Sagebrush Trail (1933)
No renewal found Free in the US since 1 January 1962, on the registry's reading: registration LP4406 of 1933 by Monogram Pictures Corp was not renewed in the volumes searched. Record.
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- SagebrushTrail on the Internet Archive; released 1933
- Read
- 314 shots over 53:28 · 180 beats in 122 sequences · 509 transcript lines · JSON
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- Sagebrush Trail No renewal found
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- Wikimedia Commons, public domain
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Check before citing the shot count. A 2:10 shot at 19:06 (shot 92): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made
314 shots over 53:28, read from the Internet Archive copy SagebrushTrail (SagebrushTrail.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Sagebrush Trail No renewal found. JSON
Measurements: black-and-white film on its keyframes (0 of 314 shots judged colour), average shot 10.2s long, a frontal face detected in 18% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.
Released 1933 (Internet Archive).
180 beats in 122 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 180 of 180 beats annotated, 178 passed the checks, 2 flagged.
Beats
Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.
1:211 of 1 shots sampled
Model synopsis: A man in a white shirt and cap stands outside a building labeled 'CAFE', holding a cloth near a box. A train is visible on tracks in the background.
- man stands holding a cloth near a box [frame:1]
1 person observed.
Evidence, details and a link to share
1:291 of 1 shots sampled
Model synopsis: A steam locomotive is shown on railway tracks in a foggy or dusty environment. No people or dialogue are visible or audible in this beat.
- A steam locomotive is stationary on railway tracks. [frame:1]
Evidence, details and a link to share
1:421 of 1 shots sampled
1:561 of 1 shots sampled
Model synopsis: A single frame shows a large cylindrical object secured on a wooden structure. No people, dialogue, or clear location context are visible.
Evidence, details and a link to share
2:021 of 1 shots sampled
Model synopsis: A man in dark clothing leans forward over a patterned surface, visible in a single frame. No spoken dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
2:101 of 1 shots sampled
Model synopsis: A man stands beside a freight train car while another walks along the tracks. The train cars are marked with 'SP' and numbers.
- A man stands beside a freight car holding a rifle. [frame:1]
- Another man walks along the train tracks. [frame:1]
2 people observed.
Evidence, details and a link to share
Model synopsis: A man in dark clothing is seen in various outdoor locations including near horses and a freight car. He moves from a crouched position to standing and gesturing, while dialogue indicates he is about to leave.
- man crouches and looks forward [frame:1]
- horses stand tethered outside a building [frame:2]
- man stands with arms outstretched inside a building [frame:3]
- 1 more under Evidence and details.
1 person observed.
“I'm going to go to the next one.” 2:17 · “I'm going to go.” 2:27
Evidence, details and a link to share
Model synopsis: Two riders on horseback move across an open, dusty landscape with hills in the background; one rider is later seen alone on a ridge. A voice says they are going and expresses uncertainty about the other's actions.
- Two people ride horses across a dusty field. [frame:1]
- One rider gallops alone across the field. [frame:2]
- Two riders ride side by side. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“I'm going to go.” 3:12 · “I'm not sure what you're doing.” 3:27
Evidence, details and a link to share
3:471 of 1 shots sampled
Model synopsis: A lone figure is seen moving up a steep, brush-covered slope. The shot is distant and the terrain appears rugged and open.
- a figure moves up a steep, brush-covered slope [frame:1]
1 person observed.
Evidence, details and a link to share
3:591 of 1 shots sampled
Model synopsis: A lone rider on horseback moves across an open, brushy landscape with hills in the background. No dialogue or on-screen text is present in this beat.
- a rider on horseback moves across a field [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A person rides a horse across open terrain and then dismounts near water. The rider speaks of leaving, indicating departure.
- Person rides horse across open ground [frame:1]
- Person dismounts near water with horse [frame:2]
1 person observed.
“I'm going to go.” 4:05
Evidence, details and a link to share
4:131 of 1 shots sampled
Model synopsis: A man crouches on a rocky slope beside a horse, holding a rifle. The scene is outdoors in daylight, with trees and uneven ground visible.
- A man crouches on a rocky slope holding a rifle. [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A person in a cowboy hat and dark clothing is seen near a horse beside a body of water, then departs on horseback, kicking up dust. The transcript repeats the line 'I'm going to go' at four points during this sequence.
- A person stands beside a horse near a riverbank. [frame:1]
- The person mounts the horse. [frame:2]
- The riverbank is empty again. [frame:3]
- 1 more under Evidence and details.
1 person observed.
“I'm going to go.” 4:15 · “I'm going to go.” 4:19
Evidence, details and a link to share
Model synopsis: A person is seen partially hidden in brush, then a body of water with disturbance, and finally a dim interior with a figure behind a post. The transcript includes repeated statements of intent to leave and an exclamation of alarm.
- A person is partially visible among brush. [frame:1]
- A body of water shows disturbance, possibly from a swimmer or object. [frame:2]
- A figure is seen behind a post in a dimly lit interior space. [frame:3]
2 people observed.
“I'm going to go.” 4:37 · “I'm going to go.” 4:43
Evidence, details and a link to share
5:351 of 1 shots sampled
Model synopsis: A person is visible in a dimly lit interior, leaning forward over an object. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
5:391 of 1 shots sampled
Model synopsis: A man in a cowboy hat is partially hidden among bushes. No dialogue or on-screen text is present in this beat.
- man in cowboy hat peers through brush [frame:1]
1 person observed.
Evidence, details and a link to share
5:431 of 1 shots sampled
Model synopsis: Two men stand beside horses in an outdoor setting; one man adjusts a saddle while the other stands nearby. The scene is shot in black and white with high-contrast lighting.
- A man adjusts a saddle on a horse while another man stands beside him. [frame:1]
2 people observed.
Evidence, details and a link to share
5:471 of 1 shots sampled
Model synopsis: A single frame shows a dark, textured surface with small light specks, possibly water or a rough ground. No people, objects, or text are visible, and no events occur.
Evidence, details and a link to share
Model synopsis: A man in Western attire stands near horses while another man gestures toward a river; a separate shot shows a man's face in shadow. The transcript includes fragmented dialogue about uncertainty and movement.
- A man stands near horses on a dirt path. [frame:1]
- A man's face is shown in shadow, possibly hanging or suspended. [frame:2]
- Two men stand near a river, one pointing toward it. [frame:3]
3 people observed.
“What's that?” 5:49 · “I'm going to go to the next one.” 5:53
Evidence, details and a link to share
Model synopsis: A person falls into water with a splash, then two men in cowboy attire stand near a body of water, and a third man in a cowboy hat crouches in tall grass. One speaker says the fall 'got him' and suggests gathering others to drag the lake.
- A person hits the water, causing a large splash. [frame:1]
- Two men in cowboy attire stand near the water’s edge. [frame:2]
- A man in a cowboy hat crouches in tall grass. [frame:3]
4 people observed.
“That got him.” 6:26 · “Let's go get some of the boys and drag the lake.” 6:29
Evidence, details and a link to share
6:371 of 1 shots sampled
Model synopsis: A person on horseback moves through tall grass with trees in the background. No dialogue or on-screen text is present in this beat.
- A person rides a horse through tall grass. [frame:1]
1 person observed.
Evidence, details and a link to share
6:471 of 1 shots sampled
6:551 of 1 shots sampled
Model synopsis: A man in a hat and vest stands near a horse in a wooded area. The scene is outdoors and appears to be during the day.
- A man stands near a horse in a wooded area. [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: Two men interact near a river; one helps the other out of the water, and they speak. One man is asked for his name, and 'Smith' is suggested as a common alias for travelers.
- A man in a cowboy hat stands on a riverbank while another man is in the water. [frame:1]
- The man on the bank pulls the wet man out of the river. [frame:2]
- The two men stand face to face on the riverbank. [frame:3]
- 1 more under Evidence and details.
Named: Smith (t:7:31). 2 people observed.
“Well?” 7:07 · “I guess you got me.” 7:09
Evidence, details and a link to share
8:361 of 1 shots sampled
10:061 of 1 shots sampled
11:011 of 1 shots sampled
11:161 of 1 shots sampled
Model synopsis: A man in a cowboy hat is involved in a physical altercation inside a dimly lit room with wooden furniture; another man in a plaid shirt watches as someone is restrained. Spoken lines indicate urgency and direction during the struggle.
- A man in a cowboy hat grabs another man who is bent over. [frame:1]
- The man in the cowboy hat swings at the bent-over man while the man in plaid watches. [frame:2]
- The man in the cowboy hat stands upright, holding his side, as the man in plaid looks on. [frame:3]
4 people observed.
“I'm going to go.” 11:22 · “I can't do this, get off of that.” 11:31
Flagged: quote not verbatim (Get her, Danny. I got her.)
Evidence, details and a link to share
Model synopsis: Two men sit in an office with their feet up on a desk while a wanted poster for a stagecoach robber is shown. The transcript mentions a $1,000 reward for John Brandt, who escaped prison and is thought to have headed west.
- Two men sit with feet on a desk in an office. [frame:1]
- A wanted poster for Joseph Conlon is displayed. [frame:2]
Named: Joseph Conlon (frame:2). 3 people observed.
“I'm sorry.” 11:51 · “$1,000 reward will be paid for information” 12:29
Evidence, details and a link to share
13:171 of 1 shots sampled
13:491 of 1 shots sampled
14:421 of 1 shots sampled
15:161 of 1 shots sampled
15:271 of 1 shots sampled
Model synopsis: A man in a dark coat walks through a cluttered shop with shelves of bottles and stacked goods. The scene is lit by interior lighting and shows no visible windows or time indicators.
- man walks through shop aisle [frame:1]
1 person observed.
Evidence, details and a link to share
15:291 of 1 shots sampled
Model synopsis: A person stands behind a counter in a shop with shelves of bottles visible. The scene is lit by studio lighting and shot in black and white.
1 person observed.
Evidence, details and a link to share
15:311 of 1 shots sampled
Model synopsis: A man stands inside a store with shelves of bottles and jars behind him. The scene is lit with studio lighting and shows no exterior view or time indicator.
1 person observed.
Evidence, details and a link to share
15:441 of 1 shots sampled
16:001 of 1 shots sampled
16:091 of 1 shots sampled
16:541 of 1 shots sampled
Model synopsis: Two men stand inside a store; one wears a cowboy hat and vest, the other a dark hat and coat, holding a bundle. No dialogue is present in this beat.
2 people observed.
Evidence, details and a link to share
17:031 of 1 shots sampled
Model synopsis: Two men in cowboy hats face each other in a shop with shelves of bottles behind them. One man says 'Hey.'
- Two men in cowboy hats stand facing each other in a shop. [frame:1]
2 people observed.
“Hey.” 17:03
Evidence, details and a link to share
17:251 of 1 shots sampled
17:451 of 1 shots sampled
Model synopsis: A person in a dark hat and coat stands with their back to the camera inside a room with shelves and two men in cowboy hats visible behind a counter. One of the men says they are going to leave.
3 people observed.
“I'm going to go.” 17:46
Evidence, details and a link to share
17:491 of 1 shots sampled
Model synopsis: A person in a shirt and gloves holds wooden blocks near a decorated belt. No dialogue or location context is provided in this beat.
1 person observed.
Evidence, details and a link to share
17:541 of 1 shots sampled
Model synopsis: A man in a cowboy hat holds packages while another man leans over a counter; one says 'I'm sorry.' The setting appears to be a shop interior.
- A man in a cowboy hat stands holding packages while another man leans over a counter. [frame:1]
2 people observed.
“I'm sorry.” 17:53
Evidence, details and a link to share
18:051 of 1 shots sampled
18:141 of 1 shots sampled
Model synopsis: A woman in a patterned blouse with dark trim is visible in a dimly lit interior with shelves of jars and folded linens behind her. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
18:191 of 1 shots sampled
Model synopsis: A hand holds a rolled paper with handwritten text; another hand gestures above it. No dialogue or named characters are present in this beat.
- A hand holds a rolled paper with handwritten text while another hand gestures above it. [frame:1]
1 person observed.
Evidence, details and a link to share
18:431 of 1 shots sampled
Model synopsis: A person is seen in shadow indoors, then a man on horseback rides away from a building at night. Dialogue suggests a plan to wait in the dark and an escape, with one character urging another to hide at 'Blind Pete'.
- A man in shadow turns his head slightly. [frame:1]
- A man rides a horse away from a building with a fence and trees. [frame:2]
2 people observed.
“But without any lights on.” 19:18 · “Your light, Jay.” 19:42
Evidence, details and a link to share
21:301 of 1 shots sampled
Model synopsis: A person stands beside a horse near a rustic wooden building with a porch. The scene is outdoors, with mountains visible in the background.
- A person stands beside a horse near a wooden building. [frame:1]
1 person observed.
Evidence, details and a link to share
21:491 of 1 shots sampled
23:391 of 1 shots sampled
24:011 of 1 shots sampled
Model synopsis: A vehicle and riders move along a dirt road in a brushy, hilly landscape. No people are clearly visible, and no dialogue or on-screen text is present.
- A vehicle and riders are seen moving along a dirt road. [frame:1]
Evidence, details and a link to share
25:101 of 1 shots sampled
Model synopsis: A lone rider on horseback moves along a dirt trail in a hilly, brush-covered landscape. The scene is shot in black and white with no visible structures or other people.
- A rider on horseback moves along a dirt trail in a hilly landscape. [frame:1]
1 person observed.
Evidence, details and a link to share
25:131 of 1 shots sampled
Model synopsis: A person is partially visible through dense brush in a single frame. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
25:151 of 1 shots sampled
Model synopsis: A group of riders on horseback moves along a dusty trail in a hilly, open landscape. No dialogue or on-screen text is present in this beat.
- Riders on horseback move along a dusty trail. [frame:1]
4 people observed.
Evidence, details and a link to share
25:251 of 1 shots sampled
25:411 of 1 shots sampled
Model synopsis: A man in a cowboy hat speaks while standing outdoors; another man walks through brush near a wagon, then two riders approach on a dirt road, and a man bends over a box in the grass. The transcript includes lines about driving straight, leaving, and a good haul.
- A man in a cowboy hat stands and speaks. [frame:1]
- A man walks through brush near a wagon. [frame:2]
- Two riders approach on a dirt road. [frame:3]
- 1 more under Evidence and details.
4 people observed.
“Keep driving straight ahead and don't look back.” 25:49 · “I'm going to go.” 26:01
Evidence, details and a link to share
Model synopsis: A person in a cowboy hat and belt is seen from behind, leaning against a large tree trunk. Later, a horse is shown running away from the camera down a dirt path under trees. The person speaks twice, saying they are going to go.
- A person leans against a large tree trunk. [frame:1]
- A horse runs away from the camera down a dirt path. [frame:2]
1 person observed.
“I'm going to go.” 26:29 · “I'm going to go.” 26:37
Evidence, details and a link to share
27:551 of 1 shots sampled
Model synopsis: A woman stands behind a counter in a shop filled with canned goods and jars. No dialogue or action is recorded in this beat.
1 person observed.
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat is seen inside a room, then outdoors on horseback, and later holding his hat beside a horse; a woman in a white dress is visible behind a counter. A man in a vest and cowboy hat stands in a cluttered room holding a rifle. The transcript includes repeated apologies and a call for someone named Sally to come out.
- A woman in a white dress stands behind a counter in a shop, smiling at a man in a cowboy hat. [frame:1]
- A man rides a horse outdoors on a dirt path with hills in the background. [frame:2]
- A man in a vest and tie stands beside a horse, holding a cowboy hat. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“I'm sorry.” 27:59 · “I'm sorry.” 28:02
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat and vest walks through an interior space with wooden furniture and a mirror, while another person is seated at a table. The transcript includes fragmented dialogue about 'more payers' and instructions to 'get back down' and 'come on.'
- A man in a cowboy hat walks toward a door. [frame:1]
- A person walks across a room with wooden furniture while another sits at a table. [frame:2]
- A person stands near a doorway beside a dresser with a mirror. [frame:3]
3 people observed.
“Right now. More payers.” 29:26 · “Why, get back down.” 29:29
Evidence, details and a link to share
29:441 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest stands in a room with a number 10 sign on the wall. No dialogue or action is recorded in this beat.
1 person observed.
Evidence, details and a link to share
29:451 of 1 shots sampled
Model synopsis: A close-up of a dark cowboy hat with a decorative band is shown against a plain wooden background. No people, dialogue, or actions are visible in this single frame.
Evidence, details and a link to share
29:471 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest stands indoors near a chair and a wall with a sign. No dialogue or action is visible in the single frame.
1 person observed.
Evidence, details and a link to share
30:001 of 1 shots sampled
32:191 of 1 shots sampled
Model synopsis: A man in a cowboy hat and neckerchief speaks about striking gold and retiring, while others listen in a dimly lit, rocky interior. The transcript indicates plans to ship gold via stagecoach and dismisses a character named Walt winning back money at cards.
Named: Walt (t:32:21). 2 people observed.
“Well, boys.” 32:11 · “We struck it rich.” 32:12
Evidence, details and a link to share
32:391 of 1 shots sampled
32:551 of 1 shots sampled
Model synopsis: A man in Western attire stands inside a dimly lit wooden structure, holding a hat and looking downward. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
33:121 of 1 shots sampled
Model synopsis: Two men are shown in a rocky outdoor setting; one wears a cowboy hat and vest, the other a shirt and trousers with a gun belt. No names are spoken, and no time of day or period is established from the frames or transcript.
- A man in a cowboy hat stands beside another man in a rocky area. [frame:1]
- A man in a shirt and trousers stands with hands on hips, gun visible at his side. [frame:2]
2 people observed.
“Oh,” 33:36 · “the day” 33:45
Evidence, details and a link to share
34:131 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest is shown in profile against a dark background with two vases on a shelf. No dialogue or action is visible in this single frame.
1 person observed.
Evidence, details and a link to share
34:181 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest stands inside a rustic wooden room holding a rifle. The room contains a table with dishes and a hanging pan, suggesting a simple living or cooking space.
1 person observed.
Evidence, details and a link to share
34:381 of 1 shots sampled
35:071 of 1 shots sampled
35:301 of 1 shots sampled
35:411 of 1 shots sampled
Model synopsis: A man on horseback rides past a building in a dusty outdoor setting. No dialogue or on-screen text is present in this beat.
- man on horse rides past building [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat stands near a horse and a post, then walks past stacked crates toward a building, while another shot shows a person in a hat partially hidden in bushes. No names are spoken, and the setting appears to be an outdoor area with structures and vegetation.
- A man in a cowboy hat stands beside a horse and a post. [frame:1]
- The man walks past stacked crates toward a building. [frame:2]
- A person in a hat is seen among bushes. [frame:3]
2 people observed.
“Oh, my God.” 35:47
Evidence, details and a link to share
35:591 of 1 shots sampled
Model synopsis: A man in a cowboy hat and uniform stands in the doorway of a wooden building. Barrels and a crate are visible on the porch and ground nearby.
- A man stands in the doorway of a wooden building. [frame:1]
1 person observed.
Evidence, details and a link to share
36:041 of 1 shots sampled
Model synopsis: A man in a hat stands behind a counter in a shop filled with goods, viewed through a window. Another man in a hat is visible in the background near shelves.
2 people observed.
Evidence, details and a link to share
36:091 of 1 shots sampled
Model synopsis: A man in a wide-brimmed hat is seen in profile through a window, looking outward. The background outside the window shows an open, sunlit field.
1 person observed.
Evidence, details and a link to share
36:131 of 1 shots sampled
Model synopsis: A man in a hat stands behind a counter in a shop while two other men in hats stand in front of it. No dialogue or on-screen text is present in this beat.
3 people observed.
Evidence, details and a link to share
36:181 of 1 shots sampled
Model synopsis: A man in a cowboy hat is seen through a window, looking out at an open field. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
36:211 of 1 shots sampled
Model synopsis: A person in light-colored pants and dark boots leans over a barrel outside a wooden building. The scene is outdoors, with no visible text or spoken dialogue in this beat.
- A person leans over a barrel outside a wooden building. [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A person in a cowboy hat is seen among trees, then a man in a hat and shirt stands near a wooden box against a stone wall. A voice asks someone to deliver something to Miss Sally personally.
- A person in a cowboy hat is visible among trees. [frame:1]
- A man stands near a wooden box against a stone wall. [frame:2]
Named: Miss Sally (t:36:40). 2 people observed.
“I'm going to go.” 36:23 · “Hey, buddy.” 36:37
Evidence, details and a link to share
36:581 of 1 shots sampled
37:091 of 1 shots sampled
Model synopsis: A handwritten note is shown, requesting a meeting at 'blind Pits' and signed 'Smith'. No people, places, or events beyond the note are visible or mentioned.
Evidence, details and a link to share
37:141 of 1 shots sampled
Model synopsis: A woman in a light blouse reads a paper inside a shop with shelves of bottles behind her. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
37:181 of 1 shots sampled
Model synopsis: Two men in Western attire stand facing each other indoors. One wears a suit and hat; the other wears a vest with a star badge and a hat.
2 people observed.
Evidence, details and a link to share
Model synopsis: A woman is asked by a sheriff to identify two men in a store. The scene takes place inside a shop with shelves of goods visible.
- The woman looks down, appearing hesitant or thoughtful. [frame:1]
- The sheriff holds papers and speaks to the woman while two men stand nearby. [frame:2]
Named: Miss Sally (t:37:26), Sheriff (t:37:26). 4 people observed.
“Did you want something, Sheriff?” 37:24 · “Why, yes, Miss Sally.” 37:26
Evidence, details and a link to share
37:361 of 1 shots sampled
Model synopsis: A close-up of a newspaper with two 'WANTED' posters is shown. One poster is for a 'STAGE HOLDUP' and the other for an 'ESCAPED CONVICT', both featuring mugshots and reward details.
Evidence, details and a link to share
38:021 of 1 shots sampled
38:131 of 1 shots sampled
Model synopsis: A woman stands in a shop with shelves of goods behind her. No dialogue or action is visible in the single frame provided.
1 person observed.
Evidence, details and a link to share
Model synopsis: Two men in Western attire stand on a wooden boardwalk and speak; one says he is going to leave. In the background, horses and a wagon are visible on a dirt street with storefronts.
- A man in a suit speaks to a man in a cowboy hat on a boardwalk. [frame:1]
- Horses and a wagon are visible on the street; a man walks away from the camera. [frame:2]
- The two men face each other and appear to shake hands. [frame:3]
Named: none, none, none, none. 4 people observed.
“I'm going to go.” 38:19
Flagged: name not grounded (none); name not grounded (none); name not grounded (none); name not grounded (none)
Evidence, details and a link to share
38:391 of 1 shots sampled
Model synopsis: A single frame shows an outdoor scene with a building partially obscured by trees and dust or smoke rising near it. No people or spoken dialogue are visible or audible in this beat.
Evidence, details and a link to share
38:461 of 1 shots sampled
Model synopsis: A man in a cowboy hat rides a horse through trees. The scene is outdoors and shot in black and white.
- man rides horse through trees [frame:1]
1 person observed.
Evidence, details and a link to share
38:531 of 1 shots sampled
Model synopsis: A vehicle is seen driving through a dusty area near trees and a building. No people or spoken dialogue are visible or audible in this beat.
- A vehicle drives through dust near trees and a building. [frame:1]
Evidence, details and a link to share
39:001 of 1 shots sampled
Model synopsis: A man in a cowboy hat stands near a doorway in a dimly lit saloon while a man in an apron stands near a table. No dialogue or on-screen text is present in this beat.
2 people observed.
Evidence, details and a link to share
39:021 of 1 shots sampled
Model synopsis: A man in a cowboy hat sits at a table in a dimly lit room with a wall-mounted telephone and a framed portrait. No dialogue or action is recorded in this beat.
1 person observed.
Evidence, details and a link to share
39:051 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest stands in a dimly lit saloon with round tables and chairs. Another person is partially visible on the left edge of the frame.
2 people observed.
Evidence, details and a link to share
39:201 of 1 shots sampled
39:371 of 1 shots sampled
Model synopsis: A single outdoor frame shows a vehicle partially obscured by trees and foliage. No people, dialogue, or on-screen text are visible in the frame.
Evidence, details and a link to share
39:461 of 1 shots sampled
Model synopsis: A horse stands under trees in a wooded area. A person's arm is partially visible on the right edge of the frame.
1 person observed.
Evidence, details and a link to share
Model synopsis: A man named John is warned by Sally that the sheriff is after him, then confronts armed men who identify him as Brant; one man is knocked down and another is told to leave. The scene takes place indoors in a room with tables and a wall clock.
- A man is struck and falls to the floor. [frame:3]
- Conlon stands over the fallen man while Tom is told to leave. [frame:4]
Named: John (t:39:51), Sally (t:40:03), Brant (t:40:15), Conlon (t:40:17), Tom (t:40:37). 6 people observed.
“Oh, John, you've got to get out of here. The sheriff is after you.” 39:51 · “All right, Sally. Put up your hands, boys. The game's up.” 40:03
Evidence, details and a link to share
40:441 of 1 shots sampled
Model synopsis: A person on horseback approaches a wooden structure with another horse tied nearby; the scene is outdoors under trees. No dialogue or on-screen text is present in this beat.
- Person on horseback approaches wooden structure [frame:1]
1 person observed.
Evidence, details and a link to share
40:491 of 1 shots sampled
Model synopsis: A man in a dark suit runs through a dimly lit room with wooden furniture while another man follows behind. No dialogue or on-screen text is present in this beat.
- A man in a dark suit runs through a room with wooden furniture. [frame:1]
- Another man follows behind the running man. [frame:1]
2 people observed.
Evidence, details and a link to share
40:531 of 1 shots sampled
Model synopsis: A person on horseback rides past a stone pillar and gate structure. Dust is kicked up by the horse's hooves, suggesting motion on a dry surface.
- A person rides a horse past a stone gate, kicking up dust. [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A man on horseback departs from a shaded structure while another man runs after him; later, a horse and rider gallop through water and across a field. The transcript indicates intent to form a posse and repeated declarations of departure.
- A man on horseback sits near a shaded structure. [frame:1]
- A man runs after the horseback rider. [frame:2]
- A horse and rider gallop through shallow water, splashing. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“I'm going to go.” 40:57 · “Come on, we'll get a posse.” 41:05
Evidence, details and a link to share
41:141 of 1 shots sampled
Model synopsis: A person on horseback is visible under trees in a wooded area. No dialogue or on-screen text is present in this beat.
- A person on horseback is visible under trees. [frame:1]
1 person observed.
Evidence, details and a link to share
41:271 of 1 shots sampled
Model synopsis: A man in a cowboy hat and vest stands near a horse, then a group of men with horses is shown under trees. One man says he is going, after being asked if they are ready.
- A man in a cowboy hat stands near a horse. [frame:1]
- A group of men with horses stands under trees. [frame:2]
2 people observed.
“- Are you all ready, boys? - Yeah.” 41:49 · “Yeah.” 42:03
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat and vest stands on a dusty street near a wooden building, then turns and walks away. He speaks briefly, saying he is going and apologizing.
- Man stands near wooden building on street [frame:1]
- Man turns and walks away from building [frame:2]
1 person observed.
“I'm going to go.” 42:04 · “I'm sorry.” 42:10
Evidence, details and a link to share
Model synopsis: Two people argue in a store, with one accusing the other of betrayal and murder; the transcript reveals a backstory of a friend who was imprisoned for a crime committed by the accused. The setting is an interior shop with shelves of goods visible.
- A man and a woman stand facing each other in a shop, appearing to argue. [frame:1]
- The man looks directly at the camera with a stern expression. [frame:2]
- The woman looks upward with a distressed expression. [frame:3]
2 people observed.
“Where is he?” 42:27 · “He's safe or you'll never see him again.” 42:34
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat speaks to a woman inside a shop; he tells her to find the sheriff and go to an abandoned mine while he tries to stop someone named Smith. The setting includes shelves with bottles and a visible product bag.
- Man speaks to woman in shop [frame:1]
- Woman places hands on man's chest while speaking [frame:2]
2 people observed.
“Disgusting.” 43:00 · “I'm a bigger sap than I thought I was.” 43:05
Evidence, details and a link to share
43:211 of 1 shots sampled
Model synopsis: A single frame shows a dark, rugged outdoor landscape with a wooden structure visible. A voice exclaims 'Oh, my God.' at 43:16.
- A rugged mountain landscape with a wooden structure is visible. [frame:1]
1 person observed.
“Oh, my God.” 43:16
Evidence, details and a link to share
43:321 of 1 shots sampled
Model synopsis: Two people on horseback are seen from behind, riding away from a building labeled 'HARDWARE' on a dirt street. A voice says the car went in that direction.
- Two people ride horses away from a hardware store on a dirt street. [frame:1]
2 people observed.
“The car, they went that way!” 43:31
Evidence, details and a link to share
43:431 of 1 shots sampled
43:581 of 1 shots sampled
Model synopsis: A person on horseback is shown on a dirt road with hills in the background. The transcript contains a single line stating an intention to leave.
- A person rides a horse on a dirt road. [frame:1]
1 person observed.
“I'm going to go.” 43:52
Evidence, details and a link to share
Model synopsis: A rider on horseback is seen approaching, followed by a group of riders in a dusty outdoor setting; one man in a cowboy hat is shown crouching near rocks. A voice warns the sheriff that someone named Wolfgang plans to ambush Brad at an abandoned mine.
- A man rides a horse along a dusty trail. [frame:1]
- A group of riders on horseback moves forward, led by a man in a white shirt. [frame:2]
- Riders are partially obscured by dust and trees. [frame:3]
- 1 more under Evidence and details.
Named: Sheriff (t:44:11), Brad (t:44:11), Wolfgang (t:44:11). 6 people observed.
“Oh!” 44:08 · “Oh, Sheriff, the Wolfgang is going to ambush Brad up at the abandoned mine.” 44:11
Evidence, details and a link to share
Model synopsis: A person in Western attire walks and then rides a horse through a rocky, arid landscape. The person repeatedly says they are going to leave, as shown across four frames and four transcript lines.
- Person walks uphill over rocks [frame:1]
- Person crouches behind rocks holding a rifle [frame:2]
- Person rides horse away down a dirt path [frame:3]
- 1 more under Evidence and details.
1 person observed.
“I'm going to go.” 44:31 · “I'm going to go.” 44:41
Evidence, details and a link to share
45:121 of 1 shots sampled
Model synopsis: A person in a hat walks away from the camera on a rocky trail in a canyon, while another person on horseback is visible in the distance. The speaker says they are going to leave.
- A person begins walking away from the camera on a rocky trail. [frame:1]
2 people observed.
“I'm going to go.” 45:05
Evidence, details and a link to share
45:251 of 1 shots sampled
Model synopsis: A man in a cowboy hat and dark clothing crouches in a rocky, shadowed area, holding a knife. No dialogue or on-screen text is present in this beat.
- A man crouches in a rocky area holding a knife. [frame:1]
1 person observed.
Evidence, details and a link to share
45:291 of 1 shots sampled
Model synopsis: A person rides a horse across a dirt path with sagebrush in the background. No dialogue or on-screen text is present in this beat.
- A person rides a horse across a dirt path. [frame:1]
1 person observed.
Evidence, details and a link to share
Model synopsis: A stagecoach is shown in a rocky outdoor setting with people near it; one person is seen running toward the coach while another is visible inside. Spoken lines indicate a warning to take cover and a plan to pursue someone.
- A man runs toward a stagecoach parked in rocky terrain. [frame:1]
- A horse runs past the stagecoach, kicking up dust. [frame:2]
- The screen is almost entirely black, suggesting a cut or obscured view. [frame:3]
- 1 more under Evidence and details.
Named: Brant (t:45:36). 5 people observed.
“Brant, look out!” 45:36 · “Get undercover!” 45:38
Evidence, details and a link to share
46:211 of 1 shots sampled
Model synopsis: A person on horseback moves across a dirt slope near trees. The scene is outdoors and filmed in black and white.
- A person on horseback rides across a dirt slope near trees. [frame:1]
1 person observed.
Evidence, details and a link to share
46:291 of 1 shots sampled
Model synopsis: A horse-drawn wagon travels along a dirt road near a rocky cliff. No people are visible in the frame, and no dialogue or on-screen text is present.
- A horse-drawn wagon moves along a dirt road near a rocky cliff. [frame:1]
Evidence, details and a link to share
46:321 of 1 shots sampled
Model synopsis: A lone figure climbs a rocky slope under an overcast sky. No dialogue or on-screen text is present in this beat.
- A person climbs a rocky slope. [frame:1]
1 person observed.
Evidence, details and a link to share
46:331 of 1 shots sampled
Model synopsis: Two men in cowboy hats are seated side by side in a vehicle, one holding a rifle. The setting appears to be outdoors with foliage visible behind them.
2 people observed.
Evidence, details and a link to share
47:201 of 1 shots sampled
Model synopsis: A person is seen in a dark, rocky environment and speaks about going. The scene is dimly lit, suggesting an outdoor or cave-like setting at night or in shadow.
- A person is visible in a dark, rocky setting. [frame:1]
1 person observed.
“Help!” 47:16 · “I'm going to go.” 47:17
Evidence, details and a link to share
47:281 of 1 shots sampled
Model synopsis: A man in a cowboy hat is visible near a horse in a rocky outdoor setting. No dialogue or on-screen text is present in this beat.
1 person observed.
Evidence, details and a link to share
Model synopsis: A group of riders on horseback moves through a dusty, rocky outdoor setting, with one rider dismounting near a structure as smoke or dust billows nearby. The transcript contains a repeated line indicating intent to leave.
- Riders on horseback move through a dusty, rocky terrain. [frame:1]
- A rider on a dark horse is shown in close-up, moving forward. [frame:2]
- A figure in silhouette is visible near a bright light source in darkness. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“I'm going to go.” 47:38 · “I'm going to go.” 47:55
Evidence, details and a link to share
48:101 of 1 shots sampled
Model synopsis: A single frame shows a blurry, high-angle shot of uneven terrain with sparse vegetation. No people, objects, or text are clearly visible, and no events are described in the transcript.
Evidence, details and a link to share
48:211 of 1 shots sampled
Model synopsis: A rider on horseback gallops past a rocky outcrop where other riders are visible near a cave entrance. Dust is kicked up by the horses, suggesting rapid movement in an outdoor, rugged setting.
- A rider on horseback gallops past a rocky outcrop. [frame:1]
- Dust is kicked up by horses, indicating rapid movement. [frame:1]
2 people observed.
Evidence, details and a link to share
48:281 of 1 shots sampled
Model synopsis: A person is seen on horseback near a stagecoach in an outdoor setting, followed by a shot of riders on a ridge. A voice says 'Oh, my God' and 'I'm going to go.'
- A person on horseback is visible near a stagecoach. [frame:1]
- A stagecoach with riders is shown moving across open terrain. [frame:2]
- Riders on horseback are seen on a ridge. [frame:3]
3 people observed.
“Oh, my God.” 48:38 · “I'm going to go.” 48:39
Evidence, details and a link to share
48:521 of 1 shots sampled
Model synopsis: A horse-drawn stagecoach travels on a dirt road with two riders visible on top. The setting is outdoors with hills and trees in the background.
- A stagecoach pulled by horses moves along a dirt road. [frame:1]
2 people observed.
Evidence, details and a link to share
48:551 of 1 shots sampled
Model synopsis: A group of riders on horseback moves across an open, dusty terrain. The scene is shot in black and white with no visible structures or signage.
- Riders on horseback gallop across open ground. [frame:1]
2 people observed.
Evidence, details and a link to share
48:561 of 1 shots sampled
Model synopsis: A man in a cowboy hat and shirt is visible in a vehicle interior, holding a rifle. No dialogue or on-screen text is present in this beat.
- A man in a cowboy hat holds a rifle while seated in a vehicle. [frame:1]
1 person observed.
Evidence, details and a link to share
48:581 of 1 shots sampled
Model synopsis: A figure on horseback is visible near a cloud of dust or smoke in an outdoor setting. No dialogue or on-screen text is present in this beat.
- A cloud of dust or smoke rises near a horse and a figure on the ground. [frame:1]
2 people observed.
Evidence, details and a link to share
49:011 of 1 shots sampled
Model synopsis: Two men in cowboy hats are seated in a vehicle, one pointing forward. The scene is shot in black and white with bright, even lighting.
2 people observed.
Evidence, details and a link to share
49:041 of 1 shots sampled
Model synopsis: A horse is seen falling backward onto its back in an outdoor setting. No people or dialogue are visible or audible in this beat.
- A horse falls backward onto its back, kicking up dust. [frame:1]
Evidence, details and a link to share
49:071 of 1 shots sampled
Model synopsis: A horse-drawn wagon travels along a dirt road with a rocky hillside in the background. No people are named or audible, and no on-screen text is visible.
Evidence, details and a link to share
49:321 of 1 shots sampled
Model synopsis: A person is lying on the ground in a dusty, outdoor setting with trees and uneven terrain visible. No dialogue or on-screen text is present in this beat.
- A person lies motionless on the ground in a dusty field. [frame:1]
1 person observed.
Evidence, details and a link to share
49:391 of 1 shots sampled
Model synopsis: Two men are engaged in a physical struggle outdoors. One man in a cowboy hat appears to be pushing or striking the other man, who is bent over.
- Two men are engaged in a physical struggle. [frame:1]
2 people observed.
“Right.” 49:36
Evidence, details and a link to share
Model synopsis: A horse-drawn wagon and riders move along a dusty trail in a hilly, brushy landscape. Spoken lines indicate someone is preparing to leave, repeating 'I'm going to go' and apologizing.
- A horse-drawn wagon kicks up dust on a dirt road. [frame:1]
- The wagon continues down the road with two horses pulling it. [frame:2]
- A rider on horseback raises an arm while riding away from the camera. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“Here.” 49:45 · “Come on.” 49:46
Evidence, details and a link to share
Model synopsis: A person on horseback and a horse-drawn wagon are shown in an outdoor setting, followed by riders on horseback near an explosion. The transcript repeats the line 'I'm going to go.'
- A large cloud of smoke or dust is visible. [frame:1]
- A person on horseback is visible next to a horse. [frame:2]
- A horse-drawn wagon is visible on a road. [frame:3]
- 1 more under Evidence and details.
3 people observed.
“I'm going to go.” 50:20 · “I'm going to go.” 50:27
Evidence, details and a link to share
50:411 of 1 shots sampled
50:501 of 1 shots sampled
Model synopsis: A horse-drawn carriage moves across a rocky, open terrain with several horses pulling it. No people are clearly visible, and no dialogue or on-screen text is present.
- A horse-drawn carriage is being pulled by multiple horses across rocky ground. [frame:1]
Evidence, details and a link to share
50:581 of 1 shots sampled
Model synopsis: A man in a cowboy hat steps down from a horse-drawn stagecoach on a dirt road with hills in the background. No dialogue or on-screen text is present in this beat.
- A man steps down from a stagecoach. [frame:1]
1 person observed.
Evidence, details and a link to share
51:031 of 1 shots sampled
Model synopsis: A single frame shows a rocky, brush-covered slope with a dark, boxy object partially visible among the rocks. No people, dialogue, or on-screen text are present in the frames or transcript for this beat.
Evidence, details and a link to share
51:081 of 1 shots sampled
Model synopsis: A vehicle is seen overturned on rough ground with smoke rising from it. No people are visible and no dialogue is present in this beat.
- A vehicle lies overturned on the ground with smoke rising from it. [frame:1]
Evidence, details and a link to share
Model synopsis: Two frames show a dusty outdoor scene with figures near a vehicle and brush; the transcript includes urgent dialogue. No names, time of day, or interior setting are established.
- Figures are visible near a vehicle in a dusty field. [frame:1]
- Brush and dust are visible in the foreground. [frame:2]
1 person observed.
“Come on.” 51:12 · “There's another one up ahead!” 51:27
Evidence, details and a link to share
51:511 of 1 shots sampled
Model synopsis: A group of men on horseback is seen in a rugged outdoor setting, followed by a scene where a man lies on the ground while another stands over him and a third kneels beside him. A voice commands the group to surrender, and another voice states that a man appears to be dead.
- A group of men on horseback is seen in a field. [frame:1]
- A man lies on the ground while another kneels beside him and a third stands over him with a gun. [frame:2]
Named: Sheriff (t:52:15). 4 people observed.
“Put them up, boys. You're not going to get away this time.” 52:10 · “We're not trying to get away.” 52:10
Evidence, details and a link to share
Model synopsis: A man in a cowboy hat holds another man who is lying down, while a third man in a suit and hat stands nearby. The transcript reveals a confession about killing George Wagner and an apology before death.
- A man in a cowboy hat kneels beside a man lying on the ground. [frame:1]
- A man in a suit and hat stands looking toward the others. [frame:2]
- The cowboy-hatted man and another man attend to the man lying down. [frame:3]
Named: George Wagner (t:52:28). 4 people observed.
“I'm cheating the rope.” 52:21 · “I killed George Wagner.” 52:28
Evidence, details and a link to share
53:181 of 1 shots sampled
Model synopsis: The final beat of the film is a black screen with no visible action, objects, or people. No transcript lines are provided for this segment.
Evidence, details and a link to share
Transcript
Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 509 segments kept, 596 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.
- 1:08 - Act, act, the murderous case, act, act, act.
- 1:11 History! Grand Bank's prison ring! Read all about it!
- 1:15 - Perfect.
- 1:34 Just got a wire that says you got a fugitive on board, bud.
- 1:37 Guess we'll have to give you a train to watch over. All right, Sheriff, go ahead.
- 1:41 Who is he?
- 1:42 Name was John Brad. Sent up for murder and got away.
- 1:45 - Brandt, eh? - Yeah. Oh, yeah. Read about him in the paper.
- 1:49 Well, I hope you get him, Sheriff.
- 2:17 I'm going to go to the next one.
- 2:27 I'm going to go.
- 2:29 There he goes.
- 2:38 Hey, come on! Get my horse!
- 2:49 - Hey, sir! - What about that? That way! Get out!
- 3:12 I'm going to go.
- 3:27 I'm not sure what you're doing.
- 3:35 He don't know this country very well. We'll go round the hill and head him off.
- 3:39 I'm going to go.
- 4:05 I'm going to go.
- 4:15 I'm going to go.
489 more segments
- 4:19 I'm going to go.
- 4:25 I'm going to go.
- 4:30 I'm going to go.
- 4:37 I'm going to go.
- 4:43 I'm going to go.
- 4:53 I'm going to go to the next slide.
- 5:19 Oh, my God.
- 5:27 I don't see a sign of him anyplace.
- 5:49 What's that?
- 5:53 I'm going to go to the next one.
- 5:58 I'm not sure.
- 6:02 I'm going to go.
- 6:26 That got him.
- 6:29 Let's go get some of the boys and drag the lake.
- 7:07 Well?
- 7:09 I guess you got me.
- 7:11 Come on out, stranger, I ain't so long.
- 7:21 You're a pretty smart hombre.
- 7:23 And you got plenty of nerve.
- 7:24 It strikes me the boss could use somebody like you.
- 7:27 What's your name?
- 7:31 Smith, ain't it?
- 7:32 That's the handle most of you fast travelers use.
- 7:36 Ah, that's as good as any.
- 7:38 Mine's Jones.
- 7:42 Say, you're pretty near all in, ain't ya?
- 7:44 Better come on up with me to the hideout.
- 7:46 and meet the big chief.
- 7:47 We're short a couple of hands.
- 7:52 I'm going to go to the next slide.
- 8:29 I'm going to go.
- 8:36 I'm bringing a new man in to see the Chief.
- 8:39 Dick, I'd like for you to know my friend, Mr. Wait a minute. Don't tell me. Let me guess.
- 8:43 Name's Smith, ain't it?
- 8:45 That's right.
- 8:56 I'm going to go.
- 9:09 I'm going to go.
- 9:12 I'm going to go.
- 9:21 I'm going to go.
- 9:27 You can hold out the whole army with this setup.
- 9:30 Yeah, but if we ever do get in a tight spot this time, we're up there back through the mountain. So we always have a getaway.
- 9:36 You wait here a minute.
- 9:46 I'm going to go.
- 9:51 Well, I'm not sure.
- 9:54 As long as you brought him in, we've got to do something with him.
- 10:05 Saved.
- 10:06 We need a new cook.
- 10:07 The last one got hurt bad yesterday.
- 10:25 Hey, Smith!
- 10:26 Come in and clean up this mess.
- 10:39 Well...
- 10:41 Who's playing?
- 10:42 Wait a minute, our deal...
- 10:44 Deal me in. Me too.
- 10:46 Not tonight for me, boys.
- 11:09 I saw where that one came from, Chief.
- 11:14 Your eyes are kind of going back on you, ain't they, Jones?
- 11:17 Oh, no, they aren't.
- 11:22 I'm going to go.
- 11:31 - I can't do this, get off of that.
- 11:38 - Get her, Danny. - I got her.
- 11:42 - Give him a little.
- 11:51 I'm sorry.
- 11:52 - I'm sorry.
- 11:58 That's put him away. You're going to go. You're going to go. I'm going to go. I'm going to go.
- 12:03 You better keep that dude to mind his own business or we'll be needing another cook.
- 12:29 $1,000 reward will be paid for information
- 12:33 leading to the capture of John Brandt.
- 12:35 sentenced to the Maryland State Prison,
- 12:37 when he was found with the body of Jordan Wagner.
- 12:40 Wealthy club man in the Loveness Department,
- 12:43 of Mrs. Joseph Conlon.
- 12:45 Brand escaped from prison May 14th.
- 12:48 and is thought to have headed west.
- 12:53 You know, that's the bird.
- 12:54 We lost at the lake yesterday.
- 12:56 I'll have to send in a report on him.
- 12:59 Funny thing about that case.
- 13:03 The husband of the wound that was mixed up in it
- 13:05 float around these parts too.
- 13:07 I got a handle on him just yesterday.
- 13:13 You might have saved Brant if he'd only turned up and testified.
- 13:16 These flyers, that's what Brandt said at the trial.
- 13:28 I wonder what would have happened if Brant ever ran across Conlon.
- 13:32 I'll bet he would've made it plenty hot for him.
- 13:42 Now.
- 13:47 You sure made that plenty hot for me.
- 13:52 It was mighty fine of you to mix in that fight last night.
- 13:54 Wasn't any of your battle.
- 13:56 and I won't forget it.
- 13:57 And I won't either.
- 14:02 Smith, you get down to the trail and water the horses.
- 14:05 Thought I was supposed to cook.
- 14:08 Get going.
- 14:14 Wait a minute, Jones.
- 14:15 I want to talk to you.
- 14:17 Just who is this fellow you call Smith?
- 14:19 What do you know about him?
- 14:21 Well...
- 14:21 I know his name ain't Smith.
- 14:23 But he's got plenty of nerve.
- 14:25 and we can use a little of that around here
- 14:27 Besides, I know a square guy when I see one.
- 14:29 Yeah.
- 14:30 He might be a star packer.
- 14:32 Some of them are square guys.
- 14:35 So you're worried about him, huh?
- 14:36 Well, I'll show you he's all right.
- 14:38 You know that safe job down at Sagebrush we were talking about?
- 14:41 Well, Smith and I will pull that ourselves.
- 14:42 Just the two of us.
- 14:43 A star packer wouldn't do that, would he?
- 14:45 All right, pick him up down at the trail at noon.
- 14:49 And if you get in a jam, hide out down at Blind Pete's.
- 14:52 All right, Chief.
- 15:14 Sure the law won't write in on us?
- 15:16 Not a chance. They're all out looking for rustlers.
- 15:33 Were you gentlemen interested in looking at something?
- 15:35 I'll say so.
- 15:36 Have you any rutabaga?
- 15:39 segment.
- 15:44 I'm going to go.
- 15:47 All right.
- 15:48 I almost forgot what they came here for.
- 15:56 I'm going to go to the next one.
- 16:14 What time does the next mail get in?
- 16:16 At three o'clock.
- 16:21 Will it be on time?
- 16:23 It never misses you.
- 16:27 I'm going to go.
- 16:30 Wouldn't you like one of these hat bands?
- 16:32 Why, uh...
- 16:34 No, I guess that'll be all.
- 16:37 Won't there be anything else?
- 16:39 No.
- 16:41 Well, maybe my friend here would like something.
- 16:44 What will you have?
- 16:47 Why, uh...
- 16:49 I'll take the same.
- 17:03 Hey.
- 17:16 They do the eggs.
- 17:17 Be careful with us.
- 17:20 Are you sure you wouldn't catch one of these
- 17:21 hat band's?
- 17:22 - Why? - It's special.
- 17:26 I'll get one next time.
- 17:27 That will be $10 each.
- 17:30 My friend will pay for it.
- 17:46 I'm going to go.
- 17:53 I'm sorry.
- 18:01 I suppose you want more liniment for that rheumatism of yours.
- 18:04 Well, how'd you guess it, Miss Daly? You're limping like that. Oh.
- 18:21 Wait.
- 18:23 I think I gave you the wrong bottle.
- 18:25 Yeah.
- 18:30 No, this is the right one.
- 18:32 I don't know what's the matter with me today.
- 18:51 Look, Dad.
- 18:56 Leave a couple of men in your store with the lights on or your safe will be robbed tonight.
- 19:03 Do you think those fellows who were just here had anything to do with this?
- 19:06 Why, no, they couldn't have written it.
- 19:09 Why?
- 19:09 I was talking to one of them all the time.
- 19:12 I'd better tell the sheriff.
- 19:15 We'll be waiting for them, all right.
- 19:18 But without any lights on.
- 19:42 Your light, Jay.
- 19:44 That's bad.
- 19:46 What's that?
- 19:47 Nothing.
- 19:49 Better let me go.
- 20:00 *throwing*
- 20:06 I'm sorry.
- 20:23 They're right behind us.
- 20:25 You get out. Don't wait for me. Come on, you're all right. You can hide out at Blind Pete, and there won't be no time before you're up and around.
- 20:42 That guy looked mighty familiar to me.
- 20:45 I wonder if it could have been-- What's that, Sheriff?
- 20:48 Oh, never mind. No way he's trying to tell him in the dark anyhow.
- 21:06 I'm not.
- 21:16 I'm going to go.
- 21:35 Yeah.
- 21:42 Okay.
- 21:46 What's the dope?
- 21:50 The three o'clock stage is carrying the mine payroll.
- 21:56 That's all Walsh wanted to know.
- 22:11 How Smith?
- 22:16 We gonna hard hold them. - What are we?
- 22:19 He's in there.
- 22:33 Come in.
- 22:37 - How are you, partner? - Oh, I'm feeling great.
- 22:39 Ha ha.
- 22:40 And I'll sure be glad to get out of this place.
- 22:44 I'm going to go.
- 22:55 I'm going to go.
- 23:00 You'd better wait a while yet, partner.
- 23:02 We've got a tough job to do.
- 23:05 We're sticking up the three o'clock stage down by the bend.
- 23:08 And it ain't no place for invalids.
- 23:12 Well, I'm glad to see you're coming along, all right.
- 23:17 Well, so long. I'll be seeing you.
- 23:21 Oh, my God.
- 23:25 Down by the bend, eh?
- 23:29 Yes, you'll be seen.
- 23:42 - No.
- 24:11 I'm going to go.
- 24:21 Oh, it's working right here. Oh, hold it. Oh. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it.
- 24:34 Hold it.
- 24:36 I'm going to go.
- 24:51 Hmm.
- 24:55 Just a few minutes, boys, so get ready.
- 24:59 I'm going to go.
- 25:22 I'm going to go.
- 25:33 Road agents haven't been very active lately, haven't they?
- 25:36 Ah, we got them scared.
- 25:39 Get rid of that gun.
- 25:40 And don't turn around.
- 25:42 I'll throw off that money box.
- 25:49 Keep driving straight ahead and don't look back.
- 25:53 I'm going to go.
- 26:01 I'm going to go.
- 26:06 I'm sorry.
- 26:07 This ought to be a good haul.
- 26:11 Here he comes now.
- 26:29 I'm going to go.
- 26:37 I'm going to go.
- 26:45 I tell you, he came up behind us.
- 26:47 We didn't even get a look at him.
- 26:49 He must be telling the truth, Chief.
- 26:50 Ain't a sign on the box anywhere.
- 26:53 All right, get going. Hit it.
- 26:55 Cut!
- 26:55 I'm not.
- 27:01 Somebody pulled a pass.
- 27:04 Hey!
- 27:05 Can you tell Smith about this?
- 27:07 No!
- 27:09 Besides, he could have done it anyway.
- 27:11 He's our blind thief.
- 27:13 Yeah.
- 27:14 Well, getting out of it, boys.
- 27:16 We'll split up and see if we can't find this word that has such taken ways of mine, payroll.
- 27:28 - Okay. - All set, Jack, wait. - Okay.
- 27:40 I'm going to go.
- 27:45 I'm going to go.
- 27:59 I'm sorry.
- 28:02 I'm sorry.
- 28:04 Quick, Sally, come out here. It's important.
- 28:08 I'm going to go.
- 28:19 I'm going to go.
- 28:30 Yes.
- 28:40 He could have saved me if he'd have wanted, but he let me go to jail.
- 28:44 Well, someday I'll meet him.
- 28:47 When I do,
- 28:48 I'm sorry, but...
- 28:51 Why do you have to associate with that gang?
- 28:53 That's just the kind of a place I'll find the man I'm looking for.
- 28:56 And besides,
- 28:58 I got a pal that doesn't belong there.
- 29:01 Well, I guess I'd better be riding.
- 29:03 Now, don't forget, in the hollow of a tree down by the forks,
- 29:06 Oh, you call the sheriff, you got another note.
- 29:09 Oh, you've lost your hat, Ben.
- 29:11 Wait, I'll get you another from the store.
- 29:26 Right now. More payers.
- 29:29 Why, get back down.
- 29:37 All right. Come on.
- 29:49 Whoa.
- 29:51 Well, I didn't expect to see you here, partner.
- 29:55 How'd the state's job come wrong?
- 29:57 Why not so good?
- 29:58 Somebody beat us to it.
- 30:00 Fact is, the boys kind of think you did it.
- 30:02 Looks funny, too, you being away.
- 30:04 I'd sort of suspect you myself, but hadn't been for the wake the other night.
- 30:07 Well, maybe I did rob the stage.
- 30:11 Say, just where were you anyway?
- 30:14 You haven't been over to see Sally, have you?
- 30:17 You know, we're pals and all that.
- 30:19 I like you fine, Smith.
- 30:20 But if I thought you were cutting in on Sally,
- 30:23 You don't think you're good enough for her, do you?
- 30:26 Do you think you are?
- 30:28 No.
- 30:29 I don't.
- 30:31 Maybe you're right.
- 30:33 I might have been, though, if a woman hadn't double-crossed me.
- 30:36 It was several years ago.
- 30:38 I came out here from Baltimore.
- 30:43 Baltimore?
- 30:44 Yeah, why?
- 30:46 I knew somebody in Baltimore once.
- 30:50 I came out here to regain my health.
- 30:53 When I went back,
- 30:54 I found my wife in the arms of another man.
- 30:57 We fought.
- 30:58 And I killed him, Smith.
- 31:02 I got away and headed out here.
- 31:05 I've been a fugitive ever since.
- 31:07 What is her name, Conlon?
- 31:11 What do you want to know for? I think I read about it in the paper.
- 31:15 Yeah.
- 31:17 I suppose it was in all the papers.
- 31:20 Funny, I never saw one after I left.
- 31:27 And you never knew what happened after that?
- 31:29 No.
- 31:31 I never heard any more about it.
- 31:35 - Yeah.
- 31:37 Well, come on. You need a drink, partner.
- 31:44 You know we ought to give up this racket, though.
- 31:47 Gonna lead his boat to a rope necktie one of these days.
- 32:01 Hiya, boy.
- 32:03 Here's a note I picked up down at Blind Pete's.
- 32:11 Well, boys.
- 32:12 We struck it rich.
- 32:14 The mine's shipping out a load of gold bullion on the afternoon stage.
- 32:18 Tomorrow.
- 32:19 I'm gonna retire after this haul.
- 32:21 Not a chance that Walt's winning all back at cards.
- 32:25 Oh, my working days are over.
- 32:29 I'm afraid of that guy.
- 32:31 Oh, he's all right.
- 32:32 Ever since he's been here, somebody's been tipping off the sheriff. I think he's a stool pigeon.
- 32:37 He's got the wrong dope on this bullion shipment, though.
- 32:42 I need a handball.
- 33:06 I'm sorry.
- 33:12 I'm sorry.
- 33:36 Oh,
- 33:45 the day
- 33:47 Did it
- 33:49 What are you getting all slicked up for?
- 33:52 Oh, I'm just going shopping.
- 33:54 Shopping.
- 33:55 - For what? - Here, hold this.
- 33:59 I'm going shopping for, uh...
- 34:02 For eggs.
- 34:03 You know, if I don't have eggs in the morning, your boys will be squawking.
- 34:09 Well, so long.
- 34:28 Chief, I'm beginning to think maybe you were right about Smith.
- 34:31 Ha, well.
- 34:32 Sure took you a long time to get wise to yourself, didn't it?
- 34:35 He's going down now to tell them about the bullion job, which ain't tomorrow.
- 34:40 We're gonna bring that stage up here this afternoon.
- 34:43 It's just too heavy to move a horseback.
- 34:45 I'll follow him and find out.
- 34:47 If we come back together, he's all right.
- 34:49 But if I send him back alone... We know what to do.
- 34:57 I'm going to go.
- 35:09 I'm going to go.
- 35:22 You know, I believe that fellow Brad is still alive.
- 35:25 Look to me like it is him at the door the night of the store hold-up.
- 35:30 Must have gotten out of that lake somehow.
- 35:33 I believe we better take these handbills over and talk to Sally.
- 35:47 Oh, my God.
- 36:23 I'm going to go.
- 36:37 Hey, buddy.
- 36:40 Take this to Miss Sally, will you?
- 36:42 Sure. And see that she gets it personally.
- 37:00 Sally?
- 37:01 A man outside told me to give this to you.
- 37:24 Did you want something, Sheriff?
- 37:26 Why, yes, Miss Sally.
- 37:27 I wanted you to identify a couple of men for me.
- 37:30 Were these the two men who were in the store the day of the holdup?
- 37:40 I don't think these are the men, Sheriff. Sheriff.
- 37:44 I don't believe I can resume.
- 37:48 Well, maybe we're wrong.
- 37:50 Thanks, Miss Salley.
- 37:57 I've known Sally since she was so high. It's kind of hard to believe, but she knows more than she's telling us.
- 38:04 Maybe we ought to trailer.
- 38:19 I'm going to go.
- 39:09 Hello, Joan.
- 39:11 Where'd you come from?
- 39:13 I just came in to help you carry back them eggs.
- 39:16 Say, what's eating you?
- 39:18 You aren't acting yourself.
- 39:21 Oh.
- 39:22 Nothing.
- 39:23 I guess I need a drink.
- 39:26 Peace.
- 39:27 Fix me a drink.
- 39:51 Oh, John, you've got to get out of here. The sheriff is after you.
- 39:55 He acted funny when I told him about the stage holdup. And today he came in and showed me your picture on reward notice.
- 40:00 Well, uh...
- 40:01 That's mighty fine of you to warn me.
- 40:03 All right, Sally. Put up your hands, boys. The game's up.
- 40:13 I'm going to go.
- 40:15 We want you, Brant.
- 40:17 And you, Conlon?
- 40:20 I'm going to go.
- 40:28 I'm going to go.
- 40:32 Come on.
- 40:37 Beat it, Tom.
- 40:57 I'm going to go.
- 41:05 Come on, we'll get a posse.
- 41:07 I'm going to go.
- 41:21 If there is a poppy, we ain't got a chance mounted like this.
- 41:24 You head for the corral on foot.
- 41:25 Get a horse and make for the abandoned mine while I circle around and draw off these star packers. Well, why should you take all the chances? Why should you take all the chances?
- 41:30 I know this country better than you do.
- 41:32 I'll meet you at the hideout.
- 41:33 All right, John.
- 41:49 - Are you all ready, boys? - Yeah.
- 42:03 Yeah.
- 42:04 I'm going to go.
- 42:10 I'm sorry.
- 42:27 Where is he?
- 42:27 Did I get him?
- 42:28 Is it safe?
- 42:29 Yeah, where is he?
- 42:31 Is he safe?
- 42:32 Yeah, he's safe, all right.
- 42:34 He's safe or you'll never see him again.
- 42:36 I picked a nice little party for him.
- 42:37 He'll never double-cross anybody anymore.
- 42:41 I'll never get you either.
- 42:43 Snap, I am.
- 42:44 You're right.
- 42:45 You are a sap.
- 42:47 You're the double-crosser.
- 42:49 Why, you've double-crossed the best friend you ever had.
- 42:51 He was sent up for the killing you did.
- 42:53 came out here to get you. Instead of that, he stayed here, even after he knew who you were, and tried to make you go straight.
- 43:00 Disgusting.
- 43:05 I'm a bigger sap than I thought I was.
- 43:09 You find the sheriff and head for the abandoned mine.
- 43:10 Well I try to head off Smith before the gang gets you.
- 43:16 Oh, my God.
- 43:31 The car, they went that way!
- 43:40 Biff coming in and he's alone.
- 43:43 Get your position, boys.
- 43:44 Come on.
- 43:52 I'm going to go.
- 44:08 Oh!
- 44:11 Oh, Sheriff, the Wolfgang is going to ambush Brad up at the abandoned mine.
- 44:31 I'm going to go.
- 44:41 I'm going to go.
- 44:46 I'm going to go.
- 44:54 I'm going to go.
- 45:05 I'm going to go.
- 45:36 Brant, look out!
- 45:38 Get undercover!
- 45:41 I'm going to go.
- 46:11 Behind him.
- 46:12 We'll get 'em, go.
- 46:44 *Burps*
- 46:46 Looks like they're on all sides of it. Yeah, we're in a light spot.
- 46:53 Come on, we got 'em! Hold it on 'em!
- 46:58 We'll have to make a run for him. There's no chance that he didn't do. If we make the tunnel, you get on the stage and keep firing. I'll drive.
- 47:16 Help!
- 47:17 I'm going to go.
- 47:38 I'm going to go.
- 47:55 I'm going to go.
- 48:07 I
- 48:26 They must have gone through this way, boys.
- 48:38 Oh, my God.
- 48:39 I'm going to go.
- 49:09 You keep on driving, I'll take you the next three and pick them off one at a time. All right.
- 49:26 Come on.
- 49:36 Right.
- 49:45 Here.
- 49:46 Come on.
- 49:58 I'm going to go.
- 50:07 I'm going to go.
- 50:13 I'm sorry.
- 50:20 I'm going to go.
- 50:27 I'm going to go.
- 50:30 I'm going to go.
- 50:39 Put him on the horse, Leonard. Bring him along. All right, sir. All right.
- 51:12 Come on.
- 51:27 There's another one up ahead!
- 51:28 Oh, my God.
- 51:49 Are you all right?
- 51:52 Easy.
- 51:54 Don't try to move me.
- 51:56 I'm bleeding.
- 51:58 Inside.
- 52:01 I'm going to go.
- 52:10 Put them up, boys. You're not going to get away this time. We're not trying to get away.
- 52:15 Afraid this man's done for, Sheriff.
- 52:19 Yeah.
- 52:21 I'm cheating the rope.
- 52:23 But before I go,
- 52:26 I want to tell you.
- 52:28 I killed George Wagner.
- 52:31 The branch didn't have anything to do with it.
- 52:34 I didn't know.
- 52:37 I'm sorry, partner.
- 52:42 I'm glad.
- 53:03 I always told Jones that word wouldn't make good as a bad man. Shut up.