Shop
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks flagged: quote not verbatim. 4 quotes checked against the transcript; 5 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 3:36 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 5 · shots 14–16. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- shop (shop, interior) evidence: frame:2
- People
- woman wearing a hat and suit, seated visible, audible
- older man with white hair, wearing suit and tie, seated visible, audible
- older woman wearing hat and bow tie, seated visible
- man wearing apron, standing, balding visible
- audience members, mostly men in suits, seated visible
- Seen happening
- A man in an apron holds up a musical box. [frame:3]
- Also said
- “We'll give you two pounds for it. Who's starting with two pounds? How come, comrades and gentlemen? You know, from your enthusiasm, we might all be in Scotland instead of London.” 4:01 · “Besides, I don't like his manner.” 4:16
- Seen
- musical box, apron, hats, chandelier, candles
- Interpretation
- Model opinion, not evidence: mood: lighthearted and theatrical; themes: auction, social class, consumerism; style notes: medium and wide shots, high-contrast black-and-white lighting, staged crowd scene
A man in an apron presents a musical box to an audience in a crowded room; a woman asks her father to buy it for two pounds, but he refuses, citing dislike of the seller's manner. The auctioneer jokes about Scotland and the sound of the box.
“Now, ladies and gentlemen, comes the opportunity to purchase” 3:38 · “An exact duplicate of the beautiful little musical box just bought by this gentleman for the ridiculous low price of two pounds.” 3:43 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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