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Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 3 quotes checked against the transcript; 3 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 44:14 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 66 · shots 300–302. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- other (other)
- People
- Tommy (named at t:44:15): man with dark hair, visible from chest up, wearing no shirt, in water visible, audible
- woman with dark hair, visible from shoulders up, in water, mouth open as if speaking or shouting visible, audible
- child with dark hair, mostly submerged, back visible in frame 3 visible, mentioned
- Seen happening
- Three people are in turbulent water, with one man looking alarmed and a woman shouting. [frame:1]
- The woman is shouting with her mouth open while the man looks at her; the child is between them. [frame:2]
- The man reaches out toward the child in the water. [frame:3]
- Also said
- “Hold on, will ya? I'm gonna take a try. Take it easy, kid. Take it easy.” 44:20
- Seen
- water, water, water
- Interpretation
- Model opinion, not evidence: mood: tense and urgent; themes: struggle, rescue attempt, child in danger; style notes: close-up shots in black and white, high contrast lighting on water and faces, tight framing to emphasize struggle
Three people are in turbulent water; one speaks to a child named Tommy while another attempts an action. The scene is shot in black and white with close framing on the individuals in the water.
“I couldn't hold it by the way. It's all right, Tommy.” 44:15 · “I think it's going down. There.” 44:17 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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