37:10
37:29Model synopsis: A man in a suit speaks to another person wearing a hat in a dimly lit interior. The transcript includes dialogue about money, protection, and a person named Jenny.
2 people observed.
“Nice, but five grand, he really ought to dump a nothing.” 37:22 · “The last five years I paid Kenyon's mom a million bucks to fix money. I ain't squirtin', you understand? I want a protection.” 37:27
Model synopsis: Two men shake hands in a formal interior; a man speaks animatedly to a woman holding a cigarette. The dialogue references a speech, a radio appearance, and a job related to the mayor of Ontario. No names are established for the visible people beyond 'Red' and 'Pete Riley' mentioned in dialogue.
Named: Red (t:37:37), Pete Riley (t:37:54). 4 people observed.
“No, nobody's gonna trip him up, Red.” 37:37 · “And Executive Secretary is my girl.” 37:46
39:16Model synopsis: Two men in suits converse in an interior room with a piano and armchair; one mentions playing golf with the mayor. No names are visually identifiable, and no time of day or period is established.
Named: Mr. Canning (t:39:12). 2 people observed.
“I don't want to hold you up, Mr. Canning, but...” 39:12 · “Not at all. Glad to have a chat with you.” 39:14
Model synopsis: Two men in suits are seated across a desk in an office, engaged in a tense conversation. One man, older and standing, offers unsolicited advice while the other listens, with dialogue indicating a political disagreement and a rejected offer.
2 people observed.
“We sort of put him in a spot with the governor.” 39:24 · “Oh, really? Yes, indeed. He promised the old boy he could deliver just the man he wanted and...” 39:27
Model synopsis: A man in a suit sits at a desk while another man stands nearby; dialogue suggests a discussion about an opportunity and a gift. One man is addressed as 'Mr. Mettles' and another is called 'Marcy' in the transcript.
Named: Mr. Mettles (t:40:09), Marcy (t:40:20). 3 people observed.
“I do believe you should give this opportunity further consideration.” 39:45 · “You really think I know to do with that?” 40:00
Model synopsis: A man in a suit is on the phone while another man in a suit stands nearby in an office. The transcript reveals a conversation about a newspaper headline accusing Abel Canning of stealing bread from an orphanage.
2 people observed.
“Johnny Cave, you're wasting measures.” 40:23 · “I've got a paper for your afternoon edition.” 40:25
Model synopsis: Two men are in an office; one is on the phone while the other gestures toward him. A threat is spoken about an appointment and a kid. No names are established from the dialogue or visuals.
2 people observed.
“Colet's your supply. She never delivered.” 40:37 · “Send a couple men over to my office in about 20 minutes. You wouldn't dare.” 40:40
40:56Model synopsis: Three people are in a room; one man speaks to another while a woman stands nearby. A transcript line mentions a prosecuting attorney and jail, suggesting a legal confrontation.
Named: Brett Snatcher (t:40:49), Johnny (t:40:53). 3 people observed.
“I'll see you in jail, Brett Snatcher. How dare you talk like that to me?” 40:49 · “Well, you hear the prosecuting attorney has to say to us. Well, let's hear, Johnny. Get him out of this, will you?” 40:53
41:26Model synopsis: A woman in a dark dress speaks urgently in an interior setting, referencing a man named Mr. Canning and a blackmail scheme that could lead to jail. She insists Mr. Canning is a fine man who acted like a father to her.
Named: Johnny (t:41:30). 1 person observed.
“I'm terribly sorry, Mr. Kenny. Don't be sorry for me. It's the young man who will suffer.” 41:05 · “Public opinion will force him out of office.” 41:18
42:14Model synopsis: A person speaks on the phone in an office setting, requesting documents related to a legal case. A printing press is shown in operation, suggesting a newspaper or publishing context.
Named: Mike (t:42:06), Johnny K. (t:42:35). 3 people observed.
“You won't have to forgive me for anything, baby.” 41:49 · “That story?” 42:02
Model synopsis: A woman on the phone speaks to someone off-screen while a man in a suit reviews papers. The dialogue indicates the prosecutor's office is requesting evidence for a canning case, and Mr. Case must deliver it personally.
2 people observed.
“Mr. Kay, the prosecutor's office wants the evidence on the canning case.” 42:40 · “Shall I take your papers down?” 42:43
42:51Model synopsis: A man in a suit and fedora stands beside a large camera in an interior space. No dialogue or on-screen text is present in this beat.
1 person observed.
42:58Model synopsis: A man in a suit stands at a desk in an office, looking down at papers. He speaks briefly, responding to an unheard question.
1 person observed.
“Anybody ask me on the back what I have for?” 43:01 · “All right.” 43:02
43:08Model synopsis: A man in a suit walks toward the camera in a marble hallway while others stand or walk in the background. The setting appears to be a public building interior with checkered flooring and chandeliers.
4 people observed.
43:14Model synopsis: A group of men in suits and hats stand in an interior space with heavy drapery; one man holds a small object. No dialogue or on-screen text is present in this beat.
4 people observed.
43:18Model synopsis: Two men in suits walk through a marble hallway with other figures in the background. The scene is lit by overhead fixtures and shows no visible text or spoken dialogue.
4 people observed.
Model synopsis: Two men in suits are on a staircase; one is being assisted by the other. One man speaks, asking for help to twist his stem and get the other side.
2 people observed.
43:32Model synopsis: A man in a dark suit and hat sits on the floor beside a staircase in a paneled room. The scene is lit with high contrast, casting long shadows on the wall.
1 person observed.
43:59Model synopsis: A person in a dark coat and hat is seen from behind, reaching up toward a shelf in a dimly lit interior. No names, times, or events beyond the single spoken line are established.
1 person observed.
“All right.” 43:37
44:26Model synopsis: A man in a fedora and dark coat is seated at a desk, holding a telephone receiver to his ear. Papers are visible on the desk, and he appears to be in a dimly lit interior space.
1 person observed.
Model synopsis: Two men are shown separately on the phone in interior settings; one is in a suit and the other wears a fedora. Dialogue includes praise for 'Burton' and a reference to 'Mr. Canning'.
2 people observed.
“Nice work, Burton.” 44:39 · “Bring him over here right away.” 44:40
Model synopsis: A man in a suit is on the phone in an office while another man sits at a desk looking fatigued. The transcript includes dialogue about taking chances, a threat involving five thousand dollars, and a reference to the police department.
2 people observed.
“Not with me behind you.” 44:59 · “Because a pal of mine will tell the city prosecutor what the papers are.” 45:07
46:02Model synopsis: A man sits at a desk with his hand on his forehead while a woman stands behind him holding papers. The setting appears to be an office with a framed map on the wall.
2 people observed.
46:13Model synopsis: A newspaper headline is shown, reading 'LABEL CANNING DEMANDS PROSECUTION OF JOHN CAVE'. No people or actions are visible in the frame.
46:19Model synopsis: A man sits at a desk writing while a woman stands behind him holding papers. The setting appears to be an office with a framed picture on the wall.
2 people observed.
Model synopsis: A man and a woman have a heated argument in an office; she accuses him of arrogance and ends their relationship. He responds emotionally, declaring his love before she says goodbye.
Named: Dolly (t:46:36). 2 people observed.
“Dolly, you don't mean... I mean, we're through.” 46:36 · “Please listen, you've got to let me tell you the papers. I've listened to it now.” 46:38
Model synopsis: A man in a suit is shown in a hallway, followed by mugshots of two men, then a scene in a police station where officers interact with a seated man. Spoken lines include warnings, rejections, and identification of a person named Pat.
Named: Pat (t:47:20). 7 people observed.
“Watch out!” 46:55 · “I don't ever want to see you again.” 46:57
Model synopsis: A man in a suit speaks with a uniformed officer holding a phone receiver; another man in a fedora and suit is shown alone. The transcript includes names and dialogue about getting someone named Charlie Joe and legal threats.
Named: Joe Burton (t:47:24). 3 people observed.
“Joe Burton.” 47:24 · “That may be the answer to an open spare. Get this guy for me, will you, sir? I'll hold a tank.” 47:30
Model synopsis: A man in a police uniform sits at a desk while another man in a suit is questioned; officers stand nearby. The dialogue suggests an interrogation about stolen papers and a political event, with one officer ordering the suspect to be taken downstairs.
5 people observed.
“You don't remember strong-arming this fellow this afternoon and stealing his papers.” 48:02 · “Stay it easy, Johnny.” 48:08
Model synopsis: A man in a fedora speaks urgently while another man in a police uniform listens from behind a desk. The transcript includes a reference to a 'lifer' and a command to tell a story.
Named: Mike (t:48:34). 2 people observed.
“You can't do this to me, Helen. I tell you, I've got an important date.” 48:29 · “Mike, on the way down, tell Mr. Burton the story of the lifer that wanted to know what time it was.” 48:34
Model synopsis: Two men in uniform are at a desk in an office; one stands while the other sits. A man in a suit and hat enters a room with curtains and a chair. A hand holds a small object, possibly a key, over papers.
4 people observed.
“Can you see how much singing that canary did? Yeah, so I noticed.” 48:42 · “Well, anyway, we've got an apartment address. I'll let you get a quick frisk. No, let's come into that.” 48:44
50:12Model synopsis: A person is seen from behind, reaching up toward a shelf in a dimly lit room with patterned wallpaper. No dialogue or on-screen text is present in this beat.
1 person observed.
51:10Model synopsis: A man seated at a desk speaks with another man standing nearby; the seated man orders the release of Joe Burton and mentions wanting papers, while the standing man reacts. The conversation references a party and a prior altercation involving Burton.
2 people observed.
“And there aren't going to be any ifs or buts about it. I want Joe Burton released at once.” 50:56 · “Roger? Get the captain on the phone.” 51:14
52:03Model synopsis: A man in a tuxedo and a woman in a dark dress are dancing closely in a crowded room. No dialogue or on-screen text is present in this beat.
3 people observed.
52:13Model synopsis: A man and a woman in formal wear are dancing closely in a crowded room. Other guests in evening attire are visible in the background, suggesting a social gathering.
4 people observed.
52:26Model synopsis: A man and a woman are in a dimly lit interior; the woman sits on a patterned couch while the man stands facing her. The transcript suggests a conversation about dancing, with the woman questioning what the dance is.
2 people observed.
“like you should be dancing. I'm sitting here decorating the” 52:22 · “What's the dance?” 52:29
52:47Model synopsis: A man and a woman stand close in a dimly lit interior; the man speaks while the woman looks away. The transcript includes dialogue about a party, Johnny, and a gym, with the man referencing newspapers and 'beef on the hook.'
Named: Mr. Bravey (t:52:36). 2 people observed.
“Mr. Bravey, I'm not giving anyone.” 52:36 · “This is my party, and I want everybody to be happy, especially you and Johnny.” 52:44
Model synopsis: A man in a tuxedo dances with a woman in a crowded room, then speaks animatedly to a group of women seated nearby. The transcript includes fragmented, possibly nonsensical lines and a statement that the speaker was killed.
5 people observed.
“What is in the heart of the gentleman?” 53:05 · “with a hip apartment with a hip apartment.” 53:08
53:38Model synopsis: Two men in tuxedos converse in a formal indoor setting; one invites the other to mingle and offers help finding a dance partner or drink. The scene is lit for a social gathering, with other guests visible in the background.
Named: Pete (t:53:30), Mr. Tanning (t:53:30). 4 people observed.
“Hello, Mr. Tanning. I'm surprised to see you. Well, when you gave me the invitation, Pete, I thought you meant it. Sure, I did. You're wel…” 53:30 · “Okay, find yourself a squad to dance with. I'll see you later.” 53:40
53:53Model synopsis: A man and a woman are dancing closely in a crowded room. The transcript contains the word 'Amen' at 53:50.
3 people observed.
“Amen.” 53:50
53:57Model synopsis: A man in a tuxedo stands indoors against a dark curtain. No dialogue or action is visible in the single frame provided.
1 person observed.
Model synopsis: A man in formal wear speaks with a woman in a dimly lit interior; another man approaches and interacts with her. The transcript includes fragmented dialogue about a bank, a nurse, and reassurance.
3 people observed.
“May I see you a minute?” 53:59 · “That's my bank.” 54:04
54:26Model synopsis: A man in a tuxedo greets a woman and introduces her to another man at a formal gathering. The woman identifies her boss as Mr. Candy, and the second man corrects his name to Parker.
Named: Mr. Kelly (t:54:19), Janet (t:54:20), Mr. Candy (t:54:21), Parker (t:54:24). 4 people observed.
“Hello, Mr. Kelly.” 54:19 · “Janet.” 54:20
54:37Model synopsis: A man in a dark suit walks into a doorway while two other figures stand nearby in a dimly lit interior. No dialogue or on-screen text is present in this beat.
3 people observed.
54:40Model synopsis: A man in a dark suit stands close to a woman in a light dress in a dimly lit interior; another man in a suit is visible in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
54:46Model synopsis: A man in a dark suit stands with his back to the camera, facing an open doorway in a room with two side tables and lamps. No dialogue or on-screen text is present in this beat.
1 person observed.
54:53Model synopsis: A man in a tuxedo stands close to a woman in an evening gown in a crowded room. No dialogue or on-screen text is present in this beat.
4 people observed.
55:01Model synopsis: A man in a tuxedo and a woman in a dark dress are dancing closely in a dimly lit room with other couples visible in the background. The transcript includes fragmented dialogue about a 'big marble' and someone 'rocking up'.
3 people observed.
“Dang.” 54:56 · “What happened to that big marble?” 54:58
Model synopsis: Two men in formal wear are in a dimly lit room; one demands five thousand dollars for papers. The transcript includes a demand for payment, a mention of 'Triton Hadney', and a request to see a child.
Named: Kenny (t:55:06), Triton Hadney (t:55:14). 2 people observed.
“You can't scam me, Kenny. It's five grand or no papers, and that's fine.” 55:06 · “Triton Hadney.” 55:14
Model synopsis: Two men in suits stand in a dimly lit room with others in the background; one man gestures while speaking. The scene appears to be an interior gathering or meeting, with no visible outdoor elements or time indicators.
4 people observed.
“Look at that.” 56:09 · “Right there.” 56:12
56:18Model synopsis: A single ornate key lies on a textured surface. No people, dialogue, or location context is visible in this beat.
56:24Model synopsis: Two men in tuxedos stand close, one gesturing while speaking; the setting appears to be an indoor formal event. No names, times, or specific objects are established beyond the attire and interaction.
2 people observed.
“Now, follow.” 56:21
56:30Model synopsis: A man in a dark suit stands near a counter in a dimly lit room with curtains and chairs. No dialogue or on-screen text is present in this beat.
3 people observed.
56:33Model synopsis: A man in a tuxedo stands in a doorway. The room contains a lamp and a side table.
1 person observed.
56:36Model synopsis: A man in a tuxedo stands in a dimly lit room with other formally dressed people in the background. No dialogue or on-screen text is present in this beat.
4 people observed.
Model synopsis: A man in a tuxedo reacts with surprise and then laughter while another man in a top hat walks away. The scene takes place indoors, likely in a private office or formal room, with visible furniture and lighting.
3 people observed.
“Wait a minute.” 56:50 · “Show me that.” 56:54
Model synopsis: A man in a tuxedo is shown alone and then in a group of men also in tuxedos; the transcript contains dialogue about boxing technique and a past fight. No names are spoken that can be assigned to the visible individuals.
4 people observed.
“I had a ringside seat and I saw every blow.” 56:59 · “They're cutting through a wide right.” 57:02
Model synopsis: A group of men in tuxedos are gathered in a dimly lit room, discussing a physical altercation involving punches and a knife. One man screams, and others react with urgency, demanding someone be brought forward or moved back.
Named: Johnny (t:57:24). 5 people observed.
“Tell me what happened. I never did find out.” 57:18 · “Oh, you threw a right, Johnny. No, no. He died it with a left. With a right. I'll show you.” 57:24
57:42Model synopsis: A man in dark clothing leans over another man in a light shirt who is slumped in a chair. The setting appears to be an interior room with plain walls and dim lighting.
2 people observed.
Model synopsis: A man in a tuxedo is held by others in a crowded interior while dialogue about scotch and care is exchanged. Another man in a suit gestures amid a group in the same space.
8 people observed.
“Away, that water!” 57:44 · “Quick, take a shot of scotch.” 57:54
58:10Model synopsis: A man in a dark suit and bow tie stands indoors, adjusting his cuff or wristwatch. The lighting casts a strong shadow on the wall behind him.
1 person observed.
58:16Model synopsis: A hand holds a check from The First National Savings Bank for five thousand dollars, signed by Abel Cunning. No people are named or visible beyond the hand, and no dialogue is present in this beat.
1 person observed.
58:24Model synopsis: A man in a tuxedo stands against a plain backdrop, holding an object in his hands. No dialogue or additional context is provided in this beat.
1 person observed.
Model synopsis: A man in a tuxedo speaks with a woman and then confronts another man in a formal interior. The transcript includes dialogue about a husband, a garden, and a character named Brayden, with one speaker instructing someone to watch Brayden and go to his apartment.
Named: Brayden (t:59:00). 3 people observed.
“You keep your eye on Brayden. Tell my aunt to let him out of here. I'm going to go to Brayden's apartment.” 59:00 · “Oh, yes, yes, yes. I was simply telling the girl... Excuse us, sir.” 58:53
59:09Model synopsis: A man in a tuxedo and a woman in a formal gown stand in a room with another man in a tuxedo facing away; a transcript line says 'Excuse me.' and another says 'by the end.'
3 people observed.
“Excuse me.” 59:09 · “by the end.” 59:10
59:28Model synopsis: A man in a tuxedo and a woman in a light dress converse in a dimly lit interior. The transcript mentions Johnny Cage, Mr. Kelly, and Mr. Bertrand, and includes dialogue about marriage, money, and someone having gone out looking.
Named: Johnny (t:59:26). 2 people observed.
“Your friend of Johnny Cage.” 59:13 · “You are the one. Johnny.” 59:26
59:56Model synopsis: A man in a suit is restrained by others in a crowded interior while shouting about being robbed and demanding to be let out; another person mentions Johnny wanting Mr. Borton and someone named Riley. The scene ends with a call for people to step up and stay quick.
4 people observed.
“I've been robbed.” 59:45 · “They can hide. Let me out of here. Let me out of here. I've been robbing it. Let me out of here.” 59:46
1:00:15Model synopsis: A dark, low-angle shot shows the roof of a car with several silhouetted figures standing behind it. No dialogue or on-screen text is present in this beat.
3 people observed.
1:00:28Model synopsis: A woman is shown holding a telephone receiver in a dimly lit interior. The transcript indicates she is calling police headquarters and asking to speak to Captain Hanlon, identifying herself as a friend of Johnny Cage.
Named: Johnny Cage (t:60:30). 1 person observed.
“Hello, police headquarters.” 60:22 · “And let me speak to Mr. Hanlon, please.” 60:24
1:00:43Model synopsis: A single dark frame shows a building facade at night with lit windows and a vehicle silhouette below. No people, dialogue, or on-screen text are visible.
1:00:57Model synopsis: A man stands in a dimly lit hallway with a staircase railing visible; the transcript mentions Alan and Tim Victor's joint team finding nothing. No names are assigned to visible persons as none are spoken in the lines.
1 person observed.
“Alan and Tim Victor's joint team couldn't find a thing.” 60:56
1:01:16Model synopsis: A man stands in a dimly lit interior near a door; dialogue suggests he is locating a closet. The scene is shot in black and white with high contrast lighting.
1 person observed.
“That must be the closet.” 61:09 · “You're right on the door.” 61:27
1:01:35Model synopsis: A dark, low-lit scene shows a vehicle interior with a figure visible inside. No dialogue or on-screen text is present in this beat.
1 person observed.
1:01:41Model synopsis: A man in a dark suit and hat stands in a doorway, looking off-camera. The setting appears to be an interior room with patterned wallpaper and wood paneling.
1 person observed.
1:01:44Model synopsis: A silhouetted figure in a hat is visible in a dimly lit interior space, holding an object near a shelf with bottles. No dialogue or on-screen text is present in this beat.
1 person observed.
1:01:53Model synopsis: A man in a suit and hat stands in a dimly lit interior hallway. No dialogue or on-screen text is present in this beat.
1 person observed.
1:02:02Model synopsis: A man in a top hat and dark coat stands in a doorway, holding a piece of paper and looking down at it. The scene is dimly lit with a single overhead light source.
1 person observed.
Model synopsis: Two men in formal attire and hats confront each other in an interior room; one threatens the other with a rod while speaking about burglary and being found dead. A third man is briefly visible as the confrontation escalates.
Named: Cavanaugh (t:62:19). 3 people observed.
“Wouldn't it be just too bad if you were found here stiff and cold, shocked while committing burglary?” 62:14 · “You haven't got drive enough to use that rod on me, Cavanaugh.” 62:19
1:02:30Model synopsis: Two men in dark suits and hats stand in a dimly lit interior while a third man in a top hat walks away in the background. No dialogue or on-screen text is present in this beat.
3 people observed.
1:02:34Model synopsis: A man in a dark coat and hat is bent over, examining something small in his hands. The setting is dimly lit with architectural arches visible in the background.
1 person observed.
Model synopsis: A person speaks off-screen, mistaking the location of a party. Two figures in dark clothing are visible in a dimly lit room with patterned wallpaper and a fireplace.
3 people observed.
Model synopsis: Two police officers confront a man in a top hat and tuxedo, who is being accused of an offense. The man attempts to deflect the arrest by requesting a phone call and mentioning sandwiches, while another man in a bowler hat observes.
Named: Johnny (t:63:06). 4 people observed.
“Oh, Marty.” 62:55 · “Everything all right, Johnny? Yeah.” 63:06
Model synopsis: A man in a police uniform and another man in a hat are seen in a room with a fireplace; the man in the hat is later restrained by police officers in a hallway. A man named Marty is addressed and told to leave, while another man named Johnny is ordered to open a door.
Named: Marty (t:63:36), Johnny (t:63:41). 5 people observed.
“Take good care, Mr. Canning.” 63:29 · “Let's get going. Come on, Marty. Gee, wait a minute.” 63:36
Model synopsis: A uniformed officer is seen speaking near a door while a struggle occurs inside a disheveled room. The transcript contains urgent commands to open a door and a complaint about being hit.
3 people observed.
“Come on, Johnny. Open that door.” 63:51 · “Open that door. You can't beat up my head, man.” 63:56
1:04:11Model synopsis: A uniformed officer is shown in a medium shot, reaching toward a door. A voice instructs someone named Charlie to lock the door.
Named: Charlie (t:64:10). 2 people observed.
1:04:24Model synopsis: A man in a police uniform stands indoors, speaking about locking a door and drinking. He mentions having a chest and finishing a cigar.
1 person observed.
“I'll lock this door and I'll drink it in.” 64:15 · “I have a chest.” 64:17
1:04:37Model synopsis: A hand holds open a small box displaying a ring. No dialogue or other context is provided in this beat.
1 person observed.
1:05:24Model synopsis: A man and a woman sit on a couch in a dimly lit room while another man stands nearby; dialogue suggests a discussion about money, a ring bought on installment, and an emotional exchange. No names are spoken that can be assigned to visible individuals.
Named: Johnny (t:64:41). 3 people observed.
“Johnny, you didn't use the money we'd saved.” 64:41 · “How did you get the ring?” 64:51
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 1128 segments kept, 397 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
Every free film of 1936 with a copy
By the average clip vector of the keyframes; a measurement, not a judgement
Secret Agent 
Disorder in the Court 
A Man Betrayed 
Things to Come 
Meet John Doe 
Road to Happiness 
Dressed to Kill