Vehicle interior
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 0 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 49:11 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: topic shift in dialogue. Sequence 74 · shots 328–328. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- vehicle_interior (vehicle interior, interior) evidence: frame:1
- People
- man wearing a hat, visible in driver's seat visible, audible
- woman wearing a hat, visible in passenger seat visible, audible
- Seen happening
- The man and woman are shown in close-up inside a car at night. [frame:1]
- Also said
- “Because you're trying to get away with murder.” 50:17 · “- Hi, Jack. Hi, Peggy. - Hi, Spade. You get some gas. I'm going over to the hardware store to see Mr. Heyman on some business. Back in a minute.” 50:37
- Seen
- car interior, hat (woman), hat (man)
- Interpretation
- Model opinion, not evidence: mood: tense and flirtatious; themes: suspicion, romantic tension, urban nightlife; style notes: close-up framing in vehicle, high-contrast lighting typical of 1930s noir
A man and a woman are in a vehicle at night, having a tense conversation about trust and intentions. The scene cuts to a gas station where characters greet each other and discuss fuel and business.
“I'm crazy about you. Ain't that enough?” 49:36 · “I don't know anything about you or who you are except your name.” 49:44 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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