Private office
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 1 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 35:20 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 62 · shots 165–165. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- private_office (private office, interior) evidence: frame:1
- People
- man wearing cowboy hat, vest, and gun belt visible
- man wearing suit, tie, and fedora, adjusting his belt visible
- Seen happening
- Two men stand in a room discussing Brad and deciding to take handbills to Sally. [frame:1]
- Also said
- “Must have gotten out of that lake somehow.” 35:30 · “I believe we better take these handbills over and talk to Sally.” 35:33
- Seen
- cowboy hat, suit and fedora, gun belt, door with glass panes, wall sconce, framed picture
- Interpretation
- Model opinion, not evidence: mood: suspenseful and conversational; themes: mystery, investigation, survival; style notes: medium two-shot, static framing, high-contrast black-and-white lighting, period costume detail
Two men in a room discuss a person named Brad, believing he may be alive and seen at a store during a hold-up; they decide to take handbills to talk to someone named Sally. The setting appears to be an interior space with a door and wall decor visible.
“You know, I believe that fellow Brad is still alive.” 35:22 · “Look to me like it is him at the door the night of the store hold-up.” 35:25 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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