Public Reel

Sagebrush Trail (1933)

No renewal found Free in the US since 1 January 1962, on the registry's reading: registration LP4406 of 1933 by Monogram Pictures Corp was not renewed in the volumes searched. Record.

Poster for Sagebrush Trail
Copy
SagebrushTrail on the Internet Archive; released 1933
Read
314 shots over 53:28 · 180 beats in 122 sequences · 509 transcript lines · JSON
Record
Sagebrush Trail No renewal found
Poster
Wikimedia Commons, public domain
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Lands on the beat covering that second.
122 sequences; each is also a heading below.
Check before citing the shot count. A 2:10 shot at 19:06 (shot 92): either a static hold or a run of missed cuts. Treat it as unverified.
How this page was made

314 shots over 53:28, read from the Internet Archive copy SagebrushTrail (SagebrushTrail.mp4, 640×480, 23.98 fps). Shot boundaries by PySceneDetect's adaptive detector; each frame links to the Archive's player at that second. Registry dossier: Sagebrush Trail No renewal found. JSON

Measurements: black-and-white film on its keyframes (0 of 314 shots judged colour), average shot 10.2s long, a frontal face detected in 18% of keyframes. Shots are detected automatically and each is represented by its midpoint frame.

Released 1933 (Internet Archive).

180 beats in 122 sequences, cut automatically at shot boundaries scored on picture change, pauses in speech, topic shifts, on-screen text and cutting rhythm (each beat says why it starts where it does). Each is annotated by a vision-language model from four sampled frames and the transcript lines in it, as observations with evidence; anything the frames and lines do not support is left null. Machine annotation (Qwen/Qwen3-VL-235B-A22B-Instruct), checked automatically: quotes must be verbatim, names must be spoken, "visible" events are sampled to a second model. 180 of 180 beats annotated, 178 passed the checks, 2 flagged.

Beats

Passages cut at shot boundaries and annotated by a machine from four sampled frames and the transcript lines in them. Each beat says why it starts where it does and what was checked; sequences are visual groups, not scenes.

Sequence 1 from 0:00

Sequence 2 from 1:16

Frame at 1:21, shot 21:21
1 of 1 shots sampled

2. Cafe exterior

1:16–1:26 Machine checks passed

Model synopsis: A man in a white shirt and cap stands outside a building labeled 'CAFE', holding a cloth near a box. A train is visible on tracks in the background.

  • man stands holding a cloth near a box [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 3 from 1:26

Frame at 1:29, shot 31:29
1 of 1 shots sampled

3. Railway yard

1:26–1:32 Machine checks passed (partial)

Model synopsis: A steam locomotive is shown on railway tracks in a foggy or dusty environment. No people or dialogue are visible or audible in this beat.

  • A steam locomotive is stationary on railway tracks. [frame:1]

Evidence, details and a link to share

Sequence 4 from 1:32

Frame at 1:42, shot 41:42
1 of 1 shots sampled

4. Train

1:32–1:53 Machine checks passed

Model synopsis: Four men stand outdoors at night near a train; one holds a paper and speaks to a sheriff about a fugitive named John Brad. The group discusses the fugitive’s identity and expresses hope the sheriff will catch him.

Named: Sheriff (t:1:37). 4 people observed.

“Just got a wire that says you got a fugitive on board, bud.” 1:34 · “Guess we'll have to give you a train to watch over. All right, Sheriff, go ahead.” 1:37

Evidence, details and a link to share

Sequence 5 from 1:53

Frame at 1:56, shot 51:56
1 of 1 shots sampled

5. Other

1:53–2:00 Machine checks passed

Model synopsis: A single frame shows a large cylindrical object secured on a wooden structure. No people, dialogue, or clear location context are visible.

Evidence, details and a link to share

Sequence 6 from 2:00

Frame at 2:02, shot 62:02
1 of 1 shots sampled

6. Other

2:00–2:03 Machine checks passed

Model synopsis: A man in dark clothing leans forward over a patterned surface, visible in a single frame. No spoken dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 7 from 2:03

Frame at 2:10, shot 72:10
1 of 1 shots sampled

7. Railroad yard

2:03–2:16 Machine checks passed (partial)

Model synopsis: A man stands beside a freight train car while another walks along the tracks. The train cars are marked with 'SP' and numbers.

  • A man stands beside a freight car holding a rifle. [frame:1]
  • Another man walks along the train tracks. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 8 from 2:16

Frame at 2:17, shot 82:17Frame at 2:19, shot 92:19Frame at 2:28, shot 112:28Frame at 2:33, shot 122:33
4 of 5 shots sampled

8. Town square

2:16–2:37 Machine checks passed (partial)

Model synopsis: A man in dark clothing is seen in various outdoor locations including near horses and a freight car. He moves from a crouched position to standing and gesturing, while dialogue indicates he is about to leave.

  • man crouches and looks forward [frame:1]
  • horses stand tethered outside a building [frame:2]
  • man stands with arms outstretched inside a building [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“I'm going to go to the next one.” 2:17 · “I'm going to go.” 2:27

Evidence, details and a link to share

Frame at 2:39, shot 132:39Frame at 2:46, shot 142:46Frame at 2:55, shot 152:55Frame at 3:02, shot 163:02
4 of 4 shots sampled

9. Town square

2:37–3:05 Machine checks passed (partial)

Model synopsis: A person on horseback is urged to leave a town street and rides away into a hilly landscape. Other townspeople and horses are visible near buildings and a wagon.

  • A person rides a horse on a town street. [frame:1]
  • A horse and rider pass between large wagons. [frame:2]
  • Several men stand near horses and a wooden fence on the street. [frame:3]
  • 1 more under Evidence and details.

5 people observed.

“Hey, come on! Get my horse!” 2:38 · “- Hey, sir! - What about that? That way! Get out!” 2:49

Evidence, details and a link to share

Frame at 3:08, shot 173:08Frame at 3:18, shot 193:18Frame at 3:28, shot 223:28Frame at 3:33, shot 243:33
4 of 8 shots sampled

10. Field

3:05–3:34 Machine checks passed (partial)

Model synopsis: Two riders on horseback move across an open, dusty landscape with hills in the background; one rider is later seen alone on a ridge. A voice says they are going and expresses uncertainty about the other's actions.

  • Two people ride horses across a dusty field. [frame:1]
  • One rider gallops alone across the field. [frame:2]
  • Two riders ride side by side. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 3:12 · “I'm not sure what you're doing.” 3:27

Evidence, details and a link to share

Frame at 3:37, shot 253:37Frame at 3:41, shot 263:41
2 of 2 shots sampled

11. Field

3:34–3:42 Machine checks passed (partial)

Model synopsis: Two men on horseback discuss a plan to intercept someone by circling a hill; one declares he will go. The scene is set outdoors in a hilly, brushy landscape.

  • Two men on horseback are visible in a brushy field. [frame:1]
  • A lone rider moves across a hilly, brushy landscape. [frame:2]

2 people observed.

“He don't know this country very well. We'll go round the hill and head him off.” 3:35 · “I'm going to go.” 3:39

Evidence, details and a link to share

Sequence 9 from 3:42

Frame at 3:47, shot 273:47
1 of 1 shots sampled

12. Field

3:42–3:52 Machine checks passed (partial)

Model synopsis: A lone figure is seen moving up a steep, brush-covered slope. The shot is distant and the terrain appears rugged and open.

  • a figure moves up a steep, brush-covered slope [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 10 from 3:52

Frame at 3:59, shot 283:59
1 of 1 shots sampled

13. Brushy field

3:52–4:05 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves across an open, brushy landscape with hills in the background. No dialogue or on-screen text is present in this beat.

  • a rider on horseback moves across a field [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 11 from 4:05

Frame at 4:07, shot 294:07Frame at 4:11, shot 304:11
2 of 2 shots sampled

14. Field

4:05–4:12 Machine checks passed (partial)

Model synopsis: A person rides a horse across open terrain and then dismounts near water. The rider speaks of leaving, indicating departure.

  • Person rides horse across open ground [frame:1]
  • Person dismounts near water with horse [frame:2]

1 person observed.

“I'm going to go.” 4:05

Evidence, details and a link to share

Frame at 4:13, shot 314:13
1 of 1 shots sampled

15. Forest

4:12–4:14 Machine checks passed (partial)

Model synopsis: A man crouches on a rocky slope beside a horse, holding a rifle. The scene is outdoors in daylight, with trees and uneven ground visible.

  • A man crouches on a rocky slope holding a rifle. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 4:15, shot 324:15Frame at 4:19, shot 334:19Frame at 4:23, shot 344:23Frame at 4:30, shot 354:30
4 of 4 shots sampled

16. Riverbank

4:14–4:35 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat and dark clothing is seen near a horse beside a body of water, then departs on horseback, kicking up dust. The transcript repeats the line 'I'm going to go' at four points during this sequence.

  • A person stands beside a horse near a riverbank. [frame:1]
  • The person mounts the horse. [frame:2]
  • The riverbank is empty again. [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“I'm going to go.” 4:15 · “I'm going to go.” 4:19

Evidence, details and a link to share

Frame at 4:36, shot 364:36Frame at 4:41, shot 374:41Frame at 5:08, shot 385:08
3 of 3 shots sampled

17. Field

4:35–5:32 Machine checks passed (partial)

Model synopsis: A person is seen partially hidden in brush, then a body of water with disturbance, and finally a dim interior with a figure behind a post. The transcript includes repeated statements of intent to leave and an exclamation of alarm.

  • A person is partially visible among brush. [frame:1]
  • A body of water shows disturbance, possibly from a swimmer or object. [frame:2]
  • A figure is seen behind a post in a dimly lit interior space. [frame:3]

2 people observed.

“I'm going to go.” 4:37 · “I'm going to go.” 4:43

Evidence, details and a link to share

Frame at 5:35, shot 395:35
1 of 1 shots sampled

18. Other

5:32–5:38 Machine checks passed

Model synopsis: A person is visible in a dimly lit interior, leaning forward over an object. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 12 from 5:38

Frame at 5:39, shot 405:39
1 of 1 shots sampled

19. Brush

5:38–5:39 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is partially hidden among bushes. No dialogue or on-screen text is present in this beat.

  • man in cowboy hat peers through brush [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 13 from 5:39

Frame at 5:43, shot 415:43
1 of 1 shots sampled

20. Field

5:39–5:46 Machine checks passed

Model synopsis: Two men stand beside horses in an outdoor setting; one man adjusts a saddle while the other stands nearby. The scene is shot in black and white with high-contrast lighting.

  • A man adjusts a saddle on a horse while another man stands beside him. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 14 from 5:46

Frame at 5:47, shot 425:47
1 of 1 shots sampled

21. Other

5:46–5:49 Machine checks passed

Model synopsis: A single frame shows a dark, textured surface with small light specks, possibly water or a rough ground. No people, objects, or text are visible, and no events occur.

Evidence, details and a link to share

Sequence 15 from 5:49

Frame at 5:52, shot 435:52Frame at 5:59, shot 445:59Frame at 6:05, shot 456:05
3 of 3 shots sampled

22. Riverbank

5:49–6:08 Machine checks passed (partial)

Model synopsis: A man in Western attire stands near horses while another man gestures toward a river; a separate shot shows a man's face in shadow. The transcript includes fragmented dialogue about uncertainty and movement.

  • A man stands near horses on a dirt path. [frame:1]
  • A man's face is shown in shadow, possibly hanging or suspended. [frame:2]
  • Two men stand near a river, one pointing toward it. [frame:3]

3 people observed.

“What's that?” 5:49 · “I'm going to go to the next one.” 5:53

Evidence, details and a link to share

Frame at 6:17, shot 466:17Frame at 6:28, shot 476:28Frame at 6:30, shot 486:30
3 of 3 shots sampled

23. Lake

6:08–6:31 Machine checks passed (partial)

Model synopsis: A person falls into water with a splash, then two men in cowboy attire stand near a body of water, and a third man in a cowboy hat crouches in tall grass. One speaker says the fall 'got him' and suggests gathering others to drag the lake.

  • A person hits the water, causing a large splash. [frame:1]
  • Two men in cowboy attire stand near the water’s edge. [frame:2]
  • A man in a cowboy hat crouches in tall grass. [frame:3]

4 people observed.

“That got him.” 6:26 · “Let's go get some of the boys and drag the lake.” 6:29

Evidence, details and a link to share

Frame at 6:37, shot 496:37
1 of 1 shots sampled

24. Field

6:31–6:43 Machine checks passed (partial)

Model synopsis: A person on horseback moves through tall grass with trees in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse through tall grass. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 16 from 6:43

Frame at 6:47, shot 506:47
1 of 1 shots sampled

25. Field

6:43–6:51 Machine checks passed

Model synopsis: A person is partially visible crouching in tall grass. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 17 from 6:51

Frame at 6:55, shot 516:55
1 of 1 shots sampled

26. Forest

6:51–6:59 Machine checks passed (partial)

Model synopsis: A man in a hat and vest stands near a horse in a wooded area. The scene is outdoors and appears to be during the day.

  • A man stands near a horse in a wooded area. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 7:04, shot 527:04Frame at 7:18, shot 537:18Frame at 7:29, shot 547:29Frame at 7:34, shot 557:34
4 of 4 shots sampled

27. River

6:59–7:35 Machine checks passed (partial)

Model synopsis: Two men interact near a river; one helps the other out of the water, and they speak. One man is asked for his name, and 'Smith' is suggested as a common alias for travelers.

  • A man in a cowboy hat stands on a riverbank while another man is in the water. [frame:1]
  • The man on the bank pulls the wet man out of the river. [frame:2]
  • The two men stand face to face on the riverbank. [frame:3]
  • 1 more under Evidence and details.

Named: Smith (t:7:31). 2 people observed.

“Well?” 7:07 · “I guess you got me.” 7:09

Evidence, details and a link to share

Sequence 18 from 9:20

Frame at 10:06, shot 5910:06
1 of 1 shots sampled

30. Bar

9:20–10:51 Machine checks passed

Model synopsis: A group of men are gathered in a dimly lit interior space, possibly a saloon or camp, with one standing near a doorway and others seated at a table with cards and a bottle. Dialogue suggests they are discussing a getaway route, a new cook, and joining a card game.

Named: Smith (t:10:25). 5 people observed.

“I'm going to go.” 9:21 · “You can hold out the whole army with this setup.” 9:27

Evidence, details and a link to share

Sequence 19 from 10:51

Sequence 20 from 11:11

Sequence 21 from 11:21

Frame at 11:30, shot 6211:30Frame at 11:42, shot 6311:42Frame at 11:46, shot 6411:46
3 of 3 shots sampled

33. Bar

11:21–11:46 Machine checks flagged: quote not verbatim

Model synopsis: A man in a cowboy hat is involved in a physical altercation inside a dimly lit room with wooden furniture; another man in a plaid shirt watches as someone is restrained. Spoken lines indicate urgency and direction during the struggle.

  • A man in a cowboy hat grabs another man who is bent over. [frame:1]
  • The man in the cowboy hat swings at the bent-over man while the man in plaid watches. [frame:2]
  • The man in the cowboy hat stands upright, holding his side, as the man in plaid looks on. [frame:3]

4 people observed.

“I'm going to go.” 11:22 · “I can't do this, get off of that.” 11:31

Flagged: quote not verbatim (Get her, Danny. I got her.)

Evidence, details and a link to share

Sequence 22 from 11:46

Frame at 12:28, shot 6512:28Frame at 13:11, shot 6613:11
2 of 2 shots sampled

34. Private office

11:46–13:12 Machine checks passed (partial)

Model synopsis: Two men sit in an office with their feet up on a desk while a wanted poster for a stagecoach robber is shown. The transcript mentions a $1,000 reward for John Brandt, who escaped prison and is thought to have headed west.

  • Two men sit with feet on a desk in an office. [frame:1]
  • A wanted poster for Joseph Conlon is displayed. [frame:2]

Named: Joseph Conlon (frame:2). 3 people observed.

“I'm sorry.” 11:51 · “$1,000 reward will be paid for information” 12:29

Evidence, details and a link to share

Sequence 23 from 13:12

Frame at 13:17, shot 6713:17
1 of 1 shots sampled

35. Private office

13:12–13:22 Machine checks passed (partial)

Model synopsis: Two men are in a room; one sits in a chair while the other stands near a desk. A line mentions Brant and flyers from a trial.

  • One man sits in a chair while another stands near a desk. [frame:1]

Named: Brant (t:13:13). 2 people observed.

“You might have saved Brant if he'd only turned up and testified.” 13:13 · “These flyers, that's what Brandt said at the trial.” 13:16

Evidence, details and a link to share

Sequence 24 from 13:22

Frame at 13:49, shot 6813:49
1 of 1 shots sampled

36. Other

13:22–14:16 Machine checks passed (partial)

Model synopsis: Two men in cowboy attire are shown in a dimly lit interior, one drinking from a cup while the other handles a pot. Dialogue references a past fight, gratitude, and assigning tasks including watering horses and cooking.

  • One man drinks from a cup while another handles a pot. [frame:1]

2 people observed.

“You sure made that plenty hot for me.” 13:47 · “It was mighty fine of you to mix in that fight last night.” 13:52

Evidence, details and a link to share

Frame at 14:42, shot 6914:42
1 of 1 shots sampled

37. Other

14:16–15:07 Machine checks passed

Model synopsis: Two men in cowboy hats discuss a person named Smith, debating his character and planning a risky job together. One man vouches for Smith’s integrity and proposes they undertake a safe job alone, with instructions to meet at noon and a fallback location if trouble arises.

2 people observed.

“Just who is this fellow you call Smith?” 14:17 · “I know his name ain't Smith.” 14:21

Evidence, details and a link to share

Sequence 25 from 15:07

Sequence 26 from 15:25

Frame at 15:27, shot 7115:27
1 of 1 shots sampled

39. Shop

15:25–15:28 Machine checks passed (partial)

Model synopsis: A man in a dark coat walks through a cluttered shop with shelves of bottles and stacked goods. The scene is lit by interior lighting and shows no visible windows or time indicators.

  • man walks through shop aisle [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 15:29, shot 7215:29
1 of 1 shots sampled

40. Shop

15:28–15:30 Machine checks passed

Model synopsis: A person stands behind a counter in a shop with shelves of bottles visible. The scene is lit by studio lighting and shot in black and white.

1 person observed.

Evidence, details and a link to share

Sequence 27 from 15:30

Frame at 15:31, shot 7315:31
1 of 1 shots sampled

41. Shop

15:30–15:33 Machine checks passed

Model synopsis: A man stands inside a store with shelves of bottles and jars behind him. The scene is lit with studio lighting and shows no exterior view or time indicator.

1 person observed.

Evidence, details and a link to share

Frame at 15:44, shot 7415:44
1 of 1 shots sampled

42. Shop

15:33–15:55 Machine checks passed (partial)

Model synopsis: Two men in a store discuss looking at something and mention rutabaga; one decides to leave. The setting is an interior shop with shelves of goods visible.

  • Two men stand facing each other in a shop with shelves of goods behind them. [frame:1]

2 people observed.

“Were you gentlemen interested in looking at something?” 15:33 · “Have you any rutabaga?” 15:36

Evidence, details and a link to share

Sequence 28 from 15:55

Sequence 29 from 16:05

Sequence 30 from 16:14

Sequence 31 from 16:38

Frame at 16:54, shot 8216:54
1 of 1 shots sampled

47. Shop

16:50–16:57 Machine checks passed

Model synopsis: Two men stand inside a store; one wears a cowboy hat and vest, the other a dark hat and coat, holding a bundle. No dialogue is present in this beat.

2 people observed.

Evidence, details and a link to share

Frame at 17:03, shot 8317:03
1 of 1 shots sampled

48. Shop

16:57–17:09 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats face each other in a shop with shelves of bottles behind them. One man says 'Hey.'

  • Two men in cowboy hats stand facing each other in a shop. [frame:1]

2 people observed.

“Hey.” 17:03

Evidence, details and a link to share

Sequence 32 from 17:09

Frame at 17:25, shot 8417:25
1 of 1 shots sampled

49. Shop

17:09–17:41 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats hold stacks of boxes while a woman in a dress speaks to them in what appears to be a shop. One man says he will pay for the items next time, and the woman states the price is $10 each.

  • Two men hold stacks of boxes while a woman gestures toward them. [frame:1]

3 people observed.

“They do the eggs.” 17:16 · “Are you sure you wouldn't catch one of these hat band's?” 17:20

Evidence, details and a link to share

Sequence 33 from 17:41

Frame at 17:45, shot 8517:45
1 of 1 shots sampled

50. Shop

17:41–17:48 Machine checks passed

Model synopsis: A person in a dark hat and coat stands with their back to the camera inside a room with shelves and two men in cowboy hats visible behind a counter. One of the men says they are going to leave.

3 people observed.

“I'm going to go.” 17:46

Evidence, details and a link to share

Sequence 34 from 17:48

Frame at 17:49, shot 8617:49
1 of 1 shots sampled

51. Beat 51

17:48–17:50 Machine checks passed

Model synopsis: A person in a shirt and gloves holds wooden blocks near a decorated belt. No dialogue or location context is provided in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 35 from 17:50

Frame at 17:54, shot 8717:54
1 of 1 shots sampled

52. Shop

17:50–17:59 Machine checks passed

Model synopsis: A man in a cowboy hat holds packages while another man leans over a counter; one says 'I'm sorry.' The setting appears to be a shop interior.

  • A man in a cowboy hat stands holding packages while another man leans over a counter. [frame:1]

2 people observed.

“I'm sorry.” 17:53

Evidence, details and a link to share

Sequence 36 from 17:59

Frame at 18:05, shot 8818:05
1 of 1 shots sampled

53. Shop

17:59–18:10 Machine checks passed (partial)

Model synopsis: A man and a woman converse across a counter in what appears to be a shop; the woman notes the man's limp and suggests he needs liniment for rheumatism. The man reacts with surprise at her observation.

  • A man stands at a counter facing a woman. [frame:1]

Named: Miss Daly (t:18:04). 2 people observed.

“I suppose you want more liniment for that rheumatism of yours.” 18:01 · “Well, how'd you guess it, Miss Daly? You're limping like that. Oh.” 18:04

Evidence, details and a link to share

Sequence 37 from 18:10

Frame at 18:14, shot 8918:14
1 of 1 shots sampled

54. Kitchen

18:10–18:18 Machine checks passed

Model synopsis: A woman in a patterned blouse with dark trim is visible in a dimly lit interior with shelves of jars and folded linens behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 38 from 18:18

Frame at 18:19, shot 9018:19
1 of 1 shots sampled

55. Other

18:18–18:20 Machine checks passed (partial)

Model synopsis: A hand holds a rolled paper with handwritten text; another hand gestures above it. No dialogue or named characters are present in this beat.

  • A hand holds a rolled paper with handwritten text while another hand gestures above it. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 39 from 18:20

Sequence 40 from 19:06

Frame at 20:11, shot 9220:11Frame at 21:21, shot 9321:21
2 of 2 shots sampled

57. Private office

19:06–21:25 Machine checks passed (partial)

Model synopsis: A person is seen in shadow indoors, then a man on horseback rides away from a building at night. Dialogue suggests a plan to wait in the dark and an escape, with one character urging another to hide at 'Blind Pete'.

  • A man in shadow turns his head slightly. [frame:1]
  • A man rides a horse away from a building with a fence and trees. [frame:2]

2 people observed.

“But without any lights on.” 19:18 · “Your light, Jay.” 19:42

Evidence, details and a link to share

Sequence 41 from 21:25

Sequence 42 from 21:34

Frame at 22:08, shot 9622:08Frame at 22:38, shot 9722:38Frame at 23:14, shot 9823:14
3 of 3 shots sampled

60. Bedroom

22:04–23:24 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest is seen in a room with another man; they speak about a planned robbery of a stagecoach. One man writes a note while the other prepares to leave, but is told to wait because of the upcoming job.

  • A hand writes a note on paper. [frame:1]
  • A man in a cowboy hat walks through a doorway. [frame:2]
  • Two men stand in a bedroom; one faces the other near a bed and dresser. [frame:3]

2 people observed.

“- How are you, partner? - Oh, I'm feeling great.” 22:37 · “And I'll sure be glad to get out of this place.” 22:40

Evidence, details and a link to share

Sequence 43 from 23:54

Frame at 24:01, shot 10024:01
1 of 1 shots sampled

62. Dirt road through brushland

23:54–24:08 Machine checks passed (partial)

Model synopsis: A vehicle and riders move along a dirt road in a brushy, hilly landscape. No people are clearly visible, and no dialogue or on-screen text is present.

  • A vehicle and riders are seen moving along a dirt road. [frame:1]

Evidence, details and a link to share

Sequence 44 from 24:08

Frame at 24:15, shot 10124:15Frame at 24:28, shot 10224:28Frame at 24:41, shot 10324:41
3 of 3 shots sampled

63. Road

24:08–24:48 Machine checks passed (partial)

Model synopsis: A group of riders travels along a dirt road in a hilly, brush-covered landscape. One person on foot appears to be signaling or reacting to something off-camera while others are in a horse-drawn wagon.

  • A group of riders is seen moving along a dirt road in a hilly area. [frame:1]
  • A man on foot raises his hand as if signaling or reacting to something. [frame:2]
  • A horse-drawn wagon with two occupants travels along a dirt road. [frame:3]

2 people observed.

“I'm going to go.” 24:11 · “Oh, it's working right here. Oh, hold it. Oh. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it.” 24:21

Evidence, details and a link to share

Frame at 24:53, shot 10424:53Frame at 25:03, shot 10525:03
2 of 2 shots sampled

64. Field

24:48–25:06 Machine checks passed (partial)

Model synopsis: A group of men in hats and vests crouch behind sagebrush in a dry, open area; one man lies prone in the brush. A voice says they have a few minutes to get ready and that he is going to go.

  • Men crouch behind sagebrush. [frame:1]
  • A man lies prone in sagebrush. [frame:2]

5 people observed.

“Just a few minutes, boys, so get ready.” 24:55 · “I'm going to go.” 24:59

Evidence, details and a link to share

Frame at 25:10, shot 10625:10
1 of 1 shots sampled

65. Field

25:06–25:13 Machine checks passed (partial)

Model synopsis: A lone rider on horseback moves along a dirt trail in a hilly, brush-covered landscape. The scene is shot in black and white with no visible structures or other people.

  • A rider on horseback moves along a dirt trail in a hilly landscape. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 45 from 25:13

Frame at 25:13, shot 10725:13
1 of 1 shots sampled

66. Brush

25:13–25:14 Machine checks passed

Model synopsis: A person is partially visible through dense brush in a single frame. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 46 from 25:14

Frame at 25:15, shot 10825:15
1 of 1 shots sampled

67. Trail in hilly terrain

25:14–25:17 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves along a dusty trail in a hilly, open landscape. No dialogue or on-screen text is present in this beat.

  • Riders on horseback move along a dusty trail. [frame:1]

4 people observed.

Evidence, details and a link to share

Sequence 47 from 25:17

Sequence 48 from 25:33

Frame at 25:41, shot 11025:41
1 of 1 shots sampled

69. Road

25:33–25:49 Machine checks passed (partial)

Model synopsis: A man stands on a moving wagon holding a gun while two others sit in front; spoken lines suggest a robbery or confrontation with road agents. The scene includes dialogue about scaring road agents and discarding a gun and money box.

  • A man stands on a wagon holding a gun while two others sit in front. [frame:1]

3 people observed.

“Road agents haven't been very active lately, haven't they?” 25:33 · “Ah, we got them scared.” 25:36

Evidence, details and a link to share

Sequence 49 from 25:49

Frame at 25:52, shot 11125:52Frame at 26:00, shot 11226:00Frame at 26:15, shot 11326:15Frame at 26:25, shot 11426:25
4 of 4 shots sampled

70. Road

25:49–26:27 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat speaks while standing outdoors; another man walks through brush near a wagon, then two riders approach on a dirt road, and a man bends over a box in the grass. The transcript includes lines about driving straight, leaving, and a good haul.

  • A man in a cowboy hat stands and speaks. [frame:1]
  • A man walks through brush near a wagon. [frame:2]
  • Two riders approach on a dirt road. [frame:3]
  • 1 more under Evidence and details.

4 people observed.

“Keep driving straight ahead and don't look back.” 25:49 · “I'm going to go.” 26:01

Evidence, details and a link to share

Frame at 26:31, shot 11526:31Frame at 26:40, shot 11626:40
2 of 2 shots sampled

71. Field

26:27–26:44 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat and belt is seen from behind, leaning against a large tree trunk. Later, a horse is shown running away from the camera down a dirt path under trees. The person speaks twice, saying they are going to go.

  • A person leans against a large tree trunk. [frame:1]
  • A horse runs away from the camera down a dirt path. [frame:2]

1 person observed.

“I'm going to go.” 26:29 · “I'm going to go.” 26:37

Evidence, details and a link to share

Sequence 50 from 26:44

Frame at 26:52, shot 11726:52Frame at 27:11, shot 11827:11
2 of 2 shots sampled

72. Forest

26:44–27:22 Machine checks passed

Model synopsis: A group of men in cowboy hats are gathered outdoors, discussing a theft and planning to split up to find the culprit. One man is identified as a 'blind thief' and another is told to inform 'Smith' about the situation.

Named: Chief (t:26:49), Smith (t:27:05). 9 people observed.

“I tell you, he came up behind us.” 26:45 · “He must be telling the truth, Chief.” 26:49

Evidence, details and a link to share

Sequence 51 from 27:22

Frame at 27:34, shot 11927:34Frame at 27:49, shot 12027:49
2 of 2 shots sampled

73. Brush and wooden building exterior

27:22–27:53 Machine checks passed (partial)

Model synopsis: A person on horseback moves through brush, then a man in a hat walks toward a wooden building's door. The transcript includes brief dialogue about preparing to leave and someone stating they are going to go.

  • person rides horse through brush [frame:1]
  • man walks toward wooden building door [frame:2]

2 people observed.

“- Okay. - All set, Jack, wait. - Okay.” 27:28 · “I'm going to go.” 27:40

Evidence, details and a link to share

Sequence 52 from 27:53

Frame at 27:55, shot 12127:55
1 of 1 shots sampled

74. Shop

27:53–27:57 Machine checks passed

Model synopsis: A woman stands behind a counter in a shop filled with canned goods and jars. No dialogue or action is recorded in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 53 from 27:57

Frame at 28:03, shot 12228:03Frame at 28:15, shot 12328:15Frame at 28:28, shot 12428:28Frame at 28:37, shot 12528:37
4 of 4 shots sampled

75. Shop

27:57–28:39 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat is seen inside a room, then outdoors on horseback, and later holding his hat beside a horse; a woman in a white dress is visible behind a counter. A man in a vest and cowboy hat stands in a cluttered room holding a rifle. The transcript includes repeated apologies and a call for someone named Sally to come out.

  • A woman in a white dress stands behind a counter in a shop, smiling at a man in a cowboy hat. [frame:1]
  • A man rides a horse outdoors on a dirt path with hills in the background. [frame:2]
  • A man in a vest and tie stands beside a horse, holding a cowboy hat. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm sorry.” 27:59 · “I'm sorry.” 28:02

Evidence, details and a link to share

Frame at 28:44, shot 12628:44Frame at 28:51, shot 12728:51Frame at 28:56, shot 12828:56Frame at 29:08, shot 12929:08
4 of 4 shots sampled

76. Outdoor rustic setting

28:39–29:17 Machine checks passed (partial)

Model synopsis: A man and a woman converse outdoors near a tree and a wooden structure; the man prepares to leave and is given a hat. The dialogue references jail, a gang, a pal, and a meeting place in a tree hollow.

  • The man stands near a tree while the woman sits on a bench. [frame:1]
  • The woman speaks, looking toward the man. [frame:2]
  • The man looks down, appearing thoughtful or troubled. [frame:3]
  • 1 more under Evidence and details.

Named: Ben (t:29:09). 2 people observed.

“He could have saved me if he'd have wanted, but he let me go to jail.” 28:40 · “Why do you have to associate with that gang?” 28:51

Evidence, details and a link to share

Sequence 54 from 29:17

Frame at 29:22, shot 13029:22Frame at 29:32, shot 13129:32Frame at 29:41, shot 13229:41
3 of 3 shots sampled

77. Private office

29:17–29:43 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest walks through an interior space with wooden furniture and a mirror, while another person is seated at a table. The transcript includes fragmented dialogue about 'more payers' and instructions to 'get back down' and 'come on.'

  • A man in a cowboy hat walks toward a door. [frame:1]
  • A person walks across a room with wooden furniture while another sits at a table. [frame:2]
  • A person stands near a doorway beside a dresser with a mirror. [frame:3]

3 people observed.

“Right now. More payers.” 29:26 · “Why, get back down.” 29:29

Evidence, details and a link to share

Sequence 55 from 29:45

Frame at 29:45, shot 13429:45
1 of 1 shots sampled

79. Other

29:45–29:46 Machine checks passed

Model synopsis: A close-up of a dark cowboy hat with a decorative band is shown against a plain wooden background. No people, dialogue, or actions are visible in this single frame.

Evidence, details and a link to share

Sequence 56 from 29:46

Frame at 30:38, shot 14230:38Frame at 30:47, shot 14330:47
2 of 2 shots sampled

83. Bedroom

30:30–30:48 Machine checks passed

Model synopsis: A man in a cowboy hat stands near a bed in a dimly lit room while another man sits in a chair; dialogue references Baltimore and a woman who double-crossed someone years ago. No names are spoken that can be assigned to the visible individuals.

  • A man in a cowboy hat stands near a bed in a bedroom. [frame:1]
  • A man sits in a chair, looking toward the camera. [frame:2]

2 people observed.

“Maybe you're right.” 30:31 · “I might have been, though, if a woman hadn't double-crossed me.” 30:33

Evidence, details and a link to share

Frame at 30:53, shot 14430:53Frame at 30:59, shot 14530:59Frame at 31:04, shot 14631:04Frame at 31:07, shot 14731:07
4 of 4 shots sampled

84. Private office

30:48–31:09 Machine checks passed

Model synopsis: A man in a cowboy hat and vest speaks about fleeing after killing a man named Smith, while another man in a dark shirt listens. The scene takes place indoors, with both men seated and the conversation focused on a past crime and fugitive status.

Named: Conlon (t:31:07). 2 people observed.

“I came out here to regain my health.” 30:50 · “When I went back, I found my wife in the arms of another man.” 30:54

Evidence, details and a link to share

Frame at 31:25, shot 15131:25Frame at 31:49, shot 15231:49
2 of 2 shots sampled

86. Bedroom

31:22–32:09 Machine checks passed (partial)

Model synopsis: A man sits in a chair while another man enters a room carrying a bag; dialogue suggests they are discussing giving up a dangerous line of work. One man mentions receiving a note from 'Blind Pete's.'

  • A man sits in a chair in a bedroom. [frame:1]
  • A man enters the bedroom carrying a bag. [frame:2]

2 people observed.

“You know we ought to give up this racket, though.” 31:44 · “Gonna lead his boat to a rope necktie one of these days.” 31:47

Evidence, details and a link to share

Frame at 32:19, shot 15332:19
1 of 1 shots sampled

87. Mine

32:09–32:29 Machine checks passed

Model synopsis: A man in a cowboy hat and neckerchief speaks about striking gold and retiring, while others listen in a dimly lit, rocky interior. The transcript indicates plans to ship gold via stagecoach and dismisses a character named Walt winning back money at cards.

Named: Walt (t:32:21). 2 people observed.

“Well, boys.” 32:11 · “We struck it rich.” 32:12

Evidence, details and a link to share

Frame at 32:39, shot 15432:39
1 of 1 shots sampled

88. Private office

32:29–32:50 Machine checks passed

Model synopsis: Two men in cowboy hats converse in a dimly lit interior; one suspects the other is an informant. A line mentions needing a handball, suggesting a planned activity or distraction.

  • Two men in cowboy hats face each other in conversation. [frame:1]

2 people observed.

“I'm afraid of that guy.” 32:29 · “Ever since he's been here, somebody's been tipping off the sheriff. I think he's a stool pigeon.” 32:32

Evidence, details and a link to share

Frame at 32:55, shot 15532:55
1 of 1 shots sampled

89. Private office

32:50–32:59 Machine checks passed

Model synopsis: A man in Western attire stands inside a dimly lit wooden structure, holding a hat and looking downward. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 57 from 32:59

Sequence 58 from 33:25

Frame at 33:31, shot 15733:31Frame at 33:41, shot 15833:41
2 of 2 shots sampled

91. Forest

33:25–33:45 Machine checks passed (partial)

Model synopsis: Two men are shown in a rocky outdoor setting; one wears a cowboy hat and vest, the other a shirt and trousers with a gun belt. No names are spoken, and no time of day or period is established from the frames or transcript.

  • A man in a cowboy hat stands beside another man in a rocky area. [frame:1]
  • A man in a shirt and trousers stands with hands on hips, gun visible at his side. [frame:2]

2 people observed.

“Oh,” 33:36 · “the day” 33:45

Evidence, details and a link to share

Frame at 33:47, shot 15933:47Frame at 34:00, shot 16034:00
2 of 2 shots sampled

92. Other

33:45–34:11 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest stands in a wooden doorway, then interacts with another man who is crouched near a rock wall. The dialogue suggests one is preparing to go shopping for eggs, though the context implies deception.

  • A man in a cowboy hat stands in a doorway. [frame:1]
  • The same man stands near another man who is crouched and holding something up to his face. [frame:2]

2 people observed.

“What are you getting all slicked up for?” 33:49 · “Oh, I'm just going shopping.” 33:52

Evidence, details and a link to share

Frame at 34:13, shot 16134:13
1 of 1 shots sampled

93. Other

34:11–34:15 Machine checks passed

Model synopsis: A man in a cowboy hat and vest is shown in profile against a dark background with two vases on a shelf. No dialogue or action is visible in this single frame.

1 person observed.

Evidence, details and a link to share

Sequence 59 from 34:15

Frame at 34:18, shot 16234:18
1 of 1 shots sampled

94. Living room

34:15–34:22 Machine checks passed

Model synopsis: A man in a cowboy hat and vest stands inside a rustic wooden room holding a rifle. The room contains a table with dishes and a hanging pan, suggesting a simple living or cooking space.

1 person observed.

Evidence, details and a link to share

Sequence 60 from 34:22

Frame at 34:38, shot 16334:38
1 of 1 shots sampled

95. Field

34:22–34:54 Machine checks passed

Model synopsis: Two men in cowboy hats converse outdoors; one plans to follow another to verify his loyalty regarding a bullion job. The dialogue indicates a stagecoach will be moved that afternoon, and a signal will be sent if the followed man returns alone.

2 people observed.

“Chief, I'm beginning to think maybe you were right about Smith.” 34:28 · “Sure took you a long time to get wise to yourself, didn't it?” 34:32

Evidence, details and a link to share

Sequence 61 from 34:54

Sequence 62 from 35:20

Frame at 35:30, shot 16535:30
1 of 1 shots sampled

97. Private office

35:20–35:39 Machine checks passed

Model synopsis: Two men in a room discuss a person named Brad, believing he may be alive and seen at a store during a hold-up; they decide to take handbills to talk to someone named Sally. The setting appears to be an interior space with a door and wall decor visible.

  • Two men stand in a room discussing Brad and deciding to take handbills to Sally. [frame:1]

2 people observed.

“You know, I believe that fellow Brad is still alive.” 35:22 · “Look to me like it is him at the door the night of the store hold-up.” 35:25

Evidence, details and a link to share

Sequence 63 from 35:39

Frame at 35:41, shot 16635:41
1 of 1 shots sampled

98. Street

35:39–35:43 Machine checks passed (partial)

Model synopsis: A man on horseback rides past a building in a dusty outdoor setting. No dialogue or on-screen text is present in this beat.

  • man on horse rides past building [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 35:46, shot 16735:46Frame at 35:50, shot 16835:50Frame at 35:54, shot 16935:54
3 of 3 shots sampled

99. Other

35:43–35:57 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat stands near a horse and a post, then walks past stacked crates toward a building, while another shot shows a person in a hat partially hidden in bushes. No names are spoken, and the setting appears to be an outdoor area with structures and vegetation.

  • A man in a cowboy hat stands beside a horse and a post. [frame:1]
  • The man walks past stacked crates toward a building. [frame:2]
  • A person in a hat is seen among bushes. [frame:3]

2 people observed.

“Oh, my God.” 35:47

Evidence, details and a link to share

Sequence 64 from 35:57

Frame at 35:59, shot 17035:59
1 of 1 shots sampled

100. Other

35:57–36:01 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and uniform stands in the doorway of a wooden building. Barrels and a crate are visible on the porch and ground nearby.

  • A man stands in the doorway of a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 65 from 36:01

Frame at 36:04, shot 17136:04
1 of 1 shots sampled

101. Shop

36:01–36:06 Machine checks passed

Model synopsis: A man in a hat stands behind a counter in a shop filled with goods, viewed through a window. Another man in a hat is visible in the background near shelves.

2 people observed.

Evidence, details and a link to share

Sequence 66 from 36:06

Sequence 67 from 36:11

Frame at 36:13, shot 17336:13
1 of 1 shots sampled

103. Shop

36:11–36:15 Machine checks passed

Model synopsis: A man in a hat stands behind a counter in a shop while two other men in hats stand in front of it. No dialogue or on-screen text is present in this beat.

3 people observed.

Evidence, details and a link to share

Sequence 68 from 36:15

Sequence 69 from 36:20

Frame at 36:21, shot 17536:21
1 of 1 shots sampled

105. Wooden building exterior

36:20–36:22 Machine checks passed (partial)

Model synopsis: A person in light-colored pants and dark boots leans over a barrel outside a wooden building. The scene is outdoors, with no visible text or spoken dialogue in this beat.

  • A person leans over a barrel outside a wooden building. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 70 from 36:22

Frame at 36:23, shot 17636:23Frame at 36:37, shot 17736:37
2 of 2 shots sampled

106. Outdoor setting with trees and stone wall

36:22–36:50 Machine checks passed (partial)

Model synopsis: A person in a cowboy hat is seen among trees, then a man in a hat and shirt stands near a wooden box against a stone wall. A voice asks someone to deliver something to Miss Sally personally.

  • A person in a cowboy hat is visible among trees. [frame:1]
  • A man stands near a wooden box against a stone wall. [frame:2]

Named: Miss Sally (t:36:40). 2 people observed.

“I'm going to go.” 36:23 · “Hey, buddy.” 36:37

Evidence, details and a link to share

Sequence 71 from 36:50

Sequence 72 from 37:06

Frame at 37:09, shot 17937:09
1 of 1 shots sampled

108. Beat 108

37:06–37:12 Machine checks passed

Model synopsis: A handwritten note is shown, requesting a meeting at 'blind Pits' and signed 'Smith'. No people, places, or events beyond the note are visible or mentioned.

Evidence, details and a link to share

Sequence 73 from 37:12

Frame at 37:14, shot 18037:14
1 of 1 shots sampled

109. Shop

37:12–37:15 Machine checks passed

Model synopsis: A woman in a light blouse reads a paper inside a shop with shelves of bottles behind her. No dialogue or on-screen text is present in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 74 from 37:15

Frame at 37:18, shot 18137:18
1 of 1 shots sampled

110. Bar

37:15–37:21 Machine checks passed

Model synopsis: Two men in Western attire stand facing each other indoors. One wears a suit and hat; the other wears a vest with a star badge and a hat.

2 people observed.

Evidence, details and a link to share

Sequence 75 from 37:21

Frame at 37:23, shot 18237:23Frame at 37:29, shot 18337:29
2 of 2 shots sampled

111. Shop

37:21–37:34 Machine checks passed

Model synopsis: A woman is asked by a sheriff to identify two men in a store. The scene takes place inside a shop with shelves of goods visible.

  • The woman looks down, appearing hesitant or thoughtful. [frame:1]
  • The sheriff holds papers and speaks to the woman while two men stand nearby. [frame:2]

Named: Miss Sally (t:37:26), Sheriff (t:37:26). 4 people observed.

“Did you want something, Sheriff?” 37:24 · “Why, yes, Miss Sally.” 37:26

Evidence, details and a link to share

Sequence 76 from 37:34

Frame at 37:36, shot 18437:36
1 of 1 shots sampled

112. Other

37:34–37:39 Machine checks passed

Model synopsis: A close-up of a newspaper with two 'WANTED' posters is shown. One poster is for a 'STAGE HOLDUP' and the other for an 'ESCAPED CONVICT', both featuring mugshots and reward details.

Evidence, details and a link to share

Sequence 77 from 37:39

Frame at 37:41, shot 18537:41Frame at 37:50, shot 18637:50
2 of 2 shots sampled

113. Private office

37:39–37:56 Machine checks passed (partial)

Model synopsis: A woman and two men stand in a room with bookshelves; one man holds a notepad. The woman speaks to the men, and one man responds. No names are spoken that identify the individuals.

  • A woman looks down at papers in a room with bookshelves. [frame:1]
  • The woman speaks to two men; one man holds a notepad, the other wears a star badge. [frame:2]

Named: Miss Salley (t:37:50). 3 people observed.

“I don't think these are the men, Sheriff. Sheriff.” 37:40 · “I don't believe I can resume.” 37:44

Evidence, details and a link to share

Sequence 78 from 37:56

Frame at 38:02, shot 18738:02
1 of 1 shots sampled

114. Sidewalk

37:56–38:08 Machine checks passed

Model synopsis: Two men walk side by side on a wooden sidewalk; one wears a sheriff's star. A third man walks away in the background. The transcript mentions a person named Sally and suggests someone may be withholding information.

  • Two men walk side by side on a wooden sidewalk; one wears a sheriff's star. [frame:1]

3 people observed.

“I've known Sally since she was so high. It's kind of hard to believe, but she knows more than she's telling us.” 37:57 · “Maybe we ought to trailer.” 38:04

Evidence, details and a link to share

Sequence 79 from 38:08

Frame at 38:13, shot 18838:13
1 of 1 shots sampled

115. Shop

38:08–38:18 Machine checks passed

Model synopsis: A woman stands in a shop with shelves of goods behind her. No dialogue or action is visible in the single frame provided.

1 person observed.

Evidence, details and a link to share

Sequence 80 from 38:18

Frame at 38:19, shot 18938:19Frame at 38:23, shot 19038:23Frame at 38:30, shot 19138:30
3 of 3 shots sampled

116. Street

38:18–38:33 Machine checks flagged: name not grounded

Model synopsis: Two men in Western attire stand on a wooden boardwalk and speak; one says he is going to leave. In the background, horses and a wagon are visible on a dirt street with storefronts.

  • A man in a suit speaks to a man in a cowboy hat on a boardwalk. [frame:1]
  • Horses and a wagon are visible on the street; a man walks away from the camera. [frame:2]
  • The two men face each other and appear to shake hands. [frame:3]

Named: none, none, none, none. 4 people observed.

“I'm going to go.” 38:19

Flagged: name not grounded (none); name not grounded (none); name not grounded (none); name not grounded (none)

Evidence, details and a link to share

Sequence 81 from 38:33

Sequence 82 from 38:45

Frame at 38:46, shot 19338:46
1 of 1 shots sampled

118. Forest

38:45–38:48 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat rides a horse through trees. The scene is outdoors and shot in black and white.

  • man rides horse through trees [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 83 from 38:48

Frame at 38:53, shot 19438:53
1 of 1 shots sampled

119. Rural road near building

38:48–38:58 Machine checks passed (partial)

Model synopsis: A vehicle is seen driving through a dusty area near trees and a building. No people or spoken dialogue are visible or audible in this beat.

  • A vehicle drives through dust near trees and a building. [frame:1]

Evidence, details and a link to share

Sequence 84 from 38:58

Frame at 39:00, shot 19539:00
1 of 1 shots sampled

120. Bar

38:58–39:02 Machine checks passed

Model synopsis: A man in a cowboy hat stands near a doorway in a dimly lit saloon while a man in an apron stands near a table. No dialogue or on-screen text is present in this beat.

2 people observed.

Evidence, details and a link to share

Sequence 85 from 39:02

Frame at 39:02, shot 19639:02
1 of 1 shots sampled

121. Private office

39:02–39:03 Machine checks passed

Model synopsis: A man in a cowboy hat sits at a table in a dimly lit room with a wall-mounted telephone and a framed portrait. No dialogue or action is recorded in this beat.

1 person observed.

Evidence, details and a link to share

Sequence 86 from 39:03

Frame at 39:05, shot 19739:05
1 of 1 shots sampled

122. Bar

39:03–39:07 Machine checks passed

Model synopsis: A man in a cowboy hat and vest stands in a dimly lit saloon with round tables and chairs. Another person is partially visible on the left edge of the frame.

2 people observed.

Evidence, details and a link to share

Sequence 87 from 39:07

Sequence 88 from 39:32

Frame at 39:37, shot 19939:37
1 of 1 shots sampled

124. Field

39:32–39:41 Machine checks passed

Model synopsis: A single outdoor frame shows a vehicle partially obscured by trees and foliage. No people, dialogue, or on-screen text are visible in the frame.

Evidence, details and a link to share

Sequence 89 from 39:41

Sequence 90 from 39:51

Frame at 39:53, shot 20139:53Frame at 40:10, shot 20440:10Frame at 40:31, shot 20640:31Frame at 40:40, shot 20940:40
4 of 9 shots sampled

126. Bar

39:51–40:40 Machine checks passed (partial)

Model synopsis: A man named John is warned by Sally that the sheriff is after him, then confronts armed men who identify him as Brant; one man is knocked down and another is told to leave. The scene takes place indoors in a room with tables and a wall clock.

  • A man is struck and falls to the floor. [frame:3]
  • Conlon stands over the fallen man while Tom is told to leave. [frame:4]

Named: John (t:39:51), Sally (t:40:03), Brant (t:40:15), Conlon (t:40:17), Tom (t:40:37). 6 people observed.

“Oh, John, you've got to get out of here. The sheriff is after you.” 39:51 · “All right, Sally. Put up your hands, boys. The game's up.” 40:03

Evidence, details and a link to share

Sequence 91 from 40:40

Frame at 40:44, shot 21040:44
1 of 1 shots sampled

127. Wooden structure with trees

40:40–40:47 Machine checks passed (partial)

Model synopsis: A person on horseback approaches a wooden structure with another horse tied nearby; the scene is outdoors under trees. No dialogue or on-screen text is present in this beat.

  • Person on horseback approaches wooden structure [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 92 from 40:47

Frame at 40:49, shot 21140:49
1 of 1 shots sampled

128. Bar

40:47–40:51 Machine checks passed (partial)

Model synopsis: A man in a dark suit runs through a dimly lit room with wooden furniture while another man follows behind. No dialogue or on-screen text is present in this beat.

  • A man in a dark suit runs through a room with wooden furniture. [frame:1]
  • Another man follows behind the running man. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 93 from 40:51

Frame at 40:53, shot 21240:53
1 of 1 shots sampled

129. Gate entrance

40:51–40:55 Machine checks passed (partial)

Model synopsis: A person on horseback rides past a stone pillar and gate structure. Dust is kicked up by the horse's hooves, suggesting motion on a dry surface.

  • A person rides a horse past a stone gate, kicking up dust. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 40:56, shot 21340:56Frame at 41:01, shot 21541:01Frame at 41:03, shot 21641:03Frame at 41:09, shot 21841:09
4 of 6 shots sampled

130. Sidewalk

40:55–41:12 Machine checks passed (partial)

Model synopsis: A man on horseback departs from a shaded structure while another man runs after him; later, a horse and rider gallop through water and across a field. The transcript indicates intent to form a posse and repeated declarations of departure.

  • A man on horseback sits near a shaded structure. [frame:1]
  • A man runs after the horseback rider. [frame:2]
  • A horse and rider gallop through shallow water, splashing. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 40:57 · “Come on, we'll get a posse.” 41:05

Evidence, details and a link to share

Frame at 41:14, shot 21941:14
1 of 1 shots sampled

131. Forest

41:12–41:17 Machine checks passed

Model synopsis: A person on horseback is visible under trees in a wooded area. No dialogue or on-screen text is present in this beat.

  • A person on horseback is visible under trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 41:27, shot 22041:27
1 of 1 shots sampled

132. Brush

41:17–41:36 Machine checks passed

Model synopsis: Two men in Western attire discuss a plan to evade pursuers; one will ride to a corral and then to an abandoned mine, while the other will circle to distract pursuers. One man is mounted on a horse, the other stands beside him in brush.

Named: John (t:41:33). 2 people observed.

“If there is a poppy, we ain't got a chance mounted like this.” 41:21 · “You head for the corral on foot. Get a horse and make for the abandoned mine while I circle around and draw off these star packers. Well, w…” 41:25

Evidence, details and a link to share

Frame at 41:43, shot 22141:43Frame at 41:57, shot 22241:57
2 of 2 shots sampled

133. Forest

41:36–42:04 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest stands near a horse, then a group of men with horses is shown under trees. One man says he is going, after being asked if they are ready.

  • A man in a cowboy hat stands near a horse. [frame:1]
  • A group of men with horses stands under trees. [frame:2]

2 people observed.

“- Are you all ready, boys? - Yeah.” 41:49 · “Yeah.” 42:03

Evidence, details and a link to share

Frame at 42:08, shot 22342:08Frame at 42:18, shot 22442:18
2 of 2 shots sampled

134. Street

42:04–42:23 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and vest stands on a dusty street near a wooden building, then turns and walks away. He speaks briefly, saying he is going and apologizing.

  • Man stands near wooden building on street [frame:1]
  • Man turns and walks away from building [frame:2]

1 person observed.

“I'm going to go.” 42:04 · “I'm sorry.” 42:10

Evidence, details and a link to share

Sequence 94 from 42:23

Frame at 42:37, shot 22542:37Frame at 42:54, shot 22642:54Frame at 42:58, shot 22742:58
3 of 3 shots sampled

135. Shop

42:23–42:58 Machine checks passed (partial)

Model synopsis: Two people argue in a store, with one accusing the other of betrayal and murder; the transcript reveals a backstory of a friend who was imprisoned for a crime committed by the accused. The setting is an interior shop with shelves of goods visible.

  • A man and a woman stand facing each other in a shop, appearing to argue. [frame:1]
  • The man looks directly at the camera with a stern expression. [frame:2]
  • The woman looks upward with a distressed expression. [frame:3]

2 people observed.

“Where is he?” 42:27 · “He's safe or you'll never see him again.” 42:34

Evidence, details and a link to share

Frame at 43:03, shot 22843:03Frame at 43:11, shot 22943:11
2 of 2 shots sampled

136. Shop

42:58–43:14 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat speaks to a woman inside a shop; he tells her to find the sheriff and go to an abandoned mine while he tries to stop someone named Smith. The setting includes shelves with bottles and a visible product bag.

  • Man speaks to woman in shop [frame:1]
  • Woman places hands on man's chest while speaking [frame:2]

2 people observed.

“Disgusting.” 43:00 · “I'm a bigger sap than I thought I was.” 43:05

Evidence, details and a link to share

Sequence 95 from 43:14

Frame at 43:21, shot 23043:21
1 of 1 shots sampled

137. Mountain

43:14–43:28 Machine checks passed (partial)

Model synopsis: A single frame shows a dark, rugged outdoor landscape with a wooden structure visible. A voice exclaims 'Oh, my God.' at 43:16.

  • A rugged mountain landscape with a wooden structure is visible. [frame:1]

1 person observed.

“Oh, my God.” 43:16

Evidence, details and a link to share

Sequence 96 from 43:28

Sequence 97 from 43:37

Frame at 43:43, shot 23243:43
1 of 1 shots sampled

139. Field

43:37–43:49 Machine checks passed (partial)

Model synopsis: A group of men on horseback and on foot gather near a covered wagon in a rocky outdoor setting. One man is heard giving orders to take positions as another approaches alone.

  • Men on horseback and on foot are gathered near a covered wagon in a rocky area. [frame:1]

Named: Biff (t:43:40). 4 people observed.

“Biff coming in and he's alone.” 43:40 · “Get your position, boys.” 43:43

Evidence, details and a link to share

Sequence 98 from 43:49

Frame at 43:58, shot 23343:58
1 of 1 shots sampled

140. Road

43:49–44:07 Machine checks passed (partial)

Model synopsis: A person on horseback is shown on a dirt road with hills in the background. The transcript contains a single line stating an intention to leave.

  • A person rides a horse on a dirt road. [frame:1]

1 person observed.

“I'm going to go.” 43:52

Evidence, details and a link to share

Frame at 44:11, shot 23444:11Frame at 44:16, shot 23544:16Frame at 44:20, shot 23644:20Frame at 44:25, shot 23744:25
4 of 4 shots sampled

141. Field

44:07–44:27 Machine checks passed (partial)

Model synopsis: A rider on horseback is seen approaching, followed by a group of riders in a dusty outdoor setting; one man in a cowboy hat is shown crouching near rocks. A voice warns the sheriff that someone named Wolfgang plans to ambush Brad at an abandoned mine.

  • A man rides a horse along a dusty trail. [frame:1]
  • A group of riders on horseback moves forward, led by a man in a white shirt. [frame:2]
  • Riders are partially obscured by dust and trees. [frame:3]
  • 1 more under Evidence and details.

Named: Sheriff (t:44:11), Brad (t:44:11), Wolfgang (t:44:11). 6 people observed.

“Oh!” 44:08 · “Oh, Sheriff, the Wolfgang is going to ambush Brad up at the abandoned mine.” 44:11

Evidence, details and a link to share

Frame at 44:32, shot 23844:32Frame at 44:39, shot 23944:39Frame at 44:49, shot 24044:49Frame at 44:58, shot 24144:58
4 of 4 shots sampled

142. Rocky terrain

44:27–45:00 Machine checks passed (partial)

Model synopsis: A person in Western attire walks and then rides a horse through a rocky, arid landscape. The person repeatedly says they are going to leave, as shown across four frames and four transcript lines.

  • Person walks uphill over rocks [frame:1]
  • Person crouches behind rocks holding a rifle [frame:2]
  • Person rides horse away down a dirt path [frame:3]
  • 1 more under Evidence and details.

1 person observed.

“I'm going to go.” 44:31 · “I'm going to go.” 44:41

Evidence, details and a link to share

Frame at 45:12, shot 24245:12
1 of 1 shots sampled

143. Canyon

45:00–45:24 Machine checks passed (partial)

Model synopsis: A person in a hat walks away from the camera on a rocky trail in a canyon, while another person on horseback is visible in the distance. The speaker says they are going to leave.

  • A person begins walking away from the camera on a rocky trail. [frame:1]

2 people observed.

“I'm going to go.” 45:05

Evidence, details and a link to share

Sequence 99 from 45:24

Frame at 45:25, shot 24345:25
1 of 1 shots sampled

144. Cave

45:24–45:27 Machine checks passed

Model synopsis: A man in a cowboy hat and dark clothing crouches in a rocky, shadowed area, holding a knife. No dialogue or on-screen text is present in this beat.

  • A man crouches in a rocky area holding a knife. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 100 from 45:27

Frame at 45:29, shot 24445:29
1 of 1 shots sampled

145. Field

45:27–45:32 Machine checks passed (partial)

Model synopsis: A person rides a horse across a dirt path with sagebrush in the background. No dialogue or on-screen text is present in this beat.

  • A person rides a horse across a dirt path. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 45:38, shot 24545:38Frame at 45:47, shot 24745:47Frame at 45:53, shot 24845:53Frame at 46:15, shot 25046:15
4 of 6 shots sampled

146. Rocky terrain

45:32–46:16 Machine checks passed (partial)

Model synopsis: A stagecoach is shown in a rocky outdoor setting with people near it; one person is seen running toward the coach while another is visible inside. Spoken lines indicate a warning to take cover and a plan to pursue someone.

  • A man runs toward a stagecoach parked in rocky terrain. [frame:1]
  • A horse runs past the stagecoach, kicking up dust. [frame:2]
  • The screen is almost entirely black, suggesting a cut or obscured view. [frame:3]
  • 1 more under Evidence and details.

Named: Brant (t:45:36). 5 people observed.

“Brant, look out!” 45:36 · “Get undercover!” 45:38

Evidence, details and a link to share

Sequence 101 from 46:16

Frame at 46:21, shot 25146:21
1 of 1 shots sampled

147. Field

46:16–46:26 Machine checks passed (partial)

Model synopsis: A person on horseback moves across a dirt slope near trees. The scene is outdoors and filmed in black and white.

  • A person on horseback rides across a dirt slope near trees. [frame:1]

1 person observed.

Evidence, details and a link to share

Frame at 46:29, shot 25246:29
1 of 1 shots sampled

148. Road

46:26–46:32 Machine checks passed (partial)

Model synopsis: A horse-drawn wagon travels along a dirt road near a rocky cliff. No people are visible in the frame, and no dialogue or on-screen text is present.

  • A horse-drawn wagon moves along a dirt road near a rocky cliff. [frame:1]

Evidence, details and a link to share

Sequence 102 from 46:32

Frame at 46:32, shot 25346:32
1 of 1 shots sampled

149. Rocky slope

46:32–46:33 Machine checks passed (partial)

Model synopsis: A lone figure climbs a rocky slope under an overcast sky. No dialogue or on-screen text is present in this beat.

  • A person climbs a rocky slope. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 103 from 46:33

Frame at 46:43, shot 25546:43Frame at 47:02, shot 25647:02
2 of 2 shots sampled

151. Field

46:34–47:13 Machine checks passed (partial)

Model synopsis: Two men in hats are inside a vehicle, one driving, as they prepare to flee through a tunnel while being surrounded. Dust and horses are visible outside the vehicle near a rocky entrance.

  • Dust rises near horses and a rocky tunnel entrance. [frame:1]
  • Two men sit in a vehicle, one driving, looking forward. [frame:2]

2 people observed.

“Looks like they're on all sides of it. Yeah, we're in a light spot.” 46:46 · “Come on, we got 'em! Hold it on 'em!” 46:53

Evidence, details and a link to share

Sequence 104 from 47:13

Sequence 105 from 47:26

Frame at 47:35, shot 25947:35Frame at 47:43, shot 26047:43Frame at 47:49, shot 26147:49Frame at 47:59, shot 26247:59
4 of 4 shots sampled

154. Field

47:30–48:04 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves through a dusty, rocky outdoor setting, with one rider dismounting near a structure as smoke or dust billows nearby. The transcript contains a repeated line indicating intent to leave.

  • Riders on horseback move through a dusty, rocky terrain. [frame:1]
  • A rider on a dark horse is shown in close-up, moving forward. [frame:2]
  • A figure in silhouette is visible near a bright light source in darkness. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 47:38 · “I'm going to go.” 47:55

Evidence, details and a link to share

Sequence 106 from 48:04

Frame at 48:10, shot 26348:10
1 of 1 shots sampled

155. Field

48:04–48:17 Machine checks passed

Model synopsis: A single frame shows a blurry, high-angle shot of uneven terrain with sparse vegetation. No people, objects, or text are clearly visible, and no events are described in the transcript.

Evidence, details and a link to share

Sequence 107 from 48:17

Frame at 48:21, shot 26448:21
1 of 1 shots sampled

156. Rocky outcrop

48:17–48:25 Machine checks passed (partial)

Model synopsis: A rider on horseback gallops past a rocky outcrop where other riders are visible near a cave entrance. Dust is kicked up by the horses, suggesting rapid movement in an outdoor, rugged setting.

  • A rider on horseback gallops past a rocky outcrop. [frame:1]
  • Dust is kicked up by horses, indicating rapid movement. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 108 from 48:25

Sequence 109 from 48:31

Frame at 48:35, shot 26648:35Frame at 48:42, shot 26748:42Frame at 48:48, shot 26848:48
3 of 3 shots sampled

158. Field

48:31–48:50 Machine checks passed (partial)

Model synopsis: A person is seen on horseback near a stagecoach in an outdoor setting, followed by a shot of riders on a ridge. A voice says 'Oh, my God' and 'I'm going to go.'

  • A person on horseback is visible near a stagecoach. [frame:1]
  • A stagecoach with riders is shown moving across open terrain. [frame:2]
  • Riders on horseback are seen on a ridge. [frame:3]

3 people observed.

“Oh, my God.” 48:38 · “I'm going to go.” 48:39

Evidence, details and a link to share

Frame at 48:52, shot 26948:52
1 of 1 shots sampled

159. Road

48:50–48:54 Machine checks passed (partial)

Model synopsis: A horse-drawn stagecoach travels on a dirt road with two riders visible on top. The setting is outdoors with hills and trees in the background.

  • A stagecoach pulled by horses moves along a dirt road. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 110 from 48:54

Frame at 48:55, shot 27048:55
1 of 1 shots sampled

160. Field

48:54–48:55 Machine checks passed (partial)

Model synopsis: A group of riders on horseback moves across an open, dusty terrain. The scene is shot in black and white with no visible structures or signage.

  • Riders on horseback gallop across open ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 111 from 48:55

Frame at 48:56, shot 27148:56
1 of 1 shots sampled

161. Vehicle interior

48:55–48:57 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat and shirt is visible in a vehicle interior, holding a rifle. No dialogue or on-screen text is present in this beat.

  • A man in a cowboy hat holds a rifle while seated in a vehicle. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 112 from 48:57

Frame at 48:58, shot 27248:58
1 of 1 shots sampled

162. Field

48:57–48:59 Machine checks passed (partial)

Model synopsis: A figure on horseback is visible near a cloud of dust or smoke in an outdoor setting. No dialogue or on-screen text is present in this beat.

  • A cloud of dust or smoke rises near a horse and a figure on the ground. [frame:1]

2 people observed.

Evidence, details and a link to share

Sequence 113 from 48:59

Sequence 114 from 49:03

Frame at 49:04, shot 27449:04
1 of 1 shots sampled

164. Field

49:03–49:05 Machine checks passed (partial)

Model synopsis: A horse is seen falling backward onto its back in an outdoor setting. No people or dialogue are visible or audible in this beat.

  • A horse falls backward onto its back, kicking up dust. [frame:1]

Evidence, details and a link to share

Sequence 115 from 49:05

Frame at 49:07, shot 27549:07
1 of 1 shots sampled

165. Dirt road

49:05–49:08 Machine checks passed

Model synopsis: A horse-drawn wagon travels along a dirt road with a rocky hillside in the background. No people are named or audible, and no on-screen text is visible.

Evidence, details and a link to share

Frame at 49:11, shot 27649:11Frame at 49:19, shot 27849:19Frame at 49:24, shot 28049:24Frame at 49:30, shot 28249:30
4 of 7 shots sampled

166. Road

49:08–49:30 Machine checks passed (partial)

Model synopsis: Two men in cowboy hats ride in a horse-drawn wagon; one speaks about picking off targets while driving. Later, a man in a cowboy hat is shown crouching in foliage, then standing with a rifle.

  • Two men in cowboy hats are visible riding in a horse-drawn wagon. [frame:1]
  • The wagon is shown moving along a dirt road with trees and hills in the background. [frame:2]
  • A man in a cowboy hat crouches in dense foliage. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“You keep on driving, I'll take you the next three and pick them off one at a time. All right.” 49:09 · “Come on.” 49:26

Evidence, details and a link to share

Frame at 49:32, shot 28349:32
1 of 1 shots sampled

167. Field

49:30–49:34 Machine checks passed

Model synopsis: A person is lying on the ground in a dusty, outdoor setting with trees and uneven terrain visible. No dialogue or on-screen text is present in this beat.

  • A person lies motionless on the ground in a dusty field. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 116 from 49:34

Frame at 49:39, shot 28449:39
1 of 1 shots sampled

168. Field

49:34–49:44 Machine checks passed (partial)

Model synopsis: Two men are engaged in a physical struggle outdoors. One man in a cowboy hat appears to be pushing or striking the other man, who is bent over.

  • Two men are engaged in a physical struggle. [frame:1]

2 people observed.

“Right.” 49:36

Evidence, details and a link to share

Frame at 49:50, shot 28549:50Frame at 50:00, shot 28750:00Frame at 50:07, shot 28950:07Frame at 50:16, shot 29150:16
4 of 7 shots sampled

169. Road

49:44–50:16 Machine checks passed (partial)

Model synopsis: A horse-drawn wagon and riders move along a dusty trail in a hilly, brushy landscape. Spoken lines indicate someone is preparing to leave, repeating 'I'm going to go' and apologizing.

  • A horse-drawn wagon kicks up dust on a dirt road. [frame:1]
  • The wagon continues down the road with two horses pulling it. [frame:2]
  • A rider on horseback raises an arm while riding away from the camera. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“Here.” 49:45 · “Come on.” 49:46

Evidence, details and a link to share

Frame at 50:17, shot 29250:17Frame at 50:26, shot 29450:26Frame at 50:34, shot 29750:34Frame at 50:38, shot 29950:38
4 of 8 shots sampled

170. Road

50:16–50:39 Machine checks passed (partial)

Model synopsis: A person on horseback and a horse-drawn wagon are shown in an outdoor setting, followed by riders on horseback near an explosion. The transcript repeats the line 'I'm going to go.'

  • A large cloud of smoke or dust is visible. [frame:1]
  • A person on horseback is visible next to a horse. [frame:2]
  • A horse-drawn wagon is visible on a road. [frame:3]
  • 1 more under Evidence and details.

3 people observed.

“I'm going to go.” 50:20 · “I'm going to go.” 50:27

Evidence, details and a link to share

Sequence 117 from 50:44

Frame at 50:50, shot 30150:50
1 of 1 shots sampled

172. Field

50:44–50:56 Machine checks passed

Model synopsis: A horse-drawn carriage moves across a rocky, open terrain with several horses pulling it. No people are clearly visible, and no dialogue or on-screen text is present.

  • A horse-drawn carriage is being pulled by multiple horses across rocky ground. [frame:1]

Evidence, details and a link to share

Sequence 118 from 50:56

Frame at 50:58, shot 30250:58
1 of 1 shots sampled

173. Road

50:56–51:00 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat steps down from a horse-drawn stagecoach on a dirt road with hills in the background. No dialogue or on-screen text is present in this beat.

  • A man steps down from a stagecoach. [frame:1]

1 person observed.

Evidence, details and a link to share

Sequence 119 from 51:00

Frame at 51:03, shot 30351:03
1 of 1 shots sampled

174. Rocky slope

51:00–51:06 Machine checks passed

Model synopsis: A single frame shows a rocky, brush-covered slope with a dark, boxy object partially visible among the rocks. No people, dialogue, or on-screen text are present in the frames or transcript for this beat.

Evidence, details and a link to share

Frame at 51:08, shot 30451:08
1 of 1 shots sampled

175. Field

51:06–51:10 Machine checks passed

Model synopsis: A vehicle is seen overturned on rough ground with smoke rising from it. No people are visible and no dialogue is present in this beat.

  • A vehicle lies overturned on the ground with smoke rising from it. [frame:1]

Evidence, details and a link to share

Sequence 120 from 51:10

Frame at 51:21, shot 30551:21Frame at 51:36, shot 30651:36
2 of 2 shots sampled

176. Field

51:10–51:41 Machine checks passed (partial)

Model synopsis: Two frames show a dusty outdoor scene with figures near a vehicle and brush; the transcript includes urgent dialogue. No names, time of day, or interior setting are established.

  • Figures are visible near a vehicle in a dusty field. [frame:1]
  • Brush and dust are visible in the foreground. [frame:2]

1 person observed.

“Come on.” 51:12 · “There's another one up ahead!” 51:27

Evidence, details and a link to share

Sequence 121 from 51:41

Frame at 52:06, shot 30852:06Frame at 52:14, shot 30952:14
2 of 2 shots sampled

178. Field

52:02–52:17 Machine checks passed (partial)

Model synopsis: A group of men on horseback is seen in a rugged outdoor setting, followed by a scene where a man lies on the ground while another stands over him and a third kneels beside him. A voice commands the group to surrender, and another voice states that a man appears to be dead.

  • A group of men on horseback is seen in a field. [frame:1]
  • A man lies on the ground while another kneels beside him and a third stands over him with a gun. [frame:2]

Named: Sheriff (t:52:15). 4 people observed.

“Put them up, boys. You're not going to get away this time.” 52:10 · “We're not trying to get away.” 52:10

Evidence, details and a link to share

Frame at 52:23, shot 31052:23Frame at 52:31, shot 31152:31Frame at 52:51, shot 31252:51
3 of 3 shots sampled

179. Field

52:17–53:09 Machine checks passed (partial)

Model synopsis: A man in a cowboy hat holds another man who is lying down, while a third man in a suit and hat stands nearby. The transcript reveals a confession about killing George Wagner and an apology before death.

  • A man in a cowboy hat kneels beside a man lying on the ground. [frame:1]
  • A man in a suit and hat stands looking toward the others. [frame:2]
  • The cowboy-hatted man and another man attend to the man lying down. [frame:3]

Named: George Wagner (t:52:28). 4 people observed.

“I'm cheating the rope.” 52:21 · “I killed George Wagner.” 52:28

Evidence, details and a link to share

Sequence 122 from 53:09

Transcript

Machine transcription of the Archive copy's audio with Whisper large-v3-turbo (temperature 0); the model heard it as en. 509 segments kept, 596 dropped as the kind of hallucination the model produces over music and silence. Each timestamp links to the Archive's player at that second. This has not been checked against the film and can be wrong.

  1. 1:08 - Act, act, the murderous case, act, act, act.
  2. 1:11 History! Grand Bank's prison ring! Read all about it!
  3. 1:15 - Perfect.
  4. 1:34 Just got a wire that says you got a fugitive on board, bud.
  5. 1:37 Guess we'll have to give you a train to watch over. All right, Sheriff, go ahead.
  6. 1:41 Who is he?
  7. 1:42 Name was John Brad. Sent up for murder and got away.
  8. 1:45 - Brandt, eh? - Yeah. Oh, yeah. Read about him in the paper.
  9. 1:49 Well, I hope you get him, Sheriff.
  10. 2:17 I'm going to go to the next one.
  11. 2:27 I'm going to go.
  12. 2:29 There he goes.
  13. 2:38 Hey, come on! Get my horse!
  14. 2:49 - Hey, sir! - What about that? That way! Get out!
  15. 3:12 I'm going to go.
  16. 3:27 I'm not sure what you're doing.
  17. 3:35 He don't know this country very well. We'll go round the hill and head him off.
  18. 3:39 I'm going to go.
  19. 4:05 I'm going to go.
  20. 4:15 I'm going to go.
489 more segments
  1. 4:19 I'm going to go.
  2. 4:25 I'm going to go.
  3. 4:30 I'm going to go.
  4. 4:37 I'm going to go.
  5. 4:43 I'm going to go.
  6. 4:53 I'm going to go to the next slide.
  7. 5:19 Oh, my God.
  8. 5:27 I don't see a sign of him anyplace.
  9. 5:49 What's that?
  10. 5:53 I'm going to go to the next one.
  11. 5:58 I'm not sure.
  12. 6:02 I'm going to go.
  13. 6:26 That got him.
  14. 6:29 Let's go get some of the boys and drag the lake.
  15. 7:07 Well?
  16. 7:09 I guess you got me.
  17. 7:11 Come on out, stranger, I ain't so long.
  18. 7:21 You're a pretty smart hombre.
  19. 7:23 And you got plenty of nerve.
  20. 7:24 It strikes me the boss could use somebody like you.
  21. 7:27 What's your name?
  22. 7:31 Smith, ain't it?
  23. 7:32 That's the handle most of you fast travelers use.
  24. 7:36 Ah, that's as good as any.
  25. 7:38 Mine's Jones.
  26. 7:42 Say, you're pretty near all in, ain't ya?
  27. 7:44 Better come on up with me to the hideout.
  28. 7:46 and meet the big chief.
  29. 7:47 We're short a couple of hands.
  30. 7:52 I'm going to go to the next slide.
  31. 8:29 I'm going to go.
  32. 8:36 I'm bringing a new man in to see the Chief.
  33. 8:39 Dick, I'd like for you to know my friend, Mr. Wait a minute. Don't tell me. Let me guess.
  34. 8:43 Name's Smith, ain't it?
  35. 8:45 That's right.
  36. 8:56 I'm going to go.
  37. 9:09 I'm going to go.
  38. 9:12 I'm going to go.
  39. 9:21 I'm going to go.
  40. 9:27 You can hold out the whole army with this setup.
  41. 9:30 Yeah, but if we ever do get in a tight spot this time, we're up there back through the mountain. So we always have a getaway.
  42. 9:36 You wait here a minute.
  43. 9:46 I'm going to go.
  44. 9:51 Well, I'm not sure.
  45. 9:54 As long as you brought him in, we've got to do something with him.
  46. 10:05 Saved.
  47. 10:06 We need a new cook.
  48. 10:07 The last one got hurt bad yesterday.
  49. 10:25 Hey, Smith!
  50. 10:26 Come in and clean up this mess.
  51. 10:39 Well...
  52. 10:41 Who's playing?
  53. 10:42 Wait a minute, our deal...
  54. 10:44 Deal me in. Me too.
  55. 10:46 Not tonight for me, boys.
  56. 11:09 I saw where that one came from, Chief.
  57. 11:14 Your eyes are kind of going back on you, ain't they, Jones?
  58. 11:17 Oh, no, they aren't.
  59. 11:22 I'm going to go.
  60. 11:31 - I can't do this, get off of that.
  61. 11:38 - Get her, Danny. - I got her.
  62. 11:42 - Give him a little.
  63. 11:51 I'm sorry.
  64. 11:52 - I'm sorry.
  65. 11:58 That's put him away. You're going to go. You're going to go. I'm going to go. I'm going to go.
  66. 12:03 You better keep that dude to mind his own business or we'll be needing another cook.
  67. 12:29 $1,000 reward will be paid for information
  68. 12:33 leading to the capture of John Brandt.
  69. 12:35 sentenced to the Maryland State Prison,
  70. 12:37 when he was found with the body of Jordan Wagner.
  71. 12:40 Wealthy club man in the Loveness Department,
  72. 12:43 of Mrs. Joseph Conlon.
  73. 12:45 Brand escaped from prison May 14th.
  74. 12:48 and is thought to have headed west.
  75. 12:53 You know, that's the bird.
  76. 12:54 We lost at the lake yesterday.
  77. 12:56 I'll have to send in a report on him.
  78. 12:59 Funny thing about that case.
  79. 13:03 The husband of the wound that was mixed up in it
  80. 13:05 float around these parts too.
  81. 13:07 I got a handle on him just yesterday.
  82. 13:13 You might have saved Brant if he'd only turned up and testified.
  83. 13:16 These flyers, that's what Brandt said at the trial.
  84. 13:28 I wonder what would have happened if Brant ever ran across Conlon.
  85. 13:32 I'll bet he would've made it plenty hot for him.
  86. 13:42 Now.
  87. 13:47 You sure made that plenty hot for me.
  88. 13:52 It was mighty fine of you to mix in that fight last night.
  89. 13:54 Wasn't any of your battle.
  90. 13:56 and I won't forget it.
  91. 13:57 And I won't either.
  92. 14:02 Smith, you get down to the trail and water the horses.
  93. 14:05 Thought I was supposed to cook.
  94. 14:08 Get going.
  95. 14:14 Wait a minute, Jones.
  96. 14:15 I want to talk to you.
  97. 14:17 Just who is this fellow you call Smith?
  98. 14:19 What do you know about him?
  99. 14:21 Well...
  100. 14:21 I know his name ain't Smith.
  101. 14:23 But he's got plenty of nerve.
  102. 14:25 and we can use a little of that around here
  103. 14:27 Besides, I know a square guy when I see one.
  104. 14:29 Yeah.
  105. 14:30 He might be a star packer.
  106. 14:32 Some of them are square guys.
  107. 14:35 So you're worried about him, huh?
  108. 14:36 Well, I'll show you he's all right.
  109. 14:38 You know that safe job down at Sagebrush we were talking about?
  110. 14:41 Well, Smith and I will pull that ourselves.
  111. 14:42 Just the two of us.
  112. 14:43 A star packer wouldn't do that, would he?
  113. 14:45 All right, pick him up down at the trail at noon.
  114. 14:49 And if you get in a jam, hide out down at Blind Pete's.
  115. 14:52 All right, Chief.
  116. 15:14 Sure the law won't write in on us?
  117. 15:16 Not a chance. They're all out looking for rustlers.
  118. 15:33 Were you gentlemen interested in looking at something?
  119. 15:35 I'll say so.
  120. 15:36 Have you any rutabaga?
  121. 15:39 segment.
  122. 15:44 I'm going to go.
  123. 15:47 All right.
  124. 15:48 I almost forgot what they came here for.
  125. 15:56 I'm going to go to the next one.
  126. 16:14 What time does the next mail get in?
  127. 16:16 At three o'clock.
  128. 16:21 Will it be on time?
  129. 16:23 It never misses you.
  130. 16:27 I'm going to go.
  131. 16:30 Wouldn't you like one of these hat bands?
  132. 16:32 Why, uh...
  133. 16:34 No, I guess that'll be all.
  134. 16:37 Won't there be anything else?
  135. 16:39 No.
  136. 16:41 Well, maybe my friend here would like something.
  137. 16:44 What will you have?
  138. 16:47 Why, uh...
  139. 16:49 I'll take the same.
  140. 17:03 Hey.
  141. 17:16 They do the eggs.
  142. 17:17 Be careful with us.
  143. 17:20 Are you sure you wouldn't catch one of these
  144. 17:21 hat band's?
  145. 17:22 - Why? - It's special.
  146. 17:26 I'll get one next time.
  147. 17:27 That will be $10 each.
  148. 17:30 My friend will pay for it.
  149. 17:46 I'm going to go.
  150. 17:53 I'm sorry.
  151. 18:01 I suppose you want more liniment for that rheumatism of yours.
  152. 18:04 Well, how'd you guess it, Miss Daly? You're limping like that. Oh.
  153. 18:21 Wait.
  154. 18:23 I think I gave you the wrong bottle.
  155. 18:25 Yeah.
  156. 18:30 No, this is the right one.
  157. 18:32 I don't know what's the matter with me today.
  158. 18:51 Look, Dad.
  159. 18:56 Leave a couple of men in your store with the lights on or your safe will be robbed tonight.
  160. 19:03 Do you think those fellows who were just here had anything to do with this?
  161. 19:06 Why, no, they couldn't have written it.
  162. 19:09 Why?
  163. 19:09 I was talking to one of them all the time.
  164. 19:12 I'd better tell the sheriff.
  165. 19:15 We'll be waiting for them, all right.
  166. 19:18 But without any lights on.
  167. 19:42 Your light, Jay.
  168. 19:44 That's bad.
  169. 19:46 What's that?
  170. 19:47 Nothing.
  171. 19:49 Better let me go.
  172. 20:00 *throwing*
  173. 20:06 I'm sorry.
  174. 20:23 They're right behind us.
  175. 20:25 You get out. Don't wait for me. Come on, you're all right. You can hide out at Blind Pete, and there won't be no time before you're up and around.
  176. 20:42 That guy looked mighty familiar to me.
  177. 20:45 I wonder if it could have been-- What's that, Sheriff?
  178. 20:48 Oh, never mind. No way he's trying to tell him in the dark anyhow.
  179. 21:06 I'm not.
  180. 21:16 I'm going to go.
  181. 21:35 Yeah.
  182. 21:42 Okay.
  183. 21:46 What's the dope?
  184. 21:50 The three o'clock stage is carrying the mine payroll.
  185. 21:56 That's all Walsh wanted to know.
  186. 22:11 How Smith?
  187. 22:16 We gonna hard hold them. - What are we?
  188. 22:19 He's in there.
  189. 22:33 Come in.
  190. 22:37 - How are you, partner? - Oh, I'm feeling great.
  191. 22:39 Ha ha.
  192. 22:40 And I'll sure be glad to get out of this place.
  193. 22:44 I'm going to go.
  194. 22:55 I'm going to go.
  195. 23:00 You'd better wait a while yet, partner.
  196. 23:02 We've got a tough job to do.
  197. 23:05 We're sticking up the three o'clock stage down by the bend.
  198. 23:08 And it ain't no place for invalids.
  199. 23:12 Well, I'm glad to see you're coming along, all right.
  200. 23:17 Well, so long. I'll be seeing you.
  201. 23:21 Oh, my God.
  202. 23:25 Down by the bend, eh?
  203. 23:29 Yes, you'll be seen.
  204. 23:42 - No.
  205. 24:11 I'm going to go.
  206. 24:21 Oh, it's working right here. Oh, hold it. Oh. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it. Hold it.
  207. 24:34 Hold it.
  208. 24:36 I'm going to go.
  209. 24:51 Hmm.
  210. 24:55 Just a few minutes, boys, so get ready.
  211. 24:59 I'm going to go.
  212. 25:22 I'm going to go.
  213. 25:33 Road agents haven't been very active lately, haven't they?
  214. 25:36 Ah, we got them scared.
  215. 25:39 Get rid of that gun.
  216. 25:40 And don't turn around.
  217. 25:42 I'll throw off that money box.
  218. 25:49 Keep driving straight ahead and don't look back.
  219. 25:53 I'm going to go.
  220. 26:01 I'm going to go.
  221. 26:06 I'm sorry.
  222. 26:07 This ought to be a good haul.
  223. 26:11 Here he comes now.
  224. 26:29 I'm going to go.
  225. 26:37 I'm going to go.
  226. 26:45 I tell you, he came up behind us.
  227. 26:47 We didn't even get a look at him.
  228. 26:49 He must be telling the truth, Chief.
  229. 26:50 Ain't a sign on the box anywhere.
  230. 26:53 All right, get going. Hit it.
  231. 26:55 Cut!
  232. 26:55 I'm not.
  233. 27:01 Somebody pulled a pass.
  234. 27:04 Hey!
  235. 27:05 Can you tell Smith about this?
  236. 27:07 No!
  237. 27:09 Besides, he could have done it anyway.
  238. 27:11 He's our blind thief.
  239. 27:13 Yeah.
  240. 27:14 Well, getting out of it, boys.
  241. 27:16 We'll split up and see if we can't find this word that has such taken ways of mine, payroll.
  242. 27:28 - Okay. - All set, Jack, wait. - Okay.
  243. 27:40 I'm going to go.
  244. 27:45 I'm going to go.
  245. 27:59 I'm sorry.
  246. 28:02 I'm sorry.
  247. 28:04 Quick, Sally, come out here. It's important.
  248. 28:08 I'm going to go.
  249. 28:19 I'm going to go.
  250. 28:30 Yes.
  251. 28:40 He could have saved me if he'd have wanted, but he let me go to jail.
  252. 28:44 Well, someday I'll meet him.
  253. 28:47 When I do,
  254. 28:48 I'm sorry, but...
  255. 28:51 Why do you have to associate with that gang?
  256. 28:53 That's just the kind of a place I'll find the man I'm looking for.
  257. 28:56 And besides,
  258. 28:58 I got a pal that doesn't belong there.
  259. 29:01 Well, I guess I'd better be riding.
  260. 29:03 Now, don't forget, in the hollow of a tree down by the forks,
  261. 29:06 Oh, you call the sheriff, you got another note.
  262. 29:09 Oh, you've lost your hat, Ben.
  263. 29:11 Wait, I'll get you another from the store.
  264. 29:26 Right now. More payers.
  265. 29:29 Why, get back down.
  266. 29:37 All right. Come on.
  267. 29:49 Whoa.
  268. 29:51 Well, I didn't expect to see you here, partner.
  269. 29:55 How'd the state's job come wrong?
  270. 29:57 Why not so good?
  271. 29:58 Somebody beat us to it.
  272. 30:00 Fact is, the boys kind of think you did it.
  273. 30:02 Looks funny, too, you being away.
  274. 30:04 I'd sort of suspect you myself, but hadn't been for the wake the other night.
  275. 30:07 Well, maybe I did rob the stage.
  276. 30:11 Say, just where were you anyway?
  277. 30:14 You haven't been over to see Sally, have you?
  278. 30:17 You know, we're pals and all that.
  279. 30:19 I like you fine, Smith.
  280. 30:20 But if I thought you were cutting in on Sally,
  281. 30:23 You don't think you're good enough for her, do you?
  282. 30:26 Do you think you are?
  283. 30:28 No.
  284. 30:29 I don't.
  285. 30:31 Maybe you're right.
  286. 30:33 I might have been, though, if a woman hadn't double-crossed me.
  287. 30:36 It was several years ago.
  288. 30:38 I came out here from Baltimore.
  289. 30:43 Baltimore?
  290. 30:44 Yeah, why?
  291. 30:46 I knew somebody in Baltimore once.
  292. 30:50 I came out here to regain my health.
  293. 30:53 When I went back,
  294. 30:54 I found my wife in the arms of another man.
  295. 30:57 We fought.
  296. 30:58 And I killed him, Smith.
  297. 31:02 I got away and headed out here.
  298. 31:05 I've been a fugitive ever since.
  299. 31:07 What is her name, Conlon?
  300. 31:11 What do you want to know for? I think I read about it in the paper.
  301. 31:15 Yeah.
  302. 31:17 I suppose it was in all the papers.
  303. 31:20 Funny, I never saw one after I left.
  304. 31:27 And you never knew what happened after that?
  305. 31:29 No.
  306. 31:31 I never heard any more about it.
  307. 31:35 - Yeah.
  308. 31:37 Well, come on. You need a drink, partner.
  309. 31:44 You know we ought to give up this racket, though.
  310. 31:47 Gonna lead his boat to a rope necktie one of these days.
  311. 32:01 Hiya, boy.
  312. 32:03 Here's a note I picked up down at Blind Pete's.
  313. 32:11 Well, boys.
  314. 32:12 We struck it rich.
  315. 32:14 The mine's shipping out a load of gold bullion on the afternoon stage.
  316. 32:18 Tomorrow.
  317. 32:19 I'm gonna retire after this haul.
  318. 32:21 Not a chance that Walt's winning all back at cards.
  319. 32:25 Oh, my working days are over.
  320. 32:29 I'm afraid of that guy.
  321. 32:31 Oh, he's all right.
  322. 32:32 Ever since he's been here, somebody's been tipping off the sheriff. I think he's a stool pigeon.
  323. 32:37 He's got the wrong dope on this bullion shipment, though.
  324. 32:42 I need a handball.
  325. 33:06 I'm sorry.
  326. 33:12 I'm sorry.
  327. 33:36 Oh,
  328. 33:45 the day
  329. 33:47 Did it
  330. 33:49 What are you getting all slicked up for?
  331. 33:52 Oh, I'm just going shopping.
  332. 33:54 Shopping.
  333. 33:55 - For what? - Here, hold this.
  334. 33:59 I'm going shopping for, uh...
  335. 34:02 For eggs.
  336. 34:03 You know, if I don't have eggs in the morning, your boys will be squawking.
  337. 34:09 Well, so long.
  338. 34:28 Chief, I'm beginning to think maybe you were right about Smith.
  339. 34:31 Ha, well.
  340. 34:32 Sure took you a long time to get wise to yourself, didn't it?
  341. 34:35 He's going down now to tell them about the bullion job, which ain't tomorrow.
  342. 34:40 We're gonna bring that stage up here this afternoon.
  343. 34:43 It's just too heavy to move a horseback.
  344. 34:45 I'll follow him and find out.
  345. 34:47 If we come back together, he's all right.
  346. 34:49 But if I send him back alone... We know what to do.
  347. 34:57 I'm going to go.
  348. 35:09 I'm going to go.
  349. 35:22 You know, I believe that fellow Brad is still alive.
  350. 35:25 Look to me like it is him at the door the night of the store hold-up.
  351. 35:30 Must have gotten out of that lake somehow.
  352. 35:33 I believe we better take these handbills over and talk to Sally.
  353. 35:47 Oh, my God.
  354. 36:23 I'm going to go.
  355. 36:37 Hey, buddy.
  356. 36:40 Take this to Miss Sally, will you?
  357. 36:42 Sure. And see that she gets it personally.
  358. 37:00 Sally?
  359. 37:01 A man outside told me to give this to you.
  360. 37:24 Did you want something, Sheriff?
  361. 37:26 Why, yes, Miss Sally.
  362. 37:27 I wanted you to identify a couple of men for me.
  363. 37:30 Were these the two men who were in the store the day of the holdup?
  364. 37:40 I don't think these are the men, Sheriff. Sheriff.
  365. 37:44 I don't believe I can resume.
  366. 37:48 Well, maybe we're wrong.
  367. 37:50 Thanks, Miss Salley.
  368. 37:57 I've known Sally since she was so high. It's kind of hard to believe, but she knows more than she's telling us.
  369. 38:04 Maybe we ought to trailer.
  370. 38:19 I'm going to go.
  371. 39:09 Hello, Joan.
  372. 39:11 Where'd you come from?
  373. 39:13 I just came in to help you carry back them eggs.
  374. 39:16 Say, what's eating you?
  375. 39:18 You aren't acting yourself.
  376. 39:21 Oh.
  377. 39:22 Nothing.
  378. 39:23 I guess I need a drink.
  379. 39:26 Peace.
  380. 39:27 Fix me a drink.
  381. 39:51 Oh, John, you've got to get out of here. The sheriff is after you.
  382. 39:55 He acted funny when I told him about the stage holdup. And today he came in and showed me your picture on reward notice.
  383. 40:00 Well, uh...
  384. 40:01 That's mighty fine of you to warn me.
  385. 40:03 All right, Sally. Put up your hands, boys. The game's up.
  386. 40:13 I'm going to go.
  387. 40:15 We want you, Brant.
  388. 40:17 And you, Conlon?
  389. 40:20 I'm going to go.
  390. 40:28 I'm going to go.
  391. 40:32 Come on.
  392. 40:37 Beat it, Tom.
  393. 40:57 I'm going to go.
  394. 41:05 Come on, we'll get a posse.
  395. 41:07 I'm going to go.
  396. 41:21 If there is a poppy, we ain't got a chance mounted like this.
  397. 41:24 You head for the corral on foot.
  398. 41:25 Get a horse and make for the abandoned mine while I circle around and draw off these star packers. Well, why should you take all the chances? Why should you take all the chances?
  399. 41:30 I know this country better than you do.
  400. 41:32 I'll meet you at the hideout.
  401. 41:33 All right, John.
  402. 41:49 - Are you all ready, boys? - Yeah.
  403. 42:03 Yeah.
  404. 42:04 I'm going to go.
  405. 42:10 I'm sorry.
  406. 42:27 Where is he?
  407. 42:27 Did I get him?
  408. 42:28 Is it safe?
  409. 42:29 Yeah, where is he?
  410. 42:31 Is he safe?
  411. 42:32 Yeah, he's safe, all right.
  412. 42:34 He's safe or you'll never see him again.
  413. 42:36 I picked a nice little party for him.
  414. 42:37 He'll never double-cross anybody anymore.
  415. 42:41 I'll never get you either.
  416. 42:43 Snap, I am.
  417. 42:44 You're right.
  418. 42:45 You are a sap.
  419. 42:47 You're the double-crosser.
  420. 42:49 Why, you've double-crossed the best friend you ever had.
  421. 42:51 He was sent up for the killing you did.
  422. 42:53 came out here to get you. Instead of that, he stayed here, even after he knew who you were, and tried to make you go straight.
  423. 43:00 Disgusting.
  424. 43:05 I'm a bigger sap than I thought I was.
  425. 43:09 You find the sheriff and head for the abandoned mine.
  426. 43:10 Well I try to head off Smith before the gang gets you.
  427. 43:16 Oh, my God.
  428. 43:31 The car, they went that way!
  429. 43:40 Biff coming in and he's alone.
  430. 43:43 Get your position, boys.
  431. 43:44 Come on.
  432. 43:52 I'm going to go.
  433. 44:08 Oh!
  434. 44:11 Oh, Sheriff, the Wolfgang is going to ambush Brad up at the abandoned mine.
  435. 44:31 I'm going to go.
  436. 44:41 I'm going to go.
  437. 44:46 I'm going to go.
  438. 44:54 I'm going to go.
  439. 45:05 I'm going to go.
  440. 45:36 Brant, look out!
  441. 45:38 Get undercover!
  442. 45:41 I'm going to go.
  443. 46:11 Behind him.
  444. 46:12 We'll get 'em, go.
  445. 46:44 *Burps*
  446. 46:46 Looks like they're on all sides of it. Yeah, we're in a light spot.
  447. 46:53 Come on, we got 'em! Hold it on 'em!
  448. 46:58 We'll have to make a run for him. There's no chance that he didn't do. If we make the tunnel, you get on the stage and keep firing. I'll drive.
  449. 47:16 Help!
  450. 47:17 I'm going to go.
  451. 47:38 I'm going to go.
  452. 47:55 I'm going to go.
  453. 48:07 I
  454. 48:26 They must have gone through this way, boys.
  455. 48:38 Oh, my God.
  456. 48:39 I'm going to go.
  457. 49:09 You keep on driving, I'll take you the next three and pick them off one at a time. All right.
  458. 49:26 Come on.
  459. 49:36 Right.
  460. 49:45 Here.
  461. 49:46 Come on.
  462. 49:58 I'm going to go.
  463. 50:07 I'm going to go.
  464. 50:13 I'm sorry.
  465. 50:20 I'm going to go.
  466. 50:27 I'm going to go.
  467. 50:30 I'm going to go.
  468. 50:39 Put him on the horse, Leonard. Bring him along. All right, sir. All right.
  469. 51:12 Come on.
  470. 51:27 There's another one up ahead!
  471. 51:28 Oh, my God.
  472. 51:49 Are you all right?
  473. 51:52 Easy.
  474. 51:54 Don't try to move me.
  475. 51:56 I'm bleeding.
  476. 51:58 Inside.
  477. 52:01 I'm going to go.
  478. 52:10 Put them up, boys. You're not going to get away this time. We're not trying to get away.
  479. 52:15 Afraid this man's done for, Sheriff.
  480. 52:19 Yeah.
  481. 52:21 I'm cheating the rope.
  482. 52:23 But before I go,
  483. 52:26 I want to tell you.
  484. 52:28 I killed George Wagner.
  485. 52:31 The branch didn't have anything to do with it.
  486. 52:34 I didn't know.
  487. 52:37 I'm sorry, partner.
  488. 52:42 I'm glad.
  489. 53:03 I always told Jones that word wouldn't make good as a bad man. Shut up.

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