Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 4 names checked for a spoken or on-screen source; 0 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 47:57 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 72 · shots 321–323. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- (bedroom, interior) evidence: frame:1
- People
- woman, blonde, wearing a patterned dress with white collar and short sleeves visible, audible
- man, wearing a dark shirt and pants, standing on the left visible
- man, wearing a white tank top and pants, standing in the middle visible
- man, wearing a light shirt and pants, standing on the right visible
- Seen happening
- Woman enters the room and speaks to the men. [frame:1]
- Three men are standing together, facing the woman. [frame:2]
- Woman stands facing the men, speaking. [frame:3]
- Also said
- “I'd like to talk to Jack.” 48:05 · “Alone.” 48:07
- Seen
- wooden chair [frame:1], curtained window [frame:1], bed [frame:1], wardrobe or cabinet [frame:1]
- Interpretation
- Model opinion, not evidence: mood: tense; themes: confrontation, isolation, gender dynamics; style notes: medium shots, static framing, high-contrast lighting typical of 1930s film noir
A woman enters a room and speaks to three men, requesting to speak with someone named Jack alone. The men are standing together in what appears to be a modest interior space.
“Button in again, huh?” 48:01 · “Haven't you caused enough trouble for one day?” 48:03 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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