Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed. 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 2 of 2 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 30:30 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 56 · shots 142–143. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:1
- People
- man wearing cowboy hat, light shirt, dark vest and pants, standing near a bed visible
- man wearing dark shirt and neckerchief, seated in a chair, belt visible visible, audible
- Seen happening
- A man in a cowboy hat stands near a bed in a bedroom. [frame:1]
- A man sits in a chair, looking toward the camera. [frame:2]
- Also said
- “I came out here from Baltimore.” 30:38 · “I knew somebody in Baltimore once.” 30:46
- Seen
- bed [frame:1], dresser with mirror [frame:1], chair [frame:2], cowboy hat [frame:1], neckerchief [frame:2]
- Interpretation
- Model opinion, not evidence: mood: tense and reflective; themes: betrayal, past regrets, regional identity; style notes: black-and-white, medium close-ups, studio lighting with shadows, static framing
A man in a cowboy hat stands near a bed in a dimly lit room while another man sits in a chair; dialogue references Baltimore and a woman who double-crossed someone years ago. No names are spoken that can be assigned to the visible individuals.
“Maybe you're right.” 30:31 · “I might have been, though, if a woman hadn't double-crossed me.” 30:33 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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