Bedroom
Machine annotation by Qwen/Qwen3-VL-235B-A22B-Instruct, cut beats-0.2, prompt beats-0.2. Machine checks passed (partial). 4 quotes checked against the transcript; 2 names checked for a spoken or on-screen source; 1 of 3 visible events checked against a frame. Not human-reviewed. Observations and transcript may still be wrong.
Play from 22:04 on the Internet Archive This passage on the film's page
Evidence and details
Starts here: pause in speech. Sequence 42 · shots 96–98. Observations cite a frame (frame:n) or a time (t:m:ss); frames are the sampled ones above.
- Place
- bedroom (bedroom, interior) evidence: frame:3
- People
- man wearing a cowboy hat and dark vest over a white shirt, seen from back and side visible, audible
- man in a suit jacket, standing in a room, facing p1 visible, audible
- Seen happening
- A hand writes a note on paper. [frame:1]
- A man in a cowboy hat walks through a doorway. [frame:2]
- Two men stand in a bedroom; one faces the other near a bed and dresser. [frame:3]
- Also said
- “We're sticking up the three o'clock stage down by the bend.” 23:05 · “And it ain't no place for invalids.” 23:08
- Seen
- handwritten note, cowboy hat, dark vest, bed, dresser with mirror, chair, suit jacket
- Interpretation
- Model opinion, not evidence: mood: tense and conspiratorial; themes: crime planning, Western outlaw culture, male camaraderie under pressure; style notes: static medium shots, high-contrast lighting, period Western costumes, minimal set dressing
A man in a cowboy hat and vest is seen in a room with another man; they speak about a planned robbery of a stagecoach. One man writes a note while the other prepares to leave, but is told to wait because of the upcoming job.
“- How are you, partner? - Oh, I'm feeling great.” 22:37 · “And I'll sure be glad to get out of this place.” 22:40 automatic transcript, may be wrong
The record
No renewal found An automated finding, not a verdict. A renewal would have appeared in the Copyright Office's renewal registrations 27 to 29 years after the term began. Those volumes are loaded and our parse of them found no matching renewal. If that is right, a work published 1931–1963 that was not renewed entered the public domain at the end of its 28th year; the volumes are OCR of old print, and the method page reports how often the parse has been found to miss one. Evidence dossier. The finding concerns the US copyright record for the film; it is not clearance for any use, and this page's annotation is machine output.
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