Marihuana (1936)

No renewal found Free in the US since 1 January 1965, on the registry's reading: registration LP6382 of 1936 by Road Show Attractions, Inc was not renewed in the volumes searched. Record.

Copy: Marihuana-the_Devils_Weed on the Internet Archive; registered 1936
Read: 114 shots over 56:39 · 598 transcript lines · JSON
Record: Marihuana No renewal found
Picture: Wikimedia Commons, public domain
Wrong?: Report a problem

Check before citing the shot count. A 6:08 shot at 8:54 (shot 29): either a static hold or a run of missed cuts. Treat it as unverified.

How this page was made

114 shots over 56:39, read from the Internet Archive copy Marihuana-the_Devils_Weed (Marihuana.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Marihuana No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 114 shots judged colour), average shot 29.8s long, a frontal face detected in 27% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 598 segments kept, 306 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

0:29 Oh
0:48 I'm going to go.
1:03 I'm not sure what you're doing.
1:15 Oh
1:19 Come on.
1:24 Amen.
1:48 Come on.
3:02 Oh, Timmy, you don't love me. I'm awful.
3:06 for a long time.
3:09 Oh,
3:10 I know Sally, but I don't mind.
3:13 And the old parents knew what their kids were doing even though.
3:17 If my mother and dad would come to places like this, I wouldn't be here now.
3:47 Oh, my God.
4:25 It's awfully good of you to say that, Morgan. All right.
4:30 Oh, here's the name now. Thank you, Mr. Robertson.
4:35 Hallelujah.
4:35 Hello, Morgan. I've got my thing.
4:37 All right.
4:38 Good night, Mother.

578 more segments

4:39 Morgan and I will be running along now.
4:41 to be loved.
4:42 No, I won't.
4:43 Your sister will be home early.
4:45 Where is Burma tonight?
4:47 She went over to her friend Jones to do homework. That's good.
4:50 Now, don't worry about Burma.
4:52 I know she's high-spirited.
4:54 And you know Morgan's family.
4:56 I understand.
4:57 And Verma is just as anxious to see you safely married as I am.
5:01 I'm sure she is.
5:02 Ready, dear?
5:03 Right on. You all go along. I won't be lonely.
5:06 I'll be working on your truth, though. Good night. Good night.
5:29 What are you laughing at, Grimmer? Oh, I'm enjoying the halls of higher learning, Joanne. Ah, this is just the beginning. Soon I'll be working, and then we'll go to the high rolling places.
5:44 So you consider me one of the nation's missies? Oh, you'll have your big moments.
5:48 Wait till Dick makes his million. Then your mother won't care if you go out with him. Well, you can't blame her. She knows that you can't even make love on him.
5:56 Don't worry, Dick. You can always look forward to an old-age pantry.
6:20 Did he hear?
6:21 Yeah, over there. At the end of the bar.
6:58 Oh, my.
7:04 Oh, my God.
7:12 Oh, boy.
7:12 Come on.
7:15 What a bum.
7:24 Some of these kids are burning it up.
7:26 But that doesn't make them.
7:33 There you are.
7:36 Say, Billy, you promised me more than two beers tonight.
7:41 Well, I didn't expect to spend all my money in one place.
7:45 I'm not going to be a good one.
7:50 Two beers.
7:51 Well, the lady was...
7:53 Yes, sir.
7:54 I bet you can't put this on your head. But I can't. Oh, no, you can't. Oh, yes, I can. Well, all right.
8:04 Well, you better help, honey. Well, up! Bend high and lay low. Hold my hand. I'm gonna get my hand.
8:16 Ha!
8:17 Oh, oh.
8:19 Oh, my God.
8:31 You want to watch out for that Amherst antique?
8:35 Why don't you...
8:36 Sit at our table.
8:46 I'd go out of my way to be with so much use and beauty.
8:52 Drake's here.
8:53 So maybe cocktails for the ladies?
8:59 Oh, my God.
9:04 Oh, my God.
9:10 Oh, my God.
9:16 Ha!
9:17 Oh, oh.
9:19 I'm not.
9:20 Excuse me a moment.
9:24 Oh, yeah.
9:25 Hold on.
9:27 I'm not.
9:33 Ha!
9:35 Hold on.
9:37 I don't know.
9:44 Oh, ho.
9:48 What's up?
9:52 May I throw over you pretty much?
9:53 My troubles are not matches. Oh, well.
10:00 Ha!
10:08 - Yeah.
10:09 Oh, my God.
10:12 laughter laughter
10:18 Oh, my God.
10:23 What are you?
10:26 Oh,
10:29 The first thing we got onto was a nice slippery rock. So we were talking about right down the hill. Head over heels against it.
10:37 And-- I'm going to say what I want to discuss.
10:39 Flag.
10:40 Well, I gotta go.
10:42 No, I mean hope.
10:56 That puppy over there gives me an idea. Yeah.
10:59 What do you say we have a weenie rose next Saturday? Yeah, but where?
11:03 We can get the weenie. And if we can get the beer. Why not try my beef plate, Susan?
11:08 a stock of plenty of boats.
11:10 Hola.
11:11 What would the tariff be if we so decided?
11:14 Well, you'd be my guest, of course. Say, uh, next Saturday night?
11:19 Well, that's certainly nice, eh, pal?
11:21 As one gentleman to another, that's worse.
11:28 *whistling*
11:42 I'm sorry.
11:44 Stop that, Jeff. I'm not doing anything. You like music, don't you? Yes, but you were tickling my knee. Oh, there's nothing wrong with that, is there?
11:52 I mean...
11:55 Haven't you got a little lovin' for a poor fella? You won't always be poor.
11:59 Now you're talking.
12:01 I know, but you won't always be poor.
12:04 Gee, I'm glad you feel that way.
12:25 Sick job. But I'm not doing anything. Well, if a couple of drinks are going to make you answer the call in a while, I won't go with you anymore. You're stopping me in my favorite sense.
12:34 You're my girlfriend, aren't you?
12:36 Yes.
12:41 But no honeymooning until after we're married.
12:45 Come on.
12:48 Go ahead.
12:50 Yes.
12:50 Come on.
12:52 Come here.
12:53 Go!
12:56 You can come. Come.
12:59 Oh, come on back, honey.
13:12 I'm going to go.
13:18 Come on.
13:24 Oh, my God.
13:35 I'll teach you how it feels to go home alone. I'll teach her a lesson. I'll just let her walk home.
14:12 Oh, my God.
14:27 Come on.
14:34 Come on.
14:36 Come on.
14:37 Come on.
14:39 Are you over your savage peas, honey?
15:06 Yeah.
15:20 Quite late, isn't it, dear?
15:21 Maybe.
15:27 Thank you, Mother.
15:28 Yes, yes.
15:29 All the other girls have evening gowns.
15:30 Why can't I have one?
15:32 Why, dear?
15:33 I want one for Saturday night.
15:35 An evening girl.
15:37 Don't be scared.
15:38 - Yeah, maybe.
15:39 Oh, I never have anything.
15:41 I'll fix over that blue seal dress if Elaine's for you.
15:43 He never wears it anymore.
15:45 It will look real pretty on you. Everything I have is Elaine's.
15:48 Why can't I have something new of my very own?
15:51 You know Burma.
15:52 We must sacrifice a little for your name.
15:55 After she's married, your phone will come.
15:58 Good night.
16:00 Did you get all the homework down?
16:04 Did you get all your lessons tonight?
16:07 Yes, all of them.
16:09 That's what Joanne always says. Well, I never know what to say when the teacher asks me. Hey, don't forget we're going to the beach tonight.
16:18 I don't think I should, Dick.
16:20 That homework alibi is wearing thin.
16:22 Well, you got by with it the other night, didn't you?
16:25 And besides, that fellow Tony seems like a pretty grand person to know.
16:28 They won't miss you as long as your sister is around.
16:32 Well, what kind of strategy would you suggest to springing through the interference? Leave it to Joanne again. She'll turn you out a healthy alibi.
16:39 OK by me.
16:40 So long. So long.
16:43 Come on.
17:03 Oh.
17:04 Step up and take your choice. They're all alike.
17:10 I'm not sure.
17:14 Where's my dream?
17:18 Where is my dream?
17:21 Coming right up. I hope not.
17:31 Oh, my God.
17:40 I have a
17:49 Yeah.
17:54 Oh, my God.
18:00 I will, huh?
18:03 - All right.
18:09 I don't know.
18:12 I know where I live. Where's my life? I know where I live.
18:24 I'm sorry.
18:28 I
18:31 I'm going to go.
18:44 Hey, what is this? A arsenal?
18:47 - Pessant, your minister will round me a shot.
18:50 Shotguns.
18:52 - Married with that gun wouldn't be legal. - Why not? - It doesn't load.
18:57 Who said it wasn't loaded?
18:59 This is going to be a...
19:00 Slippery drink for sliding girls.
19:10 Good.
19:12 No!
19:13 Oh, my God.
19:24 Is there anything here I haven't tried yet?
19:28 The funniest cigarette I ever saw.
19:38 The finest cigarettes I ever tasted. Here, Burma, try one of these on your algebra. What are they? I don't know.
19:45 We try Tony's giggle water, let's try his giggle weave.
19:56 I'm sorry.
20:06 Oh.
20:10 I'm not.
20:25 You're acting like a person.
20:29 Oh, Burma, don't be silly. You're the one that's silly, because you're not silly.
20:35 There's got a laugh left in your life.
20:38 Romeo, Romeo, where the poor arts are Romeo?
20:42 One hot lover coming right on. One right piece coming right down.
20:50 Oh, for a worm's eye view of that.
20:55 How do you know this little valley knight?
21:10 Eh?
21:15 *laughter*
21:28 Oh, my God.
21:35 I'm not.
21:42 Where's Joanne?
21:44 *laughs*
21:44 She is worthy.
21:56 What a dress.
21:58 Oh, my God.
22:02 I'm sorry.
22:04 Oh, my God.
22:08 He's swimming. Oh, I've always wanted to go swimming in the moonlight. Let's go. What are we going to do for bathing suits? Well, we won't wear any. What, no bathing suits? No bathing suits. Wait.
22:26 I'm sorry.
22:30 Look.
22:34 I'm not.
22:58 Come on, you'd better ease up a little bit.
23:00 What's wrong? Come on, I'll take you out on the beach and you can crew on. Oh, that's a good idea. There's too many people around. What? There's too many people looking at it.
23:12 I'm
23:41 Oh, my God.
23:50 Oh, I love you.
23:53 Oh, my God.
23:59 Oh, my God.
24:03 I
24:07 Come on!
24:12 *Screaming*
24:32 Oh, where are the girls?
24:50 - Say it, pal. - Oh, boy. Too busy. I'm gonna fill leaves up. - Easy. - Oh, my boy, yeah. - Ah! - Ah! - Ah! - Ah! - Oh, my goodness. Look what we're missing. - Oh, yeah.
25:05 right out here.
25:22 This bunch...
25:23 Sure uses up the joy wheat.
25:25 Don't they?
25:27 Well, that's one way of creating business.
25:31 When they're that age, they're not suspicious.
25:33 And easily hooked.
25:39 Oh, Dick, I love you.
25:42 Will you always be crazy about me? Why, of course I will, Burma. You know that.
25:49 Promise me. Promise me.
25:51 quite sure.
25:52 You know I love you, honey.
26:02 You do love me, don't you? Of course I do. Burma, you know that.
26:08 Now, come on.
26:09 Come on, let's get back inside.
26:20 Hey, what's going on here?
26:26 Where's Joanne?
26:28 Joanne, why are you? I haven't seen her.
26:31 Why, the last I saw of her, she was going to swim out a ways.
26:41 Your hand.
26:42 Go on!
27:04 *Burps*
27:08 You kids are in a mess.
27:10 This is what you've got to do.
27:14 Under no circumstances are you to say you were in this house.
27:17 The police will pass an innocent Winnie roast on the beach.
27:20 But should they know of your actions here, that there's been a drinking party...
27:24 Nude bathing.
27:26 An investigation will surely take place.
27:29 And that will mean you're becoming lords of the juvenile court.
27:53 But it's always been that way, Mother. And I had no idea that she even mixed with such a crowd.
27:58 Burma!
28:02 Yes, I do.
28:03 You might have at least considered me, Verna. You know what this will mean to Morgan's family. Oh, sure. It's always you who's to be considered. My dear.
28:10 And how do you suppose I feel about Joanne?
28:12 Oh, my dear.
28:14 If it wasn't that Elaine gets all the sympathy and attention around this place, maybe I wouldn't have to go to beer halls and beach parties.
28:19 Maybe I wouldn't have even gotten into this trouble.
28:21 All I ever hear around this place is Elaine, Elaine, Elaine. Perhaps there's some way we can still keep Irma's name out of this affair. Oh, you keep quiet. Quiet.
28:28 There must be some way we can keep her name out of us. I'll sacrifice everything. Every penny is necessary to protect our name.
28:34 To keep you and Morgan from being broken up.
28:36 It's Elaine again.
28:38 I was sorry at first when I caused you this trouble, but now I don't care.
28:41 Use your little money and keep my name out of the beach drowning, and by all means marry Elaine off.
28:45 You don't ever have to do anything more for me, either of you.
29:18 Grrrr!
29:20 *Crickets*
29:24 Earth.
29:32 I just had to see you.
29:33 These last two months since the action have been unbearable. Nothing but quarrels with mother and Elaine.
29:38 I've made up my mind I won't live with them anymore.
29:40 Dick, we've just got to get married. Gee, Berman, you know how much I care for you, but I haven't any job.
29:46 I couldn't support you. You can find work, Dick. Take anything. No, no, no, no. It's no use to even talk about it. Not until I can offer you some sort of security.
29:54 I didn't want to tell you, Dick. But there's another reason.
29:59 Now I know something else.
30:05 You must marry me.
30:10 Don't you worry, kid.
30:12 I'll not let you down.
30:14 We'll get married.
30:16 I'll do anything.
30:18 I'll see Tony.
30:19 He'll make me alone.
30:21 Or give me a job.
30:40 Go ahead, I'm talking.
30:41 What difference does it make?
30:56 Here? Did you speak to him for me? Yes, sure, go ahead.
30:59 You talk to me.
31:01 So long, Kate.
31:02 How did you say you?
31:15 What's on your mind, kid?
31:18 It was your beach party.
31:19 All right.
31:20 I got Burma in trouble.
31:22 I want to marry her, but I haven't any money.
31:24 Having a job. That's why I came to see you.
31:28 I've got to marry her.
31:29 So I'm elected to be the best man at your wedding. Well, the kids didn't talk. It was all quieted down, all except Burma.
31:34 I gotta marry her.
31:37 I'm unable to spare any cash right now, but I might be able to put you in a way of making a little money for yourself. Tell me. I'll do anything. Of course you will.
31:44 Got to be a little careful.
31:46 Sit down.
31:47 I don't tell you about it.
31:51 I'm going to go.
32:01 I'm not.
32:02 If anybody says anything, leave it to me.
32:05 We are carrying tea, that's all. Just tea.
32:26 I'm going to go.
32:30 I'm going to go.
32:43 The
32:57 Good luck.
32:59 Uh...
33:03 I
33:03 I'm going to go.
33:15 Yes, please.
33:25 Okay.
33:55 I'm going to go.
33:59 I'm going to go.
34:05 I'm sorry.
34:13 I'm going to go.
34:48 *Loud sound*
34:57 What are you going to do about Dick?
34:59 Direct.
34:59 He's being killed.
35:01 I don't know what you're talking about. Oh, yes, you do.
35:04 You knew it before I read it in the papers.
35:06 He came to you for a job.
35:09 I'm sure I can't tell you anything. You can tell me or explain it to the police.
35:14 I take it I'm being threatened?
35:17 You're not going to smile your way out of his head.
35:19 You got out of it when Joanne was drowned. But I'm not keeping quiet about this. All right.
35:25 Go ahead and talk.
35:26 Your name wasn't mentioned in that peach affair, but of course.
35:29 If you want the newspapers to bring in the both of them,
35:32 I don't care. I don't care who's brought in now.
35:35 Dick's dead.
35:36 and nothing else matters.
35:38 In your grand and generous way, you took in a bunch of dumb kids and one of them was drowned.
35:43 And yesterday when Dick came to you, you sent him out to be killed.
35:46 Tony, I'm going to tell the police no matter what happens.
35:50 Listen, you little fool.
35:52 You don't care about yourself, do you?
35:54 But while I'm rotting in jail, what are you going to do about your baby?
36:03 Open that door.
36:05 I suppose it's going to be just a sweet little love child, won't it?
36:09 And you give birth to it.
36:11 in your mother's
36:12 Or your sister's, Mrs. Morgan Stewart's home.
36:41 for
36:55 Try it.
36:57 It'll quiet your nerves.
37:19 This is the point.
37:21 Right now, you're in an unpleasant situation.
37:24 And I'm the fellow who can help you out.
37:27 I know how you feel.
37:29 And I'm going to send you away to have your babies.
37:35 Yeah.
37:47 See you later.
37:49 We never gave her this sympathy.
37:51 and understand if he wants it.
37:54 Enough.
37:58 I never realized, Mother.
38:00 I'll do everything I can to find her.
38:03 and bring her home.
38:05 - Yeah.
38:19 Well, dear, we'll be leaving in a few minutes.
38:21 Morgan, there's only one thing that marks my perfect happiness. We mustn't let anything spoil our honeymoon. And when we get back, I'm going to do everything to help you find Burm.
38:31 All right.
38:33 I'm going to go.
38:45 Hey.
38:47 Bring it along. OK.
38:58 Hello, Verma.
38:59 See, but I'm glad to see you. You're certainly looking fine.
39:04 How do you feel now?
39:05 Strong?
39:06 Well?
39:07 Oh, I guess I'm all right now.
39:09 Soon I'll be able to leave here with my baby.
39:12 You know, Burma,
39:14 I don't think you should.
39:15 I shouldn't what? Well...
39:17 You become attached to it. Sure.
39:19 You've got to think of your future, Burma.
39:22 And it's not what he's doing, sir.
39:24 That is, that is...
39:26 Well, the kid to take care of...
39:28 But my baby must have a home.
39:30 Exactly. And very often, wealthy families are willing to adopt a baby like yours.
39:35 Give it a fine home.
39:36 Education.
39:37 and all the opportunities in life that you would never be able to.
39:41 As a matter of fact,
39:42 Tony just learned of a responsible couple who is willing to take your baby.
39:47 But I want to keep... Would that be quite fair to the child?
39:50 You have to think of yourself, Derma. You've just to make something of yourself.
39:54 And get you share of me for life.
39:56 You're smart.
39:58 Good looking.
39:59 And if you listen...
40:00 me.
40:00 You're going to make a lot...
40:02 - Of money. - Sure.
40:11 Yes.
40:13 - Ah.
40:14 It's delicious.
40:16 And I love it.
40:21 I'm glad of that, Burma.
40:23 *sad*
40:27 You're always going to have champagne.
40:32 And you're going to have plenty.
40:35 You're right.
40:36 I was born for the good things just as well as that sister of mine.
40:42 Take it from me, Tony.
40:43 I'm gonna get enough money to make that sister of mine look like a piker.
40:48 Can I take it?
40:50 Amen.
40:51 You're doing all right.
40:53 Blondie?
40:56 The way your marijuana customers are hooked on the stronger stuff, uh...
41:00 Like H and C's.
41:02 You'll soon be ice queen
41:04 Of the snow pit.
41:09 Blondie.
41:36 Oh, yeah.
41:38 I'm going to go.
42:25 Oh, well, I don't know. Oh, well, I didn't.
42:27 Oh, where is it?
42:30 money.
42:34 All of it.
42:35 Except five dollars.
42:37 Hide your low short five dollars, you can do without your heroin.
42:40 But that's all I could get.
42:43 You can't leave me like this.
42:45 And I came all this way. You know the door is a door.
42:49 Stop with that.
42:50 I'll never have to do without it much longer. Oh, don't you see my husband? He will discover everything. Why don't you make another connection?
43:02 If you really want her, I might accept that ring for $5.
43:05 What was my engagement ring? You want this package enough?
43:24 I'm the doll that should be supporting the Rocks.
43:35 Oh.
43:37 like it.
43:58 Oh!
43:58 Gloria.
44:00 I hear.
44:01 You don't mind a little bump, do you? There you go. There you go.
44:06 right.
44:14 You're doing all right, ain't it?
44:16 I'll say she's the queen of the snow petals.
44:24 Listen, you guys.
44:25 Have I got a $50,000 idea?
44:28 Hey, Tony, get in all these.
44:31 Wait.
44:33 I gotta take a pop on this.
44:37 Yeah.
44:38 Take another shot and it'll be a hundred thousand dollar idea.
44:43 What is it?
44:46 I'm making a connection.
44:49 And who do you suppose I see but my charming sister?
44:52 Mrs. Morgan Stewart, no less.
44:55 Not only that, but what if she and her wealthy husband got but a kid?
45:05 Does that give you an idea?
45:07 more.
45:13 Get it?
45:14 Whatever that
45:17 You mean that... That's just what I mean.
45:20 When we snatch the kid, Elaine will suffer the torments of hell.
45:25 Then after they dig up to get the kid back,
45:28 We're in the 50 grand that the Morgan Stewart's are out.
45:35 But Blondie.
45:36 You know what a wrap is for a snatch job?
45:39 That's the beauty of it.
45:41 There won't be any rap.
45:44 Could a well-known society dame tell the world it's her own sister who stole her kid?
46:31 Come on, you little bat. Drink this.
46:33 Oh, don't make her cry, Blondie.
46:42 Too stubborn, even bald.
46:46 Gee how that little beast reminds me of my sister.
46:50 Sure has a lot of it.
46:52 He has a bet.
46:58 just like me when I was a kid.
47:02 Lonely.
47:05 We're making contact in a half an hour. Yeah, and you better get started, too.
47:11 Now,
47:12 Now you're going to bring this for Nicky, eh?
47:15 Oh, come on. Ellen...
47:18 Why haven't you been wearing your ring lately?
47:21 Oh my ring, yes.
47:24 I hated to tell you.
47:26 Tell me.
47:27 Tell me what?
47:28 Someone snatched it.
47:30 I don't remember. It was one day when I was taking a nap.
47:35 It couldn't have been one of our friends.
47:38 That blonde woman who visits you sometimes.
47:42 Was she here?
47:47 Don't ask me.
47:48 I don't want to talk about it. That's terribly absurd. What? What?
48:19 I'm going to go.
48:27 I
48:42 I
48:55 Lawrence.
48:55 You better take Dean.
48:57 Ride out and see if he can locate Blondie.
49:02 What the...
49:04 Grab it.
49:05 And this.
49:07 Night, pussy.
49:08 Dad's hard.
49:09 Of course he is.
49:13 And what's this now?
49:15 - Yes.
49:16 Right.
49:18 Nice forfitted.
49:20 Show me some more.
49:21 but they have to
49:31 The kitty.
49:32 Let me see. Must be some place around here.
49:36 Ah, here I come.
49:37 Meow.
49:40 - Ready.
49:41 Nice.
49:42 You do.
49:44 - Well.
49:45 Tails.
49:46 Well...
49:47 Where is the kid's tail? Let me see.
50:00 Yes.
50:01 Where's my mother?
50:05 Listen, sugar.
50:09 Is that my mother?
50:11 We are... Susan.
50:13 I see it very much, Ma.
50:14 So close your eyes and keep quiet.
50:17 Remember.
50:18 He might be a bad man.
50:50 All right.
50:57 Perfect.
51:05 Who's the other guy?
51:07 Oh, you won't talk, eh?
51:09 You can do.
51:10 Wow.
51:12 I'm sorry.
51:20 I'm going to go.
51:30 I
51:42 Look at that.
51:43 What a spook.
51:46 We come up here to get a ring and run into a load of dope.
52:00 Look!
52:03 Stuart Child.
52:33 *pain*
52:52 Is that you, Mr. Stewart?
52:55 Why, yes.
53:03 Does that satisfy you?
53:06 Yes.
53:09 Give me the $50,000 and your child will be home in an hour.
53:20 I'm not going to pay any rent.
53:24 We'll take the baby back with a promise not to cause you anything.
53:28 You see,
53:29 The child isn't really ours.
53:31 What do you mean?
53:32 Born to my wife.
53:34 Three years ago when she disappeared.
53:38 wife.
53:38 Sister?
53:39 Yes.
53:40 We adopted
53:41 out of tenement for her.
53:46 Your child will be back.
54:32 Good.
54:34 What?
54:35 Why, you. You are right.
54:38 They are not from the fire department.
54:44 I'm going to go.
54:46 If you listen to me, you're going to make a lot of money.
54:50 That's right, Burma.
54:56 Tony just learned.
54:58 a responsible couple
54:59 It's willing to adopt your baby.
55:02 My baby, what?
55:04 But I want to keep my baby.
55:11 Elaine again.
55:23 I'll be there, Elin.
55:24 to face the game.

Also from 1936

The Dark Hour 1936

Secret Agent 1936

Disorder in the Court 1936

A Man Betrayed 1936

Every free film of 1936 with a copy

Similar frames

Lady Confesses 1945

They Made Me a Criminal 1939

Secret Agent 1936

By the average clip vector of the keyframes; a measurement, not a judgement